Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art and Design (12)
- Other Film and Media Studies (10)
- Feminist, Gender, and Sexuality Studies (9)
- Interdisciplinary Arts and Media (7)
- History of Art, Architecture, and Archaeology (6)
-
- Race, Ethnicity and Post-Colonial Studies (6)
- Social and Behavioral Sciences (6)
- Art Practice (5)
- Fine Arts (5)
- Digital Humanities (4)
- History (4)
- Other Feminist, Gender, and Sexuality Studies (4)
- Photography (4)
- African American Studies (3)
- Contemporary Art (3)
- Theory and Criticism (3)
- Women's Studies (3)
- American Art and Architecture (2)
- Business (2)
- Communication (2)
- Communication Technology and New Media (2)
- Critical and Cultural Studies (2)
- English Language and Literature (2)
- Environmental Studies (2)
- Fashion Design (2)
- Film Production (2)
- Game Design (2)
- Keyword
-
- Art (3)
- Documentary (3)
- Photography (3)
- Social media (3)
- Digital media (2)
-
- Feminism (2)
- Film (2)
- Media studies (2)
- Portraiture (2)
- Video Games (2)
- Water (2)
- Women (2)
- 3D Modeling (1)
- Aesthetic Capitalism (1)
- Aesthetics (1)
- African American Photography (1)
- Alice Bag (1)
- Allende (1)
- Architecture (1)
- Attention economy (1)
- Avant garde cinema (1)
- Black Art (1)
- Black Body (1)
- Black rodeos (1)
- Blackness (1)
- Blogging (1)
- CONCEPTUAL PORTRAITURE (1)
- Cabinets of curiosity (1)
- Chile (1)
- Collections (1)
- Publication Year
- Publication
- Publication Type
Articles 31 - 31 of 31
Full-Text Articles in Visual Studies
Weaving Through Reality: Dance As An Active Emblem Of Fantasy In Performance Literature, Tara Maylyn Frankel
Weaving Through Reality: Dance As An Active Emblem Of Fantasy In Performance Literature, Tara Maylyn Frankel
CMC Senior Theses
Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. …