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Articles 61 - 90 of 114
Full-Text Articles in Visual Studies
Recipe For Disaster, Zac Travis
Recipe For Disaster, Zac Travis
MFA Thesis Exhibit Catalogs
Today’s rapid advances in algorithmic processes are creating and generating predictions through common applications, including speech recognition, natural language (text) generation, search engine prediction, social media personalization, and product recommendations. These algorithmic processes rapidly sort through streams of computational calculations and personal digital footprints to predict, make decisions, translate, and attempt to mimic human cognitive function as closely as possible. This is known as machine learning.
The project Recipe for Disaster was developed by exploring automation in technology, specifically through the use of machine learning and recurrent neural networks. These algorithmic models feed on large amounts of data as a …
In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive, Charlsa Anne Hensley
In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive, Charlsa Anne Hensley
Theses and Dissertations--Art and Visual Studies
The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members of Richmond, Virginia on how the city should approach the contentious history of Monument Avenue’s five Confederate centerpieces. What the monuments have symbolized within the predominately rich, white neighborhood and outside of its confines has been a matter of debate ever since they were unveiled, but the recent publicity accorded to Confederate monuments has led to considerations by historians, city leaders, and the public regarding recontextualization of Confederate monuments.
Recontextualization of the monuments should not …
Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch
Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch
Genocide Studies and Prevention: An International Journal
Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …
Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette
Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette
The Qualitative Report
Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom, Reynaldo Lastre
Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom, Reynaldo Lastre
The Quiet Corner Interdisciplinary Journal
Breve análisis de los tópicos característicos en la obra fotográfica del fotógrafo cubano Juan Carlos Alom, en especial las que resumen su reciente exposición en el Jorgensen, Center for the Performing Arts, de la Universidad de Connecticut.
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Artl@s Bulletin
How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.
How To Be The Perfect Asian Wife!, Sophia Hill
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
Visual Influence And Youth Empowerment, Rebecca A. Cote
Visual Influence And Youth Empowerment, Rebecca A. Cote
Lesley University Community of Scholars Day
During adolescence, youth start to look outside of their spheres of family to explore the greater world and they are often left with visual media as the go-to source of information. Media images are contrived to provoke meaning through the use of signs and how they are presented and they manipulate images to impart messages. Youth need to be literate in visual language in order to discern the implied influence.
Good Game, Greyory Blake
Good Game, Greyory Blake
Theses and Dissertations
This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say, all of these semiotic …
[For The System, Alternate Title: If It Sort Of Looks Like A Duck: Reflecting On Bad Photographs And Chains Of Custody], Jodi Kearns, Brian C. O'Connor
[For The System, Alternate Title: If It Sort Of Looks Like A Duck: Reflecting On Bad Photographs And Chains Of Custody], Jodi Kearns, Brian C. O'Connor
Proceedings from the Document Academy
Though the system will not permit it, our abstract is an out-of-focus photograph of ducks at 1900 pixels wide and black and white, which is approximately 20% the size of the original color photograph we use for our title. By most technical standards, it is a bad picture. Straightening the horizon, cropping the image to emphasize the two foremost ducks, brightening the image to highlight the feet, and adding a caption that indicates activity might yield a “better” picture for some viewers. This piece captures nearly 20 years of conversations about good and bad pictures, and continues the conversation from …
Stitched Past, Sawyer Smith
Stitched Past, Sawyer Smith
Mahurin Honors College Capstone Experience/Thesis Projects
“Stitched Past” tells the stories of vulnerable women in Lima, Peru. Despite the emotional and physical impacts of poverty, the women seek mentorship, education, and job security through Krochet Kids International. Krochet Kids, a U.S.-based non-profit organization, offers women in Peru and Uganda the opportunity to create knitwear to be sold online. In addition to gaining a new job and skill, the women receive counseling, affordable childcare, and supportive community. Krochet Kids approaches empowerment from a holistic perspective. The mentors encourage growth in five categories: financial, intellectual, physical, social, and psychological. This model of personal development ensures that the women …
Photo Synthesis: The Expatriate Family Album As Historiography, Kamayani Sharma Ms
Photo Synthesis: The Expatriate Family Album As Historiography, Kamayani Sharma Ms
Proceedings from the Document Academy
I want to look at the expatriate family album as a site of history-writing.
Through an examination of three photographs from my childhood in West Asia, I try to think about the idea of historical space and time through the visual narratives available to me of my own family.
This essay will be an exploration of the way in which nostalgia for a personal past gets imbricated within the shared experience of a bygone cultural moment.
I am interested in how an encounter with visual material from private archives initiates memory work and how these traces from the past can …
Creative Advertising Portfolio, Hayley E. Sunderman
Creative Advertising Portfolio, Hayley E. Sunderman
Senior Honors Projects, 2010-2019
Since I was a young child, all I wanted was to draw and write. I would compose entire binders of my artwork, as well as Microsoft Word documents of the beginnings of mystery novels. As I grew older, I let my self-doubt take over and I convinced myself that I was not talented enough to pursue any type of creative career path. I came into college as a Marketing major knowing that my future career options would be fairly vast. During my junior year, I realized my strong desire to work in creative advertising. Graphic design, copywriting, photography, videography, and …
The Short Story And The Photographic: Twentieth-Century Imagetexts In And Of The Americas, Lucienne Muller
The Short Story And The Photographic: Twentieth-Century Imagetexts In And Of The Americas, Lucienne Muller
Dissertations, Theses, and Capstone Projects
This dissertation examines the visuality of the short story from an intermedial point of view, that is, with a focus on the relationship between the short story and the photographic visual. This analysis draws from photographic theory and from the writings of photographer and writer Julio Cortazar whose philosophy puts forward the idea of a reader who becomes the inventive co-creator of the fictional work.
Adoptability And Acceptability Of Peace Journalism Among Afghan Photojournalists: Lessons For Peace Journalism Training In Conflict-Affected Countries, Saumava Mitra
Media Studies Publications
In this article, I seek to inform Peace Journalism (PJ) education and training in conflict-affected countries in particular. Based on a case study of the professional experiences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by journalists from conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ training in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
"A Girl And Her Room", Rania Matar
"A Girl And Her Room", Rania Matar
Occasional Paper Series
A photographic essay of girls' bedroom culture.
Relocating Pictures: An Interdisciplinary Analysis Of Transnational Islamic Images, Mary S.W. Campbell
Relocating Pictures: An Interdisciplinary Analysis Of Transnational Islamic Images, Mary S.W. Campbell
Honors Projects
This paper and accompanying photo series analyze and discuss Western images of Islamic migration. Incorporating a variety of disciplines, they evaluate the emotional responses of Americans towards images of Muslim migrants and transnational issues. Through surveying and literary analysis, they demonstrate the need for new images of the Muslim migrant that allow for greater emotional engagement that leads to action. My photographs, taken in Spain and Morocco, are a first step at discovering what is needed in these new images.
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Dissertations, Theses, and Capstone Projects
Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …
The One Exhibition The Roots Of The Lgbt Equality Movement One Magazine & The First Gay Supreme Court Case In U.S. History 1943-1958, Joshua R. Edmundson
The One Exhibition The Roots Of The Lgbt Equality Movement One Magazine & The First Gay Supreme Court Case In U.S. History 1943-1958, Joshua R. Edmundson
Electronic Theses, Projects, and Dissertations
The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history.
Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage …
A Borrowed Language, Yvonne Osei
A Borrowed Language, Yvonne Osei
Graduate School of Art Theses
Art has the potency of mediation: bridging human differences, questioning voids in historical trajectories, negotiating spaces of relevance, and most importantly, being signifiers that embody the absent. I speak in a borrowed language, a multilingual visual tongue, inspired by a culmination of Western and African Art modes of practices to create charged platforms for multicultural communication.
My art presents visual portals that allow for intercultural and interracial mingling as issues of colorism, present-day colonialism, gender inequality and the politics of dress are foregrounded for collective deliberation. The essence of the work is often activated and brought to its full potential …
The Fantasy Self, Jill Lobianco-Bartalis
The Fantasy Self, Jill Lobianco-Bartalis
All Student Theses and Dissertations
If you could be anything what would you be? The Fantasy Self is a visual and psychological examination of fantasy personas, analyzed using the vehicles of photography and Jungian psychology. The subjects are photographed as their fantasy self and then psychoanalyzed with the intention of making the connections between the subconscious mind and the conscious mind. The Collective Unconscious is comprised of twelve major archetypes, each with their own set of distinct characteristics. The Innocent, The Orphan, The Warrior, The Caregiver,The Seeker, The Destroyer, The Lover, The Creator, The Ruler, The Sage, The Magician, and The Fool. Every human being …
Seeking Solace: Regret, Grief, Anxiety, Rebecca Schroeder
Seeking Solace: Regret, Grief, Anxiety, Rebecca Schroeder
Honors Projects
Seeking Solace: Regret, Grief, Anxiety is a triptych video and artifact piece inspired by the abstract analysis of my dreams. It recognizes worries held within my subconscious and brings them to life through graphic design, photography, and video. The process of creating provides a new perspective of looking at both art and occupational therapy as methods of solving emotional distress.
I have recorded over 80 of my dreams in the past year. In these dreams, regret, grief, and anxiety are common themes. These themes are represented in three triptychs that cycle through past, present, and future problems. The cycling of …
Petrography, The Tar Sands Paradise, And The Medium Of Modernity, Warren Cariou, Jon Gordon
Petrography, The Tar Sands Paradise, And The Medium Of Modernity, Warren Cariou, Jon Gordon
The Goose
This article engages with the artistic practice of petrography, the art of creating photographic images through the action of sunlight upon bitumen, the heavy-oil material that is the source of the petroleum in the Athabasca tar sands. It presents several examples of petrographs that document the process of industrial bitumen mining itself. Further, it theorizes the ways in which both the process of producing petrographs and the act of engaging with them as a viewer require a degree of collaboration normally absent from our consumption of petroleum as the medium of modernity. A key argument of the paper is the …
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith
Dissertations, Theses, and Capstone Projects
“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …
Identity, Community, And Nikki S. Lee, Haley Yarborough
Identity, Community, And Nikki S. Lee, Haley Yarborough
Bridges: A Journal of Student Research
This research sheds light on the complex artistry of Korean-born photographer Nikki S. Lee. Although Lee's work initially appears straightforward and casual, this essay explores how photographs in "The Hip Hop Project" and "The Tourist Project" actually reinforce and critique specific cultural stereotypes. In performing different ethnic and cultural identities for her photographs, Lee also investigates what it means to one's own identity to be labeled part of a specific community.
Illusory Perspectives: Edward Weston, Jeremy Razook
Illusory Perspectives: Edward Weston, Jeremy Razook
Bridges: A Journal of Student Research
Photographer Edward Weston was famously able to capture unexpected beauty—no matter if his subject was fruit or human. This essay locates Weston's artistic vision within the modernist movement of the first half of the twentieth century and uses two well-known images to illustrate Weston's unique talent for transcending the boundaries between human and nonhuman, animate and inanimate, being and nonbeing in his desire to encourage the experience of introspection and contemplation in viewers.
Socially Engaged Practice: A Reflection On Values, Theory And Writing, Alan Grossman, Anthony Haughey
Socially Engaged Practice: A Reflection On Values, Theory And Writing, Alan Grossman, Anthony Haughey
Books/Book chapters
No abstract provided.
So Much Apparent Nothing, Emily Mcbride
So Much Apparent Nothing, Emily Mcbride
Theses and Dissertations
This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.