Visual Studies Commons^™

Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis

Laurier Undergraduate Journal of the Arts

No abstract provided.

Hollywood’S Image Of The Second World War - David Ayer’S Fury (2014) And The Depiction Of Violence In War, Frank Jacob

Publications and Research

The article describes the way in which violence is depicted in David Ayer’s World War II movie Fury (2014). It also deals with the general question how violence is visualized in current Hollywood movies.

Green Documentary: Environmental Documentary In The 21st Century By Helen Hughes, David M. Lawrence

The Goose

David M. Lawrence reviews Green Documentary: Environmental Documentary in the 21st Century by Helen Hughes.

My Way Or The Highway And A Correspondence: Visual Representations Of The City, Larkin J. Sheldon

Scripps Senior Theses

This Capstone Project encompasses two videos, each representing different ways to visually structure the experience of “the city”.

The first video, "My Way or the Highway", is a 5 minute piece examining Los Angeles Transportation systems. Through observational footage and a poetic editing style, I compare and contrast the experience of traveling via public and private transportation. Through this video I aim to encourage the viewer to consider their own transportation options whether it is in Los Angeles or anywhere else around the world.

The second is a 12 minute video, titled "A Correspondence" structured as a …

Choices In The Editing Room: How The Intentional Editing Of Dialogue Scenes Through Shot Choice Can Enhance Story And Character Development Within Motion Pictures, Jonathan Pfenninger

Masters Theses

This study examines the content of six feature length films, which showed in theaters in 2010 and 2011, from a communication perspective. Five of the scrutinized films are Academy Award winning and nominated films for Best Editing. The sixth film was the top grossing Christian feature film to be widely released within the two years. Utilizing Foss's rhetorical schema for the evaluation of visual imagery, this study examines and evaluates the composition of dialogue scenes within each film, identifying the functions of shot composition and movement choices within each film, individually. Through identification of a function, assessment and support found …

Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video, Christopher Shea Howard

Student Publications

Dreamcatcher From Mao’s Last Revolution is a filmmaking venture into creative social documentary production undertaken by this filmmaker as his own experimental departure from narrative feature film production and the fiction genre. This thesis report not only describes aspects of this film production that are specific to the methodology of documentary film production, but also describes the film’s cinematic expression of memory and the filmmaker’s telling of the story. Some cinematic and conceptual aspects of the story are related to the film’s influences, specifically to those theoretical concepts and techniques employed by documentary filmmaker, Werner Herzog.

The documentary story is …

Japanese Video Art, Micol Hebron

Art Faculty Articles and Research

A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.

On Campus Video, Featuring Lynda Calcote., Abilene Christian University, Gary Mccaleb, Lynda Calcote

McCaleb & Company

A videorecording of an interview with Lynda Calcote conducted by Dr. Gary McCaleb of Abilene Christian University.

The Dynamics Of Proximity : Hitchcock's Cinema Of Claustrophobia, Scott Edward Peeler

University of the Pacific Theses and Dissertations

The implication of space in film is worth exploring in detail particularly with regard to the films of Alfred Hitchcock, since he is, perhaps more than any other filmmaker, concerned with the dynamics of proximity. Possibly because of his experience as a set designer on Graham Cutt’s silent films Woman to Woman (1922), The White Shadow (1923), The Passionate Adventure (1924), The Blackguard, and The Prude’s Fall (both 1925), Hitchcock very early in his career was faced with the task of expressing himself - without words - through setting, set shape, and room size. In Francois Truffaut's book, Hitchcock, the …

Preview 16 - November 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - April 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - March 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - February 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - November 1972, Nova University

Preview 16

No abstract provided.

Preview 16 - October 1972, Nova University

Preview 16

No abstract provided.

Preview 16 - January 1972, Nova University

Preview 16

No abstract provided.