Visual Studies Commons^™

Goodbye? Reflections And Stream Of Consciousness On, Underneath And Around The Creation Of “Hello?”, Leonard Shevel Gurevich

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

Whatever It Takes: Redemption, Individualism, Altruism And The Marvel Cinematic Universe, Rianna Jeanine Robinson

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Caudill College of Arts, Humanities and Social Sciences at Morehead State University in partial fulfillment of the requirements for the degree of Master of Arts by Rianna Jeanine Robinson on December 14, 2020.

Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan

Electronic Thesis and Dissertation Repository

Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …

In Another Person’S Skin: Adaptations Of To Kill A Mockingbird And The Characterization Of Scout Finch, Eric A. Pitz

Conspectus Borealis

No abstract provided.

Literarische Filmsimulation: Heinrich Eduard Jacobs Medienphilosophische Filmästhetik In "Blut Und Zelluloid", Paula Vosse

Arts & Sciences Electronic Theses and Dissertations

Heinrich Eduard Jacob´s novel Blut und Zelluloid was published in 1929 and therefore mostly reviewed as a critical artwork regarding European film-propaganda before the outbreak of the Second World War. This thesis provides the interested scholar with a different approach: It discusses Jacob´s media-philosophical method to simulate the upcoming medium film in literature. With his implicitly and explicitly organized systems of diverse media, he circumvents constraints of the Paragone-discourse and offers a well-balanced literary construction.

Jacob´s method is compared with Pinthus´ Kinobuch and Pirandello´s Shoot!, while Simmel and Benjamin provide the thesis with a fundament to support Jacob´s theoretical approach. …

Not Dead At All, Martin Becerra

Electronic Theses and Dissertations

Not Dead At All is a nontraditional thesis, a creative product, the result of a combination of media production and social research. This paper is an attempt to explain the creative and production process behind the creation of an original media content, using the social research as a tool to increase the likeability of our characters and therefore increase the show’s chances of success.

Interview For Kathimerini National Newspaper (In Greek), Katerina Zacharia

Katerina Zacharia

No abstract provided.

Hellenism, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Hellenisms (Iii), "Reel" Hellenisms: Perceptions Of Greece In Greek Cinema (Ch. 12), Katerina Zacharia

Katerina Zacharia

No abstract provided.

Hellenisms (Ii), Herodotus' Four Markers Of Greek Identity (Ch. 1), Katerina Zacharia

Katerina Zacharia

No abstract provided.

Hellenisms (I), Introduction, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Notes For Michael Cacoyannis' Cabaret Version Of Aristophanes' Lysistrata, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Plurality Of Discourses In Euripides' Ion: Euripides As Thinker And Dramatist (In Greek With English Summary), Katerina Zacharia

Katerina Zacharia

No abstract provided.

Sophocles And The West: The Evidence Of The Fragments, Katerina Zacharia

Katerina Zacharia

No abstract provided.

The Rock Of The Nightingale': Kinship Diplomacy And Sophocles' Tereus, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Book Review Of Lee, K.H., Euripides' Ion., Katerina Zacharia

Katerina Zacharia

No abstract provided.

Euripides' Hippolytus, Thiasos Production, Triennial Classics Conference, Cambridge, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Euripides' Orestes, University College London Production, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Book Review Of Meagher, R.M., Euripides’ Bakkhai, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Reversed Heroism And Heroic Perversion In Euripides' Medea, Katerina Zacharia

Katerina Zacharia

No abstract provided.

The Marriage Of Tragedy And Comedy In Euripides' Ion, Katerina Zacharia

Katerina Zacharia

No abstract provided.