Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- American Studies (2)
- Comparative Philosophy (2)
- English Language and Literature (2)
- History (2)
- Literature in English, North America (2)
-
- Other Film and Media Studies (2)
- Philosophy (2)
- Social History (2)
- Theatre and Performance Studies (2)
- United States History (2)
- Acting (1)
- American Film Studies (1)
- American Popular Culture (1)
- Applied Ethics (1)
- Art Education (1)
- Biblical Studies (1)
- Business (1)
- Business Law, Public Responsibility, and Ethics (1)
- Business and Corporate Communications (1)
- Christianity (1)
- Classics (1)
- Collective Bargaining (1)
- Comparative Literature (1)
- Comparative Methodologies and Theories (1)
- Creative Writing (1)
- Digital Humanities (1)
- Dramatic Literature, Criticism and Theory (1)
- Institution
- Publication
- Publication Type
Articles 1 - 4 of 4
Full-Text Articles in Screenwriting
The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski
The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski
CLCWeb: Comparative Literature and Culture
The article offers a Valentinian interpretation of the Hollywood film The Others (2001). A particular attention is paid to the ways in which cinematic motifs and narrative elements of the film draw on myths, ideas and symbolic imagery present in Valentinian works, especially in the Gospel of Truth (NHC I, 3) and the Gospel of Philip (NHC II, 3). In the course of the heuristic analysis, the paper argues that although the film employs Valentinian ideas, it depicts different understanding of the world. This issue is addressed in the last part of the article by situating the film within broader …
Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright
Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright
MSU Graduate Theses
Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they were …
End Of Paragraph, Rowan Cahill
End Of Paragraph, Rowan Cahill
Rowan Cahill
Hollywood, The Media, And The Alteration Of Image In The 1940s, Sean M. Conrad
Hollywood, The Media, And The Alteration Of Image In The 1940s, Sean M. Conrad
Seaver College Research And Scholarly Achievement Symposium
I am currently writing a feature-length screenplay entitled Klara based on true events and people surrounding the rise of Nazi Germany and the exile of Jewish-German intellectuals to America during 1933-1945. The narrative is grounded in the work of the European Film Fund (1938-1948), the Paul Kohner Talent Agency, and the various agents of propaganda at work both in Nazi Germany and America during this time period. Through my research I hope to explicate how Jewish-German exile in America influenced not only those exiled, but also the burgeoning American film industry and how the cross-cultural intersection of media propaganda, both …