Screenwriting Commons^™

History And The Teaching Of Dialect And Slang In Screenwriting, Mitch Olson, Chris C. Palmer

Faculty Articles

This article explores academic and industry perspectives on the use of dialect, slang, and historical language in screenwriting. It offers a chronological overview of major screenwriting manuals’ treatment of dialect and slang (or lack thereof) 1946-2020. It then presents survey data of 53 currently-practicing screenwriters’ views on working with dialect and historical language in scripts, as well as their sense of possible changes in the industry regarding attitudes towards diverse voice representation on the page. It concludes with examples from a teaching sequence that illustrates strategies for writing with dialect, researching it, and ethically considering its usage in scripts. Situating …

Extra-Terrestrial: A Television Pilot Script, Landon Adams

Symposium of Student Scholars

How do you make a home out of a place you don’t feel welcomed? This is the plight of Beatrix Ivy, a passionate fashionista, humanoid-martian who dreams of opening her own fashion business. The only issue: fashion does not exist on Mars. She impulsively decides to ditch her hypercritical mother in pursuit of Planet Earth. Destination? Paris, France. However, a GPS malfunction lands her in the unknown town of Paris, Georgia. Mistaken for a drag queen, Beatrix is met with hostility from the bigoted locals, including local darling SunRay, an equally talented fashion designer. Beatrix eventually finds companionship in a …

Birthday Girl, Makayla Tappin

Master's Projects

The lives of four friends plummet into chaos after a dead friend from college seemingly resurfaces – alive.

Visions Of Inclusivity: A Screenplay Focusing On Women, Sexism And Film During The 1990s, Abigail Hayman

Master's Projects

In the 1990s film scene, Margaux Archambeau leaves for New York City to uncover the truth about her late mother. This research summary, "Visions of Inclusivity," acknowledges and carefully researches women's struggles and triumphs. This essay intends to share information about the film industry and the inappropriate treatment of women so that men and women in the film industry can support one another.

The Farm, Justin Morris

Master's Projects

Synopsis:

’The Farm’ is a psychological thriller series inspired by the recent folk horror revival. We follow a suburban family who begin to lose their trust in each other as they fall further into peril on a strange isolated farm. When Brian, the patriarch, repeatedly puts his family in danger to satisfy his own ego, he forms a rift between him, his wife Madison, and son Charlie that quickly spirals into delusion, blind accusation, and paranoia. Desperate, they seek the help of Elias, the owner of the farm with his own tenuous grip on reality, and his quiet daughter, Emma. …

Georgia, Lesley Brian Bargo

Master of Arts in Professional Writing Capstones

The Vietnam War cast a massive shadow, both home and abroad. Relationships, morality, and humanity hang in the balance.

With The Screenwriter's Pen: An Analysis Of The Representation Of Gifted Children In The Family Film, Sarah Williams

Master of Arts in Professional Writing Capstones

Family films are something that have been enjoyed for many decades. They often create a fantastic world that will enchant audiences and eventually become beloved stories. A big aspect often seen in these films is a protagonist that possesses some kind of gift. Where does this gift come from? How does it grow? Most importantly, how do the screenwriters who are responsible for bringing these gifted heroes to life go about it?

Using the screenplays of Kubo and the Two Strings, Harry Potter and the Sorcerer’s Stone, Encanto, and Coraline, I take a deep dive into the portrayal of …

Women Writers Of Film & Television, Haley Hunt

Symposium of Student Scholars

After spending the summer immersed in archival, literary, and online research, I am proud to report my findings on the history of women in screenwriting. With the help of Anna Weinstein, I have compiled original statistics, overviews, and biographies that will be published with the launch of our website, Women Writers of Film & Television (WWFTV). At its core, this site aims to empower young girls with the knowledge and resources they need to get started in the screenwriting field. However, the site is intentionally layered by reading level; it is accessible to all ages on the surface, while also …

A Wellbeing@Ksu Journey: Mapw Portfolio, Meghan Cooper

Master of Arts in Professional Writing Capstones

A process narrative and samples and complete works from my time in MAPW and as a GRA within the health and well-being departments at KSU. The portfolio showcases my journey as a communicator and professional writer and how it has impacted my current career.

Character Development: To Further The Narrative, Lesley Brian Bargo

Symposium of Student Scholars

Character Development: To Further the Narrative.

Presentation Abstract

March 16^th, 2022

Graduate Student: Lesley Brian Bargo

Research Mentor: Anna Weinstein

Screenplays on war can often become redundant. Not because they aren’t good screenplays, it’s simply because the focus relies too much on the brutality of war and not enough on the characters being forced to endure it. Hamburger Hill (1987) is not one of the run of the mill Vietnam War films that simply walk us through the killing of both sides without giving us the why. While most films can easily pull off the killing and dying, …

Little Women: A Screenplay Analysis, Chloe Ford

Symposium of Student Scholars

Little Women, written by Louisa May Alcott, details the lives of the four March sisters - Meg, Jo, Beth, and Amy. The story has been adapted into feature films multiple times, including an adaptation in 1918, 1933, 1949, 1994, and most recently in 2019. The 1994 film was written by Robin Swicord and directed by Gillian Armstrong, and the 2019 film was written by Greta Gerwig and Sarah Polley, and directed by Greta Gerwig. Both films were nominated for multiple Academy Awards. This study will compare and contrast the structure of both films, as well as the characters and …

"10 Things I Hate About You" And The "Not Like Other Girls" Trope, Jazmine Bryant

Symposium of Student Scholars

Critical Analysis Abstract: 10 Things I Hate About You & The “Not Like Other Girls” Trope

The phrase, “not like other girls,” is commonly used to describe a person or character that is quirky, emo, a loner, intelligent, or independent. In film, this description typically has a positive connotation – at least, it’s meant to. A common consensus is that the trope upholds negative stereotypes about women or the group the character is “unlike.” TV Tropes states that by using or conforming to this trope, “it’s implied that your gender is inferior by default,” (TV Tropes). On the other hand, …

Mother!: A Look Into A Religion Based Screen Play, Madeline Ivey

Symposium of Student Scholars

Darren Aronofsky’s movie Mother!, explores Christianity in a very different way. The movie takes place in a house with Mother, Mother Nature, and him, God. Throughout this chaotic and confusing movie, there are many scenes that symbolize biblical stories from the Old Testament to the New Testament. Through his movie he shows biblical times through Mother Nature’s eyes, which makes religion seem more destructive and selfish. The purpose of this paper is to find connections between the Christian religion and how it is portrayed in the movie. I will do this by researching scenes and how they relate to …

A Character Analysis Of Knives Out, Garrett Bell

Symposium of Student Scholars

Rian Johnson’s Knives Out (2019) has been praised by many for its dialogue and its slick, refreshing take on the mystery/thriller genre; but I argue, like many great stories of our time, that it’s the characters in Knives Out that really propel this film near the top of all mystery/thriller triumphs. Rather than reinventing the character archetypes that one would normally see in a film of this caliber, Johnson takes those characters and serves them up in a way that makes them unique to his story: his way. By providing an in-depth analysis of each character in the many twists …

Women Writers Of Film & Television Project: Nancy Meyers, Hannah Henderson

Symposium of Student Scholars

The suppression of women’s voices in the film industry is of no secret to our society. For over a hundred years, many women have been placed in the background and were not given credit for their work in the industry, and only recently have the gates of Hollywood been open to more representation. In the 1980s, many women screenwriters were in creative partnerships with their husbands, and it was difficult for a woman screenwriter to be recognized for her own work and talents aside from the man in her life. One screenwriter, Nancy Meyers was able to garner more fame …

From Stage To Screen: The Art Of The Movie Musical, Vanessa Lopez

Symposium of Student Scholars

In this article I take a deeper look into what it takes to make a successful movie musical. When sound was introduced into the movie industry, it was musicals that stole the show. From 1927’s first talkie, The Jazz Singer, to 2021’s movie rendition of Dear Evan Hansen, movie musicals have been a key component of the movie industry. Throughout this article I will be comparing the success of two different kinds of movie musicals. The first type that I will be analyzing are the movie musicals that were written and produced directly for the screen. This includes movies such …

The Journey Of Life Itself, Ashton Webb

Symposium of Student Scholars

Life Itself, written and directed by Dan Fogelman, is a heartbreaking tale featuring three different couples and the journey that life takes them on. Throughout the film there are common themes of heartbreak, marital problems, and death. The three stories are joined together by one devastating event, and Fogelman shows how beauty can be made from ashes. In this presentation, I will explore the themes of love, heartbreak, and depression and how these themes shaped the film, allowing Fogelman to intertwine three stories into one in order to tell an interconnected story. Though the film was not well received by …

Whose Protagonist Is It Anyway?, Ori Mckinney

Symposium of Student Scholars

The Favourite (2018), written by Deborah Davis & Tony McNamara and directed by Yorgos Lanthimos, transcends the traditional tropes associated with genre period pictures in its unique telling of the tale of two cousins vying to be in Queen Anne's favour during her monarchy. In this presentation I study the unique story structure of this film, which centers on three equally weighted characters. In contrast to the traditional single protagonist story structure, this film shifts the point of view making each lead character either the protagonist or antagonist depending on whose perspective you watch it from. The story is written …

Pirates Of The Caribbean: An Analysis Of The Curse Of The Black Pearl And The Adventure Genre On-Screen, Mezi Mulugeta

Symposium of Student Scholars

In Story: Style, Structure, Substance, and the Principles of Screenwriting, Robert McKee maintains that while action-adventure is “often dismissed as mindless fare, it is in fact the single most difficult genre in which to write today…simply because it’s been done to death.” Said death came swiftly for Cutthroat Island, the 1995 flop that sank the pirate subgenre—until Pirates of the Caribbean: The Curse of the Black Pearl premiered in 2003. The film was a risk that paid off massively for Disney, the pirate subgenre, and arguably the adventure genre as a whole in the modern age. This article …

Analysis Of Christopher Nolan's Interstellar, John Hunter Ray

Symposium of Student Scholars

In this study, I examine the ways in which Christopher Nolan developed the protagonist in Interstellar (2014). The protagonist, Cooper, played by Matthew McConaughey, is the audience’s window into the world Nolan creates in the film. Though typical Christopher Nolan screenplay structure is more complicated than the average feature film, I argue that it is the character development of the protagonist that engages viewers and ultimately allows us to connect with the story. The central conflict that cooper desires to be the best dad he can be he is forced to abandon his family to save the world. That is …

Godzilla (1954) Research Analysis, Cyrus Aldridge

Symposium of Student Scholars

Cyrus Aldridge

FILM 3105

Prof. Anna Weinstein

10/20/2021

Abstract Research Analysis: Godzilla (1954)

According to Michael Maher, two years after World War 2 the United States’ military presence attempted to control Japanese media including its cinema. Despite this fact, Japanese filmmaker Tomoyuki Tanaka was able to produce Godzilla (1954), symbolizing the horror of nuclear holocaust. In this presentation, I argue that Godzilla is one of the greatest monster movies of all time due to its cultural relevance and its use of musical scoring, set design and costume design. In this study I demonstrate how Tanaka implements its score, set …

The Impact Of Endings, Carolina Solis

Symposium of Student Scholars

This presentation explores the importance of movie endings, and how an ending can impact the audiences’ opinion of a movie. I look at Ronald Bass’ Sleeping with the Enemy, and how he developed Julia Roberts’ character in a way that made the audience believe that not only was she capable of killing her abusive husband, but that she should kill him. I also look at Frank Darabont’s The Shawshank Redemption and discuss how Andy’s eventual escape from prison was too much of a surprise to the audience, and how the movie should have ended with Norton’s suicide. Finally, I …

Gifted Screenplay Analysis, Chloe Ford

Symposium of Student Scholars

Gifted, the film directed by Marc Webb released in 2017, details the story of a single man named Frank (Chris Evans) raising his young niece Mary (McKenna Grace), who just so happens to be a 7-year-old genius. He plans for her to live a normal life; go to public school, make friends, play sports, truly be a kid, but his mother has something else in mind. Mckenna’s grandmother Evelyn (Lindsay Duncan) threatens to rip Mary away from her little life in the suburbs, as well as her beloved Uncle Frank. This study analyzes the complexity of the characters in …

Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond

Symposium of Student Scholars

In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …

Home, Kandace James

Master of Arts in Professional Writing Capstones

My feature-length screenplay follows an anxious girl who, after her mother kicks her out of the house, is forced to live in her car. She’s in love with the dog walker but she’s the one who got her kicked out in the first place. Possessing the voices of queer, Black women, I display one possible outlook on the queer experience. “Home” broadens the narrative of young Black girls lived realities in America. “Home” depicts the realities of what it means to be young, Black, queer women in a world marked with religiosity, abuse, and grief, while in the process of …