Screenwriting Commons^™

Pathos, Winter 2009, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 8

Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy

Présence Francophone: Revue internationale de langue et de littérature

During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …

L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case

Présence Francophone: Revue internationale de langue et de littérature

The ethics and aesthetics of the films and novels of Sembène reflect the axiological principles of his work. Sembène’s impact can be felt throughout as his practice in both cinema and literature helped redefi ne the features of the African novel and film. For him, writing was fed by the experiences, however painful, of workers of diverse origins attempting to survive their difficult conditions. His novels reveal the agony of this world but also various opportunities for self realization among his characters. Such practice, born out of the sweat, resistance and determination of men and women eking out their living, …

De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …

Pathos, Fall 2008, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 7

Pathos, Spring 2008, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 6

Pathos, Winter 2008, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 5

Pathos, Fall 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 4

Pathos, Spring 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 3

Pathos, Fall 2006, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 2

Pathos, Winter 2006, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 1

I Was A Teenage Necrophiliac: A Screenplay, Walter Howard

Masters Theses

The critical essay that introduces this thesis pays homage to three people in the movie business who have most influenced my original screenplay, I Was a Teenage Necrophiliac. Also included is a section that briefly explains the impetus for this project, and a closing argument that examines the intentional use of cliche as a creative tool.

The zany style of writer/director John Waters is the first major creative influence described. Although my story is not as graphically extreme as some of Waters' earlier work (it would be easy to make a comedy about necrophilia a vile exploitation film), it does …

Dok: An Original Screenplay, Duncan Campbell

Institute for the Humanities Theses

DOK is an original screenplay in which DOK blames his brother, Jim, for the death of his wife and son. Jim accepts that blame. DOK handles his grief by wandering from place to place, whereas Jim finds solace through alcohol. They meet up two years later in the town of Ayre. Jim, a reporter, is there to cover DOK's arrest by Special Agent Bill Withers. Jim is unaware that DOK, real name Daniel, is his brother. In quick succession: DOK is released from jail, Withers runs a drunken Jim off the road, and DOK finds and treats Jim. Jim, while …

Stand And Run, Andrea Gaye Evans

Institute for the Humanities Theses

Stand and Run is an original screenplay about a woman who has run from her troubled past all her life. Since she was a teenager, Adel Wallis wanted to be a reporter. Although in her thirties and working for a newspaper, she still hasn't reached her goal. Adel decides to use whatever necessary to advance her career including sex with the boss. After a brief romance, she realizes the Managing Editor, Mack Daniels, is obsessive and abusive. She ends the affair but he continues the innuendos and sexual advances implying the affair 1s on-going. When she confronts Mack about his …

Yellow Ribbons, D. Scott Drake

English Theses & Dissertations

Yellow Ribbons is a feature-film screenplay that dramatizes various aspects of the Persian Gulf War. The hero of the story, Lieutenant Jason Hart, a talented but quixotic naval fighter pilot, participates in one of the last allied offensive military actions: the bombing of the retreating Iraqi army. Jake suffers a crisis of conscience in the climactic moment of the bombing and decides that he cannot continue to serve the navy as a fighter pilot. The story then shifts from the Persian Gulf to the United States. There Jake encounters a new set of obstacles as he struggles with his experience …

Kingdom By The Sea: A Screenplay, John C. Jarvis Jr.

Institute for the Humanities Theses

"Kingdom by the Sea" is a feature-length, theatrical screenplay, modeled on the surrealistic works of Bergman and Fellini. In this country the concepts of experimental theater have seldom been put into a full-length film. This work is intended to help fill that void.

Specifically, this is a love story set in a mythical place called Atlantic Beach. There, the protagonist is seeking the ideal, but when he finds it, he cannot free himself of materialistic desires or needs. In this sense he destroys his utopia and descends into a place called Mog, where the dark side of the ideal dwells. …