Other Film and Media Studies Commons^™

Reviving Revive. Is The Notion Of An Independent Artist An Outdated Concept?, Richard C. Moore Mr

Staff Scholarship - Australia & Dubai

This article published in Spectator Magazine - online - is a reflection on whether or not a cultural policy is a means of controlling the artistic community and whether there is still such a being as an independent Australian artist. It was published as the 2026 submissions for an update to Australia's cultural policy REVIVE -  were closing.

Finding A Way Out Of The Filter Bubble: The Confusion Of A Heavy Social Media User, Longwen Miao

Masters Theses

This thesis studies how algorithmic recommendation systems reshape visual perception, aesthetic judgment, and the construction of selfhood within contemporary digital culture.

Everything begins with the experience of repeatedly encountering algorithmically recommended content on everyday digital platforms. On these platforms, images, sounds, and social interactions are continuously selected, repeated, and reorganized by predictive systems, forming an environment in which perception is constantly structured and adjusted.

From this observation, the research raises two central questions: how do algorithmic recommendation systems reshape visual perception, aesthetic judgment, and self-recognition, and how might these systems be intervened in or made perceptible through artistic practice? Within …

The Weight Of The Unknown: Xenophobia In Lucía Puenzo’S Xxy, Daylen Motamed

Student Scholar Symposium Abstracts and Posters

This project examines how Lucía Puenzo’s film titled XXY critiques societal responses to unique identities (specifically intersex as an example), asking how xenophobia and normative gender expectations shape the marginalization of bodies that exist outside the binary. Situating the film within scholarship on queer adolescence and intersex representation, the analysis of this poster will argue that XXY exposes how institutions such as medicine and family reinforce harmful notions of “normalization.”

Drawing on close textual analysis of key scenes and engagement with critical sources, including Guillermo Olivera’s work on space and visibility and testimonies from intersex individuals, this study investigates how …

What Is This Thing Called Film?, Strutts Psyridis

Staff Scholarship - Australia & Dubai

This article looks back at my experience of the transition from traditional motion picture film to modern digital filmmaking. It explains the physical and chemical processes behind film, and how we worked with as creatives, and contrasts them with digital recording methods, I reflect on how technological changes transformed production practices, costs, and industry infrastructure. I also highlight the discipline and technical skills required when shooting on film, arguing that the limitations of older methods encouraged careful planning, collaboration, and strong visual storytelling techniques.

Film For Jeanette, Brice Goldberg

Theses and Dissertations

Film for Jeanette is an experimental documentary concerning grief, memory, and what remains of those who have left this physical plane. The film paints the portrait of my late sister, Jeanette Lee Goldberg, who died in a car accident when she was 19. What begins as a memorial becomes a celebration of her life and an exploration into the complexities of her character that led to her death. Jeanette’s story is told through interviews with family members, while the visuals, created with various alternative 16mm film techniques, depict my own journey through the filmmaking process. I was only 3 when …

To Print A Remake: An Analysis Of Hollywood Remakes And Their Cultural Value, Connor F. Seaton

Honors Undergraduate Theses

In recent years, audiences and movie critics have expressed concern that Hollywood’s growing reliance on remakes, sequels, franchises, and similar adaptations has led to a broader worry that originality is fading from modern cinema and that the industry is instead focused on using adaptations to maximize profits. Although adaptation is often seen as a commercially driven framework for reproducing existing intellectual property in a new media format, this thesis argues that it should be recognized as an autonomous cultural category with its own artistic, historical, and social significance and merit. By analyzing adaptation scholarship and reviewing its complex historical development, …

Opening The Door Of The Celluloid Closet, Melissa Hernandez

Student Scholar Symposium Abstracts and Posters

While watching the documentary, The Celluloid Closet, I was instantly intrigued by how queer people and cinema mixed. Going as far back to the black and white, silent films era, queer people have been used as comedic relief, but not in an appealing way. Constantly being the butt of the joke, disregard for queer people became so normalized that certain tropes started popping up in cinema. One trope that we can still see be used frequently in today’s films is the “bury your gays” trope (also known as the “dead lesbians syndrome”) where queer characters in cinema are not …

Cultural Representation In Global Film Discourse: A Bibliometric Analysis Of Dominant Themes And Western Hegemony, Nur Fajri Hijriyani, Hanun Dzikra Arienda, Firmansyah Firmansyah, Nur Wijaya Hariadi, Alem Febri Sonni

JURNAL KOMUNIKASI INDONESIA

This study investigates the dominant themes and discursive structures within global film scholarship through a bibliometric analysis of 404 Scopus-indexed articles published between 2019 and 2024. Using VOSviewer to map keyword co-occurrence, citation networks, and authorship patterns, the research identifies five major thematic clusters: Hollywood, feminism, representation, Bollywood, and popular culture. The findings reveal a persistent dominance of Western narratives positioning them at the centre of global film studies. In contrast, themes related to non-Western cinema, such as Bollywood, appear less central and more fragmented within the academic discourse. These results highlight how bibliometric patterns reflect broader ideological structures, reinforcing …

Medst 343w - Nonfiction Forms (8 Week Async Section), Ash Marinaccio

Open Educational Resources

In this course, we will explore how various forms of nonfiction storytelling represent reality and shape our understanding of the world. Over the semester, we will examine how “the real” is represented across different mediums, including theatre, film, photography, and literature. Through critical readings, case studies, creative exercises, and Brightspace discussions, we will examine the intricate interplay between truth, ethics, form, and authorship in documentary and nonfiction works.

The course is divided into five units. The first unit introduces foundational questions of ethics, authorship, and cultural responsibility in nonfiction storytelling. The following units focus on specific forms: documentary theatre, nonfiction …

Remembering The Stasi On The Screen: Historical Film Analysis Of The East German Ministry For State Security, William H. Herzfeld

History Undergraduate Honors Theses

The purpose of this thesis is to assess how the history and identity of the Ministerium für Staatssicherheit (Ministry for State Security, Stasi) has been internalized by the German people through film media. Germans endured significant trauma and cultural manipulation at the hands of the Stasi and the Sozialistische Einheitspartei Deutschlands (Socialist Unity Party, SED) that is personified in many ways. The trauma that the Stasi inflicted sits heavily on the reflective interpretations of the DDR, complicating retrospection on life in the DDR and its positive elements. The Stasi have come to represent the essential negativity of life in …

We Are Our Brains: Disembodied Brain Films In 1950s Cold War America, David P. Pierson

Faculty, Staff, and Alumni Books

Personified Body Parts in Cinema, Literature, and Visual Culture investigates the power of personifying body parts in cinema, television, visual culture, literature, erotica, folklore, and mystique.

Culturally, socially, and poetically exposing hidden aspects and subtleties of human existentialism, this book vigorously questions and problematizes numerous artistic, aesthetic, technological, naïve, and macabre manipulations of body parts for various purposes. A diverse team of authors explore how scribing human traits to limbs, eyes, brains, genitalia, hearts, and other inner organs is grotesque and aesthetic, repealing and appealing, intimidating and intimate, rude and enjoyable, material and spiritual, surprising and mundane. Personified organs are …

Ai Isn’T What We Should Be Worried About – It’S The Humans Controlling It, Billy J. Stratton

English and Literary Arts: Faculty Scholarship

Stratton examines depictions of AI in popular media and literature, drawing comparisons to real-world AI and humanity's capacity to harness technology for good or ill.

David Lynch Exposed The Rot At The Heart Of American Culture, Billy J. Stratton

English and Literary Arts: Faculty Scholarship

Stratton discusses cultural commentary and impact in the films of David Lynch, following the director's passing.

Reckoning With The Cowboy: Justice, Trauma, And The Myth Of Freedom In Be The Cowboy, Abbie Oh Arroyo

Scripps Senior Theses

Be the Cowboy interrogates the romanticized myth of the cowboy as a symbol of justice and freedom through the lens of racialized and gendered trauma. Centered on two Korean American sisters, the film explores the aftermath of a sexual assault and the ensuing quest for justice, highlighting the emotional and ethical tensions between retribution and healing. Drawing from postcolonial, trauma, and feminist theory, the project critiques the cowboy archetype’s historical entwinement with white patriarchy, colonial violence, and the aestheticization of marginalized suffering. By reimagining the Western genre through a racialized and gendered perspective, Be the Cowboy challenges dominant cultural narratives …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Architectural Narrative: Exploring The Convergence Between Architecture And Film In Narrative Construction, Cynthia A. Carbajal

2024 Fall Honors Capstone Projects - Archive

This study explores the relationship between architecture and film, focusing on how both disciplines function as storytelling mediums through spatial and visual techniques. This research analyzes how both fields help shape experiences and the built environment. The methodology employed in this research consisted of analyzing selected films and specific architectural projects to assess the compositional techniques used within these works. The findings reveal a similarity in how architecture and film use cinematic and spatial design techniques to evoke an emotional response and heighten a narrative's depth, thereby enhancing the user’s experience. This study suggests a deeper understanding of this interlinking …

Poco Film Festival Talks: The Impact Of Ai: A Humanist Perspective, James Thompson

Staff Scholarship - Australia & Dubai

As regards the onset of AI technology use and influence in the film and screen industries, we need to be able to take account of the agency and the engagement of our creative minds and whether or not they are being invited in to realistic, tangible jobs and careers, or alternatively what the impacts of changing technological paradigms might have on their futures. In what ways does AI impact the screen industry?

This generation of young people, film and screen production students, want to have an in-person, socialised peer experience - they want to be together. They want to have …

Verlorene Heimat, Gefundene Leere - Michael Hanekes Trilogie Der Emotionalen Vergletscherung Und Die Nicht-Orte Des Alltags, Amber Lane

Foreign Languages & Literatures ETDs

This work examines the incorporation of the concept of non-place in Michael Haneke's Trilogy of Emotional Glaciation (1989-1994) and its connection to elements of the Heimatfilm. The trilogy introduces the concept of non-place in urban or domestic settings while exploring the decay of human relationships and societal alienation. Despite individual stories, the films share a dark atmosphere and question human existence in an alienated world. Haneke's unique film style, characterized by long takes and minimalist aesthetics, is used to examine human behavior with emotional distance. This work sheds light on Haneke's contribution to the Austrian film tradition and contributes to …

Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic

Publications and Research

Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …

Consciousness And The Reality Of Monsters In Horror Movies: Dehumanization And What Monsters In Horror Films Say About Us, Leila Kincaid

Journal of Conscious Evolution

This essay responds to Carroll’s The Nature of Horror from the perspective of transdisciplinary phenomenological film theory, largely developed by Edgar Morin in the 1950s. It argues that Carrolls’s reduction of the phenomenological value of horror films to an unreal category minimizes and even dismisses the inherent value of horror films. Morin, Allan Combs, and others offer more integral and transdisciplinary methods for art interpretation and functionality. They help us understand how monsters in horror films can stand as mirrors and reflections of the monstrous in ourselves and society. Thus, the transformational function and value of film is revealed and …

A Romantic Austen: The Discordant Feminist Discourse Of Adapting Sense And Sensibility, Evan Teigland

Honors Projects

This undergraduate thesis explores the intertextual and critical conversations around Jane Austen’s Sense and Sensibility, and the 1995 screen adaptation of the same name, with a focus on how each text understands the interplay between feminine romance and feminine agency. A non-essentialist theory of adaptation is applied to construct an interpretive model that esteems Emma Thompson’s version of the story and considers its consequence to different communities of Austen readership, which is measured by the distinctly feminist themes detectable in the sexuality of Sense and Sensibility fanfiction. This investigation uncovers the importance of expanding the interpretive power and possibilities of …

Ratings Creep: The Increase In Offensive Content In Movies Over Time, Alexandria N. Tatum

2024 Spring Honors Capstone Projects - Archive

Aggression, influenced by a range of factors including media exposure, remains a significant societal concern. Drawing from Bandura's social cognitive theory, it is important to examine violence in media because its exposure can have a long-term effect on the viewers. Furthermore, studies suggest a correlation between media exposure and aggressive behavior, emphasizing the need for comprehensive analysis of content portrayal. To regulate exposure to offensive content, movies are usually ranked using the MPAA’s rating system. Yet, there has been an observed ratings creep in this system (i.e., the progressive escalation of offensive content in films). The current study hypothesizes that …

That Way: An Examination Of Male Relationships In Film During The Hays Code, Jane Knudsen

Theses/Capstones/Creative Projects

The Hays Code (1934-1968) influenced the construct of United States masculinity and the discourse surrounding masculine presentation between the 1920s to the 1960s. The Hays Code and World War II affected the culture surrounding male/male relationships in the United States. Previous research done by David Lugowski (1999) and Jeffrey Suzik (1999) shows that both World Wars led to crises of masculinity in which the hegemonic ideal of masculinity was restructured to establish men as providers and warriors, and Code-era films reflected the discourse. To understand the gender roles in the 20^th century, I analyzed the Hays code, male bonds, …

How Design Depicted In Film Contributes To The Evolution Of Cultural Narratives, Catherine Vanhoose

Interior Design Undergraduate Honors Theses

Interior Design and its trends have had significant influence on pop culture and the general public through the course of human history. Acting as a universal language, design is a tool often used to help communicate ideas. The different interpretations of these ideas are what help to create cultural narratives. This capstone explores the relationships between film and design as creative arts, how they are affected by the current times and trends throughout the history of women, and as a result how women throughout history are influenced by these relationships. Findings provide insight on how interior design is used to …

‘Samoye Vazhnoye’: Behind The Scenes Of Russian Cinema, 1908–1924, Katerina Ludwig

War, Diplomacy, and Society (MA) Theses

From the first decade of the 20^th century to the middle of the 1920s, cinema in Russia exposed how politics and the modern medium were inseparably intertwined. As works that were produced during a period of great turmoil and uncertainty, films revealed more than a unilateral relationship. Cinema was used in Russia in the late-Imperial and early Soviet eras as an active tool of entertainment, propaganda, art, education, and intellectual discussion. Studying its intersectional nature illuminates areas obscured by purely political or artistic perspectives, which tell either opposite or mutually emboldening tales. This thesis argues on behalf of both …

Mary Magdalene On Film In Twenty-First Century: A Feminist Theological Critique, Mary Ann Beavis

Journal of Religion & Film

Since the turn of the millennium, several films (and one popular TV series) featuring Mary Magdalene as a significant character, or even as the central character, have been produced. A few, specifically Son of God (2104), The Chosen (2017-), and Mary Magdalene (2019), gained a wide audience through some combination of theatrical release, television, and streaming services. Unlike earlier productions that unfailingly portrayed her conventionally as a penitent prostitute, these and other, less well-known films of recent decades have departed from this traditional Magdalene. This is no doubt due, among other things, to the influence of feminist theology and biblical …

Cultivating Desire: Media Technologies In Fashion Branding, Jad Gorman

CMC Senior Theses

This thesis explores the symbiotic relationship between media technologies and fashion branding, examining how the latter is increasingly mediated. In an age where digital platforms dominate, designers have adapted by utilizing a range of media technologies to cultivate desire and construct their perception and identities. The main argument is that media technologies are not just tools for communication but active agents in shaping their brand narratives and consumer perceptions. Whether that be a cult fanbase, reaching a wide consumer audience, or creating anticipation for a certain item, the use of media is often more important than the consumer object itself. …

Sharp Stick Grasps At Autistic Women’S Liminal Vulnerability, Meaghan Krazinski

Ought: The Journal of Autistic Culture

This film analysis of Sharp Stick by Lena Dunham critically explores how the film uptakes representations of the ideas around the vulnerabilities of Autistic women in popular culture, and yet does not explicitly name them as such. This liminality is critical and plays into the intersectional analysis that the author engages around the way vulnerability and Autistic identity is interpreted and read. The author draws upon McDermott's (2022) "neurotypical gaze" in an analysis that shows how traditional tropes around Autistic women’s vulnerability are social constructions that are brought into relief by stereotypes around race, gender, and ability. The author uses …

Big Screen Heroes With Paper Voices: A Superhero Adaptation Research Essay, Zachary Green

Master of Arts in Professional Writing Capstones

Superheroes may have taken over your phone, tablet, and television screens through the endless adaptations that pelt us from upon high mouse-shaped ears, but their rich history goes back much further than that; they have gripped the public imagination since their creation in comic strips published in newspapers almost one-hundred years ago. But, why exactly has their effect on popular culture, and their subsequent adaptations in various forms of media been so pervasive in the last twenty-five years? What makes these stories and comic book characters, and particularly Marvel comic book characters, so interesting to modern audiences? This essay demonstrates …

Off The Rails: Cinematic Trains As Technological Controls Of The Natural World, Trinity Thompson

Honors Program: Senior Projects (Public)

Short train rail lines across the United States are seeing increased national funding to reduce toxic chemical spills caused by train derailments, the most notable of which happened in February 2023 in East Palestine, Ohio. A year prior, the film White Noise (2022) featured a similar toxic train derailment incident, taking place, too, in Eastern Ohio, and featuring actors from the town of East Palestine. In considering other films featuring trains, I identified a pattern of environmental conflict, leading me to question the relationship between trains and the natural environment as portrayed in popular cinema. To conduct my research, I …