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Other Film and Media Studies Commons

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2007

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Articles 1 - 8 of 8

Full-Text Articles in Other Film and Media Studies

Domain Specific Identity Commitment And Alcohol Use And Problems, Alison Glanville Aug 2007

Domain Specific Identity Commitment And Alcohol Use And Problems, Alison Glanville

All-Inclusive List of Electronic Theses and Dissertations

Identity formation is an important developmental task of the college years. Previous research has demonstrated that identity commitment, as defined by James Marcia, is related to decreased substance use and problems. That is, individuals who are identity achieved or foreclosed use substances less frequently and experience fewer substance-related problems than do individuals who are classified in the statuses of identity diffused or moratorium. However, Marcia discussed identity as developing in two domains, the occupational and the ideological (religious beliefs and political ideology). To date, no studies have examined in which domain commitment is associated with a decrease in substance use …


Egyptian Wives' Portrayal In Egyptian Cinema: A Content Analysis On 35 Egyptian Films Produced Prior To And Post 1952, Sahar Aly Sedky Jun 2007

Egyptian Wives' Portrayal In Egyptian Cinema: A Content Analysis On 35 Egyptian Films Produced Prior To And Post 1952, Sahar Aly Sedky

Archived Theses and Dissertations

No abstract provided.


A Theological, Sociological, And Educational Rationale For The Curriculum : "Luther's Explanation To The Decalogue, As Explored Through Film : A Curriculum For Young Adults" ; Luther's Explanation To The Decalogue As Explored Through Film : A Curriculum For Young Adults, Karen A. Wilson Jan 2007

A Theological, Sociological, And Educational Rationale For The Curriculum : "Luther's Explanation To The Decalogue, As Explored Through Film : A Curriculum For Young Adults" ; Luther's Explanation To The Decalogue As Explored Through Film : A Curriculum For Young Adults, Karen A. Wilson

Master of Arts Theses

No abstract provided.


Frankenstein: Man Or Monster?, Leigh P. Mackintosh Jan 2007

Frankenstein: Man Or Monster?, Leigh P. Mackintosh

Undergraduate Theses and Capstone Projects

Since its first publication in 1818, Mary Shelley’s novel Frankenstein has left a lasting impression upon the world speaking to a multitude of audiences including artists, scientists, philosophers, and society as a whole. Considering the impact of Frankenstein through its evolution as a cultural myth in various plays and films, this thesis will provide a way to gauge the relevance of Shelley’s story as an adaptation. Only by knowing what has been done in the past and how the materials have been used by other playwrights and screenwriters can one understand how to handle them as an original work. The …


Selfless: Buffy's Anya And The Problem Of Identity, Victoria Large Jan 2007

Selfless: Buffy's Anya And The Problem Of Identity, Victoria Large

Undergraduate Review

No abstract provided.


An Analysis Of Image Repair Strategies: A University In Crisis, Kathleen Donohue Rennie Jan 2007

An Analysis Of Image Repair Strategies: A University In Crisis, Kathleen Donohue Rennie

Seton Hall University Dissertations and Theses (ETDs)

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God's Lonely Men : Bernard Herrmann's Musical Voice For The Lonely And Tortured Men Of Cinema, Clare Nina Norelli Jan 2007

God's Lonely Men : Bernard Herrmann's Musical Voice For The Lonely And Tortured Men Of Cinema, Clare Nina Norelli

Theses : Honours

Bernard Herrmann (1911-1975) has long been regarded as one of the most important composers of film music. Emerging during a time when the majority of film scores worked primarily with the physical action onscreen or what was immediately obvious in the dramatic narrative, Herrmann's innovative compositional style instead focused on the unconscious and the psychological states at work. The following thesis is a discussion of the key elements of Herrmann's unique film score style and, via case studies of the three lonely male protagonists in the films Citizen Kane (Welles, USA, 1941), Vertigo (Hitchcock, USA, 1958) and Taxi Driver (Scorsese, …


中国大陆九十年代以来独立电影文化的构成与城市青年文化实践, Xiaodao Liang Jan 2007

中国大陆九十年代以来独立电影文化的构成与城市青年文化实践, Xiaodao Liang

Lingnan Theses

本论文主要考察中国大陆九十年代出现的独立电影的特性,首先从一批年轻的独立电影导演及其作品出发,将它们放在当代大陆城市青年文化的历史脉络中,着重考察独立电影的特殊生产机制以及对“青年”的再现,与“青年”在社会建构中出现的变化之间的关系。然后通过使用民族誌的研究方法,重点考察大陆本土年轻观众对独立电影的接受情况,试图解释为何“边缘”成为当下论述大陆独立电影文化特性的重要话语。本文的主要立论是,“边缘”是由独立电影与城市青年文化在不同层面上互构而成的。

这种互构关系的建立,表现在几个方面:首先,大陆进入商品经济时代,具有整合性的建构青年身份的国家意识形态话语失效,导致了年轻人的迷茫和失落,他们断裂和破碎的身份,通过独立电影在国家制片体系之外的生产和制作模式中被再现出来,被称为“边缘”的特殊个体。其次,大陆独立电影被部分青年影迷用来对抗互联网上出现的话语资源垄断和话语权威,从而确立“业余爱好 者”、“草根”等被称为“边缘”的身份。最后一个方面,即是作为影迷的城市青年对不同观影场所和对独立电影不同消费方式的选择,建立了在电影院线、个人在家庭观看影碟等主流渠道以外的,被称为“边缘”的观影方式,但这种方式又不可避免的会引起影迷的身份焦虑。