Other Film and Media Studies Commons^™

Off The Rails: Cinematic Trains As Technological Controls Of The Natural World, Trinity Thompson

Honors Theses

Short train rail lines across the United States are seeing increased national funding to reduce toxic chemical spills caused by train derailments, the most notable of which happened in February 2023 in East Palestine, Ohio. A year prior, the film White Noise (2022) featured a similar toxic train derailment incident, taking place, too, in Eastern Ohio, and featuring actors from the town of East Palestine. In considering other films featuring trains, I identified a pattern of environmental conflict, leading me to question the relationship between trains and the natural environment as portrayed in popular cinema. To conduct my research, I …

Spit Brimming With Futures, Penny Molesso

School of Art, Art History, and Design: Theses and Student Creative Work

SPIT BRIMMING WITH FUTURES is an immersive video and audio installation that uses ASMR (Autonomous Sensory Meridian Response) to investigate the intersection of transgender and neurodivergent identity, expressing an urgent need to imagine stories about transgender, autistic people that affirm our agency and autonomy amidst a political climate that weaponizes neurodivergence to delegitimize trans experiences. The American political right’s vilification of transgender people is used to uphold structures of white supremacy and heteropatriarchy that become destabilized when rigid binary gender categories are challenged. The political right has a vested interest in keeping trans people out of public view, thus weaponizing …

Sociocultural Pressures Among Parents Of Queer Children In Films With Non-Western Environments, Samay Bhasin

Student Scholar Symposium Abstracts and Posters

The heteronormative and cisnormative nature of society has required queer individuals to undergo the phenomenon of “coming out” as their queer identity. This phenomenon has the potential to take great tolls on queer individuals especially when it comes to parents. Queer individuals with unaccepting parents are eight times more likely to attempt suicide, six times more likely to experience clinical depression, and three times more likely to suffer under substance abuse (Ryan et al., 2009; Ryan et al., 2010). However despite such concerning statistics, there is still a significant gap in scientific research on creating supportive environments …

Introduction To Film, 2nd Edition, Teresa Fisher

Open Educational Resources

This textbook explores the world of cinema providing a students a look at the various elements of filmmaking to develop an appreciation for the film form. The textbook begins with a look at film history and the fundamentals of cinematic language. It then continues looking at film through a different lens for each chapter -- mise-en-scene, narrative, cinematography, editing, acting, and sound. The book ends with a look at documentary films, experimental films, and animation.

Girls From The Heights: From Mexican Spitfire To Maddy Perez, Gabi Martinez

Belmont University Research Symposium (BURS)

The stereotype of the “Spicy Latina” is as prevalent today as it was in the early days of film, and tracing its origins leads to the discovery of a complicated root system of prejudice and stereotype. From the days of Lupe Velez and the film Mexican Spitfire, to the TV shows Modern Family and Jane the Virgin, Hollywood has never seemed to know how to portray Latinas in all of their complexity. This paper investigates how the white male gaze has shaped the perception of Latinas in the media, and how even the modern, more diverse media landscape contributes …

Art Imitates Life: The Representation (Or Lack Thereof) Of Black Women In Video Games, Bug Gadson

Faculty Curated Undergraduate Works

The key focus of this essay is to compare the representation of black women in media, primarily in television and film, to the representation of black female characters in video games. Using black feminist theory, this essay illustrates the treatment of black female characters in gaming. The particular and deliberate methods of writing black female characters in video games are used to highlight white video game characters and their narratives, instead of giving life and dimension to the black female characters themselves. The hostile and unsafe environments in gaming spaces are cultivated through upholding these harmful stereotypes of black women, …

The Disappearance Of The French New Wave, Emir Kulluk

CISLA Senior Integrative Projects

The French New Wave is considered to be one of the most influential waves within cinema history, starting from the end of the 1950s, going all the way through the 1960s. Thanks to the directors of this era, there have been a myriad of movies that challenged the norms of filmmaking, redefining the techniques used and the stories told within cinema. However, if this era was so fruitful and is deemed to be so valuable for cinema in general, then why did it not continue? In this paper, I will be taking a look at French society, external influences, as …

Guía Básica De Análisis Del Documental "Rigoberta Menchú: Daughter Of The Maya" (Dawn Gifford Engle, 2016), Álvaro Baquero-Pecino

Open Educational Resources

Guía básica de análisis del documental Rigoberta Menchú: Daughter of the Maya (Dawn Gifford Engle, 2016). La guía está destinada, principalmente, a estudiantes de español. Se compone de una breve serie de preguntas para antes, durante y después del visionado. El objetivo es ayudar a la comprensión del documental por parte de los estudiantes y fomentar la discusión en clase.

A Vermont Romance Turns One Hundred: Vermont's Earliest Surviving Photoplay, Martin L. Johnson, Frederick Pond

University Libraries Faculty and Staff Publications

In 2016, a hundred-year-old film spent the year touring the northern half of Vermont, drawing audiences to refurbished opera houses and picture palaces. But the picture being celebrated for its centenary year was not D. W. Griffith's Intolerance or Lois Weber's Shoes, two of the best-known films made in 1916. Instead, Vermonters were watching what they believed to be the first feature film made in their state, the fetchingly titled photoplay A Vermont Romance.

But A Vermont Romance is not a conventional feature picture. None of the people who appeared in the film had previous movie acting experience, …

Here To Win, Not Here To Settle, Sarah Kaino

Student Scholar Symposium Abstracts and Posters

Ethnic representation goes beyond color blind casting, the diversity of actors, or non-stereotypical casting choices. It is not just a matter of minorities being included in mainstream storylines, but minorities being able to tell their own stories as well. The relevance and relatability of storytelling in film and theatre transcends culture, which is in part the beauty of these mediums. But the impact of Asian Americans seeing stories from their own culture cannot be exchanged for anything less because there is no substitute for visibility. Movies are the source of inspiration for many. Movies can also reinforce a transparent ceiling …

‘Yellowface’: An Exploration Of Hollywood’S Film History With The Yellow Race, Kelly Ng

Honors College Theses

This study explores the history behind Hollywood’s relationship with the depiction of Asians and Asian Americans in film. Through tracking examples of Hollywood’s use of yellowface and whitewashing in movies from the 1920s into modern day, the study explores the historical and financial reasons behind controversial casting decisions, and how they affect the perceived image of Asians in America. In exploring the quantitative aspect, three films created within the last five years that were known to have participated in whitewashing were chosen and analyzed critically and financially. The data from these three movies were then used in comparison to Crazy …

Dinesh Sabu Interview, Mitch Buangsuwon

Asian American Art Oral History Project

Bio: Dinesh Sabu made his first feature documentary Unbroken Glass with Kartemquin Film. It played at numerous film festivals and was broadcast on America ReFramed’s 5th Season in May 2017. Dinesh was awarded “Best Director” at the Los Angeles Asian Pacific Film Festival in 2017 for his debut feature. Before Unbroken Glass, Dinesh shot parts of American Arab and The Homestretch with Kartemquin filmmakers. He also shot and is co-producing the forthcoming How to Build a School in Haiti with director Jack C. Newell. He is currently attending Stanford University’s Documentary Film and Video MFA program.

Retail Tales And Tribulations: Transmedia Brands, Consumer Products, And The Significance Of Shop Talk, Avi Santo

Communication & Theatre Arts Faculty Publications

This article challenges media studies scholars to pay closer attention to retail spaces as sites that mediate how entertainment franchises engage consumers. Examining retail through a media industries lens, it argues that retail is a site of struggle among retailers and brand owners over how brand stories are told, if at all. The article explores both the storytelling devices used in telling Frozen and Sesame Street stories at Target and how shop talk among retailers, brand owners, and manufacturers shapes the kinds of stories that entertainment properties can tell at retail, especially as those stories intersect with retail imaginings of …

Made Up: A Devised Short Film, Justine Musselman

Honors College Theses

I've explored and studied the use of devising in theatre, and decided to bring that process to the making of a short film. Devising is the process of an ensemble creating a piece together in a collaborative and creative environment. These devised works start without a final script and are formed through discussion, improvisation. and ensemble exercises. Film is a new medium for devising and allows for unlimited creative opportunity and exploration. My devised short film utilizes dramatic makeup as an artistic device to assist in the storytelling. The narrative focuses on the idea of how we present ourselves publicly …

The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace

Senior Honors Theses

Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …

A Reason To Daydream, Corinne Schipull

Honors Theses

Sexism in American culture comes as no surprise. In 2017, the film industry saw an increasing number of powerful men within its ranks exposed and exiled for allegations of sexually predatory behavior. Many see this purging as a sign of changing times, but this view is optimistic: the tides of change ebb in and out, and this problem far exceeds the movie industry. Well before the onslaught of articles on the likes of Harvey Weinstein, my classmates and I resolved to craft our senior thesis film with a crew made up entirely of women: we simply saw the pool of …

American Trial Films And The Popular Culture Of Law, Jessica Silbey

Faculty Scholarship

The American trial and American cinema share certain epistemological tendencies. Both stake claims to an authoritative form of knowledge based on the indubitable quality of observable phenomena. And both are preoccupied with sustaining the authority that underlies the knowledge produced by visual perception. The American trial and cinematic form also increasingly share cultural space. Although the trial film (otherwise known as the courtroom drama) is as old as the medium of film, the continuing popularity of the legal drama centered on a courtroom verdict suggests more than a trend. The inherent affinities between law and film not only produce enduring …

Lost In Adaptation, Caitlin S. Manocchio

Student Scholar Symposium Abstracts and Posters

philosophical societies that send us here as their representatives- can no longer, in this case, allow itself [the philosophical idea] to be enclosed in a single idiom, at the risk of floating, neutral and disembodied, remote from every body of language

(Derrida 1994: 14)

Introduction

In Sending: on representation (1994), Jacques Derrida questions the function of representation that we can use to offer a challenge to the experience and structure of representation as a practice in visual culture and for contemporary spectatorship. When the function of representation is being questioned, rather than its subject, the practice of representation is seen …

Blackfish-Ing For Buzz: The Rhetoric Of The Real In Theme Parks And Documentary, Steven W. Schoen

Faculty Publications

In 2014, a year of record tourism in the state of Florida, SeaWorld saw a drop of one million visitors to its theme park in Orlando. The decline followed Gabriela Cowperthwaite’s 2013 documentary film Blackfish, which presented the circumstances of orcas, or “killer whales,” held in captivity at parks like SeaWorld as cruel to the animals and dangerous to their trainers. In 2016, SeaWorld announced it will stop breeding orcas, and phase out its orca theatrical shows by 2019, a move widely attributed in the press to the impact of Cowperthwaite’s film. This article examines the film Blackfish as a …

Julie Taymor, Niamh J. O'Leary

Faculty Scholarship

No abstract provided.

Mdocs Poster-2015-11-11, Sixty Years Young, Michael Zhou

MDOCS Publications

In support of the 60th anniversary of the Adult and Senior Center of Saratoga, Skidmore students prepared a video and exhibition, Sixty Years Young, drawing on the Center's archives and interviews, documenting its past, present and hopes for the future.

1st Place Research Paper: Moviegoers And The Moon In 1953, Hannah E. Gary

Kevin and Tam Ross Undergraduate Research Prize

"By analyzing the complicated production of the sexually-provocative The Moon is Blue in the early 1950s, this essay seeks to isolate the perspectives of censorship groups, artistic authorities, governmental legislatures, and the Production Code Administration (PCA) in their respective appraisals of the Hollywood industry’s movie-going public. Referencing communications between studio personnel and the PCA, as well as court documents and scholarly research, this paper highlights how the various organizations’ differing conceptions are relevant with regards to their Cold War context. This period inspired containment ideology in narratives celebrating 'universal ideals and patriotic or sacred causes' through the awareness of a …

“Shining” With The Marginalized: Self-Reflection And Empathy In Stanley Kubrick’S The Shining, Bethany Miller

English Seminar Capstone Research Papers

This paper examines Stanley Kubrick's 1980 horror masterpiece The Shining and how it references the history of violence against the marginalized in America.

"Era(C)Ing The South: Modern Popular Culture Depictions Of Southern History", Bryan Jack

SIUE Faculty Research, Scholarship, and Creative Activity

There has been significant research on various interpretations of the American South, and the relationship between Southern and American identity. However, there has been little investigation into how modern popular culture depicts and constructs the Southern past and how this shapes Southern identity. This article interrogates the relationship between modern films, race, and Southern history to ask, has the challenge to codified Jim Crow segregation changed filmic portrayals of Southern history? How do these portrayals affect both Southern and American identity? Using race as a lens, the article argues that the end of the Civil Rights Movement has created a …

They Survived The Conversion From 35mm To Digital, So Now What? The Future Of America’S Small-Town Art House Theaters, Morgan H. Marianelli

Student Publications

This paper explores the vital role art house movie theaters play in their communities, particularly in bringing film culture to small towns. I argue that art house theaters have a symbiotic relationship with their communities (particularly small towns) in which the art houses play a vital role in bringing culture to their downtown communities, and these communities are ardent supporters of art house theaters, helping them convert from 35mm to digital and continue to thrive. I explore two art house movie theaters in great detail as case studies, the County theater in Doylestown, PA and Gettysburg's Majestic theater, to prove …

Dr. Jekyll And Mr. Hyde: The Complicated Identity Of The Brussels International Festival Of Fantastic Films, Mila H. Whiteley

Student Publications

The Brussels International Festival of Fantastic Films (BIFFF) is a genre festival specializing in thriller, horror, science fiction and fantasy films. Started in 1983, with an initial audience of 32,650 for a festival of 60 films, by its most recent run in April 2015, 64,400 tickets were sold for a showing of 108 films (BIFFF Presentation 4-5; “Festival 2015” 2015). The almost doubling in audience attendance over the course of the BIFFF’s 33 year run emphasizes the manner in which the festival’s identity has become oriented towards a specific and passionate audience. Interestingly, as the festival’s audience engagement has increased, …

Simply Genre Films: Extracting “King Lear” From “House Of Strangers” And “Broken Lance", Sophia G. I. Funk

FIU Electronic Theses and Dissertations

The purpose of this thesis is to evaluate and refute Yvonne Griggs’ claims that the films “House of Strangers” (1949) and “Broken Lance” (1954) are as Griggs deems “genre-based adaptations” of William Shakespeare’s “King Lear.” I argue that the films, although they have some essential elements of “King Lear,” lack intentionality and reception, pivotal components in determining viability as a Shakespearean film adaptation. Using Griggs’ book as my critical background, I will show that these films are better classified under their respective genre categories, Western and film noir, not as “King Lear” genre adaptations. I will …

Through The Camera Lens Of Development: An Exploration Of Ngos' Representations Of Africa, Sebastian Lindstrom

Master's Capstone Projects

The purpose if this qualitative research is to acquire new knowledge in the African visual representational landscape, a digital space carefully filmed and edited by some of the most celebrated and acknowledged, mostly Western, NGOs in the world. The most watched Africa-related video from 50 NGOs were selected, downloaded and analyzed. After continuous re-watching of a 3.5 hour long set of visual data tree themes emerged. One segment relates around the NGOs intervention, another about the term or statement ‘help’, and the last theme is HIV/AIDS. The findings include the realization that the beneficiary was never explaining the intervention of …

A Delicate Balance: Polish Portraits In U.S. Film During World War Ii, Joseph W. Zurawski

Jan Karski Conference

No abstract provided.

American Indians In Feature Films: Beyond The Big Screen, Daisy V. Domínguez

Publications and Research

This article examines whether library collections represent the breadth of portrayals of American Indians in feature film and provides collection development resources for developing and strengthening feature film collections by and about American Indians.