Other Film and Media Studies Commons^™

Sociocultural Pressures Among Parents Of Queer Children In Films With Non-Western Environments, Samay Bhasin

Student Scholar Symposium Abstracts and Posters

The heteronormative and cisnormative nature of society has required queer individuals to undergo the phenomenon of “coming out” as their queer identity. This phenomenon has the potential to take great tolls on queer individuals especially when it comes to parents. Queer individuals with unaccepting parents are eight times more likely to attempt suicide, six times more likely to experience clinical depression, and three times more likely to suffer under substance abuse (Ryan et al., 2009; Ryan et al., 2010). However despite such concerning statistics, there is still a significant gap in scientific research on creating supportive environments …

Here To Win, Not Here To Settle, Sarah Kaino

Student Scholar Symposium Abstracts and Posters

Ethnic representation goes beyond color blind casting, the diversity of actors, or non-stereotypical casting choices. It is not just a matter of minorities being included in mainstream storylines, but minorities being able to tell their own stories as well. The relevance and relatability of storytelling in film and theatre transcends culture, which is in part the beauty of these mediums. But the impact of Asian Americans seeing stories from their own culture cannot be exchanged for anything less because there is no substitute for visibility. Movies are the source of inspiration for many. Movies can also reinforce a transparent ceiling …

Lost In Adaptation, Caitlin S. Manocchio

Student Scholar Symposium Abstracts and Posters

philosophical societies that send us here as their representatives- can no longer, in this case, allow itself [the philosophical idea] to be enclosed in a single idiom, at the risk of floating, neutral and disembodied, remote from every body of language

(Derrida 1994: 14)

Introduction

In Sending: on representation (1994), Jacques Derrida questions the function of representation that we can use to offer a challenge to the experience and structure of representation as a practice in visual culture and for contemporary spectatorship. When the function of representation is being questioned, rather than its subject, the practice of representation is seen …