Other Film and Media Studies Commons^™

De La Novela Picaresca A El Chavo Del 8, Carlos Aguasaco

Publications and Research

Los albores de la modernidad[i] coincidieron con la emergencia de la novela picaresca en la que temas como la niñez, la educación, la pobreza agravada por el hambre extrema, y la idea de la movilidad social, aparecieron representados en obras muy populares como El Lazarillo de Tormes (1554), El Buscón (1626), El Periquillo Sarniento (1819) y La vida inútil de Pito Pérez (1938). La popularidad de la novela picaresca emanaba de su novedosos realismo social y urbano, sumados a la disponibilidad de copias hecha posible gracias a la imprenta de Gutenberg. El Chavo del 8 (1971-1980) ha tenido una …

Direct Action Housing: Exploring The History Of Tenant-Led Housing Struggles—On Film—In Nyc, Arielle Lawson

Publications and Research

This independent research project dives into the history of tenant-led housing struggles in New York City with a particular focus on using film archives and documentaries to highlight key moments and case studies when housing activism opened up new political imaginations, intersections and possibilities in the city.

As outlined in the Direct Action Housing zine, I curated and hosted four public events in the spring of 2019 on different aspects of housing struggles documented through archival film records. This series of housing history films was a starting point and catalyst to think about the role of and for the home …

The Representation Of Asians In Hollywood, Michelle Li

Publications and Research

Hollywood has a long history of failing to represent America's diversity. This is especially pronounced in its lack of representation of Asian Americans. According to The Hollywood Reporter, in 2017, only 4.8 percent of the 4454 speaking characters were Asian. The industry works in biased and prejudiced ways towards Asians, restricting them from truly revealing their true selves instead of how they are portrayed by stereotypes.

Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury

Publications and Research

In the early 2000s, the Kurdistan Regional Government hired a US-based firm to begin a public relations campaign called “The Other Iraq.” Since that time, it has worked with a number of PR and lobbying firms to build a cultural, political, and financial apparatus that I refer to as Brand Kurdistan. This apparatus aims to prove to Western audiencesthat the Kurds are a liberal exception in an illiberal Middle East, and to build prospects of KRG’s eventual national independence. This article explores the connections between Brand Kurdistan and the gendering of Kurdish nationalism, focusing particularly on Kurdish pop diva Helly …

The Dmz Responds, Seo-Young J. Chu

Publications and Research

Seo-Young Chu’s “The DMZ Responds” appeared in Telos 184 (Fall 2018), a special issue on Korea edited by Haerin Shin.

The Limits Of Transparency: Data Brokers And Commodification, Matthew Crain

Publications and Research

In the United States the prevailing public policy approach to mitigating the harms of internet surveillance is grounded in the liberal democratic value of transparency. While a laudable goal, transparency runs up against insurmountable structural constraints within the political economy of commercial surveillance. A case study of the data broker industry reveals the limits of transparency and shows that commodification of personal information is at the root of the power imbalances that transparency-based strategies of consumer empowerment seek to rectify. Despite significant challenges, privacy policy must be more centrally informed by a critical political economy of commercial surveillance.

Hollywood’S Image Of The Second World War - David Ayer’S Fury (2014) And The Depiction Of Violence In War, Frank Jacob

Publications and Research

The article describes the way in which violence is depicted in David Ayer’s World War II movie Fury (2014). It also deals with the general question how violence is visualized in current Hollywood movies.

Blood, Tits And The Modern Depiction Of Antiquity – Sparatcus: Blood And Sand And The Display Of A Historical Myth, Frank Jacob

Publications and Research

The article is dealing with the depiction of antiquity in the TV series Spartacus: Blood and Sand.

Narratives Of Violence: The White Imagination And The Making Of Black Masculinity In “City Of God”, Jaime Alves

Publications and Research

The article explores the representation of young-black men in the 2002 film City of God. The film deploys “pathological scripts” of Black masculinity in Brazil as criminal and deviant. The controlling image of Black men’s bodies as a source of danger and impurity sustains Brazilian regime of racial domination, and the narratives of violence make explicit the ways in which the Brazilian nation is imagined though a racial underpinning. Blackness is consumed as an exotic commodity, yet is also understood as a threat to national harmony. The nation is, then, written and re-imagined as a racial paradise, but mostly by …

Economies Of Desire: Reimagining Noir In Nicholas Ray's They Live By Night, Ria Banerjee

Publications and Research

This essay argues that Nicholas Ray reimagines the conventions of the film noir genre in his movie, They Live By Night. This book chapter is part of a study of director Nicholas Ray's oeuvre, Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema, eds. Steve Rybin and Will Scheibel. New York: SUNY Press, 2014

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …

American Indians In Feature Films: Beyond The Big Screen, Daisy V. Domínguez

Publications and Research

This article examines whether library collections represent the breadth of portrayals of American Indians in feature film and provides collection development resources for developing and strengthening feature film collections by and about American Indians.

Queer Pedagogical Desire: A Study Guide, Matt Brim

Publications and Research

This essay explores the queer pedagogical desires that attended my writing of the Study Guide for the documentary film United in Anger: A History of ACT UP (Jim Hubbard, 2012). The analysis takes up Robyn Wiegman’s central question in Object Lessons, “What is it we expect our relationship to our objects of study to do?”, which is of particular importance to the discipline of queer studies insofar as the field is oriented around the desire to meld social justice with critical pedagogy. The queer professor’s desire in the case of the Study Guide-as-object was to create a text that …

The Docks Of New York, William Blick

Publications and Research

Josef Von Sternberg was a master film craftsman. Known for its use of shadow and closeup, The Docks of New York, demonstrates the work of a filmmaker at the peak of his powers.

This article was written for Senses of Cinema magazine to accompany the screenings at the Cinemateque in Melbourne, Australia.

Media Services In North American Academic Libraries, Michael J. Miller

Publications and Research

Ongoing evolution of the Benjamin S. Rosenthal (BRL), Multimedia Commons was initially informed by a report from an internal task force and also by a four-year-long study of North American academic library media services units. A travel grant allowed for visits to the media service units of Barnard College, College of Staten Island - City University of New York, Columbia University, Georgetown University, New York University, University of Maryland - College Park, University of Massachusetts – Amherst, University of North Carolina - Chapel Hill, University of Texas – Austin. Visits have subsequently been made to the University of Washington – …

The Alien As Other: Spiritual, Political, And Cultural Representations Of The Alien In Late 20 Th Century Cinema, Benjamin Franz

Publications and Research

Storytellers frame their morals and fables of us through the lens of the 'Others'. When the popular form of storytelling evolved into film, the Other naturally became that which was most fascinating and curious, the Intergalactic Entity, or Alien.

In the film Contact(1997), Dr. Ellie Arroway struggles with a disbelief in things greater than herself, and the desire to see what is out there in the cosmos. In Close Encounters of the Third Kind (1977), strangers are brought together by the vision of harmony set forth by cosmic visitors. The theme of belief in something greater than oneself echoes …

The Greatest Cowboy Star You've Never Heard Of, Aaron Barlow

Publications and Research

No abstract provided.