Other Film and Media Studies Commons^™

Lo Visible, Lo Invisible Y Lo Imaginable: Neoliberalismo Y Ciudad En Las Producciones Culturales De Posguerra En Centroamérica, Maria A. Leon Umana

Dissertations, Theses, and Capstone Projects

This project researches the radical change that the peace treaty of the 1990s brought to Central American societies in connection with economic models. Specifically, it examines the way in which the implementation of neoliberal policies has transformed the cities concerning the spatial and the social; consequently, resulting in an important urban shift in regard to postwar cultural productions. I build a theoretical model organizes the investigation in three representative examples of Central American urban imaginaries (The Visible, The Invisible, and the Imaginable) so as to enlighten and/or enrich the analysis of the region’s urban social realities—examined in detail in a …

American Novels Amidst The Rise Of New Media: Emergent Publics And Forms, Sarah Ruth Jacobs

Dissertations, Theses, and Capstone Projects

This dissertation examines long-term shifts in the quantities and demographics (namely the race and educational attainment) of twentieth-century American literary readers alongside the rise and popular consumption of new media (namely television and the internet). The twentieth and twenty-first centuries are testament to a great expansion in the numbers and demographics of literary readers, and in turn an increase in the variety and intended audiences of literary publications. Examples include the rise of “middlebrow” readers and books in the 1940s and the rise of African-American, feminist, and countercultural small presses in the 1960s and 1970s. However, even as the variety …

Refusing White Privacy, Olivia Dunbar

Dissertations, Theses, and Capstone Projects

In “Refusing White Privacy” I look at theories in White Data and Surveillance Studies around what data is, how it is made to exist, and for whom, in order to intervene in the conceptualization of data as an inevitable residue of human life and relationship. Through this intervention, I show that the alleged crises of privacy ushered in by allegedly non-racial smart technologies (a preoccupation in WDSS) is underwritten by racializing technologies from the Antebellum era to the present.

Mechanical Kingdoms: Sound Technologies And The Avant-Garde, 1928–1933, Lauren Rosati

Dissertations, Theses, and Capstone Projects

Against accepted histories of the historical avant-garde, which have elevated artistic production in traditional media while suppressing sonic practices, this dissertation argues that artist-engineers working across Europe and the United States independently, if simultaneously, turned their attention to emerging sound technologies as new media for creative experimentation by the early 1930s. This spectrum of activity demonstrates the significance of sound in avant-garde practice, and indicates a wide-ranging artistic engagement with technological devices intended for mass audiences. While the common understanding of the relation between art and technology in this period amounts to one of mere enthusiasm for the novel formal …

The Sigh Of Triple Consciousness: Blacks Who Blurred The Color Line In Films From The 1930s Through The 1950s, Audrey Phillips

Dissertations, Theses, and Capstone Projects

This thesis will identify an over looked subset of racial identity as seen through film narratives from the 1930’s through the 1950’s pre-Civil Rights era. The subcategory of racial identity is the necessity of passing for Black people then identified as Negro. The primary film narratives include Veiled Aristocrats (1932), Lost Boundaries (1949), Pinky (1949) and Imitation of Life (1934). These images will deploy the troupe of passing as a racialized historical image. These films depict the pain and anguish Passers endured while escaping their racial identity. Through these stories we identify, sympathize and understand the needs of Black …

Existentialmd.Com: Building Towards An Embodied Internet Aesthetic, Natasha Ochshorn

Dissertations, Theses, and Capstone Projects

ExistentialMD.com is a website that aims to treat the body as an emotional and social subject in an online space that is purposefully bodied and fleshy. The website contrasts original creative nonfiction essays with a formal structure that alludes to the medical website WebMD. Mimicking WebMD’s symptom checker, which asks users to locate their discomfort with increasing specificity before suggesting conditions they might be suffering from, ExistentialMD uses a similar structure to yield results that are more exploratory than diagnostic, and which envision the body as a site of experience and emotionality. Form and content combine to create an …

Postcolonial Indian Nonfiction Cinema: The Documentaries Of Satyajit Ray, Muzahid Sharif

Dissertations, Theses, and Capstone Projects

Satyajit Ray (1921-1992), one of the great masters of world cinema has directed five documentary films, other than his 29 feature films, in his long four decades of career as a filmmaker in India. He constructed his cinematic language and style with neorealism and a very distinct humanist approach to celluloid. Ray made his films in Bengali, English, Urdu and Hindi; his films depicted the complexity of human relationship, conflicts and interactions in contemporary Indian societies with great details and different levels of interpretations. Western and international audiences are mostly familiar with Ray’s fiction films, though his documentaries were well-acclaimed …

"It's Like They're Right There Next To You": Maintaining Girls' Camp Friendships Via Mobile Media, Elise Bragard

Dissertations, Theses, and Capstone Projects

This thesis explores how a group of adolescent girls uses mobile and computer-mediated communication as a resource for social and emotional support from their friends. In the midst of widespread public panic about teenage social media use, this study finds nuanced and positive ways that technology is being used in girl culture. Within the context of a technology-free summer camp, adolescent girls form close relationships, which continue throughout the school year. The girls construct a virtual-symbolic camp space using mobile-emotive communication to stay connected with their friends. As a result, they recreate the intra- and inter-personal benefits they experienced at …

Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson

Dissertations, Theses, and Capstone Projects

When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of her collaborations …

“The Childish, The Transformative, And The Queer”: Queer Interventions As Praxis In Children’S Cartoons, Heather Wright

Dissertations, Theses, and Capstone Projects

In Understanding Comics: The Invisible Art, Scott McCloud considers “the simplified reality of the cartoon,” establishing a definition and theory for the medium (30). McCloud believes that cartoons possess “a special power” that is tied to their unique ability to “focus our attention on an idea” (31). Put simply, there is something about cartoons that allows for an easy exchange of concepts. Cartoons can teach. Using cartoons, a general term, to refer to both comics and animation, this thesis examines the transformative power of queer world building and intervention in recent children’s cartoons and how it functions, and can …

How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal

Dissertations, Theses, and Capstone Projects

Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …

Impressive Failures: Mavericks Of Film Authorship And The Impossibility Of Success In Hollywood, Tom S. Davies

Dissertations, Theses, and Capstone Projects

This dissertation directly challenges the critical and commercial primacy of success attached to Hollywood films and their filmmakers, especially when one argues for or against their quality and/or importance within cinematic history. Through a process of shifting and multiplying perspectives within a broader narrative that is critical of what separates success and failure, certain films and filmmakers that were judged as failures or disappointments under impossible prerequisites of creating a successful film––commercially, aesthetically, or both–– are, instead, reconsidered as constructive counterpoints to the expectations of the Hollywood economic field of production as well as to the inevitable disappointment of the …

Una Democracia Aterrorrizada: Justicia Y Afecto En Los Textos De La Transición Democrática Argentina, Mariana Graciano

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the links between justice and affect in some of the most emblematic texts of the democratic transition in Argentina. Films, novels and photos are incorporated here as texts or complex utterances, as they constitute a framework of signs with a communicative intention that makes sense in a given context. In order to analyze these links, I consider terms from the field of transitional justice (reconciliation, forgiveness, restoration) and specific affects (terror, empathy, guilt, resentment, tenderness, happiness and cruelty).

The key questions guiding this thesis are: what links did visual arts and literature have in relation to the …

Heavy Ink: A Documentary On The Comicbook Revolution, Renzo Adler

Dissertations, Theses, and Capstone Projects

Heavy Ink is a documentary short focusing on the comic anthology magazine, Heavy Metal, examining its history as both a standout comic magazine, and how it fits into the larger tradition of comic books. What started off in 1977 as a sci-fi offshoot of National Lampoon ushered in a new era of comics by bridging the gap between American and European comic sensibilities with a talent pool from all over the world.

Heavy Metal would go on to have reverberations beyond comics into music, movies, and the global entertainment landscape of today. Heavy Metal introduced the world to artists such …

Things We Dare Not See: Media Revisions Of Incestuous Relationships, Mattheus M. Oliveira

Dissertations, Theses, and Capstone Projects

Nowadays we can see a steadily growing acceptance of queer relationships in our films and novels, whether they are romance films or violent war movies. What we don’t get to see are examples of incestuous relationships that are consensual and harmless. For example, when Luke and Leia accidentally share some romantic feelings in Star Wars, that bond is suppressed. We don’t get an acknowledgment of a brother and sister’s emotional support in the movie adaptation of V.C Andrews’ Flowers in the Attic. This erasure stems from a long history of cultural and legal censorship of incest that only discusses …

Merchandise, Promotion, And Accessibility: Keith Haring’S Pop Shop, Amy L. Raffel

Dissertations, Theses, and Capstone Projects

During the peak of his career in New York, Keith Haring took his highly recognizable artistic style and distributed it in the form of merchandise in his Pop Shop, established in 1986. Stemming from his early work displayed on the New York streets, directly within public space, and his explorations into mass media strategies, he learned he could make his work accessible to new audiences outside contemporary art institutions and art circles. He translated his work across several surfaces: from subways or canvases, to everyday functional merchandise, such as buttons, t-shirts, and bags sold in his shop. Responding to a …

Centralized, Decentralized, Distributed: Disruptive Technology In Distance Education From "Sunrise Semester" To Present-Day Moocs, Rosanna Flouty

Dissertations, Theses, and Capstone Projects

Lessons from early academic television courses from the 1950s guide an assessment of current disruptive technologies that shape Massive Open Online Courses (known as MOOCs) and other informal online learning opportunities today. This dissertation explores some of the unique contributing factors that led to the creation of Sunrise Semester (1957-1982), a popular network television program co-produced by New York University and CBS that offered college credit to viewers. Despite the fact that the show aired at dawn and rarely included one-on-one interactions with professors, Sunrise Semester aired for nearly twenty-five years and attracted a devoted viewership of over two million …

Broadcasting The Crisis: Spanish Television As Critique, Eva Velasco Pena

Dissertations, Theses, and Capstone Projects

Television is often thought of as monolithic and totalizing, controlling viewers and upholding the status quo. This project will propose different understandings of the mass-medium. In order to historically contextualize my study, I will begin with a brief discussion of the role of television in democratic Spain (from c.1978-present). The thesis will primarily consist of an analysis of two sides of contemporary Spanish TV: fiction and politics; and will explore the way that certain programs, alternately catalyze critical thought and actions or enable spectators to, following John Ellis, “work through” traumatic events. I furthermore propose that imaging a concept might …

Media Representation Of Asian Americans And Asian Native New Yorkers’ Hybrid Persona, Min Huh

Dissertations, Theses, and Capstone Projects

Asian Americans, having been degraded in the realm of popular media and neglected in the consumer market, have been unable to obtain a voice or leave a trace in American pop culture. The meager representation that Asian Americans rarely have is highly controlled through a distorted lens, inclined to paint them in a grotesquely exaggerated light for comic relief. The absence of Asian Americans in the media has compelled the Asian American youth to adapt the personas of different cultures in their desires for social and cultural mobility. These factors have given birth to a hybrid persona among Asian Native …

Life Experience: Freddy Got Fingered As Neo-Surrealist Masterpiece, Frank Koshel

Dissertations, Theses, and Capstone Projects

The late Roger Ebert was known for his entertainingly harsh reviews. The review he wrote of the 2001 film Freddy Got Fingered is one notable example. "The day may come when 'Freddy Got Fingered' is seen as a milestone of neo-surrealism. The day may never come when it is seen as funny," wrote Ebert in his April 20, 2001 review of the film. Humor is subjective and there is no accounting for taste but this thesis will prove that the much-maligned film Freddy Got Fingered is a milestone of neo-surrealism. Freddy Got Fingered director Tom Green has a …

Youtube As A Net"Work": A Media Analysis Of The Youtube Beauty Community, Barbara Casabianca

Dissertations, Theses, and Capstone Projects

This paper looks at the YouTube beauty community and how this presentation of beauty gurus and subscribers expresses ideas about femininity and work family balance. Through a media analysis of YouTube videos and commentary, the content of this online community space is discussed to further explore the representations of women in various working roles as YouTubers. The ways select women including Anna Saccone, Michelle Phan, Jewel Sha’ree, and Dani Meza-Hung portray their lives through YouTube videos and speak about their YouTube experience is analyzed to express potential meaning within this unique media presentation. Following the content analysis of these specific …

Both Into And Out Of The Cage: New Media, Transgression, And The Remaking Of American Literary Connection, 1975-1999, Casey Henry

Dissertations, Theses, and Capstone Projects

The dissertation addresses an absent history of late twentieth-century postmodern literature. Namely, I trace the shifts between 1980s postmodernism, described by Fredric Jameson as encapsulating a “wan[ed]”“affect,” and the emergence of 1990s post-postmodernism, marked by an exaggeration of affect. My dissertation posits that this reinvention of feeling was due to shifts in communication technologies and new media art during the 1970s and 1980s competing with, and eventually rendering obsolete, avant-garde literary techniques for “connection.” These latter strategies were encapsulated in the postmodern “encyclopedic” novel, a form miming the logic of new media, yet incapable of fully addressing new programmatic shifts, …

Shadows And Light. Ernie Gehr Exhibitions At The Museum Of Modern Art, Sean M. Fuller

Dissertations, Theses, and Capstone Projects

This thesis examines exhibitions and media installations of Ernie Gehr’s work at The Museum of Modern Art (MoMA), beginning with the pivotal 1970 show Information, which presented four films by Gehr. Wait (1968), Transparency (1969), Reverberation (1969), and History (1970) were screened alongside work by other avant-garde filmmakers and video artists in a circular viewing booth in the gallery space, in a show featuring works now considered masterpieces of conceptual art. It also considers the two site-specific video works, MoMA on Wheels (2002) and Navigation (2002), which Gehr created for the lobby space at MoMA QNS, …

Developments In Television Viewership, Lucile E. Hecht

Dissertations, Theses, and Capstone Projects

In recent years the ways in which we watch television has changed, and so has the television we watch. “Binge watching,” almost the Oxford English Dictionary’s Word of the Year in 2013, has taken a firm hold on the American television audience who now watches television not according to the broadcast schedule but on its own terms. So, too, has the practice of engaging with other audience members, be they friends, family, or strangers, while watching a show by using a secondary device – a “second screen.” These practices have been developing for some time, and as technology adapts to …

The Moving Image In Public Art: U.S. And U.K., 1980–Present, Annie Dell'aria

Dissertations, Theses, and Capstone Projects

This dissertation examines the work of artists who use moving images in contemporary public art. Specifically, these works are understood through their interactions with spectators and the practices of media consumption and public interaction these passersby negotiate when they encounter a work of moving image-based public art. To this end, I argue, through an analysis of public art, that screen spectatorship is an inherently situated experience.

The project of this dissertation is two-fold. First, I outline a typology of moving image-based public art by dividing significant practices into three categories—the enchanting spectacle, the ludic interface, and the illumination of place. …