Other Film and Media Studies Commons^™

Reviving Revive. Is The Notion Of An Independent Artist An Outdated Concept?, Richard C. Moore Mr

Staff Scholarship - Australia & Dubai

This article published in Spectator Magazine - online - is a reflection on whether or not a cultural policy is a means of controlling the artistic community and whether there is still such a being as an independent Australian artist. It was published as the 2026 submissions for an update to Australia's cultural policy REVIVE -  were closing.

What Is This Thing Called Film?, Strutts Psyridis

Staff Scholarship - Australia & Dubai

This article looks back at my experience of the transition from traditional motion picture film to modern digital filmmaking. It explains the physical and chemical processes behind film, and how we worked with as creatives, and contrasts them with digital recording methods, I reflect on how technological changes transformed production practices, costs, and industry infrastructure. I also highlight the discipline and technical skills required when shooting on film, arguing that the limitations of older methods encouraged careful planning, collaboration, and strong visual storytelling techniques.

Developing Text-To-Video Ai Workflows Through Creative Practice, Nathan S. Jensen

Staff Scholarship - Australia & Dubai

This creative practice project investigates the extent to which Gen-AI text-to-video tools can maintain coherence across a short multi-shot sequence rather than a single generated clip. This includes continuity in recurring characters, visual style, and simple narrative flow. Using a Creative Practice Scholarship framework and practice-based methodology, I developed Bush Friends, a proof-of-concept children’s television intro, as the artefact of experimentation. This  project combined concept development, storyboard planning, iterative prompting, AI video generation, and editorial assembly using ChatGPT (OpenAI, n.d.) for ideation and prompt development, Kling 3.0 Omni (KlingAI, n.d.) for video generation, and DaVinci Resolve 20 (Blackmagic Design, n.d.) …

Generative Ai/Machine Learning In The Screen Production Classroom And The Implications For Tertiary Educators., James Thompson, Kereen Ely-Harper, Tom Young, Rachel Wilson, Nico Meissner

Staff Scholarship - Australia & Dubai

This report explores how screen production educators in the ASPERA community are responding to the rapid integration of generative Artificial Intelligence (genAI) in teaching and learning. Framed by Sean Cubitt’s (2020) notion of Common Intelligence, we investigate two guiding questions: How are students engaging with genAI tools in their productions, and what are the implications for educators? Methodologically, we engaged in qualitative professional dialogue with screen practice educators through three mechanisms during the 2024 ASPERA Conference: lightning provocations, an anonymous Mentimeter survey, and a facilitated roundtable discussion. These activities provided a collaborative forum for educators to share practice-based insights, reflect …

Through The Glass Darkly: Cross-Cultural Collaboration And The Experimental Adaptation Of Shakespeare, James Thompson

Staff Scholarship - Australia & Dubai

Through the Glass Darkly is an experimental Australian-Indonesian film adaptation of Shakespeare's Macbeth, employing fragmented narratives, hallucinatory imagery, and cross-cultural spiritual frameworks to explore violence, guilt, and moral corruption. The project emerged from a collaboration between Australian and Indonesian film professionals and educators. Drawing on trauma cinema aesthetics and Indonesian mystical traditions (Kebatinan, Rangda masks), the adaptation structures itself around five vignettes: prophecy, murder, hallucination, retribution, and washing. The filmmaker employs a "heuretic" research methodology, prioritizing exploration over interpretation, to create a hybrid cultural text that interrogates Western canonical literature through postcolonial perspectives while navigating censorship through international collaboration.

Reveltion Perth International Film Festival Academic Conference 2025, James Thompson

Staff Scholarship - Australia & Dubai

The Revelation International Film Festival conference invites vibrant discussions and debates, exploring creative practice and praxis, and the theoretical surrounds of contemporary cinematic and screen culture.

Revelation stands as Australia’s exclusive international film festival integrating academic discourse within its renowned screening program. Our mission extends beyond screens, sharing compelling discoveries with audiences across the country and beyond. Embracing a pivotal role in fostering film discourse and analysis, Revelation is a cornerstone in Australian cinematic dialogue.

Under the auspices of SAE University College Perth, the academic conference took place at the SAE campus 116-120 Roe St.  Northbridge, Perth, Western Australia.

The …

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 3: Engagement, Motivation And Classroom Management, Strutts Psyridis

Staff Scholarship - Australia & Dubai

Part 3 of this continuing series on Active Learning examines engagement, motivation, and classroom management within active learning environments, arguing that meaningful engagement is performative, designed, and context-dependent. Drawing on creative industries, intrinsic motivation theory, flipped classroom models, and digital pedagogies, it proposes that effective teaching integrates facilitation, structure, and adaptive strategies to sustain learner agency, participation, and deep learning.

Flm320.2 Proper Pre-Production, Sae University College

Exemplars

Collection of student pre-production documents, prototypes, crew evaluations and reflection

The Dark Cloud : A Creative Exploration Of Anxiety Through 3d Animation, James Applegate

Postgraduate

Fear and anxiety are mundane and innately human experiences, and ones that everyone struggles with on occasion. However, approximately a third to a quarter of all adults will suffer from clinical anxiety disorders at some point in their lives. Of these, many will go undiagnosed, and of those that do, only a fraction receive proper treatment.

An Animation Production Extension Of Spirit Spider, Jayden Abbott

Postgraduate

The Spirit Spider project comprises two components, a creative work called Spirit Spider and this accompanying exegesis. This project exemplifies a deep exploration of the animation process, emphasizing the iterative nature of creative development over the interpretation of the final product. Through each phase, from initial storyboarding to overcoming technical challenges and refining skills in Blender, the project has adhered to a methodology that prioritizes creative problem-solving and adaptability.

This exegesis has examined the careful selection of tools, such as Blender, and the integration of newly learned techniques that continuously shaped the project’s direction. By dedicating focused time to both …

Flm320.1 Upskillin’ It Example, Sae University College

Exemplars

Project Brief was slightly different, but still relevant. Another major component of the project is a one-on-one meeting with the facilitator talking through their progress.

Poco Film Festival Talks: The Impact Of Ai: A Humanist Perspective, James Thompson

Staff Scholarship - Australia & Dubai

As regards the onset of AI technology use and influence in the film and screen industries, we need to be able to take account of the agency and the engagement of our creative minds and whether or not they are being invited in to realistic, tangible jobs and careers, or alternatively what the impacts of changing technological paradigms might have on their futures. In what ways does AI impact the screen industry?

This generation of young people, film and screen production students, want to have an in-person, socialised peer experience - they want to be together. They want to have …

Animating Feminism, Angella Burgess

Postgraduate

Animation mirrors society, reflecting its values, beliefs and challenges, becoming a tool to enable cultural improvement by recognising diversity and critiquing socio-political issues. Inspired by traditional Eastern European animation, renowned for its surrealism and socio-political narratives, this research aims to expand the medium’s potential. Directors like Jan Svankmajer and Jiri Trnka created masterpieces based on folklore, mythology and political commentary. This research aims to intertwine and shape animated works' content and context by honouring this tradition.

The research explores the multifaceted role of contemporary animation, which embeds Eastern European stylistic techniques to disrupt popular story structures and shape social discourse. …

Revelation Perth International Film Festival Academic Conference 2024, James Thompson

Staff Scholarship - Australia & Dubai

Drawing delegates from around the country The Revelation Perth International Film Festival's Academic Conference is a truly interactive two days of intense discussion and debate on all things cinema

Revelation is Australia's only international film festival to host and encourage academic discussion alongside its screening program and we look forward to taking its discoveries to audiences around the country and world. It represents an important platform in film discussion and analysis in this country.

Taking place on Tuesday July 2nd and Weds July 3rd 2024, the Revelation Academic Conference draws local, national and international academics to discuss and analyse issues …

Seeking The Unspoken: Examining Queer Subtext In Storytelling, Morgan Stevens-Reidy

Postgraduate

This exegesis aims to examine the techniques of subtext that are used to determine creative decisions in narrative structures on various forms of fictional screen media with a specific focus on storytelling in an animation context and the creative mediums used to form it. The major focus of subtextual storytelling that is investigated during this exegesis is the themes and narratives used throughout the LGBTQ+ community and the diversity of its influences upon hidden signs within stories, which was studied through the process of creating the foundation of a short film with the use of methodological approaches such as practice-led …

Man In A Room: Methods Of Cinematic Identification & Repulsion In The Work Of Paul Schrader, Ingrid Dieckmann

Postgraduate

This project takes the form of practice-led research consisting of a short experimental film and an accompanying written exegesis. Together they investigate a specific form of cinematic identification associated with the films of Paul Schrader. Schrader’s films have developed a cinematic identification that oscillates between attraction and repulsion and in doing so complicates the spectator’s identification with the main character. To understand how Schrader’s films engender this form of identification the written component conducts an analysis of the cinematic techniques employed in his films, and a literature review of research. It uses the outcome of this research to then set …

Flm171.1 Introduction To Cinematography And Location Sound Example 2, Sae University College

Exemplars

FLM171.1 Introduction to Cinematography and Location Sound project 1.

Flm170.1 Storytelling For The Screen Pitch Deck Example 1, Sae University College

Exemplars

Premise

How far would a good man go for the

sake of his loved ones?

Logline

Fired from his job, Hunter, a kind-hearted, but headstrong

man, turns to a high-risk burglary scheme that could keep

a roof over his sick partner’s head

Flm170.1 Storytelling For The Screen Pitch Deck Example 2, Sae University College

Exemplars

LOGLINE

Young idealist Nuraini Anatoly is on a mission to change the

world. Despite her passion for social justice she feels alone and

misunderstood. When she meets the troubled inmate Gabriel

Jarrah, a meaningful connection quickly develops between them.

But when the security of this relationship is tested, Nuraini is

confronted with important questions of right and wrong and what

it is that really matters.

Fim111.1 Screen Studies And Practice Example 1, Sae University College

Exemplars

Scene analysis completed for FIM111 project 1. This work exceeded all of the learning outcomes by clearly communicating an understanding of key concepts related to film form and narrative.

Screen Ruptures: Disrupted Content For The Prosumer Generation, Kelsey Clark

Postgraduate

Television content has faced various forms of interruption to the viewing experience since the very beginning with the location of the television set and interruptive nature of advertising breaks. Irani et al. (2010) note that television has always been “a fixed temporal structure” and that the physical location of the television set has always had a place in the home where the opportunities for distraction and disengagement form a part of the viewing experience (p. 621). Similarly, the presence of advertising intermittently interrupting episodes of television programs quickly became a norm, which further characterises television viewing as a disrupted practice. …

The Jazz Archive: Theorizing A Relationship Between Jazz Improvisation And Standard Repertoire., Toby Wren

Staff Scholarship - Australia & Dubai

The jazz standard remains an enduring part of the tradition of jazz performance and pedagogy. Contemporary jazz scholarship has tended to focus on improvisation as a practice and jazz-as-lived-experience and, while the jazz standard repertoire has occasionally been the subject of study the relationship between the standard repertoire and the ‘language’ or style of jazz has not been theorised. In this article I argue that the distinctive style of jazz improvisation is at least in part, determined by the characteristics of its shared repertoire and the statements that have accrued around that repertoire. I borrow Foucault’s conception of the archive …