Other Film and Media Studies Commons^™

Cultural Shadows: Vampires And The Shifting Fears Of The West, A Creative Exploration Of Vampire Media And Its Reflection Of Evolving Social Anxieties, Tasha Sayre

University Honors Theses

Cultural Shadows: Vampires and the Shifting Fears of the West is a creative-critical thesis that explores vampire media as a reflection of evolving social anxieties in Western culture. Focusing primarily on film and television, with reference to key literary texts, this study examines how the vampire figure is used to articulate and dramatize recurring societal fears—particularly those surrounding women's sexuality and autonomy, queer identity, and class-based inequality. Through close readings of influential vampire narratives, the thesis demonstrates how these stories mirror cultural tensions and moral panics, transforming the vampire into a symbol of both fear and fascination. Drawing on gender …

The Construction Of Character And Authenticity On Rupaul's Drag Race, Carli Pickett

University Honors Theses

One of the most common instructions delivered to the drag queens competing on RuPaul's Drag Race is to show their "true self." At first glance, RuPaul's Drag Race foregrounds authenticity and individuality, but it does so through a constructed lens that shapes its contestants into characters. While storylines and characterizations on the show are necessarily informed by the queen's actions, they are heavily shaped by editing.

In this essay, I will be exploring the ways in which authenticity manifests itself throughout several seasons of RuPaul's Drag Race. Each episode of Season Seven, Eight and Nine was watched with special …

The Allegory Of United States Settlers V. Native Americans In Wes Craven's The Hills Haves Eyes (1977), Blue Van Alst

University Honors Theses

The year 1977 saw the release of Wes Craven’s second major production, The Hills Have Eyes. A film that sits within a filmic library of Craven that works to use the horror genre to reflect on and critique the American society that he lived in. The Hills Have Eyes employs the stereotypes that the films of John Ford helped to solidify in U.S. society. He does this in order to explore the tense historical relationships between Indigenous and United States settlers during the time of westward expansion. Using the white middle class Carter family to serve as settlers, and …

Hemingway In Hollywood: From Page To Screen, Hayden Hendricks

University Honors Theses

Little attention has been paid to how film adaptations affected Hemingway’s popular reputation (and vice versa). This thesis traces Hemingway's celebrity through the case studies A Farewell to Arms (1932), The Killers (1946), and The Old Man and the Sea (1958). It details their production histories, analyzes the changes made from page to screen, and discusses the contextual motivations behind such divergences. Finally, it considers the ways in which the filmmakers adapted texts of different lengths to fit feature length runtimes and, in doing so, found cinematic equivalences of literary form.

Colonialism's Creation Of Machismo And Its Influence On Domestic Violence And Sexual Assault: A Film Analysis Of Telenovela Dv/Sa Anthologies, Yoselin Aguirre Perez

University Honors Theses

Using Lothar Mikos' (2014) content analysis framework, this thesis uses a Xicana feminist epistemology to conduct a film analysis on telenovela anthologies Mujer, Casos de la Vida Real (1986-2007) and Lo Que Callamos Las Mujeres (2001-today). The impact that harmful depictions of domestic violence and sexual assault, and their foundations in colonialism, is discussed throughout my writing. The cynical and racist implications that problematic portrayals of domestic violence and sexual assault within the Latinx community is analyzed. This thesis claims that popular media, while attempting to bring awareness to these sensitive and life-threatening issues, have perpetuated a culture of recrimination …

Kurdish Filmmaking In Turkey: History And Narratives, Omar Sadik

Dissertations and Theses

This research investigates the history and politics of cultural production by examining Kurdish filmmaking in Turkey. Sadik provide an analysis of contemporary films and filmmakers to explore how Kurdish cinema in Turkey is situated in broader, global political-economic structures. By examining this important case through the lens of history and memory, Sadik clarify how production and aesthetics in Kurdish cinema point to important systemic processes. Sadik uses three main research strategies in this study: a historical survey of Kurds in Turkey, an analysis of ten semi-structured interviews with contemporary Kurdish directors and an analysis of films directed by Kurdish filmmakers …

If It Ain't Broke, Don't Fix It: Understanding The Value In Producing Film Adaptations And Movie Franchises, Courtney Mcdonald

University Honors Theses

The business of making movies is not an easy one; in an industry where very few see financial success, risk aversion often takes the wheel. In order to combat the immense amount of uncertainty, existing research has attempted to establish factors of film success, including actor star power and reviews. However, statistical studies evaluating these factors have produced consistently inconclusive results. To approach this idea from another perspective, this paper investigates two specific areas of film—movie adaptations and film franchises—that contain valuable properties not always as explicitly connected to box office results. While many movies are referenced, two film franchises …

Interwar Weimar Film And Masculinity: Challenging The Presumed Crisis Of Interwar German Gender Discourse From Selected Films From 1925-1931, Brandon Metcalf

Dissertations and Theses

The First World War altered the view of masculinity held by many in Germany and shredded what many regarded as unchangeable fixtures of German life. For German men, much of the interwar period meant dealing with the losses from the war, reconfiguring what it meant to be a man. This reconfiguration of gender took place in a context of change in Germany. Many women entered the workforce to replace the lost men. The economic downturn and reliance on funding from the United States motivated many within Germany to examine gender roles and to reassemble masculinity to meet changing circumstances.

This …

The Death Of Physical Media: The Dangers Of Streaming And The End Of The Home Library, Amelia Eichler

University Honors Theses

This thesis aims to provide an extensive look at the history of collecting film within the home, starting from pre-cinematic optical toys to today's use of streaming platforms. There is an extensive knowledge gap in the history of film collecting. Much of the information is anecdotal and providing an extensive background will close this gap. Contrasting the different technologies in the home allows for people to see how film collecting practices have evolved. Streaming is currently a new phenomena that has taken over the industry and changed the structure of the home library. Rather than aid the home library, this …

Music Video Creation And Auteurism, Dylan Paris

University Honors Theses

My thesis project is a music video for a song I wrote and recorded called “Mad King”. The themes of the song revolve around my fears and anger towards our current presidential administration and the constant threat of death from nuclear war. The video combines footage of myself playing multiple characters in a near future based on my fears and anxieties. Along with the footage of myself, additional found footage is overlaid into the piece. This footage includes rallies, North Korean military parades, the inauguration of Donald Trump, test footage of the “Mother Of All Bombs”, and lastly alpha footage …

Global Muslim Audiences’ Polysemic Reading Of “My Name Is Khan”: Toward An Emergent Multiculturalism, Priya Kapoor

International & Global Studies Faculty Publications and Presentations

In this study, we learn how audiences make sense of a non-dominant text that is conveying a nonWestern story about the Global War on Terror (GWOT). The audiences affective narratives affirm Deuze’s argument that media is not separate from our lived experience; we live in media rather than with media. This study was conducted on an urban campus in the Pacific North-West, with film audiences of over fifty Saudi Arabian, Baharanian, Iranian, Iraqi, Yemeni, and other Arab and non-Arab Muslims. Multiple screenings of Hindi language film, My Name is Khan, shows that it speaks to a global, transcultural, primarily Muslim …

Delinquent Youth: The Ofuna New Wave, Basil Swartzfager

Anthós

In 1960 the Japanese film studio Shochiku Co. announced "the Ofuna New Wave" a revolution in Japanese filmmaking similar to France’s immensely popular Nouvelle Vague. This paper attempts to discover whether this Ofuna New Wave was simply a marketing ploy Shochiku developed in order to attract a larger youth market, or whether it constitutes a legitimate artistic movement along the lines of France’s New Wave. The methods used were a combination of primary research of four Shochiku films released in 1960 as well as secondary historical research regarding the studio and time period. The Shochiku films were then compared to …

Reviews Of Thunder: A Film About Ferron, Sarabah, And The Punk Singer: A Film About Kathleen Hanna, Sarah Dougher

University Studies Faculty Publications and Presentations

Sarah Dougher reviews three films in this issue of Films for the Feminist Classroom: Thunder: A Film about Ferron. Directed by Bitch and Billie Jo Cavallaro; Sarabah. Directed by Maria Luisa Gambale & Gloria Bremer; and The Punk Singer: A Film About Kathleen Hanna. Directed by Sini Anderson.

Are We Cool Yet?: A Longitudinal Content Analysis Of Nerd And Geek Representations In Popular Television, Christopher Louis Cardiel

Dissertations and Theses

This study explores the representation of nerds and geeks in popular broadcast television programs over the course of the past twenty years. A content analysis of the five most popular scripted broadcast television programs for each year was conducted in order to assess the frequency of nerd characters, as well as the social competence, physical attractiveness, and demographic information of each such character. In addition, a supplemental survey design study was employed in order to collect public opinion data regarding perceptions of nerds in general and on television. The results of these studies indicated that while the per-year frequency of …

12 Eylül'Ü Konu Alan Filmlerde Karşı Anlatı Olarak Ses Ve Hafıza, Pelin Basci

World Languages and Literatures Faculty Publications and Presentations

During the last three decades, the 1980 military coup has acquired increased visibility in Turkish cinema. Films that treat the 1980 coup record two aspects of it as parts of a cinematographic narrative: some films explore the socio-political reasons behind the coup by capturing the period preceding the takeover, while others explore the human impact of the coup by capturing the period following it. Films in both groups interrupt the silence maintained by the official narrative about the coup, critique the justifications for military intervention, and expose the violence that was perpetrated in the name of the state.