Other Film and Media Studies Commons^™

The Profits Of (The Critique Of) Patriarchy: On Toxic Masculinity, Feminism, & Corporate Capitalism In The Barbie Movie, Bryant W. Sculos

Class, Race and Corporate Power

This article explicates the political, social, economic, and cultural contribution of Barbie (2023). Through a critical and normative analysis of four different prominent reviews of the film, this essay explores the quality of discourse surrounding Barbie, with particular emphasis on its feminist critique of toxic masculinity and lack of a coherent criticism of capitalism.

Eat The Rich: Anti-Capitalist Thought In The Horror Film, Lyana A. Rodriguez

FIU Electronic Theses and Dissertations

As horror films once again gain popular and critical praise, horror film scholarship continues to expand in analyses of these films through the lens of now-prominent theoretical frames like intersectional theory, critical race theory, and fourth wave feminist theory. However, many analyses miss a class component. Therefore, this article demonstrates that a significant anti-capitalist history exists in horror film, that analysis of anticapitalist themes in these horror films is essential to a complete understanding of American genre film as an art form, and that these anti-capitalist themes can be important in the overall work of radicalization and consciousness-raising. I will …

Hasta Que La Muerte Los Separe: La Representación De La Violencia Machista En La Literatura Y El Cine Hispánicos Contemporáneos, Anna M. Martija Perez

FIU Electronic Theses and Dissertations

Violence against women is a worldwide social problem that is far from being eradicated. Sociologists and psychologists have studied this complex issue rooted in the unbalanced distribution of power between the sexes and writers have portrayed it in their works since the Middle Ages to present. This dissertation provides a comparative study of recent representations of male violence in fictional and non-fictional works produced in different Hispanic countries. The works analyzed include: Icíar Bollaín´s film Te doy mis ojos (2003); recent documentaries such as Home Truth (2017) and Las tres muertes de Maricela Escobedo (2021); shortfilms like Disonancia (2005) and …

Criticizing Past And Modern Ideology Through Twisted Comedy Series: A Case Of "Comrade Detective", Damian Winczewski, Slawomir Czapnik

Class, Race and Corporate Power

The objective of the paper is to solve the interpretative controversies around Comrade Detective, one of the most original TV entertainment productions of the recent years. This production is a pastiche of American buddy police films. The plot refers to the reality of the socialist Romania in the 1980s and presents in a satirical way the local militia’s fight against the American threat. We have attempted to prove that its not only deriding the reality of the political system, but the series constitutes also a satire on American propaganda films. Although the humour in the series seems vulgar and …

Humanizing Scholarship: Going Public Via Multimodality, Mario L. Avalos

FIU Electronic Theses and Dissertations

“Humanizing Scholarship” offers a look into the ways that multimodality can be used to make the scholarly conversations had within the academy more accessible to members of the public. This thesis acknowledges and echoes the responsibility academics have to bridging the gap between their research and the people who so often serve as the basis for the ethnographic work being done in academia. My project does two things: First, it brings together some of the conversations surrounding multimodality and public scholarship. Second, it offers some first-hand models of multimodal compositions—the short films Don Armando and The Adjunct, and the screenplay …

Fronteras Hispánicas: Identidades Fronterizas Y Diálogo Intercultural En La Literatura Y El Cine Contemporáneos, Claudia Battistel

FIU Electronic Theses and Dissertations

Border-crossings —both geographical and metaphorical— are a fertile territory for critical and fictional discourses that explore the forging of gendered personal, social, and cultural identities. The notion of the border becomes a political, material, discursive or symbolic limit, a space of conflict, resistance and negotiation, where power relations are articulated. In this dissertation I analyze the following border-crossing narratives and films: The House on Mango Street, by Sandra Cisneros; Jo també soc catalana and El último patriarca, by Najat El Hatchmi; Retorno a Hansala, by Chus Gutiérrez, and Sin dejar huella, by María Novaro. My study …

Intermedialidad En El Documental Cubano Contemporáneo, Esteban Alfonso Lopez

FIU Electronic Theses and Dissertations

Cuban documentaries, which have experienced dramatic changes in the last two decades, are now more in tune with the most recent global trends in cinema. However, the scarce implementation within the documentary genre of other perspectives and modes of analysis, outside those that are purely cinematographic, has stalled investigations in the field, thus creating a disengagement with the structural and thematic renovation that has been taking place within the discourse of contemporary Cuban documentaries.

My dissertation “Intermedialidad en el documental cubano contemporáneo” examines a select sample of representative texts and Cuban documentaries, with a view to adapting and/or developing an …

Much Ado About Contemporary Women: Gender Adapted In Contemporary Settings, Jessica C. Valdes

FIU Electronic Theses and Dissertations

Shakespeare’s Much Ado About Nothing has been reproduced multiple times in a contemporary context. This thesis focuses on two key productions, BBC’s ShakespeaRe-Told televised adaptation and Joss Whedon’s 2013 film and examines how these productions translate the gender themes in the play to a contemporary setting. To study translations of gender, this thesis is focused on the adaptations of Beatrice and Hero, two major female characters of the play. The comparison of these adaptations is accomplished through analyzing the pieces and reviewing existing work. While there are some important differences between the adaptations, the major problems Beatrice and Hero are …

The Empathy Of Immersion: An Exploration Of Battlefield 1 Through The Lense Of Empathetic Virtual Reality, Katelynn N. Gonzalez

FIU Electronic Theses and Dissertations

This thesis examines two works from different mediums, the short story “How to Tell a True War Story” by Tim O’Brien and the video game Battlefield 1, to compare how each constructs empathy using virtual reality and mimetic communication between audience and the work. The thesis draws from both digital media studies and affect theory to construct a nuanced view of how empathy functions in the works. The body responds to empathy physically. As social creatures, humans feel the emotions of those around them, even if those around them are virtually constructed. In other words, the thesis will explore how …

Queering The Clown Prince Of Crime: A Look At Queer Stereotypes As Signifiers In Dc Comics’ The Joker, Zina Hutton

FIU Electronic Theses and Dissertations

The goal of this thesis is to explore the way heterosexism and homophobia are present in the coding that has created an implied and monstrous queer identity for the Joker, present in many versions of the character over the past forty years. Through close readings of several of the Joker’s most iconic appearances, queer theory texts, and analytical essays on pop culture, this paper will analyze the use of queer signifiers present in the comics and the way that these portrayals of the Joker are rife with harmful and heterocentric perceptions of what comic creators have seen as necessary signifiers …

For Those About To Rock: Gender Codes In The Rock Music Video Games Rock Band And Rocksmith, Elisa M. Melendez

FIU Electronic Theses and Dissertations

This dissertation explores gender codes within the intersection of two American pop culture staples, video games and rock music, by conducting a feminist analysis of two video games (Rock Band and Rocksmith). Both video games and rock music have had their share of feminist academic critique: Musicologists point out how lack of canonical inclusion, gendered attitudes towards instruments, and messages from supporting media create an unwelcome environment for women to pursue a rock music career. Game studies scholars have examined similar attitudes, including a lack of women represented in both the video games and the studios that create them.

Through …

Simply Genre Films: Extracting “King Lear” From “House Of Strangers” And “Broken Lance", Sophia G. I. Funk

FIU Electronic Theses and Dissertations

The purpose of this thesis is to evaluate and refute Yvonne Griggs’ claims that the films “House of Strangers” (1949) and “Broken Lance” (1954) are as Griggs deems “genre-based adaptations” of William Shakespeare’s “King Lear.” I argue that the films, although they have some essential elements of “King Lear,” lack intentionality and reception, pivotal components in determining viability as a Shakespearean film adaptation. Using Griggs’ book as my critical background, I will show that these films are better classified under their respective genre categories, Western and film noir, not as “King Lear” genre adaptations. I will …