Other Film and Media Studies Commons^™

El Inmigrante En El Cine Del Siglo Xxi: Un Análisis De La Identidad Indocumentada Y Sus Esfuerzos Por Mantener Una Comunidad Unida Dentro Y Fuera De La Pantalla, Guadalupe Valente

CMC Senior Theses

El cine en los Estados Unidos ha sido una parte clave de su cultura por muchos años. La industria del cine en los Estados Unidos es un negocio de miles de millones de dólares y con unas de las influencias más inmensas en el país. En términos del género inmigratorio en el cine, existen varias percepciones negativas de la comunidad Latina – incluyendo entre ellas: el traficante de drogas, el violador, el ladrón de trabajo, el empleado doméstico o el trabajador de “blue collar.” Aunque existen muchos estereotipos para los latinos, unos de los personajes más maltratados es el inmigrante …

Reimagining Abandoned Community Space In A Post-Pandemic Environment, Julia Drooff

Scripps Senior Theses

Earlier this year, the Covid-19 pandemic accelerated the demise of the Great American Mall by forcing temporary and permanent closures across the country. The low-end malls that remain are dealing with crippling debt and the closing of key department stores like JC Penney and Neiman Marcus[1]. With only super-luxury malls thriving, many of the standard malls set up in the eighties are just abandoned parts of a community. So, what should happen to these abandoned malls? And what role does that space now play in the post-pandemic community? Since malls began to shut-down pre-Covid-19 did the need for …

Tracing Biometric Assemblages In India’S Surveillance State: Reproducing Colonial Logics, Reifying Caste Purity, And Quelling Dissent Through Aadhaar, Priya Prabhakar

Scripps Senior Theses

Tracing Biometric Assemblages in India’s Surveillance State seeks to understand the historical conditions that rendered the nation-state of India as having the world’s largest biometric surveillance system: Aadhaar. Surveillance practices used by the British Raj mirrors the current social order of the ruling Bharatiya Janata Party (BJP), as they use surveillance to similar ends in today’s political economy, through the intersecting forces of neoliberalism and ethnonationalism. This thesis is an exploration into how India’s current surveillance regimes cultivate biometric surveillant assemblages through Aadhaar. Contrary to claims that Aadhaar was created to empower the poor, I argue that these surveillance regimes …

Hear For You: Engaging With Vocal Authority And Vulnerability Through Podcasting, Rowen Light-Wills

Scripps Senior Theses

Through applications of literary and film theory, cultural analysis, and historical context this thesis project will deconstruct the text of the physical and metaphorical gendered voice. The podcast medium allows for exploration of the physical voice in a spontaneous format, which makes it the ideal platform for hosting conversations between college-aged students that examine cultural conceptions of the voice. Focusing primarily on the feminized[1] voice as a site of cultural tension, participants can tell the story of their voices, talking about experiences that have shaped their auditory self-perception. The work of this project is to demonstrate that the medium …

Traumatized Characters In Traumatized Environments: A Look At Repression And Horror, Rebecca L. Goldman

Scripps Senior Theses

Using Sigmund Freud’s theory of ‘return of the repressed’ as a theoretical basis, this paper takes a case study approach using three critically acclaimed horror films. These films include Nicholas Roeg’s Don’t Look Now (1974), Stanley Kubrick’s The Shining (1980), and Ari Aster’s Midsommar (2019). With use of each film, the interaction between the repressed trauma of the protagonists’ and the film environment is explored, utilizing the notion that repressed trauma will always manifest itself as a symptom of the unconscious mind. Supporting theories include Slavoj Zizek’s notion that dreams must be read in terms of their form, stemming from …

Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta

Scripps Senior Theses

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.

The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals …

Constructing Memory In The Wake Of Tragedy: An Analysis Of Film As A Tool Of Collective Memory In The Aftermath Of The Dictatorships In Argentina And Chile, Megan C. Schneider

CMC Senior Theses

Acting as an audiovisual vector of catharsis, film has proved an innovative and effective tool in the process of reconstructing collective memory in the aftermath of traumatic events. This thesis focuses on the emergence of filmmakers and their movies in the post-dictatorial periods in Argentina and Chile as both nations sought to confront their violent pasts. A general overview of the process of memory construction is included to provide background for the subsequent analysis of film as a vector of collective memory following trauma. An examination and comparison of various films produced for both domestic and international audiences detail each …

Globalized Interfaces And Anticolonial Engagements With Material Technologies Of Empire: Tabita Rezaire And Morehshin Allahyari’S Works, Neelufar Franklin

Scripps Senior Theses

The virtual is far from immaterial and its expressions are multifarious. The infrastructure of a technologic-globalism has opened new pathways of desecration, created new networks of exploitation, and reinforced fraught foundations. Tabita Rezaire and Morehshin Allahyari are two artists whose radical technofeminist and new materialist practices engage with counterdiscourses in the face of the globalized interfaces of technology; from mappings of submarine fiber optic network cables or understanding water as a knowledge repository, to 3D printed queered figures of Islamic mysticism and hypertext narratives. In these anachronistic approaches to technological use and analyses, archives become possibilities for renderings of futurity …

21st Century Film Criticism: The Evolution Of Film Criticism From Professional Intellectual Analysis To A Democratic Phenomenon, Asher Weiss

CMC Senior Theses

Film criticism has changed since its inception and will continue to change moving forward. The evolution of film criticism has largely been a story of the shift from an elite field of intellectual exploration by a few knowledgeable experts to a democratic phenomenon where expert analysis is aggregated and averaged, and the lines are blurred between true expertise and the random opinions of the masses. This paper will address the transition from the birth of film criticism to its popularization through the 90s, to what it has become today. By exploring the nature of film criticism historically and reviewing the …

Democracy At Stake In The Digital Age: Engaging In The Net Neutrality Debate For The Preservation Of Free Speech And The Redemption Of Public Interest, Christina (Sung Min) Yoh

CMC Senior Theses

Net neutrality is currently one of the most topical government policies up for debate. In the following paper, I will examine three cases in which net neutrality has been threatened by internet service providers and the Federal Communications Commission and reinforced by public interest groups, major website companies, and the public. The online regime has been a critical instrument in the outcome of all three cases, highlighting the role and influence of internet users in the virtual and physical public spheres.

Some say that the battle is already lost. FCC Chairman Ajit Pai and his Republican majority in the agency …

A To Z Of Superhero Movies, Jiyeon Kim

CMC Senior Theses

This project explores the question of originality and appropriation in the creative world by using mashup video as a medium. How can old repetitive stories be deconstructed and transformed into something new? I have created alphabetically ordered montages of shots/scenes containing words/letters from superhero films. By doing so, I do not provide a concrete answer to what is really original in today’s world, but rather encourage the audience to actively participate in the viewing experience of the carefully structured ontology and see the infinite possibility of the modern-day mashup culture.

Jocks For Justice: How Sports Media Reflects And Propagates Societal Narratives, Laura Kathryn Reifsnyder

CMC Senior Theses

Sports presents one of the most popular forms of entertainment in society, and sports media continues to expand its billion-dollar influence through new television deal and broadcasting rights. But with a population of journalists who are overwhelmingly white, straight, and male, sports media is promoting the hegemony of said image by reproducing stereotypes in its broadcasts to audiences around the country. Mainstream media regurgitates these stereotypes in their coverage of minority athlete by portraying black players as unintelligent or “thug”-ish, women as “butch”, and gay athletes as effeminate. These representations allow for the perpetuation of the white, heterosexual male narrative …

Pacing Your Fears: Narrative Adaptation In The Age Of Binge Culture, Samantha Richards

Scripps Senior Theses

Entertainment is an ever-changing medium, and television specifically has gone through many technological innovations since its bright beginnings. These innovations have consistently changed the way stories are told. Stylistic shifts in key elements ranging from shot format to the way shows are constructed can be seen especially clearly in horror which does not have the same narrative constraints as many other genres, and therefore more room to experiment. By tracking changes in the narrative formats of serialized and anthology horror shows, I define a new era of television brought about by the prevalence of streaming, and the rise of binge …

Like Me: Generation Z, Instagram, And Self-Branding Practices, Emily Longley

Scripps Senior Theses

The newest generation, raised and immersed in today's hyper-consumer culture, has learned to define the self within a neoliberal and capitalist framework in which self-branding and ascribing to hegemonic principles appears imperative to one’s personal success.

Photography And Mourning: Excavating Memories Of My Great-Grandmother, Eva Weiner

Scripps Senior Theses

This paper explores how photographs have affected mourning processes in the past and how photo-technology may be able to change the way in which we mourn in the future. It includes an overview of the history of post-mortem photography and discusses the perspectives of well-known media theorists such as Roland Barthes and Susan Sontag. It engages with psychologists by including their perspectives on the effect that photographs have on the mourning process. A project was created to investigate how photo-technology can affect the bereaved. The project places photographs of a mother into pictures of her children taken after she had …

Ji Sor (1997): Self-Realization Of Women In Cinema And In History, Tong (Hilary) Lin

CMC Senior Theses

100 years ago, there was a group of women called Zishunu who stood up against the whole society and swore off marriage for life. Zishu offered an escape for many women in the Pearl River Delta area. As forerunners in female independence and liberation, Zishunu never had the chance to be the spokesman of themselves or the recognition they deserved. Ji Sor (1997), a groundbreaking work in lesbian-themed movies, beautifully depicts this special and unparalleled historical phenomenon in detail. Released a few months after the Handover of Hong Kong in 1997, this critically acclaimed movie by Hong Kong New Wave …

The Places That Became Home: A Collection Of Short Stories And Memories, Stephanie Ewing Mace

CMC Senior Theses

This is a collection of short stories and memories from the eight places that I have lived. Through these stories and memories, I reflect on themes of identity and community. I also consider the idea of home: what defines a home, how we make a place feel like a home, and what transforms a city or a town into a home. Each chapter also includes my own original designs and photographs.

The stories about Sharon and Westwood, small towns in Massachusetts, focus on childhood and familial relationships. The narratives about St. Louis, Missouri and Toluca Lake, California, consider the transition …

The Final Girl Grown Up: Representations Of Women In Horror Films From 1978-2016, Lauren Cupp

Scripps Senior Theses

Carol Clover defined a Final Girl as a stereotype of the pure, virginal sole survivor in 1980’s slasher films such as Texas Chainsaw Massacre and Halloween. But does this representation hold up in 2016 films? Because the horror genre is so broad today, it’s almost impossible to nail down a certain stereotype of the genre, if there even is one. Films like the 1996 slasher parody Scream historically subverted the slasher genre, and since then there has been little to no iconic Final Girls. I argue that this trope is one very much set inside the confines of the 1980’s …

"She's Not A Real Monster": Orphan Black's Helena And The Monstrous-Feminine, Natalie Eisen

Scripps Senior Theses

This thesis explores the idea of the “monstrous-feminine,” or the idea that female monsters of television and film are linked to their femininity in a way that male monsters are not linked to their masculinity. Using the work of scholars such as Barbara Creed, Shelley Stamp Lindsey, and Jane M. Ussher, the thesis covers various facets of women’s lives as seen through the distorted lens of the monstrous. The character of Helena from the television show Orphan Black is used as a concrete example of the stages of the monstrous-feminine: the girl-child, menstruation and puberty, sexuality, and motherhood.

Polarizing Narratives: Harmful Representations Of Mental Illness And Bipolar In Popular Media, Mary Jane Coppock

Scripps Senior Theses

Representations of mental illness in mainstream media have historically been infantilizing and dangerous. In the last century, dominant media has perpetuated inaccurate and damaging tropes about bipolar disorder in particular, perpetuating misunderstanding and stigma. Despite this fact, art can provide an outlet through which healthy images that promote understanding and sympathy can be dispersed. My project, Polarized, presents a more accurate representation of the disorder and its effects on individuals who struggle with it, as well as their loved ones. Bipolar disorders are a group of mental illnesses that cause dramatic shifts in an individual’s mood, energy, thinking ability, and …

Understanding The Effects Of Disgust And Political Ideology On Moral Judgment Through Photography, Xijia Yuan

Scripps Senior Theses

Feelings of disgust may have effects on one’s moral judgment; specifically that experience of disgust has linked to increased severity of moral judgments. Additionally, one’s political beliefs may also affect one’s moral judgment, such as conservatives tend to make harsher judgment toward moral situations and behaviors. A 2 x 2 x 2 factorial quasi-experiment has been proposed to study 420 participants, legal adults from both conservative and liberal neighborhoods, randomly assigned to one of two conditions, disgust-eliciting versus neutral. Participants will view either four disgust-eliciting photographs or four neutral photographs, and then complete survey questions on disgust rating, moral judgment, …

A Choreographic Exploration Of Race And Gender Representation In Film And Dance, Sharon M. Keenan

Scripps Senior Theses

Through extensive research which culminates in a choreographic component, this thesis explores the lack of diverse representation within artistic and entertainment industries in regards to race and gender. In pursuit of a concise argument, most of the focus is on race and the conditioned view of gender as binary. Looking specifically at dance and film, it considers and analyzes why this absence persists, along with ways to ensure progress. The analysis and exploration unfolds in five central chapters: Research, Conception of the Dance, One and the Same, and Try It On Make It Fit. By detailing all that …

Technological Disruption In Entertainment: Navigating The Film Industry's Dynamic Relationship To The Consumer, Samantha Mea Simon

Scripps Senior Theses

The following thesis acts as a critical cultural progression report surrounding the current technological disruption in the entertainment industry and its impact on consumers. This begins with a study of the history starting in 1910 and covers the urbanization of America during the Industrial Revolution, the developing fan experience, a history of consumer demands in relation to oligopolistic principles and the blockbuster method, the invention and influence of the television, and the current effect of technological advancement in the entertainment industry. Following this historical overview, four chapters will study different methods of analysis covering the intricacies of the current technological …

Unreliable Narrators, Rebekah Manikowski

Scripps Senior Theses

Unreliable Narrators is a record of the process to create a mixed media installation about how and why we tell stories, and how we as an audience discern the truth of those stories. The installation tells three different perspectives of the same story. Part documentary and part detective search, this project has viewers following the subject as she pieces together her story and ultimately has them deciding for themselves what to believe.

Off The Road: Imperialism And Exploration In The American Road Movie, Andy Wright

Pitzer Senior Theses

This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through. To accomplish this, my essay analyzes a classic road movie, Easy Rider, a more contemporary parody, Harold and Kumar Escape from Guantanamo Bay, and the futuristic film, The Martian. All of these films treat everything that which is not the metropolitan traveller in a distinctly oppressive sense, and each time a new generation of filmmakers makes a road movie, it becomes …

The Value Of Attending University: An Analysis On The Novels Of Evelyn Waugh And Their Adaptations, Evan J. Molineux

CMC Senior Theses

An analysis on Evelyn Waugh's novels: Brideshead Revisited, Decline and Fall, and Vile Bodies as well as their film and television adaptations. The paper relates all of these works to Waugh's idea that the true value and reason why students should attend university is not because their degree will earn them a massive salary, but because it allows for another four years of sequestered development away from adult society. Waugh stated that the true value of his time as an undergraduate at Oxford was because it provided him with the opportunity to drink, throw parties, discover art, etc...which therefore …

Beefing Up The Beefcake: Male Objectification, Boy Bands, And The Socialized Female Gaze, Dorie Bailey

Scripps Senior Theses

In the traditionally patriarchal Hollywood industry, the heterosexual man’s “male gaze,” as coined by feminist film theorist Laura Mulvey, is the dominant viewing model for cinematic audiences, leaving little room for a negotiated reading of how visual images are created, presented, and internalized by male and female audiences alike. However, as Hollywood’s shifting feminist landscape becomes increasingly prevalent in the mainstream media, content incorporating the oppositional “female gaze” have become the new norm in both the film and television mediums. Through an extended analysis of the gaze as socialized through gendered learning in children, the “safe space” afforded through the …

Dark Humor And Suicide: Exploring Viewer Suicidality In "The Long Way", Sarah M. Rosen

Scripps Senior Theses

Death, dying, and the actual loss of life are some of the broadest sweeping concepts that typically evoke a wide array of emotions from sadness and anger to fear and despondence. It is unlikely that the first words associated with death are comedy, humor, or laughter. However, that is precisely what creators and comedians of dark, death, and gallows humor seek to achieve. For my senior capstone project, I have created a short fictional narrative film encompassing the traits of a dark comedy. However, noticing that few dark comedies delve into topics surrounding suicide, I wondered if it was possible …

Explicit Content: A Discussion Of The Mpaa Film Rating System And The Nc-17 Rating, Caroline H. Miller

Scripps Senior Theses

The United States film industry is controlled by the Motion Picture Association of America (MPAA) and its six signatories--the major productions studios (Sony, Warner Brothers, Universal, Walt Disney, 20th Century Fox, Time Warner), and through this joint-partnership they have monopolized prime production, distribution, exhibition and classification of the U.S film market.

The objective of this project is to shed light on biases present in the MPAA rating system's treatment of sex and violence under the X/NC-17 rating in order to demonstrate the lack of viability of the system in today's world.

The World According To Frank Underwood: Politics And Power In "House Of Cards", Lindsey E. Davidson

CMC Senior Theses

This thesis, argues that House of Cards portrays an embellished reality of our government through a Machiavellian lens, particularly looking at the politics of scandal through the 25^th Amendment and impeachment, as well as the role of political spouses. It also address the underlying question of appointing someone as controversial as Frank Underwood to the vice presidential position knowing his manipulative nature, and will analyze his schemes from a realistic perspective.