Other Film and Media Studies Commons^™

Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff

Journal of Religion & Film

The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique …

Stagnation Of The American Perception Of Ptsd As Shown In The Portrayals Of Selected Modern, Post-Modern, And Contemporary Fictional And Non-Fictional Veterans, Rebecca Hazelwood, Eirian Waldron

Summer Community of Scholars (RCEU and HCR) Project Proposals

No abstract provided.

Visions For Japanese Society: An Examination Of Japanese Postwar Occupation Period Film, Kaitlin Smith, Michael Gibbs

DU Undergraduate Research Journal Archive

By following the films of directors Akira Kurosawa ( 黒澤明), Yasujiro Ozu ( 小津安二郎), Masaki Kobayashi (小林正樹), and Shohei Imamura (今村昌平) around occupation period Japan, unified visions for Japanese society are formed as it transitions from wartime into the postwar era. Each of these films conveys a sense of rapid change in society, external pressures and foreign influence, a daily struggle, and immediate postwar suffering. Not only can these films be seen across a wide variety of styles, but they also each approach these issues with immediacy and show tentative outlooks for how Japan functioned and felt for most people …

The Epic Journey Of Pepe The Frog: A Study In Post-Truth, Jaq Webb

[Archive] Belmont University Research Symposium (BURS)

Abstract

The internet meme Pepe the Frog is an excellent avenue for exploring the relationship between post-truth politics, new media, and viral ideas. While memes as conceptualized by Richard Dawkins are essentially timeless components of human society, internet memes as exemplified by the hijacking of Pepe the Frog by the Alt-Right and the Trump campaign are a novel force with uniquely dark implications for liberal democracy. In this study, I attempt a leftist analysis of the best thinking about Post-Truth Trump-era politics and the communication tactics of the Alt-Right, which suggests that some of the same cultural and material forces …

‘Roads?! Where We’Re Going, We Don’T’ Need, Roads’: Framing Online Sim Racing During Covid-19 By Motorsport Forum Participants, Timothy Robeers

Journal of Motorsport Culture & History

No abstract provided.

Mammy And Aunt Jemima: Keeping The Old South Alive In Popular Visual Culture, Angela G. Athnasios

Honors College Theses

Throughout the late nineteenth and twentieth century, American popular visual culture produced racist portrayals of Black Americans. Literature, illustrations, minstrelsy, film, and television are notorious for promoting such unflattering images. Each of these media typified African Americans as exaggerated caricatures with dark skin, bulging eyes, bright-red lips, and goofy smiles. The creators of these stereotypes project their racist beliefs into popular culture. This in turn heavily influences the way other races view people of African descent, as well as how Black people view themselves. From mammies, to Jezebels, to pickaninnies, and everything in between, the message ultimately conveyed in these …

(Re)Presenting Eichmann: One Man, Many Murders, Nina Handjeva-Weller

War, Diplomacy, and Society (MA) Theses

This thesis argues that the act of recording the trial of Adolf Eichmann was an interpretation by director Leo Hurwitz, and that at the time it was recorded, and since then, the material has been used by different actors for different purposes. I examined the use made of that material by six individuals/countries: Leo Hurwitz, the accused, director Eyal Sivan, screenwriter Simon Block, West German presenters Joachim Besser and Peter Schier-Gribowsky, and the Israeli government under David Ben-Gurion. To understand the intent of Leo Hurwitz, footage of trial sessions was analyzed as were interviews with him by Professor Susan Slyomovics …

Ambedo: Immersive Storytelling Through Augmented Reality, Dr. Diane Derr, Law Alsobrook, Sadia Mir

Frameless

The territory of locative media, coupled with augmented reality, offers unique opportunities to excavate and unpack rich historic events, in immersive storytelling. In September of 1943, during World War II, approximately 5,200 Italian soldiers were massacred on the Greek island of Kefalonia by Nazi troops. This massacre is credited as one of the largest ever prisoner-of-war massacres in recent history (Lamb, 1996) and left an indelible mark on the island of Kefalonia. In 2019, Configuring Kommos: Narrative, Event, Place and Memory, an interdisciplinary research project, began an investigation into the triangulation of narrative within the complexity of this tragic …

Beirut/The Other Side Of The City: The Impact Of Visual Texture Production Of The Lebanese Postmemory Generation, 1989 - Present, Mohamed Moustafa Gameel Ebada

Theses and Dissertations

In 1989, after the Ta'if agreement, the war in Lebanon started to fade, which ended years of one of the most destructive civil conflicts in the region with no decisive winner or loser. The year also marked the birth of a new Lebanese generation who did not experience the war in person. It is a generation of postmemory, a term Maria Hirsch coined to describe the reminisces of those who did not have a personal encounter with past traumatic events. However, it was not before February 2005, when Rafic Al-Hariri's violent assassination occurred, when the postmemory generation started to question …

The Free Arena Of Literature: Science Fiction Films’ Critiques Of Capitalism In The United States, John (Jack) Michael Bilello

History

Capitalism is an inherently flawed system. The ideologies of Karl Marx have remained relevant for their critiques of the system, yet socially, his ideas are not accepted in the capitalist United States. Capitalism, as the dominant economic system of western civilization, has become synonymous with patriotism in the U.S. This has proved incredibly harmful to criticisms of capitalism, as they are met with questions of allegiance and patriotism rather than a careful reconsideration of ideals. Through science fiction films, these ideas that are usually difficult to express become much more palatable to a capitalist society. But to fully appreciate the …

The Pre-Fab Fab Four, Thyra L. Chaney

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

This paper describes the formation of The Monkees as a manufactured boy band and pop culture phenomenon, and the social and cultural context that led to the group's dissolution and lasting legacy in the history of television and popular culture.

Who Lives, Who Dies, Who Tells Your Story? A Marxist Analysis Of "Hamilton" And Its Relationship To The Broadway Economic System, Alana Ritt

Honors Projects

Lin-Manuel Miranda’s mega-hit Hamilton: An American Musical has been both a critical and academic darling since its premiere in 2015. A historical retelling of America’s inception through the eyes of an oft-ignored founding father, the musical weaves together a diverse cast and hip-hop musical stylings in order to tell the story of “America then, as told by America now.” While many critics and scholars alike have praised the musical for putting an exciting and accessible twist to American history, others have argued that the musical is not nearly as “revolutionary” as it claims to be. This essay is designed to …

A Comparative Analysis Of Political Climates In Lithuania, Poland, And Ireland In The Early 1900s Related To Us Immigration And Media Culture, Annelise Silkaitis

Senior Theses

This thesis explores the process and experience of Lithuanian, Irish, and Polish immigrants during the late 1800s and early 1900s, as well as the role of media, specifically newspapers and books, in creating the representation and portrayal of these immigrant groups. These different ethnic groups left Europe for a variety of reasons, mainly economic and political, and sought a better life in the United States. Upon arrival, each group struggled with the Americanization process, learning English, building connections, and forming a new society. Although some immigrant groups formed stronger networks and communities upon arrival, each group faced poverty and discrimination. …

Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire

Journal of Religion & Film

Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle against patriarchal prejudice. …

Influential Storytelling At Its Finest: Why The Postwar West Took Notice Of Yasujirō Ozu’S Tokyo Story, Abigail Deveney

Japanese Society and Culture

Tokyo Story (1953) came to fame in 1958, when Yasujiro Ozu’s postwar film about a fragmenting family won the Sutherland prize at the London Film Festival – or so cinematic scholarship suggests. There is, however, a much more complex tale to be told. In fact, director Ozu’s shomingeki-genre film was being discussed and promoted internationally long before what is considered that watershed moment.

This dissertation explores why the western world took note. It argues that Tokyo Story’s nuanced and humanist narrative was a unique form of soft power, attracting and persuading decades before that concept was formally articulated. Tokyo Story’s …

The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam

Dissertations, Theses, and Capstone Projects

Nudist magazines and newsletters were among the first commercial, legal, and widely-available images of nudity which circulated in the late Comstock Era. To evade censorship, producers developed framing strategies that obscured the sexualized nature of these images, even as they also enabled the viewing practices their sales relied upon. This dissertation traces these framing strategies as they evolved through nudist still-imagery, camp films, and nudie cuties, and considers the evolution of spectatorial pleasures associated with Russ Meyer's early nudie cuties.

Morkovcha [Korean Carrot Salad], Lidiya A. Kan

Theses and Dissertations

Morkovcha, Korean Carrot Salad is a short documentary that tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with my mother, personal stories, fragmented memories, and my family photo archive. This very personal film is my attempt to revisit the 160-year history of the Russian Korean diaspora and to record and preserve our unique fusion of cultures in the melting pot that is the United States. Its purpose is to help to process and accept the tragic past of my …

Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb

Articles

This chapter presents the use of Lost & Found – a purpose-built tabletop to mobile game series – to teach medieval religious legal systems. The series aims to broaden the discourse around religious legal systems and to counter popular depiction of these systems which often promote prejudice and misnomers. A central element is the importance of contextualizing religion in period and locale. The Lost & Found series uses period accurate depictions of material culture to set the stage for play around relevant topics – specifically how the law promoted collaboration and sustainable governance practices in Fustat (Old Cairo) in twelfth-century …

An Experiential Analysis Of Job Site Safety: Delineating Between Positive Safety Culture And Excessive Safety, Steven Tighe

All-Inclusive List of Electronic Theses and Dissertations

In general industry and in construction many safety requirements are mandated on job sites and in facilities. Many requirements move past simple compliance and enter the realm of cultural safety. This high level of cultural safety is what is typically the level most safety professionals strive for in any company. The balance is tipped to excessive when we move past the cultural safety into redundant or multi layers of requirements that affect production rates and have no actual value to safety but have the appearance of safety. This research looked into a large construction project that had multiple layers of …

Adoption Of Bonded-Cellular Technology, Gregory Edward Phipps

All-Inclusive List of Electronic Theses and Dissertations

This study analyzed four determinant factors attributed to the acceptance of Bonded Cellular (BC) technology and applies the tenants of Diffusion of Innovation and Technology Acceptance Models. BC “bonds” available cellular channels and transmits a multiplexed signal to a broadcaster. This study will advance the understanding of factors that may impact the acceptance of BC at the management level. Research Questions 1. Can behavioral intention (BI) to adopt BC tools be predicted by using an independent variable representing Perceived Ease-Of-Use (PEOU)? 2. Can behavioral intention (BI) to adopt BC tools be predicted by using an independent variable representing Perceived Usefulness …

Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America, Danielle B. Wetmore

Dissertations, Theses, and Capstone Projects

This thesis will argue that New Deal legislation accounted for increased importance placed on consumers and the articulation of consumer citizenship as female during the Great Depression. Once New Deal programs and legislation determined and legitimized the consumer citizen, the consumer citizen exercised influence though purchasing power. Analyzing the ways the federal government defined women as consumer citizens through programs like the National Recovery Administration’s Blue Eagle Campaign offers important insight into who was considered to have a voice. Notions of citizenship define groups by who has the necessary attributes and qualifications—in this case the means to purchase goods—to be …

"The Jeep Is Here To Stay!" Projections Of America And Franco-American Relations During World War Ii, Connie L. Gentry

LSU New Orleans Theses and Dissertations

During World War II, the Office of War Information produced American and Allied propaganda that was used at home and abroad. Robert Riskin, head of the Bureau of Motion Pictures Overseas Branch, was responsible for creating Projections of America, a documentary film series made to introduce foreigners to America whilst combating negative impressions of Americans that arose in the interwar years. Films from Projections of America contained themes of American culture, ideology, industry and technology, and democracy. In France, these films were used to sway French opinion of Americans while promoting friendship and appreciation for American culture. Ultimately, the …

Time Machine Research And Approach, Tarek Bouraque

Theses and Dissertations

Time Machine is a hybrid documentary that explores the logics of enslavement, colonialism, eurocentrism and their interconnectedness in our globalized world. Mustapha Azemmouri, born in 1502, undertakes a journey to the 21st century to recount his own story of enslavement and exploration, and reflects on a collective puzzle of 500 years of hidden history.

Actors As Engineers: The Reconstruction Of Antifascism In Defa Films, 1949-1961. [2020], Jonathan Herr

Master's Theses

The East German film industry (led by state film company DEFA) had, since its inception in 1946, focused heavily upon the theme of antifascism. However, the meaning and definition of antifascism changed dramatically over the course of East Germany’s early history. In DEFA’s earliest days, antifascism was a confrontation of Germany’s Nazi past and argued that capitalism was a forebearer to fascism. As the East German state formed, antifascism evolved, casting America and its unchecked capitalism as the enemy to democracy. Here DEFA films still confronted Germany’s dark past, though the end goal of the films was to promote hope …

Managing The Wear Of Heavy Construction Equipment Steel Track Undercarriage By Soil Sand Content, Frederick Ashburn Rich

All-Inclusive List of Electronic Theses and Dissertations

Heavy construction equipment owners and managers have few predictive tools that can estimate wear rate of undercarriage track propulsion systems working in various soil types and changing operational conditions. Managing the timely maintenance of these track systems is critical for they represent over half of the non-fuel operating cost of the equipment fleet. Understanding the major influencing factors that impact undercarriage system wear rate can help determine the most economical time to stop a machine for track maintenance thus positively impacting the equipment’s return on investment (ROI). This research analyzed the population of track type dozers in the eastern half …

Screening Revolution: Cinema As An Alternative Public Space During The Years Of Lead (1969 - 1994), Patrick Hayes

Honors Theses

1969 to 1988 was a period of social and political unrest in Italy known as the Years of Lead. Within this political foment, leftist directors produced films that dealt with topics that were of concern to the Left such as the condition of factory workers and police corruption. This thesis explores the role of cinema within the public sphere, whether it acted as an alternative space, and whether its role changed over time. Influenced by neo- Habermasian theory, I hypothesize that cinema served as an alternative public space in which directors critiqued the environment which drove students and workers to …

Dixieland Crusaders: Mass Media, The Ku Klux Klan, And The Optics Of Populism, 1970-1979., Olivia E. Raymond

Electronic Theses and Dissertations

The 1970s in the United States of America ushered in transformative policies that reshaped the nation. In her landmark essay, “The Long Civil Rights Movement and the Political Uses of the Past” (2005), Dr. Jacquelyn Dowd Hall reveals how Black activists inspired “a long movement of movements.” However, often forgotten in narratives of new activism from this era is the resurgence of white reactionary social movements. This thesis argues that mass media is central to mainstreaming radical far-right ideology to a national audience. It explores the political ramifications of sensationalist coverage of the Ku Klux Klan in mass media, specifically …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Alexis Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

“Un-American” Hollywood: Politics And Film In The Blacklist Era, Natalie Jarosz

Armstrong Undergraduate Journal of History

This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume edited by Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield. It argues that the American Left was involved with creating films of true significance in the Hollywood system, in the context of post-war House Un-American Activities Committee (HUAC) blacklisting. There is also an examination of the Popular Front between liberals and communists before post-war tensions drew them further apart. There is a chapter about the “new” and “old” waves of the left in the context of 1960s and 1970s American cinema. …

Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.