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Full-Text Articles in Other Film and Media Studies
Julie Taymor, Niamh J. O'Leary
“Shining” With The Marginalized: Self-Reflection And Empathy In Stanley Kubrick’S The Shining, Bethany Miller
“Shining” With The Marginalized: Self-Reflection And Empathy In Stanley Kubrick’S The Shining, Bethany Miller
English Seminar Capstone Research Papers
This paper examines Stanley Kubrick's 1980 horror masterpiece The Shining and how it references the history of violence against the marginalized in America.
Simply Genre Films: Extracting “King Lear” From “House Of Strangers” And “Broken Lance", Sophia G. I. Funk
Simply Genre Films: Extracting “King Lear” From “House Of Strangers” And “Broken Lance", Sophia G. I. Funk
FIU Electronic Theses and Dissertations
The purpose of this thesis is to evaluate and refute Yvonne Griggs’ claims that the films “House of Strangers” (1949) and “Broken Lance” (1954) are as Griggs deems “genre-based adaptations” of William Shakespeare’s “King Lear.” I argue that the films, although they have some essential elements of “King Lear,” lack intentionality and reception, pivotal components in determining viability as a Shakespearean film adaptation. Using Griggs’ book as my critical background, I will show that these films are better classified under their respective genre categories, Western and film noir, not as “King Lear” genre adaptations. I will …
Allusion As Form: The Waste Land And Moulin Rouge!, Stacy Magedanz
Allusion As Form: The Waste Land And Moulin Rouge!, Stacy Magedanz
Library Faculty Publications & Presentations
Allusion is usually considered a literary technique, but relatively little attention has been paid to the notion of allusion as a literary form. In this essay, I attempt to describe the allusive form based on two prominent examples, T. S. Eliot’s Waste Land and Baz Luhrmann’s Moulin Rouge! Though radically different, the two works embody distinguishing characteristics of the allusive form. These are intertextuality, or a dependence upon outside sources for sense and significance; heightened and self-conscious artificiality; a confrontational attitude toward the audience; elitism, based on the exclusivity of allusions; appropriation of multiple cultures; and pervasive anachronism. Though prone …
Visions And Numbers: Aronofsky's Π And The Primordial Signifier, Paul Eisenstein
Visions And Numbers: Aronofsky's Π And The Primordial Signifier, Paul Eisenstein
English Faculty Scholarship
No abstract provided.