Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Other Film and Media Studies (12)
- Screenwriting (10)
- Social and Behavioral Sciences (8)
- Visual Studies (8)
- Feminist, Gender, and Sexuality Studies (5)
-
- Communication (3)
- Race, Ethnicity and Post-Colonial Studies (3)
- Religion (3)
- African American Studies (2)
- Art and Design (2)
- Business (2)
- Creative Writing (2)
- Fiction (2)
- History (2)
- Lesbian, Gay, Bisexual, and Transgender Studies (2)
- Library and Information Science (2)
- Marketing (2)
- Music (2)
- Other Feminist, Gender, and Sexuality Studies (2)
- Other Music (2)
- Photography (2)
- Social Media (2)
- Women's Studies (2)
- Acting (1)
- Advertising and Promotion Management (1)
- African Studies (1)
- American Film Studies (1)
- Institution
-
- City University of New York (CUNY) (12)
- LSU New Orleans (5)
- Liberty University (5)
- Bowling Green State University (4)
- Claremont Colleges (3)
-
- University of Nebraska at Omaha (3)
- University of Northern Iowa (3)
- Bucknell University (1)
- College of the Holy Cross (1)
- DePaul University (1)
- Duke Law (1)
- Georgia Southern University (1)
- Loyola Marymount University and Loyola Law School (1)
- Minnesota State University, Mankato (1)
- Pace University (1)
- Stephen F. Austin State University (1)
- University of Arkansas, Fayetteville (1)
- University of Central Florida (1)
- University of Nebraska - Lincoln (1)
- University of Rhode Island (1)
- University of San Diego (1)
- University of South Carolina (1)
- University of South Florida (1)
- Western Michigan University (1)
- Keyword
-
- Film (16)
- Documentary (11)
- Art (3)
- Editing (3)
- Feminism (3)
-
- Memory (3)
- Short film (3)
- Argueta (2)
- Cinematography (2)
- Coming of age (2)
- Culture (2)
- Filmmaking (2)
- Lesbian (2)
- Music (2)
- Narrative (2)
- Production (2)
- Protest (2)
- Sexism (2)
- Technology (2)
- Video (2)
- "Digital Humanities" (1)
- "Interdepartmental collaboration" (1)
- "Virtual Reality" (1)
- "interdisciplinary initiatives" (1)
- "urban art archiving" (1)
- 14th Amendment (1)
- 1972 (1)
- 1st Amendment (1)
- 2008; (1)
- Abortion (1)
- Publication
-
- Theses and Dissertations (8)
- LSU New Orleans Theses and Dissertations (5)
- Senior Honors Theses (4)
- Journal of Religion & Film (3)
- UNIversitas: Journal of Research, Scholarship, and Creative Activity (3)
-
- Capstones (2)
- Electronic Theses and Dissertations (2)
- Honors College Theses (2)
- Honors Projects (2)
- Honors Theses (2)
- Publications and Research (2)
- Ray Browne Conference on Cultural and Critical Studies (2015-2021) (2)
- Scripps Senior Theses (2)
- CMC Senior Theses (1)
- DePaul Magazine (1)
- Digital Initiatives Symposium (1)
- Faculty Scholarship (1)
- Genocide Studies and Prevention: An International Journal (1)
- Graduate Theses and Dissertations (1)
- Honors Program: Senior Projects (Public) (1)
- Honors Thesis (1)
- Library Services Publications (1)
- Markets, Globalization & Development Review (1)
- Masters Theses (1)
- Présence Francophone: Revue internationale de langue et de littérature (1)
- Senior Theses (1)
- Publication Type
Articles 31 - 52 of 52
Full-Text Articles in Film Production
Peace Has No Borders, Denis H. Mueller Ph.D., Deb Ellis
Peace Has No Borders, Denis H. Mueller Ph.D., Deb Ellis
Ray Browne Conference on Cultural and Critical Studies (2015-2021)
Film Screening and Q/A with co-directors:
During the Iraq War, veterans from the United States crossed the border to Canada seeking refuge from serving in what they viewed as an unjust and immoral war. Peace Has No Borders follows three resisters and their supporters through a ten-year effort to remain in Canada.
Peace Has No Borders takes place within the backdrop of a previous migration to Canada. Between 1965-1973, over 50,000 Americans crossed the border seeking refuge from what is now widely recognized as a misguided war. Forty years later, Canada faces the same political dilemma – whether to give …
The Reflection Of Sub Continental Primitive Archetype Mother In The Films Of Ritwik Ghatak, Zuairijah Mou
The Reflection Of Sub Continental Primitive Archetype Mother In The Films Of Ritwik Ghatak, Zuairijah Mou
Ray Browne Conference on Cultural and Critical Studies (2015-2021)
Ritwik Ghatak is one of the significant Indian filmmakers in the Indian subcontinent. The touch of the culture of Bengal is clearly evident in the films of Ritwik Ghatak. Before analyzing the role of the primitive mother archetype in the scenes or in the development of the characters in his films, it is necessary to understand the origin of the primitive mother archetype.
The primitive mother archetype or maternal form is the statements, figure, myth, pattern, form, use etc. which has been existing in any culture for a long time. For example, the form of 'Mother' in Bengal is worshiped …
17 Days: Cross-Country With Social Media, Zachary Alvarado
17 Days: Cross-Country With Social Media, Zachary Alvarado
Senior Theses
"Austin Prescott and Zach Alvarado travel from South Carolina to California using social media to find and communicate with hosts throughout the country..."
https://www.youtube.com/watch?v=V8k6EQnW5D4
Costs of investment were weighed against capital contributions throughout our campaign. While the film serves to inspire, entertain, and inform, the paper dives deeper into the brand-building, cost-savings, and logistics of the trip. In the end, we more than doubled our initial investment and had an awesome time while doing it.
The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace
The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace
Senior Honors Theses
Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …
Find Him In The Valley: A Missionary's Burden, Susannah Martin
Find Him In The Valley: A Missionary's Burden, Susannah Martin
Senior Honors Theses
The main portion of this thesis includes a presentation of the short film script, Find Him in the Valley: A Missionary’s Burden. The script follows a young missionary, his older mentor, and their guide on a journey to a village where they will be witnessing to people who have never heard the Gospel. Unfortunately, the village is mostly destroyed by a mudslide before they can arrive. I also explain my creative choices as an author, discuss how transmedia can be used to further engage viewers of the film, and explain my future plans for the script, including marketing.
A Director Acts: My Experience Directing And Acting In A Short Film, Benjamin Grist
A Director Acts: My Experience Directing And Acting In A Short Film, Benjamin Grist
Senior Honors Theses
The purpose of this creative thesis was to test the difficulties of both directing and acting in a short film at the same time. I began my research by completing three honors petitions that covered this subject and used the information I gained while writing and performing them to inform my decisions while completing the thesis. During pre-production, I prepared for my roles in the film and began to discover the challenges involved. In the production phase, I directed and acted in a short film over the course of five days. This experiment has led me to believe that one …
Editorial In(Ter)Ventions: Comparing The Editorial Processes Of The Hebrew Bible And The Star Wars Saga, Timo Tekoniemi
Editorial In(Ter)Ventions: Comparing The Editorial Processes Of The Hebrew Bible And The Star Wars Saga, Timo Tekoniemi
Journal of Religion & Film
Canonicity and authority of one textual form over another, textual plurality, and scribal freedom in the early transmission of the Hebrew Bible have in the recent decades become prominent topics in the methodological discussions of biblical scholars. Since the discovery of the Dead Sea Scrolls, it has become clear that, when attempting to discern the oldest text of the Hebrew Bible, we are in need of new and better models of textual transmission that take into account all extant textual evidence. Working solely on the basis of the so-called Masoretic Text is no more methodologically tenable, especially when it comes …
A Reason To Daydream, Corinne Schipull
A Reason To Daydream, Corinne Schipull
Honors Program: Senior Projects (Public)
Sexism in American culture comes as no surprise. In 2017, the film industry saw an increasing number of powerful men within its ranks exposed and exiled for allegations of sexually predatory behavior. Many see this purging as a sign of changing times, but this view is optimistic: the tides of change ebb in and out, and this problem far exceeds the movie industry. Well before the onslaught of articles on the likes of Harvey Weinstein, my classmates and I resolved to craft our senior thesis film with a crew made up entirely of women: we simply saw the pool of …
A Conversation With Luis Argueta, Francesca Soans
A Conversation With Luis Argueta, Francesca Soans
UNIversitas: Journal of Research, Scholarship, and Creative Activity
Synopsis: An interview with filmmaker Luis Argueta during his visit to UNI on October 13, 2017. Students from the Digital Media Production II class, taught by Professor Francesca Soans, planned, recorded, and edited the interview, as part of a 30-minute television show on immigration. Luis Argueta directed a trilogy on immigration in Iowa: AbUSed: The Postville Raid (2010); ABRAZOS (2014); and The U-Turn (2017).
Interview With Beatriz Gallardo, Stephen J. Gaies, Polly Alfano Translator, Jennifer Cooley Translator
Interview With Beatriz Gallardo, Stephen J. Gaies, Polly Alfano Translator, Jennifer Cooley Translator
UNIversitas: Journal of Research, Scholarship, and Creative Activity
Film has been a powerful tool in documenting and raising awareness about (im)migration. It can reveal the root causes of population movement, both voluntary and involuntary, and it can open our eyes to the economic, social, legal and psychological challenges of newcomers.
Beatriz (Bea) Gallardo Shaul has been involved as a film producer in bringing these issues of (im)migration to the attention of the general public and in preserving a record of the impact of these issues on the people of Guatemala. Gallardo earned a Masters in Communications from San Carlos University in Guatemala (cum laude). Her credits as a …
Lives In Motion: Depaul's All-Star Cinema Arts Faculty Teach The Art Of Documenting Life On Film
Lives In Motion: Depaul's All-Star Cinema Arts Faculty Teach The Art Of Documenting Life On Film
DePaul Magazine
This article highlights the award-winning female documentarians on faculty at DePaul University's School of Cinematic Arts and their various projects with students, including a program for female high school students living in Chicago Housing Authority housing. Sidebar by DePaul Law School graduate Chaz Ebert.
Introduction: (Re)Presenting (Im)Migration, Jennifer Cooley
Introduction: (Re)Presenting (Im)Migration, Jennifer Cooley
UNIversitas: Journal of Research, Scholarship, and Creative Activity
This edition of UNIversitas is devoted to the study of Luis Argueta’s trilogy of documentary films about immigration, and, more broadly, the quest to faithfully represent the personal impact of immigration policies in the 21st century. Starting with abUSed: The Postville Raid (2010), followed by ABRAZOS (2014) and most recently The U Turn (2017), Argueta’s films invite us to reflect upon the ongoing injustices faced by Guatemalan migrants living in the Midwest and broader societal issues surrounding immigration as well. They do this by bringing individual stories to the forefront, by giving voice to those who are typically silenced, …
Sundance Film Festival 2018, John C. Lyden
Sundance Film Festival 2018, John C. Lyden
Journal of Religion & Film
Introduction to the Sundance Film Festival 2018.
Half The Picture, John C. Lyden
Half The Picture, John C. Lyden
Journal of Religion & Film
This is a film review of Half the Picture (2018), directed by Amy Adrion.
Electronic Rhapsody: Theremin And Matryomin, Kayoko Nakamura
Electronic Rhapsody: Theremin And Matryomin, Kayoko Nakamura
Theses and Dissertations
Electronic Rhapsody: Theremin and Matryomin is a short documentary film, which explores two magical musical instruments: the Theremin and the Matryomin. Both instruments represent innovations in the history of electronic music. The film depicts the world of these unique musical instruments, their inventors and performers who make up the community.
In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz
In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz
Publications and Research
No abstract provided.
Whatever Happened To Blackwater Rd.?: A Visual Documentary Concerning Achievement In The Face Of Failure, Michael Stephenson
Whatever Happened To Blackwater Rd.?: A Visual Documentary Concerning Achievement In The Face Of Failure, Michael Stephenson
Electronic Theses and Dissertations
Whatever happened to Blackwater RD.? is a feature length documentary thesis film created and cultivated by Michael E. Stephenson to fulfill the requirements of the Master of Fine Arts degree in Entrepreneurial Digital Cinema while attending the University of Central Florida. Whatever happened to Blackwater RD.? has met these criteria of the School of Visual Arts and Design, in the College of Arts and Humanities, by being a feature length digital film with a budget no larger than $50,000. This film is the efforts of the filmmaker to trace the failure of his original narrative thesis film Blackwater RD., attempting …
Preserving Film Preservation From The Right Of Publicity, Christopher J. Buccafusco, Jared Vasconcellos Grubow, Ian J. Postman
Preserving Film Preservation From The Right Of Publicity, Christopher J. Buccafusco, Jared Vasconcellos Grubow, Ian J. Postman
Faculty Scholarship
No abstract provided.
A To Z Of Superhero Movies, Jiyeon Kim
A To Z Of Superhero Movies, Jiyeon Kim
CMC Senior Theses
This project explores the question of originality and appropriation in the creative world by using mashup video as a medium. How can old repetitive stories be deconstructed and transformed into something new? I have created alphabetically ordered montages of shots/scenes containing words/letters from superhero films. By doing so, I do not provide a concrete answer to what is really original in today’s world, but rather encourage the audience to actively participate in the viewing experience of the carefully structured ontology and see the infinite possibility of the modern-day mashup culture.
Little Trees, Maxwell Kane
Little Trees, Maxwell Kane
Honors Theses
I believe in the power of film as a medium of storytelling. My desire to head a year-long production as well as create a moving story that underlined my interest in sibling relationships motivated me to create a short film as my honors thesis. My film, Little Trees, emphasizes themes such as alienation and growth within a broken household. My ultimate goal is to become an artist who creates meaningful cinema by telling deeply personal stories, and creating Little Trees was a successful first step in that process.
Like Me: Generation Z, Instagram, And Self-Branding Practices, Emily Longley
Like Me: Generation Z, Instagram, And Self-Branding Practices, Emily Longley
Scripps Senior Theses
The newest generation, raised and immersed in today's hyper-consumer culture, has learned to define the self within a neoliberal and capitalist framework in which self-branding and ascribing to hegemonic principles appears imperative to one’s personal success.
Skinny Girls Bleed Flowers, And Other Sick Lies, Isadora Steiger
Skinny Girls Bleed Flowers, And Other Sick Lies, Isadora Steiger
Scripps Senior Theses
This short film visualizes the experiences of seven Scripps students who have or have had eating disorders, using interview audio and projected imagery to critique existing media portrayals of eating disorders, as well as humanizing those who actually suffer from them.