Film and Media Studies Commons^™

The Bollywood Hindu Heroine, Emily Holmstead

AWE (A Woman’s Experience)

The melodramatic, high-grossing Bollywood film industry is intertwined in almost every aspect of Indian culture with its blunt commercialism and unapologetic enthusiasm. Both the western world and the feminist movement are changing women’s depictions in these films. These featured women fill university classrooms and cry out against social injustice all the while pursuing husbands and performing traditional rituals. The power structure of the female-male relationship is also changing as women’s education and career are given more importance while maintaining their devotion to romance and motherhood. The appetite for female-centered films will grow as the theories and practices of female empowerment …

The Va-Jay-Jay Revolution

Women’s Studies, Feminist Zine Archive

Writings and art about beauty standards, the portrayal of lesbians on television, a critique of the word bitch, organized religion as a violation of women's rights, harassment in public spaces, and the representation of women in various countries as observed by studying abroad.

W.O.C. In Da Biz, Graeme Aegerter, Ellen Butterworth, Katie Davidson

Women’s Studies, Feminist Zine Archive

Writings and art addressing intersectionalities of music, gender, and race, focusing on M.I.A., Janelle Monae, and Ciara Princess Harris.

Love In The Time Of Capitalism: A Marxist Feminist Reading Of Modern Times, Brooke M. Beloso

Scholarship and Professional Work - LAS

Dr. Brooke Beloso's contribution to Marxism and the Movies: Critical Essays on Class Struggle in the Cinema, Ed. Kevin K. Durand and Mary K. Leigh, McFarland Publishers.

The Feminist Hollywood, Stephanie Fasi, Guillaume Beaudoin, Shane Dicristina

Women’s Studies, Feminist Zine Archive

Writings and art examining feature films thought to represent feminist values, the evolution of female Disney characters, and female musicians who challenge the patriarchal music industry.

What You Need To Know About Sex, Lauren Gardner, Paula Pearl, Jessie Roth, Cristina Smith

Women’s Studies, Feminist Zine Archive

Writings and artwork examining messages about sex and contraception in the media, intimate partner violence, sexuality and gender in popular music, and sexuality.

The Fall Of The Yellow Wallpaper, Rachel Payne

AWE (A Woman’s Experience)

Many have acknowledged the Gothic influence of Poe’s “The Fall of the House of Usher” on Gilman’s “The Yellow Wallpaper.” Critics often examine the opposition of genres in “The Yellow Wallpaper,” arguing it as either a feminist movement or Gothic tale. However, the Female Gothic genre centers the female role inside a Gothic tale. This genre typifies a criticism of oppressive patriarchies and support for female independence. Both “The Fall of the House of Usher” and “The Yellow Wallpaper” demonstrate women who overcome repressed voices by finding their expressions through writing.

The Personal, Political, And The Virtual? Redefining Female Success And Empowerment In A Post-Feminist Landscape, Linda Elizabeth Chardon

Honors Theses and Capstones

No abstract provided.

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …

“All Girls Are Barbies”: A Feminist Critique Of Nicki Minaj’S Barbie Persona, Camellia Sarmadi

Communication Studies

No abstract provided.

Can You Believe She Did That?!:Breaking The Codes Of "Good" Mothering In 1970s Horror Films, Jessica Michelle Collard

USF Tampa Graduate Theses and Dissertations

The threats found in horror films change with time, each decade consisting of threats that were most frightening for the time period. Horror film scholars, such as Andrew Tudor, determined that in 1970s horror films the threat has migrated from external forces into the home and the family. Invading aliens and monsters were thrown replaced by psychosis and evil children. This notion of making the familiar unfamiliar and threatening is paralleled in concerns addressed during the second-wave of feminism; women were making the normative and familiar idea of mother unfamiliar as they migrated from the private and into the public …

Sleeping Beauty: The Reality Of Harmful Images Of Women Within The Film Industry, Noretta A. Morales

Whittier Scholars Program

This senior project is composed of three parts: a screenplay, essay, and journal. The purpose of this senior project is to provide a perspective of how women are treated within the film industry and women’s obsession with beauty and sexuality, as well as how the media portrays women. It focuses on the pressures that women deal with in the film industry and the construction of beauty and sexuality concepts. Drawing from articles, journals, books, and interviews, the project attempts to provide the various sides and aspects of how women give in, or not, to the stress of conforming to the …

Leading Ladies?: Feminism And The Hollywood New Wave, Allison A. Smith

Pell Scholars and Senior Theses

In the late 1960s, a new film movement emerged in Hollywood cinema known as the Hollywood New Wave. The women’s movement began roughly the same time as the Hollywood New Wave, but feminism was rarely a topic discussed in Hollywood cinema. The Hollywood New Wave is often considered a “boy’s club,” in the sense that most of the filmmakers, actors and other crewmembers were male and writing stories about male experiences. Women did have a part in these films in a limited way, yet there are some examples of strong female characters in select films.

"Just A Girl": The Community-Centered Cult Television Heroine, 1995–2007, Tamy Burnett

Department of English: Dissertations, Theses, and Student Research

Found in the most recent group of cult heroines on television, community-centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. The second is their emphasis on communal heroic action that challenges traditional understandings of the hero and previous constructions of the cult heroine on television. Through close readings of Xena: Warrior Princess, Buffy the Vampire Slayer, Firefly, Dark Angel, and Veronica Mars, this project engages feminist theories of community and heroism alongside critical approaches to genre and narrative technique, identity performance theory, and visual media …

Weaving Through Reality: Dance As An Active Emblem Of Fantasy In Performance Literature, Tara Maylyn Frankel

CMC Senior Theses

Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. …

Is Disney Surfing The Third Wave? A Study Of The Pervasiveness Of The Third Wave Of Feminism In Disney's Female Protagonists, Emily S. Ellington

Senior Honors Theses

It is important to understand factors that have influenced Generation Y’s view of womanhood. One way to do this is to analyze third wave feminist messages portrayed by Disney, the media powerhouse. In order to determine if Disney reflects feminist values, the third wave themes portrayed in The Little Mermaid (1989), Beauty and the Beast (1991), Pocahontas (1995), and Mulan (1999) are examined. It is concluded that Disney portrays the feminist values of independence and multiculturalism; however, the films are set within patriarchal societies and portray women to be domestic. Ultimately, Disney portrays four messages about womanhood: Women are equal …

Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers

UNLV Theses, Dissertations, Professional Papers, and Capstones

In 2005, the Home Box Office and British Broadcasting Corporation partnered to produce Rome , a television series that retells the Roman histories of Julius Caesar, Marc Antony and Augustus through the lives of two centurion soldiers, Titus Pullo and Lucious Vorenus. The show's producers endeavored to bring Roman streets to life and included more storylines of women, men and children of all classes. At first considered a more egalitarian approach to history, Rome 's women are said to "challenge expectations" (Vu, 2005) and "forge a new path" (Ragalie, 2007, p. 2). But does this new representation challenge the old …

Cover To Cover: Contemporary Issues In Popular Women’S Magazines, Debbie Danowski

Communication, Media & The Arts Faculty Publications

Exposure to popular magazine covers is widespread among even those choosing not to read a particular magazine. With news racks in all grocery and convenience stores, the American public cannot escape at least a quick glance at the material presented on the cover. Because of this, it is vital that we analyze the messages being disseminated each month through these publications.

This study will attempt to analyze and categorize the messages sent out via the covers of the five most popular general interest women's magazines with the highest circulation during the year 2000: Family Circle, Good Housekeeping, Ladies' Home Journal, …

Selfless: Buffy's Anya And The Problem Of Identity, Victoria Large

Undergraduate Review

No abstract provided.

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan

Présence Francophone: Revue internationale de langue et de littérature

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.

Illusions Of Idle Prattle: Disney, Voice And The Little Mermaid, Veronica Diaz-Cox

Theses Digitization Project

This thesis examines the social and economic impact of Disney's gender roles, and the recurring motif of singing in both Hans Christian Andersen's The Little Mermaid and Walt Disney's film adaptation.

Hégémonie, Féminin Et Paradoxes De La Représentation, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Gender issues in African literature and cinema have always raised challenging questions. It seems that the real or supposed oppression of women is often Justified in biological rather than in social terms, which, in turn obfuscates the real issues. This essay addresses the problem of film reecritures, from a comparative perspective. In so doing we pay special attention to the status of the feminine. Our aim is to reconsider current trends and ideological changes in the transfer from literary to filmic text.

The Phallus Unfetished: The End Of Masculinity As We Know It In 90s "Feminist" Cinema, Alexandra Juhasz

Publications and Research

No abstract provided.

An Essay On The Piano, Law, And The Search For Women's Desire, Julia E. Hanigsberg

Michigan Journal of Gender & Law

The thesis of this essay is a simple one: to have a measure of control over her destiny, to have any choices, a woman must be a sexual agent, a subject of desire rather than an object. How can women exercise any autonomy in any other realms if in their most intimate lives they are unable to voice their desires? I do not mean to suggest that sexuality has unlimited explanatory power or that everything about women's domination can be explained by a rearticulation of desire. I do believe, however, that although the issue of sexuality is much discussed, feminist …