Film and Media Studies Commons^™

Flatness, Ornamentality And The Sonic Image: Puncturing Flânerie And Postcolonial Memorialisation In The Work Of David Chesworth And Sonia Leber, Jonathan W. Marshall

Sound Scripts

Much of the power of the cinema experience lies with the sound track, and the way it interacts with what happens on the screen. Soundtrack composition has become a complex art, where musical ideas are enhanced by sound reproduction technologies and complicated by sound effects demanded by the action. The effects of certain ranges of low frequency sound which are featured in the creation and presentation of both film music composition and cinematic sound effects can add an unique dimension to the experience of the soundtrack, and indeed the total cinematic experience. This paper discusses very low frequency sound features …

Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy

Présence Francophone: Revue internationale de langue et de littérature

During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …

The Development Of Loop-Based Cinematic Techniques In Twentieth Century Motion Pictures And Their Application In Early Digital C, David Scoma

Electronic Theses and Dissertations

For centuries, repetition in one form or another has been seen as a significant element in the artistic palette. In numerous formats of expression, duplication and looping became a significant tool utilized by artisans in a multitude of creative formats. Yet within the realm of film, the Griffith and Eisenstein models of cinematic editing techniques (as the most popular-- and near-monolithic--narrative aesthetic criteria) effectively disregarded most other approaches, including looping. Despite the evidence for the consistent use of repetition and looping in multiple ways throughout the course of cinematic history, some theorists and practitioners maintain that the influx of the …

Apotheosis Or Apparition? Bombay And The Village In 1990s Women’S Cinema, Rashmi Sawhney

Books/Book chapters

This article examines the representation of Bombay in Aruna Raje’s Rihaee (1988) and Sai Paranjpye’s Disha (1990). It has been argued here that in both films, Bombay functions as a narrative anchor to the fictive village, which is depicted as the locus of Indian modernity. Symbolism of the village-city trope is used to reorganise the syntagm of modernity-location-gender in new relations of power and also to present alternative visions of national development within the socio-economic context of 1990s liberalisation in India. The dialectic between city and village in these films emphasises the role of memory and migration in women’s cinema, …

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan

Présence Francophone: Revue internationale de langue et de littérature

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.

Out Of The Blue: Re-Evaluating Electra-Glide In Blue, William Blick

Publications and Research

The 1970s was a time of moral ambiguity for the cinema. The cult- favorite, Electra Glide in Blue demonstrates the polarization of ideologies in America at the time. In this film, there are several conflicting views of the Vietnam War, "Hippies", drugs, conservatism, communes, and the mistrust of authority that made up a zeitgeist of the time. This short article defines the film as a examination of the ambiguity of the 1970s.

Orson Welles: Interviews (Book Review), Sidney Gottlieb

Communication, Media & The Arts Faculty Publications

Book review by Sid Gottlieb.

Estrin, Mark W. "Orson Welles: Interviews." Jackson, MI: University Press of Mississippi, 2002. ISBN 9781578062089

The Political Economy Of The Indie Blockbuster: Fandom, Intermediality, And The Blair Witch Project, James Castonguay

Communication, Media & The Arts Faculty Publications

The primary focus of this chapter is on what could be broadly described as The Blair Witch Project's political economy. This includes a consideration of the film's relationship to patterns of ownership and the economic structures of film production, distribution, and marketing within the structure of the entertainment industry and in the context of its critical and popular reception. The second half of the essay historicizes BWP in relation to film production and exhibition in the 1890s, and concludes with an examination of its mythic status as an independent film that threatened to undermine Hollywood's blockbuster paradigm. By placing …

Film Bin, Winter 1984, Columbia College Chicago

Film Bin

Columbia College Chicago film program newsletter with articles about courses, faculty, staff, and students. 16 pages.

Film Bin, Fall 1983, Columbia College Chicago

Film Bin

Columbia College Chicago film program newsletter with articles about courses, faculty, staff, and students. 30 pages.

Film Bin, Spring 1983, Columbia College Chicago

Film Bin

Columbia College Chicago film program newsletter with articles about courses, faculty, staff, and students. 37 pages.

Film Bin, Winter 1983, Columbia College Chicago

Film Bin

Columbia College Chicago film program newsletter with articles about courses, faculty, staff, and students. 27 pages.

Film Bin, 1982, Columbia College Chicago

Film Bin

Columbia College Chicago film program newsletter with articles about courses, faculty, staff, and students. 32 pages.

Preview 16 - November 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - April 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - March 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - February 1973, Nova University

Preview 16

No abstract provided.

Preview 16 - November 1972, Nova University

Preview 16

No abstract provided.

Preview 16 - October 1972, Nova University

Preview 16

No abstract provided.

Preview 16 - January 1972, Nova University

Preview 16

No abstract provided.

Movie Poster, Regeneration Poster Package, Norman Film Studios

Print Materials from the Richard Mette Collection

Norman Studios poster package for the super feature photoplay Regeneration (1923), featuring Stella Mayo supported by M.C. Maxwell, Alfred Norcom, Charlie Gaines, Clarence Rucker, Dr. L. Brown and Steve Reynolds. “All Colored Cast – Six Smashing Reels” Includes an exact reproduction of the window card and directions on how to advertise the film. Norman Film Manufacturing Company, 109 Florida Avenue, Jacksonville Florida.

Movie Poster: Norman Studios Black Gold Poster Package, Jacksonville, Florida; 1920-1928

Print Materials from the Richard Mette Collection

Movie Poster package of Black Gold 1920-1928

Movie Poster: (3) Norman Studios Production Stills Posters For The Crimson Skull

Print Materials from the Richard Mette Collection

Richard Mette Collection Box: 24 (M#34)

Movie Bill: Norman Studios Movie Bill For Black Gold

Print Materials from the Richard Mette Collection

Richard Mette Collection Box: 12 Number: 3 (M#29)