Film and Media Studies Commons^™

'The Dragon Eye'; 'Walking On The Edge'; 'All Material Scatters'; 'Unfinished Blanket'; & 'Lizard Helmet', Maxwell Rice, Alyssa Shavely, Cezar Gomez, Gabriella Yu, Emily Winters

.RAW Journal of Art and Design

No abstract provided.

'My Skin As A Room'; 'Muscle Memory'; & 'I Remember It Being Brighter', Sarah Tarquin, Addy Cota

.RAW Journal of Art and Design

No abstract provided.

'Road Not Taken' & 'The Ripening', Sierra Hall, Kyra Oh

.RAW Journal of Art and Design

No abstract provided.

'Chop' & 'Simple Life', Owen Isachsen

.RAW Journal of Art and Design

No abstract provided.

'Ethical Hacking', Lillie Turinsky

.RAW Journal of Art and Design

No abstract provided.

'Performers', Colin Pope

.RAW Journal of Art and Design

No abstract provided.

'The Unseen Anguish'; 'The Annunciation'; & 'Emerging', Abigail Gan, Angel Froumis

.RAW Journal of Art and Design

No abstract provided.

'Sweet Nectar' & 'The Songs Of Fish', Yasmin Myers, Julia Hazemoto

.RAW Journal of Art and Design

No abstract provided.

'Kinda Crushing Hard', Erin Robinson

.RAW Journal of Art and Design

No abstract provided.

'Overgrown', Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

'An Inner Child’S Garden Of Growth' & 'Structures (Labor)', Maria Belén Luzuriaga Abad, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

'West Coast Orpheus', Maneli Mianji

.RAW Journal of Art and Design

No abstract provided.

'Rhythm Of A Champion', Nick Degeorge

.RAW Journal of Art and Design

No abstract provided.

'An Ode To The Pacific', Owen Beim

.RAW Journal of Art and Design

No abstract provided.

Preface, Owen Isachsen

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

Opening, Michaela Velleno, Erin Robinson

.RAW Journal of Art and Design

No abstract provided.

Cover, Owen Isachsen

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Michaela Velleno, Erin Robinson

.RAW Journal of Art and Design

No abstract provided.

O Esqueleto De Um Romance, Lanna Leite

Theses and Dissertations

In O Esqueleto de um Romance: The Film (2025), a Berlin legal dispute between a mayor and evangelicals sparks filmmaker Lanna Leite’s reflection on faith, memory, and belief. Using archival, 16mm, and 8mm footage, the experimental film frames filmmaking as an ephemeral, performative practice resisting closure and conventional narrative finality.

One Stone's Journey, Satoko Saito

Theses and Dissertations

One Stone’s Journey is a participatory, experiential thirty-minute documentary about uranium. By using an embroidered world map and appealing to participants’ senses—especially touch—the project explores the possibility of telling the story of radiation, which is invisible, intangible, and silent. Uranium is a radioactive material used by the United States in the development and production of the atomic bombs during the Manhattan Project. This year, 2025, marks the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki. The Fukushima Daiichi nuclear power plant accident in 2011 was on a scale comparable to the Chernobyl disaster of 1986, and the threat …

I Know You Are Watching, Camilo Salas Kusulas

Theses and Dissertations

I Know You Are Watching is a short documentary film that examines the evolving history and scope of mass surveillance, and how to resist it. The film introduces two local New York City artists, Bill Brown from the Surveillance Camera Players, and Sam Lavigne, who misuse technologies designed to watch us, exposing these systems and fighting back through digital art and performance.

Blending interviews, observational footage, personal narration, archival images, and news clips from different eras, the film interrogates the mechanisms of control, and positions art as a method of both understanding and talking back to surveillance.

Enjoying The Golden Screen Of Asian American Representation In A Colorblind Era: Neoliberalism, Narrative, And Negotiation, Jered Mabaquiao

English Dissertations - Archive

This dissertation contributes to Asian American studies, Cinema and Media Studies, and Critical Theory by interrogating how contemporary Asian American representation is shaped by the intertwined pressures of racial politics, neoliberal market demands, and psychic life. Working across race studies, media studies, psychoanalysis, and phenomenological questions of ontology and being, the project argues that Asian American film and television cannot only be understood  through the language of popular culture representation, narrative progress, media visibility, or political inclusion. Instead, I combine such angles to examine how popular culture media participates in the contradictory production of Asian American subjectivity as culturally present …

Always Green, Ever Living, Anna Plante

Honors Theses

The Creative Honors Thesis, “Always Green, Ever Living," is an experimental essay film that explores the complexities and contradictions of environmental conservation, up against the contemporary climate crisis. The film is centered on Muir Woods National Monument and follows a young girl's relationship with nature. The film reflects on how protected natural spaces are influenced by systems of funding, access, and interpretation, as well as broader environmental pressures. Using a combination of archival footage, original imagery, narration, and ambient sound, the project adopts the essayistic structure that prioritizes reflection over linear storytelling.

Genre Based Analysis Of Sustainability In Contemporary U.S. Film Production: Inception Or Illusion?, Tanner Ennis

Interdisciplinary Studies | Senior Theses

Anthropogenic activity is actively leading to environmental degradation, highlighting the need for large industries to take responsibility for their environmental impact, particularly the film industry. While sustainable practices in the film industry such as virtual production, recycling of set construction materials, or the use of renewable energy present opportunities to improve sustainability, there is still a substantial amount of progress to be made. For example, research has demonstrated that increases in production budget correlate with higher carbon dioxide emissions, with fuel, utilities, and travel acting as the top contributors (Sustainable Entertainment Alliance, 2022). Conversation among the scholarly community is centered …

Stages Of Being Foreign As Portrayed In Daughter Of Keltoum And Lost Birds, Fran Hassencahl

Communication & Theatre Arts Faculty Publications

In this paper, I use the intercultural communication model, The Stages of Being Foreign, developed by anthropologist Oberg (1960) and modified by Gullahorn & Gullahorn (1963), Lewis & Jungman (1986), and Ward, Bochner, and Furnham (2001) to explain the experience of culture shock. This model describes the stages that individuals experience when they leave, either voluntarily or involuntarily, their home country/culture and must adapt to a new culture. These stages as described by Oberg are a preliminary stage (a spectator stage), an increasing participation stage, the pit of the culture shock stage, the adaptation stage, and for some migrants a …

The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova

MA Theses

This thesis examines the oeuvre of Richard Prince’s as a sustained allegory of contemporary American visual culture, beginning with his Cowboys series as the point of origin from which his later appropriations, including Girlfriends, Spiritual America, and New Portraits, unfold. Through the recursive gesture of appropriation, Prince’s Cowboys expose the myth of rugged independence as a corporate fiction, revealing how the frontier ethos was redeployed under the Reagan presidency to naturalize neoliberal ideology. Building on this premise, the thesis traces how such logic extends throughout Prince’s subsequent body of work, as his Girlfriends refigure the cowboy’s masculine autonomy as the …

The Collapse Of The New Tendencies: How Did A Movement That Never Existed Cease To Exist, Tonka Protega

MA Theses

This thesis examines the short lifespan of the New  Tendencies. Although the  New Tendencies have gained renewed recognition over the last couple of years, there is still limited research on their final phase. To address this topic, I analyzed the narrative history of the  New Tendencies  , alongside the essays published in the exhibition catalogues. Additionally, I considered the historical and political situation in Croatia during this period, which influenced the manifestations. Ultimately, this thesis argues for the non-existence of the  New Tendencies  as a movement in the history of art and identifies the key reasons that led to its …

The Critique Repository Volume 1, Sandrine Schaefer, Egypt Anderson, Taylor Houston, Chris Mayer, Gabriella Seebode

Visual Arts

This workbook is for students, faculty, and practitioners of all kinds. It is designed to playfully and insightfully strengthen your skills in giving and receiving feedback. It’s also a call to action: to examine how our personal biases, cultural frameworks, and institutional structures shape the ways we respond to creative work. Throughout the pages that follow, you’ll find exercises intended to deepen your critique practice.

The Critique Repository: Volume 1 emerges from the collaborative work of students and faculty in the Patterns and Feedback: Trauma-Informed Critique research group through the Center for Collaborative Research, Edwards College of Humanities and Fine …

From Voice To Noise: Accented Speech, Constructed Languages, And Subtitling Practices As Markers Of Difference, Alice Alonso Limongi

Course Work

This monograph explores three main strategies of vocal exotification in Anglophone film: representations of accented speech, inclusion of constructed languages, and non-subtitling of snippets of other languages. Using Stuart Hall’s encoding/decoding framework, I approach these practices as rhetorical devices that both construct and are constructed by the complexity of our social landscapes. Portrayals of accented speech, constructed languages, and subtitling practices form a gradient of abstraction, where the denotative meaning of words gradually loses importance to the sonic characteristics of the voice. Combining broader cultural scholarship from Edward Said, sound studies writings on power and language from Nina Sun Eidsheim …