Film and Media Studies Commons^™

The True Beauty Of Being Bitten By A Tick, Dereck Daschke

Journal of Religion & Film

This is a film review of The True Beauty of Being Bitten by a Tick (2025), directed by Pete Ohs.

The Infinite Husk, Dereck Daschke

Journal of Religion & Film

This is a film review of The Infinite Husk (2025), directed by Aaron Silverstein.

We Bury The Dead, Dereck Daschke

Journal of Religion & Film

This is a film review of We Bury the Dead (2024), directed by Zak Hilditch.

Beyond The Battle: Historical, Religio-Philosophical, And Literary Depths Of Demon Slayer: Mugen Train, Ronald S. Green

Philosophy and Religious Studies

This paper argues that Demon Slayer: Mugen Train is not merely an animated cinematic phenomenon but a multifaceted narrative that intricately weaves together diverse elements of Japanese cultural heritage. It offers a unique lens through which to examine some of the complexities of Japan's sociocultural and philosophical landscapes and conversely, the impact of these on the film. It makes this argument in three sections: (1) The Importance of the Historical Setting in Demon Slayer, (2) Shintō, Buddhism, and Confucianism in Demon Slayer: Mugen Train, and (3) Relations to Antecedent Representations of Dreaming in Japanese Literature and Anime.

This article was …

Peace Engagement And Non-Negotiable Commitment Through An In-Depth Lens (P.E.N.C.I.L) Theory: A Film Perspective On Un’S Conflict Resolution, Edward Moses Sam Selvaraj

Graduate Research Conference (GSIS)

This paper introduces the P.E.N.C.I.L. Theory—Peace Engagement and Non-negotiable Commitment through an In-depth Lens—as a metaphorical and analytical framework for understanding the United Nations Security Council’s role in conflict resolution. Using the symbolic structure of a pencil, the theory critiques the Council’s decision-making power ("the lead") and its human consequences ("the eraser"), highlighting how failures in peacekeeping and diplomacy disproportionately affect civilian populations. Drawing on constructivist theory, the paper argues that norms and social narratives, especially those shaped by cinema, are critical in holding international institutions accountable. Through close analysis of films such as Hotel Rwanda, Sometimes in April, and …

The Age Of Disclosure, Dereck Daschke

Journal of Religion & Film

This is a film review of The Age of Disclosure (2025), directed by Dan Farah.

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 1: Principles Of Student-Centred Learning, Strutts Psyridis

Staff Scholarship - Australia & Dubai

This monograph explores Active Learning as a student-centred pedagogical model that bridges theory and practice in screen education. It examines constructivist approaches, metacognition, and situated learning, arguing for performative, embodied teaching methods. The paper highlights tensions between traditional instruction and experiential learning, proposing adaptable frameworks for enhancing engagement, autonomy, and transferable skills.

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 2: Implementing The Al Classroom., Strutts Psyridis

Staff Scholarship - Australia & Dubai

Part two of this monograph series  explores the implementation of Active Learning in praxis. Focused on facilitative teaching, it  positions educators as guided, responsive practitioners who actively balance explicit instruction with learner autonomy. The paper outlines principles for structuring units of learning, including clearly defined outcomes, participatory expectations, assessment transparency, and strategies for fostering a positive learning environment.

Exploring Homogeneity In Today's Cultural Expression, Roderick Hunt

Digital Laboratory: Publisher of Internet Journal

This article examines the increasing cultural homogeneity driven by the internet's global reach and accessibility. Roderick Hunt—an educator, brand expert, and fashion designer—integrates writing into his creative practice and brand ethos. Through his label, Uniform Journal, he merges ideas and products, emphasizing both form and function. In a Q&A discussion, Hunt explores how the internet has influenced contemporary cultural practices and challenges the notion of originality in an era of digital interconnectedness.

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 3: Engagement, Motivation And Classroom Management, Strutts Psyridis

Staff Scholarship - Australia & Dubai

Part 3 of this continuing series on Active Learning examines engagement, motivation, and classroom management within active learning environments, arguing that meaningful engagement is performative, designed, and context-dependent. Drawing on creative industries, intrinsic motivation theory, flipped classroom models, and digital pedagogies, it proposes that effective teaching integrates facilitation, structure, and adaptive strategies to sustain learner agency, participation, and deep learning.

Dead Lover, Dereck Daschke

Journal of Religion & Film

This is a film review of Dead Lover (2025), directed by Grace Glowicki.

Touch Me, Dereck Daschke

Journal of Religion & Film

This is a film review of Touch Me (2025), directed by Addison Heimann.

Mola: A Tibetan Tale Of Love And Loss, Dereck Daschke

Journal of Religion & Film

This is a film review of Mola: A Tibetan Tale of Love and Loss (2025), dir. Martin and Yangzom Brauen.

Glorious Summer, Dereck Daschke

Journal of Religion & Film

This is a film review of Glorious Summer (2025), directed by Helena Ganjalyan and Bartosz Szpak.

Your Higher Self (Le Plein Potentiel), Dereck Daschke

Journal of Religion & Film

This is a film review of Your Higher Self (Le Plein Potentiel) (2025) directed by Annie St-Pierre.

Mermaid, Dereck Daschke

Journal of Religion & Film

This is a film review of Mermaid (2025), directed by Tyler Cornack.

Protracting The Immediate: Time As Form In Contemporary Horror, Kennedy Kelley

USF Tampa Graduate Theses and Dissertations

This thesis examines the expression and experience of temporality in horror films of the last decade. Whereas early twenty-first century horror was characterized by high-octane jump scares, current horror is marked by contemplative slowness. I argue that the elongated duration of recent horror extends an experience of indeterminate anxiety that attunes us to an expansive relationality, offering a corrective not only to contemporary logics of immediacy, but also to the frequently constricting nature of embodiment as a theoretical concept. Recent horror scholarship tends to center sensuous propinquity in response to a long history of gaze theory’s disembodied passivity. While these …

The Manosphere’S Reception Of The Women Auteurs Behind The ‘Man-Eating’ Jennifer’S Body (2009) And ‘Man-Hating’ Barbie (2023), Hilda Sheridan-Hewlett

USF Tampa Graduate Theses and Dissertations

Scholarship on women filmmakers has not significantly emphasized the burden women auteurs carry when bracing themselves for the reception from misogynistic community discourse online, the manosphere. Director Greta Gerwig and screenwriter Diablo Cody are not simply perceived as filmmakers but as birth mothers of their work: Barbie (2023) and Jennifer’s Body (2009) which convey inherently popular feminist narratives. I argue Cody and Gerwig faced the wrath of the men online because they are inextricably linked to their productions, the feminization of their work in the eyes of the manosphere equals personalization. Despite Cody having the freedom to write any film …

Contributors, Amelie Sandoval

.RAW Journal of Art and Design

No abstract provided.

'Scatter' & 'Divine', Victoria Dai, Margaret Mallow

.RAW Journal of Art and Design

No abstract provided.

'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre', Owen Isachsen, Joie Rahn, Jaclyn Brodersen

.RAW Journal of Art and Design

No abstract provided.

'Nazare, Portugal' & 'Fingered', Tasman Fruhauf, Olivia Pye

.RAW Journal of Art and Design

No abstract provided.

'Visual Control'; 'What Lurks'; & 'Whispers Of My Roots', Nick Degeorge, Samarra Sanders, Shrishti Dutta

.RAW Journal of Art and Design

No abstract provided.

'The Deception Of Elegance' & 'Submarine Cinema', Maya Benham, Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

'Picking Up The Pieces' & 'Show Me The Way', Liliana Monge, Lorelai Samuel

.RAW Journal of Art and Design

No abstract provided.

'Pink Party' & 'West', Kelli Ayon, Kennedy Ray

.RAW Journal of Art and Design

No abstract provided.

'Mio- Branding' & 'Pillow Book', Jenni Martinez, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

'Veiled In Luminance'; 'Herd'; & 'Preservation', Victorine Philippe, Zoe Shaikh, Jolina Chen

.RAW Journal of Art and Design

No abstract provided.

'Sinner' & 'Feel The Music', Gillian Crow-Juarez, Josh Hakman

.RAW Journal of Art and Design

No abstract provided.

'Eva'; 'Lone Road'; & 'Mi Mama', Frankie Grosser, Amelie Sandoval, Tiffany Orellana

.RAW Journal of Art and Design

No abstract provided.