Film and Media Studies Commons^™

Maternal Melodrama, Domesticity And Female Liberation In Dekada ‘70, Laurence Marvin S. Castillo

Social Transformations Journal of the Global South

The critically-acclaimed Dekada ‘70 represents one of the most prominent efforts in post-EDSA commercial cinema to narrate the experiences of revolutionary involvement in the context of the Martial Law era. The film is remarkable as an example of mainstream Philippine cinema’s mobilization of popular generic conventions to depict a politically charged narrative that touches upon the question of socio-political and personal liberation. In this essay, I revisit the film to examine how it deploys the subgenre of maternal melodrama in exploring gender and domestic relations as the springboard for the politico-subjective transformation of its middle-class protagonist under the violent milieu …

Cinema As Praxis: An Integrated Theoretical Framework For Philippine Social Advocacy Cinema, Herwin Benedictos Cabasal

Social Transformations Journal of the Global South

This theoretical paper examines social advocacy cinema in the Philippines as a form of counter-hegemonic cultural practice. Drawing on Third Cinema Theory (Fernando Solanas and Octavio Getino), critical theory (Theodor Adorno and Max Horkheimer), and participatory communication for social change (Paulo Freire and Thomas Tufte), this paper proposes Cinema as Praxis as an integrated theoretical framework for understanding how politically driven advocacy films operate through the convergence of cultural and political production, ideological representation and critique, and participatory communication. It argues that social advocacy cinema functions through interconnected dimensions: (1) production as praxis, in which collective and grassroots filmmaking constitutes …

Review Of Film Noir And The Arts Of Lighting, Casey Walker

Journal of 20th Century Media History

Review of the book Film Noir and the Arts of Lighting (Patrick Keating)

Review Of Movie Mavens, Caitlin Cieslek-Miskimen

Journal of 20th Century Media History

Review of the book Movie Mavens: US Newspaper Women Take on the Movies (Richard Abel, ed).

1960s Teen Fan Magazines And The Beatles: An Exploration Of Community, Fandom, And The Beatles Narrative, Allison Bumsted

Journal of 20th Century Media History

In the 1960s, before the days of the internet, there were few places a young person could read about popular music – as a limited number of print media outlets took popular music, especially rock, seriously. In order to read about popular music (beyond the reprinting of lyrics, industry news, or promotions), one would turn to newly developed teen-type and teen fan magazines like DIG or 16 Magazine, where pages were full of artists such as Elvis, Annette, Leslie Gore, Connie Francis, and Paul Anka. In 1964, the teen fan magazine reached a new height with the arrival of …

Automatonophobia, Adrian Bruch

Staff Scholarship - Australia & Dubai

These artworks were created as a direct result of my teaching the ANI216 Animation Studio. In the process of devising ways to incorporate photographic imagery into an animation, I developed a multi-plane system where I could create layers in Adobe Photoshop and combine them with original cartoon characters in After Effects and then animate them.

These artworks for an exhibition at the Garden Gallery (Royal Botanic Gardens, Sydney) are imaginary stills inspired by the actual animation. All three were sold.

Stability Cues And User Interpretation In Mobile Bluetooth Recording Workflows, John Trevino

Theatre Faculty Publications

Mobile Bluetooth recording has become a practical tool for filmmakers, content creators, educators, and journalists. While technical specifications offer clear limits to wireless audio, perceived performance is often shaped more strongly by user interpretation, interface cues, and workflow stability. This paper analyzes the perceptual systems users rely on when operating Bluetooth microphones through mobile applications, focusing on stability cues, sonic anchors, and behavioral patterns that influence recorded outcomes. The goal is to establish an academic framework for understanding perceived wireless performance without discussing internal engineering mechanics.

A House With No Walls Where Persimmons Grow In The Garden: Photography As A Collaborative Feminist Practice And Using Archives To Reframe The Present, Jada Wheeler

University Honors Theses

A House With No Walls is an investigation of the idea of chosen family, as it exists apart from the influence of any institution. It alludes to the home as a place that exists within space shared with the people we choose as family and within our own free bodies. This project investigates the collaborative potential of photography, and uses it as a tool in creating a feminist representation of family. All the photographs were made with close friends, in an unplanned and spontaneous manner, to document intimate moments of our everyday lives.

Where Persimmons Grow In The Garden is …

The Sauce To Meat Is Ceremony: Cannibalism And Hospitality Serve As Horror And Culture Tropes In Hannibal And Macbeth, Shay Williams

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

When examining Macbeth (1623) as a case study within Shakespeare’s canon, we see all the obvious horror tropes - murder, witches, a ghost, bodies, blood and gore. What is less pronounced is the horror that lies within eating, drinking, feasting, and the ceremony of banquets. On the other side of the spectrum, and unlike the character of Macbeth, we have a figure that epitomizes all things horror, and has been read about in novels, watched on film, and as of late (2013-2015) has been the subject of a Television show, aptly named: Hannibal. In both works, we encounter men/monsters/killers …

Self-Expression As Communication In The Student Film, Matthew Sereno

Masters Theses

The student film is an often overlooked artistic medium, a one-and-done, means to an end kind-of form. Within the academic sphere, the student film holds value as a part of class curriculum, yet such a finite definition is often hindering. Once a project is completed and graded, it is often forgotten (except, of course, in the circumstances of grading). In the case of a student film that is extracurricular in nature, i.e. the passion project, incentive-based reasoning is forfeit. The student film, in all regards, is an overlooked, neglected artistic medium. Such oversight of the student film by both individuals …

How Media Framing Of Chronic Traumatic Encephalopathy (Cte) Influences Parental Experiences In Youth Football Programs: A Mixed Methods Study, Valerie Harris

Doctoral Dissertations and Projects

Chronic Traumatic Encephalopathy (CTE) is a traumatic brain injury (TBI) caused by repetitive jostling of the brain inside the skull. The disease was first discovered in boxers in the 1920s. Further accounts surfaced in combat soldiers, firefighters, and soccer players. However, once Dr. Bennett Omalu found the infliction in NFL Hall of Famer Mike Webster in 2002, CTE hit center field in the media and became synonymous with football and concussions. CTE is not a concussion. During the rise in media coverage, youth football witnessed its largest decline since Pop Warner began compiling participation data. This dissertation used a mixed-method, …

The Rise Of The Final Girl, Emma C. Brown

Merge

No abstract provided.

Not Just Another 2000 Word Written Mfa Thesis, Taylor Cleveland

Art Theses and Dissertations

This thesis challenges the standardized academic expectations placed upon studio-based MFA programs, using the process of writing itself as a site of institutional critique. Emerging from a 27,000-word working draft titled Aesthetics of Real, this final text adopts the permitted format of an “extended artist statement” to expose contradictions within institutional frameworks. It resists the assumption that professionalism and compliance equate to intellectual rigor, arguing that true artistic inquiry demands risk, failure, and confrontation with systemic norms. Through works like 3MUSTANGS, Facades of Dallas (Hall), SuperPOD0043: An American Painting, and Babel’n On, this thesis reveals …

Imágenes De Silencio, Compromiso, Persecución Y Tortura: La Teología De La Liberación Y Su Encrucijada Con Las Dictaduras Del Cono Sur Desde Una Representación Cinematográfica, Marcial Martínez

Spanish and Portuguese ETDs

This dissertation examines the interaction between liberation theology and the

dictatorships of the Southern Cone from the 1960s to the 1980s through cinematic

representation. Filmmakers from Argentina, Brazil, Chile, Paraguay, and Uruguay

depict the political upheavals of the time, including the rise of leftist movements,

military regimes, and the influence of liberation theology, a progressive religious

ideology advocating for the oppressed. The study focuses on what is defined here

as the "cinematic canon of liberation theology," a body of films and documentaries

that legitimize, contest, or obscure ideologies tied to this movement vis-à-vis the

dictatorships. These films contest the silence …

The Performance Of Gender In Sound And Screen: Unpacking And Countering The Double Standards Of Women In Taylor Swift’S “The Man,” Brienne Of Tarth, And The Substance, Alexandra C. Ali

Masters Theses, 2020-current

This rhetorical analysis examines how femininity is constructed, policed, and resisted in popular culture through three case studies: Taylor Swift’s “The Man,” Brienne of Tarth from Game of Thrones, and The Substance, using the lens of Judith Butler’s theory of gender performativity. “The Man,” both the song and the music video, reveals the double standards working against women, incorporating an additional layer of analysis through Kenneth Burke’s perspective on incongruity. Brienne of Tarth from Game of Thrones defies gender expectations, blurring the line between the performance of masculinity and femininity. Additionally, this analysis embodies archetypes of women, such …

The Design Of Time: Envisioning The Future Through Science Fiction Production Design In The Alien Franchise, Josephine Spanier, Charles Howard

Honors Thesis

In filmmaking, the production designer works closely with the director and cinematographer to ensure cohesion and uniqueness in the film’s visual design. This collaboration often provides the designer with a strong degree of influence on the film’s final look, thus shaping the thematic and visual impact of a film on the audience. In highly stylized and fantastical genres, such as science fiction, production design plays an especially important role in creating worlds that may be entirely different from the one we currently live in, while still reflecting the real-world context in which the film was made. This phenomena can particularly …

Sound Of Berberia, Sheila Petty

Journal of Amazigh Studies

N/A

‘Amazigh Literary Space’: Intersection And Hybridity Across Languages And Media, Daniela Merolla

Journal of Amazigh Studies

My contribution will focus on multilingualism and multimedia in the ‘Amazigh literary and cinematographic space’ (Merolla De l’art, “Amazigh/Berber Literature”). Examining this notion coined in the 1990’s (Merolla “Gender and Community”) allows us to reflect on ongoing debates regarding North African literatures in postcolonial contexts. It also helps to see that Amazigh/Berber literature solely defined as Amazigh-language production tends to isolate works and performances that engage with multiple languages and literary traditions, cultural intersections, and hybridization in North Africa and its diasporas. The discussion is contextualized within the historical development of what is sometimes referred to as the “North …

Inpatient, Anna Schmalz, Rob Bragin, John Strauss

Honors Thesis

A suicide attempt lands a golden-boy tennis prodigy in an upscale Malibu rehab. There, he must survive the dysfunctional owner and his coke-snorting son, an eccentric mix of troubled teens, and a manipulative ex hellbent on sabotaging his last shot at recovery.

"Just Keep Telling The Story": Wes Anderson's Carefully Crafted Vessels Of Loss, Claire Lewis

Honors College Theses

Wes Anderson’s 2023 feature film Asteroid City was met with a more polarized critical and audience response than any of his prior films. Evident in this response is an increasingly apparent distinction between the formal conventions of his films – encompassing elements such as visual aesthetic, filmmaking techniques, and storytelling structure – and the emotional and thematic content. In this paper, I examine the critical response to Asteroid City as well as the perceived dissonance between these two major aspects of his filmmaking in order to explore the relationship between the two, specifically as it pertains to the themes of …

Robotic Rhythm: A Contemporary Look At Ai-Driven Editing Tools’ Efficacy In Understanding And Replicating Creative Rhythm Editing Techniques., Alexander Selby-Lara, Charles Howard

Honors Thesis

It is undeniable that artificial intelligence (AI) has made its way into the film world. From AI-generated imagery and sound design in two 2025 Oscar nominees — The Brutalist and Emilia Pérez (Pulver) — to weekly updates and monthly beta releases of existing and new generative image and video models, AI-driven filmmaking tools are here to stay. But what does this mean for the post-production workflow? Much like camera development, editing technology has come a long way from flatbed film editors to Adobe Premiere Pro v. 25.0. Yet, despite each technological leap from system to system, the delicate task of …

The Price Of Fame: Materialism, Social Media And The Pursuit Of Celebrity In The Bling Ring (2013), Irma Mosqueda Perez

Television-Radio-Film - All Scholarship

In a society obsessed with materialism and appearances, The Bling Ring (2013) by Sofia Coppola stands as a timeless reflection of the dangers of desiring fame and wealth at any cost. Through the use of slow-motion sequences and immersive cinematography, Coppola tells the true story of five California teens whose desire for wealth, fame and status drives them to commit a series of robberies targeting the homes of Hollywood’s top celebrities. Coppola succeeds in creating an atmosphere of dreamlike hedonism and euphoria through oversaturated neon colors and a pop soundtrack which transports the viewer into the minds of these teenagers …

The Corps, Greta Zimmer, Daniel Rogers

Honors Thesis

When a rich, sheltered girl joins a ragtag community service team in Mississippi, she must learn who she is while dealing with her arrogant rival, manipulative boss, and the brutal challenges of serving the unhoused population.

Overlooked: The Nuanced Struggles Of Autistic Women, Autumn L. Payne

Honors Theses

Overlooked is a documentary short film that seeks to shine a light on the nuanced struggles of autistic women in a neurotypical world. This short documentary consists of three interviews with autistic women from different backgrounds. Each diagnosed during a different stage of life, they reflect on their journeys to receiving an Autism Spectrum Disorder (ASD) diagnosis and its impact on their lives. These conversations reveal an overwhelming lack of resources for autistic people, especially for women, people of color, and members of the LGBTQIA+ community. With the diagnosis criteria for ASD being historically based on white males, women and …

Cinephiles, Connor J. Mclaughlin

University of New Orleans Thesis Films

“Cinephiles” is a graduate thesis film from the University of New Orleans that was shot on-location across the state of Louisiana in the towns of Robert, Zachary, and New Orleans. The film was written, directed, co-produced, and edited by Connor McLaughlin. They will presume the first-person singular in the subsequent reflection paper chronicling the development, pre-production, production, and post-production stages of the aforementioned fifteen-minute, mixed media short film.

Ray's Real Dream, Rebecca Garba

University of New Orleans Thesis Films

Ray’s Real Dream is a UNO thesis film that was filmed on location in New Orleans, LA, in October of 2024 and delivered in May of 2025. The film was written, directed, and edited by Rebecca Garba who will presume first-person singular (i.e. “I”, “Me”, “My”) in the following reflection paper charting the development, pre-production, production, and post-production of the aforementioned short film and her time at the University of New Orleans. A detailed account of the specifics of how each production element occurred is provided, along with visuals from the set.

On The Deconstruction Of Nothingness In Digital Communication, Matthew S. Lindia

Electronic Theses and Dissertations

This project argues that digital technologies call for a new problematic of communication, centered around the conditions of (im)possibility for creating perfect digital profiles of users as generated from user data. Beginning with Edmund Husserl’s analysis of essentially occasional expressions, this dissertation posits that user data occurs on three levels: (1) the level of expression, where a user wants-to-say something through their inputs, (2) the level of facticity, where biometric data are involuntarily produced by the user, and (3) the level of nothingness, where the user’s inaction, such as not-answering, is taken as data. Moving beyond what Husserl’s framework can …

Art In Itself: The Vision Of Three Female Mississippi Artists, Jane E. Thomas

Honors Theses

This thesis is a collection of longform, narrative-style journalistic profiles on artists in Northeast Mississippi. These artists include Carol Roark from Enid and Hannah McCormick and Coulter Fussell from Water Valley. Each profile highlights an individual artist’s work, from her background, inspirations, process and distinctiveness as a creator. These profiles required studio visits and extensive interviews, as well as secondary interviews with clients, gallery owners and art curators. An overarching theme between the three artists is their ability to recognize artistic potential in their immediate surroundings; Roark paints landscapes from her own backyard, McCormick paints scenes from everyday life and …

Social Media Addiction Explained Through Film, Matthew Layton

Student Scholar Symposium Abstracts and Posters

“How much is too much?” The central frame of my creative work tackles this question through the lens of queerness, addiction, isolation, and self-identity, giving an unfiltered voice to today’s youth. Social Media’s negative effects go deeper than the usual anecdotes of decline in sleep quality, physical activity, and attention span. The ramifications of a negative mental headspace are often overshadowed by flashy promises and a false sense of belonging. The societal impact is especially influenced due to the malleability of the adolescent brain. In 2022, up to 95% of teenagers ages 13 to 17 claimed to use social media, …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …