Film and Media Studies Commons^™

The Strategy Of Featuring The Game Honor Of Kings Through Characterization In The Drama Series You Are My Glory (2021), Bella Homario, Adi Kristina Wulandari

International Review of Humanities Studies

The drama series You Are My Glory (Nǐ shì wǒ de róngyào你是我的荣耀), directed by Wang Zhi (王之), aired in 2021 and consists of 32 episodes. This research focuses on the first 14 episodes, which showcase the popularity of the game Honor of Kings-HoK (Wángzhě róngyào王者荣耀) through the interactions and dialogue between the two main characters, Yu Tu (于途) and Qiao Jingjing (乔晶晶). The integration of the popular online game HoK with the drama, starring top actors and actresses, represents a novel strategy that warrants further study. The analysis is conducted intrinsically by examining the characterizations of …

Review Of Beltran, Latino Tv, Kate L. Flach

Journal of 20th Century Media History

A review of Latino TV: A History, by Mary Beltran

Review Of Porst, Broadcasting Hollywood, Cynthia Meyers

Journal of 20th Century Media History

A review of the book Broadcasting Hollywood: The Struggle Over Feature Films on Early TV, by Jennifer Porst

Karl Freund’S Hollywood Aesthetic: Maintaining Visual Style Within The Studio System, Casey Walker

Journal of 20th Century Media History

This article explores the distinct cinematographic style of classical Hollywood cinematographer (and briefly director) Karl Freund throughout his Hollywood studio film career (1930-1950). After leaving the German studio UFA, Freund spent two decades in the Hollywood studio system, known for its comprehensible narrative and visual style and hierarchical mode of production, which were considered constraints to the emergence of a unique visual style from any one filmmaker. Previous studies on cinematographers’ authorship and poetics focus almost universally on Gregg Toland, a cinematographer who largely worked outside of the big Hollywood studios. However, very little scholarship exists on cinematographers such as …

"Pearls And All": June Cleaver, Symbol And Myth, Judy Kutulas

Journal of 20th Century Media History

June Cleaver, the fictional matriarch of the Cleaver family on the 1950s/60s sitcom Leave it to Beaver has become a powerful symbol in American society, representing a particular version of motherhood that can be read as desirable or old-fashioned. How June became a symbol as well as a myth is what this article is about, a blend of series’ particulars, the continued willingness of the actor who played June, Barbara Billingsley, to play into the stereotype of June, the changing perspectives of boomers who watched her, and the changing possibilities of American women’s lives.

Verlorene Heimat, Gefundene Leere - Michael Hanekes Trilogie Der Emotionalen Vergletscherung Und Die Nicht-Orte Des Alltags, Amber Lane

Foreign Languages & Literatures ETDs

This work examines the incorporation of the concept of non-place in Michael Haneke's Trilogy of Emotional Glaciation (1989-1994) and its connection to elements of the Heimatfilm. The trilogy introduces the concept of non-place in urban or domestic settings while exploring the decay of human relationships and societal alienation. Despite individual stories, the films share a dark atmosphere and question human existence in an alienated world. Haneke's unique film style, characterized by long takes and minimalist aesthetics, is used to examine human behavior with emotional distance. This work sheds light on Haneke's contribution to the Austrian film tradition and contributes to …

Enhancing Credibility And Fairness: A Qualitative Study Of Transparent Judging In The Festival Film Indonesia, Ngurah Rangga Wiwesa, Wan Hartini Wan Zainodin Dr, Dzaa Imma Abdul Latiff

Jurnal Sosial Humaniora Terapan

The implementation of a transparent judging process is vital for the credibility of the Festival Film Indonesia (FFI). Clear evaluation criteria, including aspects like theme, originality, technical execution, and cultural impact, should be publicly accessible to foster trust in the system. A diverse jury pool, comprising established filmmakers, rising talents, regional representatives, and experts in various film aspects, is essential to ensure a balanced perspective and reduce bias. Strengthening FFI's credibility also involves a robust nomination and selection process, with preliminary screenings by specialized committees to ensure high-quality contenders. Ensuring the judging process is free from undue influence through measures …

Queer Coding And Representation: The Motion Picture Production Code And Its Impact On The Lgbtq Community, Amber Leech

English and Creative Writing Summer Fellows

The Motion Picture Production Code was a set of guidelines for films imposed between 1934 and 1968 that prevented them from depicting immoral themes such as profanity, blasphemy, and glorification of criminal activity. While homosexuality was never explicitly mentioned, it was banned in films through a rule prohibiting the depiction of sex perversion. This resulted in many films using a technique called queer coding in which they could imply that a character was queer without alerting the Production Code Administration. Because queer characters could not be depicted without glamorizing homosexuality, however, many of these characters were villains, died in the …

Film As An Educational Media In Building Awareness On Wild Animal Conservation (Case Study: Petualangan Sherina 2), Gumelar Setiaji, Melisa Bunga Altamira

Jurnal Vokasi Indonesia

Currently, films are not only a medium for entertainment, but can also be used as a medium for information, persuasion, and even education. Nature conservation is one of the environmental issues that is currently of concern. In a survey conducted by a non-governmental organization, the public paid sufficient attention to protecting biodiversity, flora, and fauna. Wild animal conservation is an issue that will be addressed in this research. The film "Petualangan Sherina 2" is a musical genre film that focuses on the importance of the conservation of wild animals, namely orangutans. This research will discuss how a film can be …

Transnational(Izing) African Communication: A Post-/Decolonial Approach To Nollywood And Globalization, Tomide Oloruntobi

Communication ETDs

In this dissertation, I examine culture and communication in transnational Nigeria, focusing on Nollywood and its industrial politics. Through a critical ethnographic examination of Nollywood’s reception among global and transnational audiences, I critique the evolving patterns of difference, power, and politics informing production, distribution, consumption, and performance/communication of otherness. With four composite dimensions of decoloniality: structural, epistemic, personal, and relational as theoretical foundation, I analyzed observations and interviews with 21 transnational Nigerians, online focus group discussions, user reviews, movies/series, and blogposts. I discuss the emergent themes of coloniality of space, mobility, and culture; re-making of racial otherness and hetero-patriarchy/normativity; cultural …

Revelation Perth International Film Festival Academic Conference 2024, James Thompson

Staff Scholarship - Australia & Dubai

Drawing delegates from around the country The Revelation Perth International Film Festival's Academic Conference is a truly interactive two days of intense discussion and debate on all things cinema

Revelation is Australia's only international film festival to host and encourage academic discussion alongside its screening program and we look forward to taking its discoveries to audiences around the country and world. It represents an important platform in film discussion and analysis in this country.

Taking place on Tuesday July 2nd and Weds July 3rd 2024, the Revelation Academic Conference draws local, national and international academics to discuss and analyse issues …

From Stage To Screen: The Enduring Influence Of Commedia Dell'arte., Corinna Di Niro

Staff Scholarship - Australia & Dubai

This presentation discusses how the principles of Commedia dell’Arte (henceforth Commedia), a vibrant 16th century Italian theatre form, have seamlessly transitioned into film, leaving an enduring impact on the silver screen.

During the silent film era, renowned stars Charlie Chaplin and Buster Keaton showcased Commedia through their exaggerated physicality and gestures, inspired by iconic characters such as Arlecchino and Pierrot. The frantic pace and chaotic energy in Keystone comedies also echoed the Commedia spirit, with improvisation and slapstick the key to provoking laughter (Scheide, 2012).

The popularity of 'Rom-Coms' overtime can be attributed to its use of Commedia's archetypal characters, …

What Teams Need: Leading Digital Creatives, Matthew Dyet

Staff Scholarship - Australia & Dubai

What Teams Need: Leading Digital Creatives was a talk at the Revelations Conference. Based on my book Great Games Need Great Leaders, this talk was focused more broadly on leadership in the creative industries due to the audience being primarily from film.

Sans Hommes, On N’Est Pas Rien”: Defying Patriarchy And Reclaiming Voices In Les Rivières, Warisara E. Sawin

Vernacular: New Connections in Language, Literature, & Culture

This article explores Jennifer Solheim’s conceptualization of “the call to listen” in postcolonial Francophone cultural production, as she argues for the importance of engaging with and responding to immigrant and minority narratives within this cultural milieu. This article further explores the dynamic relationship between media consumption and artistic creation, specifically the innovative realms of “accented” and “intercultural” cinema that have emerged from the conditions of globalization and migration. The unique cinematic languages of these forms convey the intricate experiences of those living in exile or as part of post-migratory populations.

An in-depth analysis is presented on Mai Hua’s documentary Les …

Gentlemen Prefer Blondes (1953) By Howard Hawkes Was Ahead Of Its Time., Irma Mosqueda Perez

Women's and Gender Studies - All Scholarship

The 1953 film by Howards Hawkes “Gentlemen Prefer Blondes” gives the impression that it tries to satisfy the male gaze and objectify women; but if we take a closer look, the film responds to the feminist movements that started to brew from women’s involvement in the workplace and other areas typically reserved for men following the events of World War II.

Exploring Gen Z’S Identity Formation And Its Influence On Consumption Of Pop Culture And Entertainment Merchandise, Melisa Annette Spilinek

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Fandoms have grown in size and influence, becoming a complex and dynamic cultural phenomenon that richly impacts the consumption of media and consumer behavior. The capitalistic United States with its diverse and media-savvy population, is a prime destination to study fan studies, particularly among young adults who are a crucial component of fandom influence.

The internet has grown to be a major component of the fan experience, an integral part of fandom culture. Online communities provide avenues for Generation Z to connect with others who share similar struggles, challenges, and interests, highlighting the importance of digital platofrms on the evolution …

Prisons Of The Imagination: Carceral Ideology And Race In Science Fiction, Daniel Allen Avant Blachman

Institute for the Humanities Theses

Popular science fiction film and television media commonly deploy narratives and images of prisons and policing, and these discourses in turn are inseparable from racial formations. At the same time, many fans and theorists view science fiction as a genre with immense potential for offering critical consideration of the difference between the fictional and the real world. This thesis examines a range of case studies from popular film and television exemplifying this tension between the perceived generative critical potential of science fiction media and apparent tendency of popular media productions to nearly always fall back on well-worn white supremacist, patriarchal, …

Mula Sa Editor (Hunyo 2024), Rowell Madula, Dolores R. Taylan

Malay Journal

Nilalaman nito ang pambungad na mensahe ng mga editor para sa isyu.

Talaan Ng Mga Editor At Nilalaman, Malay Journal

Malay Journal

Nakatala sa dokumento ang listahan ng mga editor at nilalaman ng buong isyu.

Ani175.1 Activities Doc Example 1, Sae University College

Exemplars

ANI175.1 student exemplar of completed Activities docuentation.

The Construction Of Character And Authenticity On Rupaul's Drag Race, Carli Pickett

University Honors Theses

One of the most common instructions delivered to the drag queens competing on RuPaul's Drag Race is to show their "true self." At first glance, RuPaul's Drag Race foregrounds authenticity and individuality, but it does so through a constructed lens that shapes its contestants into characters. While storylines and characterizations on the show are necessarily informed by the queen's actions, they are heavily shaped by editing.

In this essay, I will be exploring the ways in which authenticity manifests itself throughout several seasons of RuPaul's Drag Race. Each episode of Season Seven, Eight and Nine was watched with special …

Trial By Rat Infestation, Elias Lunsford

University Honors Theses

Wanna make a rat movie?! From Ashton Livingston handing me his script in class to a week of December night shoots, his vision for a 1980s-inspired horror comedy called Rat Problem was a joy of a challenge for me to take on as his cinematographer. Watching reference films, renting and borrowing equipment, and managing the crew all culminated in creating this film's unique vintage-inspired ultra-wide and high-contrast aesthetic. The process of making this film, from equipment technicalities to creative problem-solving, forged my values as a creative collaborator. I learned to always protect the essence of the film as campy and …

La Condition Féminine En Algérie Et Sa Transcription Filmique Chez Nadia Zouaoui, Saïd Adel

Journal of Amazigh Studies

N/A

Review Of Myopia. Akroud, Sanaa, Dir. L’Étoile Du Canada, 2020, Yahya Laayouni

Journal of Amazigh Studies

N/A

Compte Rendu Du Film Argu, Réalisé Par Omar Belkacemi En 2021, Nabil Boudraa

Journal of Amazigh Studies

N/A

Aẓar De Malik Bourkache, Production Mvi (2023). Film Documentaire, Hend Sadi

Journal of Amazigh Studies

N/A

The Future In Focus

DePaul Magazine

Film and TV students at DePaul University's School of Cinematic Arts put special effects into action in a cutting-edge virtual production program.

Technology And The Human Body In The Films Of David Cronenberg, Owen Davies

Lawrence University Honors Projects

Since David Cronenberg seemingly broke from the genres of science fiction and body horror, scholarship surrounding his work has shifted away from questions of the body and technology. However, his recent return to the conventions of these genres in the film Crimes of the Future (2022) requires us to return to these questions. Through the work of Deleuze and Guattari, I analyze the ways in which technology interacts with the body as a factor of technological development, along with the ramifications of technology for the production of subjectivity and organization of sexuality. I use this to demonstrate one possible political …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Strike A Pose: Performing Gestures Of Female Madness Across Media Circa 1900, Elyse S. Singer

Dissertations, Theses, and Capstone Projects

This dissertation examines methods for performing female madness onstage, in the medical theatre, and before the camera circa 1900. My focus is on Western techniques for imitating white women’s hysteria in the United States, England, and France. I argue that theatrical gesture served—and continues to serve—as a safeguard, a survival technique, for the actor (and the spectator) to preserve rationality in the enactment or viewing of mentally ill characters. At the same time, these resilient mad gestures carry traces of the oppressive structures of power that have fostered their legibility. Embodying a person in mental distress is a high-stakes endeavor. …