Film and Media Studies Commons^™

'Dear Diary, I Belong', Ari Schwarz

.RAW Journal of Art and Design

No abstract provided.

'Remy & Maddie', Ari Schwarz

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Sarai Devi Dasi

.RAW Journal of Art and Design

No abstract provided.

Opening, Madison Gonzalez

.RAW Journal of Art and Design

No abstract provided.

Cover, Amanda Keith

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Izze Gunn

.RAW Journal of Art and Design

No abstract provided.

Hey, Viktor!, Ken Derry

Journal of Religion & Film

This is a film view of Hey, Viktor! (2023) directed by Cody Lightning.

Limbo, Ken Derry

Journal of Religion & Film

This is a film review of Limbo (2023), directed by Ivan Sen.

The Convert, J. Barton Scott

Journal of Religion & Film

This is a film review of The Convert (2023), directed by Lee Tamahori.

Kill, J. Barton Scott

Journal of Religion & Film

This is a film review of Kill (2023) directed by Nikhil Nagesh Bhatt.

Lost Ladies, J. Barton Scott

Journal of Religion & Film

This is a film review of Lost Ladies (2023), directed by Kiran Rao.

Lee, Sherry Coman

Journal of Religion & Film

This is a film review of Lee (2023) directed by Ellen Kuras.

Irena's Vow, Sherry Coman

Journal of Religion & Film

This is a film review of Irena's Vow (2023), directed by Louise Archambault.

Muslim Heroes On Screen, Ahmad Nuril Huda

Journal of Religion & Film

This is a book review of Daniel O'Brien, Muslim Heroes on Screen (Palgrave Macmillan, 2021).

Representing Religion In Film, Joseph P. Laycock

Journal of Religion & Film

This is a book review of Tenzan Eaghll and Rebekka King, eds., Representing Religion in Film (London: Bloomsbury Academic, 2022).

The T&T Clark Handbook Of Jesus And Film, Joel Mayward

Journal of Religion & Film

This is a book review of Richard Walsh, ed. The T&T Clark Handbook of Jesus and Film (London: T&T Clark, 2021).

Secularism And Silent Films, Elijah Siegler

Journal of Religion & Film

This is a review of two books: Phillip Maciak, The Disappearing Christ: Secularism in the Silent Era (Columbia University Press, 2019), and Terry Lindvall, Souls for Sale: Rupert Hughes and the Novel Hollywood Religion (Cascade Books, 2021)

From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr

Journal of Religion & Film

Sinan Çetin’s blockbuster Berlin in Berlin (1993) is a Turkish-German co-production. In contrast to certain representational tendencies with German orientalism or Turkish occidentalism, it deconstructs the intersectional structures of migration, religion, and gender. The portrayal of religion in films about Turkish-German labour migration is a kind of cultural narcissism often projected into national cinema by denigrating the faith of the other and glorifying one’s own religion. However, perspectives at such intersections are critical and require sensitivity in filmmaking, as films can create prejudice or help build peaceful relationships around these sensitive issues. The paper employs discourse analysis in linking Derrida’s …

Herrens Veje: A Catalyst To Reflect Upon Military Chaplaincy And Ecclesial Issues In A Nordic Context, Jan Grimell, Mariecke Van Den Berg

Journal of Religion & Film

This article is based on an analysis of the first season of the Danish series Herrens Veje (The Way of the Lord; Price 2017). The series portrays the young, idealistic pastor and military chaplain August, who is deployed to a conflict zone with a military unit. He accompanies the unit on a patrol to win the trust of the soldiers. During the patrol, they engage in combat and August kills an innocent civilian woman. Upon return, the transition from military to civilian life proves to be increasingly challenging and troublesome. As the series proceeds, August’s mental health deteriorates and his …

Reframing Space: Religion, History, And Memory In The Early Documentary Film Of The Yugoslav Space, Milja Radovic

Journal of Religion & Film

This paper examines cinematic representations of religion and religious communities in the early cinema of the Yugoslav space. This paper introduces the readers to the rich heritage of the cinema of the Yugoslav space by providing 1) the first study of the representations of religion and the concepts of faith in the early film, and 2) novel approaches in reading religion and history through film. Film is used as a primary rather than supplementary source in historical research on diverse religious and ethnic communities in this part of the Balkan Peninsula. This is the first study that investigates the importance, …

Viewing Terrence Malick’S A Hidden Life As Political Theology: Toward Theocinematics, Joel Mayward

Journal of Religion & Film

In this article, I bring Terrence Malick’s 2019 film, A Hidden Life, into conversation with two of philosopher Paul Ricoeur’s concepts: (1) the “social imaginary” as the interplay of ideals, images, ideologies and utopias, and (2) Ricoeur’s description of the genre of “parable” as a narrative-metaphor which provokes a “re-orientation by disorientation” within an audience’s imagination. Drawing from Ricoeur’s thought, I apply a theological film criticism I call “theocinematics” to A Hidden Life in order to call attention to the ways in which the cinematic form itself engenders sociopolitical and theological thought. Through emphasizing film aesthetics in my analysis, …

Peele’S Black, Extraterrestrial, Naturalistic Critique Of Religion, Jonathan D. Lyonhart

Journal of Religion & Film

While Jordan Peele’s films have always held their mysteries close to the chest, they eventually granted their viewers some climactic clarity. Get Out (2017) used an 1980s style orientation video to clear up its neuroscientific twist, while Us (2019) had Lupita Nyongo’s underworld twin narratively spell out the details of the plot. Yet Nope (2022) refuses to show its hand even after the game is over, never illuminating the connection between its opening scene and the broader film, nor a myriad of other questions. As such, critics complained that it stitched together two seemingly incongruent plots without explanation; one where …

Nyeshangpa: The Next Generation’S Search For Identity In Nyeshang, Emerson Brott

Independent Study Project (ISP) Collection

Originally intended to be a report on the Nyeshang Valley and the cultural values that its people hold, Nyeshangpa quickly evolved into something different. Many thanks are given to the village elders who provided valuable insight into Nyeshangpa culture, but the most significant plaudits must go to the film’s main character, Karma Wangyal Gurung, my dear friend and invaluable co-researcher. Though a substantial portion of the film is dedicated to culture talk and general discussion on fading traditions, the spotlight is given to Karma and his fellow Nyeshangpa youth. A story of maintaining traditions is compelling enough, but a story …

Oscars Vs. Ozone: The Motion Picture Industry’S Impact On Climate Change And What They Are Doing About It, Alexis J. Simpson

Senior Theses

This thesis focuses on demonstrating that the motion picture industry, which includes film and television production (and thus will also be called ‘the film and television industry’), has notably contributed to the global effects of climate change. Such contributions can stem from the industry’s emissions and waste, with examples including travel for cast and crew, energy use for production equipment (some of which run on diesel), and disposable physical sets and costumes. The intention here is to give an accurate picture of current production practices and share examples of progress in the industry that are combating the negative impacts of …

11 Days In August And The “Ghosts In The Machine”, Mae U. Caralde

Akda: The Asian Journal of Literature, Culture, Performance

This essay will put forward a case of political mimesis in the film, 11 Days in August (1983), which contributed to the buildup of social movements in the Philippines that ended the Marcos dictatorship in 1986. By describing the processes ‘imaging back’ and ‘bodying back’ Gaines (1999), the documentary film experience is freed from the rigidity and confinement with the visible, opening it up to affective faculties to acquire meanings into our lived realities. Explored in these two aspects of the mimetic faculty is the notion of orchestrating the film’s body and that of the spectator into the filmmaker’s filmic …

Adarna: Remediating Philippine Source Texts Through Video Games, Philip Adrian L. Gungab

Akda: The Asian Journal of Literature, Culture, Performance

This paper will explore the possibilities of using video games as a means of remediating Philippine source texts. This begins by defining Philippine Source texts based on Dr. Joyce Arriola’s book Pelikulang Komiks: Toward a Theory of Filipino Film Adaptation (2019) and understanding how remediation changes perception of the material through concepts defined in Jay Bolter and Richard Grusin’s book, Remediation (2000). Video games will later be explored as a form of new media in the 21st century, and how media convergence and globalization has brought it to its current state. This paper will then analyze Adarna (2015), a video …

Framing Roles Of Protagonists And Antagonists In Visual Media, Jonas Braden Larson

Masters Theses

Many characters and stories have been interpreted over the past few thousand years. Humans are innate storytellers and make connections through various communication methods. Heroes and villains have affected many lives and given people a lens through which to view the world. The perception of stories and their characters in the visual media may not be as subjective as many people think. The framing communication theory was used to study the perception of audience member’s view of protagonists and antagonists in a visual story. Two short films were produced and screened to an audience that filled out surveys on their …

The Library Wants To Kill You: Places Of Information As Battleground And Sanctum In Halo, Mackenzie Streissguth

Proceedings from the Document Academy

Video games are often a widespread access point for studying information-seeking behaviors, as a large portion of the population (and its youth) play them. Understanding how real-world analogues, like libraries, are portrayed in games can give us insights into how they mirror conflicts of reality. By examining the depictions of information systems and accompanying curators in Halo: Combat Evolved (2001), we can begin to investigate the perceptions of libraries and their antagonism in ludonarratives. Resulting analysis reveals multiple layers of archival hostility that are ultimately upended in later iterations in the game series, changing the nature of the library itself. …

Data Lost, Forbidden Or Controlled?: The Archivists Of Horizon Forbidden West, Ashley Lanni

Proceedings from the Document Academy

This paper discusses the archival and information usage practices of characters within the 2022 video game Horizon Forbidden West. It considers how science fiction settings, particularly those based in post-apocalyptic futures with different technology and information practices, can help us reflect on how contemporary society interacts with information and determines its use. Furthermore, the paper explores the social responsibility informational professionals have toward the world around them through contrasting various groups and characters within the game, positing that the main group's actions are the most morally lauded within the game's narrative.

"I’M Mixing Comic Book Canon And Mcu Canon To Suit My Own Needs": Information Sharing As Community Building In A Fandom In Flux, Alison Harding

Proceedings from the Document Academy

Utilizing the rapidly changing landscape of the Marvel fandom on fanfiction archive Archive of Our Own (AO3) as a research site, this paper presents the findings of a combined autoethnography and digital ethnography of the Falcon and the Winter Soldier community. The work explores the ways in which a fandom community builds itself through information sharing. While the study garnered many findings, this paper primarily focuses on how tags are vital to crafting community identity, while also creating barriers to entry within the Falcon and the Winter Soldier fandom.

The results show that while the broader Marvel fandom can be …