Film and Media Studies Commons^™

Normalization Through The Visual: How International Media Depicted The Abraham Accords, Mohamed Salama

Theses and Dissertations

This study is concerned with understanding the political dimensions of the visual coverage of the Abraham Accords and the shift that might have occurred in the visual portrayal of the Arab-Israeli conflict as a result of that agreement. The study offers quantitative and qualitative contributions to examine how international news websites on the Google News platform used photographs to draw on and contribute to the narrative of Arab-Israeli relations in the wake of the Accords. By establishing operational definitions for positive, negative, anti-normalization, and pro-normalization visual frames, and exploring the use of the emphasis framing device, this study content analyzed …

Framing Of Female Leading Roles In Drama Series On Video Streaming Platforms, Manatalah Soliman

Theses and Dissertations

This comparative study examines the female-centered drama series aired on VOD services from three different genres. While several studies have established the stereotypical representation of women in the drama series, most research has focused on individual countries. The significance of this study relies upon the fact that the series is from VOD services, notably Netflix and Shahid VIP. The study bridges a gap in the literature by adopting a comparative perspective to analyze gender portrayals from six drama series, three from each country, from three genres. The contemporary drama genre included Valeria from Spain and Leh Laa?! Why Not?! from …

Montage Music Videos: Racial Utopianism Vs. Abstract Cowboys And The Question Of Cultural Montage, Alan E. Blanchard

USF Tampa Graduate Theses and Dissertations

Along with the explosion of consumer goods in America over the past century came the human impulse to alter these objects to produce new meanings the manufacturers never intended: commercial products become amateur artists’ raw material. We see this with custom cars and the curious blending of clothes. Inevitably, digital commercial products, like music videos, would undergo a similar treatment as seen in DJ Cummerbund’s “mashup” videos “Old Staind Road” and “Blurry in the USA” where he is painting with audio tracks and sculpting with video clips to create new digital art with new meanings uncoupled from industry’s original intent …

La Plage Des Enfants Perdus De Jilali Ferhati: Une Cinécriture Ou L'Étude De Quelques Motifs, Rochdi Elmanira

Dirassat

This article deals with the centrality of modern cinema in the work of JILALI FERHATI «La plage des enfants perdus». Through the motifs of the cine-writing, the author proposes a grid of analysis that focuses on the cinematographic practice where the filmmaker and the spectator are the custodians of the work and its meaning. The article presents the present of representation and the multiplicity of forms perceived through the play on the tools of cinema and direction.

New Representations Of Difference: Mexican Filmmakers In New York City., Luis B. Quesada Nieto

CUNY Mexican Studies Institute

This essay comments on recent cinematographic productions that explore the complex links between Mexico and New York as part of the ʻMexico on the Hudsonʼ Online Film and Conversational Series, organized by the Mexican Studies Institute at City University of New York and the New York based non-profit media arts organization Cinema Tropical. The reflection takes the films I’m leaving now (Lindsey Cordero and Armando Croda 2019), On the Seventh Day (Jim Mackay 2018), and La Ciudad (David Riker 1998) as a sample that exemplifies a cultural and political phenomenon in which the mediated representation of contemporary minorities has been …

"Memories Of A Family" (2021): A Reflection On My Process As An Interviewer And Filmmaker, Kyle Day

University Honors Theses

"Memories of a Family" is a short essay film that communicates the complicated dynamic between personal and familial memory. With an experimental approach in editing, Kyle Day uses his family's home videos as a materialized form of familial memory that he deconstructs and reconstructs based on his and his family members' personal memories and subjective views of the family.

"The Caucasian Persuasion Here In The 'Dale": Othering, White Normality, And Post-Racialism In Buffy The Vampire Slayer, Isaiah Lee

University Honors Theses

This thesis engages the construction of race within the television landscape of Buffy the Vampire Slayer to investigate how well-meaning, progressive media either reinvents or repudiates racial stereotype. This paper also examines the figure of the Other, as it is evoked in horror, and utilizes Hazel Carby's conception of the fantasized black subject to analyze the setting and characters of Buffy the Vampire Slayer with an eye towards the inherent assumptions the show makes about race. Ultimately, I argue that Buffy's representation of race assumes a white normality, flattening its non-white characters under the guise of inherent difference, even …

Situating Hiv/Aids Humanitarian Film In The National Cinema Culture Of Mozambique: Historical, Contemporary And Feminist Perspectives, Sebastián Andrés Suárez Hode

University Honors Theses

The HIV/AIDS epidemic in Mozambique has enabled a new wave of humanitarian cinema to develop as it seeks to educate and empower a population that has been adversely affected by the epidemic. Colonial-era patriarchal systems that persist have resulted in Mozambican women being disproportionately impacted by the virus, and humanitarian projects in turn use film as a vehicle for the exploration of Mozambican women’s subjectivities. Thus, these films have made for an especially feminist reconditioning of Mozambican national cinema culture. This essay will explore HIV/AIDS humanitarian cinema’s place within the larger discourse of Mozambican national cinema and will demonstrate how …

Beirut/The Other Side Of The City: The Impact Of Visual Texture Production Of The Lebanese Postmemory Generation, 1989 - Present, Mohamed Moustafa Gameel Ebada

Theses and Dissertations

In 1989, after the Ta'if agreement, the war in Lebanon started to fade, which ended years of one of the most destructive civil conflicts in the region with no decisive winner or loser. The year also marked the birth of a new Lebanese generation who did not experience the war in person. It is a generation of postmemory, a term Maria Hirsch coined to describe the reminisces of those who did not have a personal encounter with past traumatic events. However, it was not before February 2005, when Rafic Al-Hariri's violent assassination occurred, when the postmemory generation started to question …

"Knowing It's Real Means You Gotta Make A Decision": Depictions Of Post-Traumatic Disorders And Coping Mechanisms In The Punisher And Jessica Jones, Megan M. Rutter

English Department Masters Theses

Post-traumatic disorders have been included in some of the most popular narratives in mainstream culture. Though the early decades of movies included 1948’s The Best Days of Our Lives is an award-winning movie that follows three veterans home from World War II and depicts their struggles with reacclimating to society it became more popular after Vietnam veterans and their allies fought and protested for an appropriate diagnosis for PTSD after decades of it not being seen as a legitimate psychological disorder. Since then, post-traumatic disorders have been included in media as popular as the series finale of M*A*S*H in 1983, …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Autism-As-Machine Metaphors In Film And Television Sound, Erin Felepchuk

Ought: The Journal of Autistic Culture

Around the turn of the millennium, there was an outpouring of autistic representation in literature, film, and television. These resulted in a multitude of new cultural texts that reinforced damaging metaphors about autism that had previously emerged in medical discourse. In film and television, autistic people are portrayed through a variety of metaphors: as impenetrable fortress, missing puzzle pieces, confusing aliens, and as malfunctioning robots or supercomputers. In this paper, I examine the role of film and television sound in reinforcing the metaphor of autistic people as “unfeeling machines.” The unfeeling machine metaphor is personified through sound tracks that deploy …

Index (N° 96/97)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Abstracts (N° 96/97)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présence Francophone, Numéro 96/97

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Écritures Génésiaques : Violences, Ruptures Et Recommencement Dans Le Roman Africain Francophone, Isaac Bazié

Présence Francophone: Revue internationale de langue et de littérature

This study analyzes the writing of crises in African novels and makes following observation: the novels listed do not represent crises and ruptures to obey a need for mimicry and authenticity in the representation through the art of real violence. The main objective of these novels by staging African crises and violence is rather to reflect a tension: that of a charged present situation, a real historical or imaginary crisis, and the equally important situation of a genesis, a new beginning, the terms of which sometimes remain to be defined.

Parties Annexes (N° 96/97)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (N° 96/97)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

L’Humour Didactique Dans Guelwaar D’Ousmane Sembène, Anthère Nzabatsinda

Présence Francophone: Revue internationale de langue et de littérature

In Guelwaar, film and novel by Ousmane Sembène (1923- 2007), humor often makes you smile; and when it is comical, it is ironic and parodic. These aspects highlight unusual or contradictory aspects, even serious situations. The aim of this caustic humor is to correct negative situations, especially to denounce the defects of hypocrisy and intolerance. The humorous strategy in Guelwaar is part of the Senegalese filmmaker-novelist’s perspective of a didactic project aimed at the whole of Africa.

Sartorial Semiotics: Constructs Of Gender And Female Sexuality In Post Wwii American And European Cinema, Patricia Cabral

Dissertations, Theses, and Capstone Projects

Cinematic costume design functions as a system of visually-perceived, material and indexical signifiers, an effective and compelling language further informed by styling and embodiment. Sartorial semiotics support and inflect role characterization, while equally underpinning or subverting tropes generated by ideological paradigms. The following methodological approaches were adopted in scrutinizing this topic: Roland Barthes’ application of semiotic theories to the domain of fashion in The Language of Fashion, and Laura Marks’ discussion of the dialectics of optical and haptic visualities in apprehending film images in The Skin of Film: Intercultural Cinema, Embodiment, and the Senses.

By examining the costume …

Gay For English: Postcolonial In(Queer)Ies Into Contemporary Hindi Cinema, Hardik R. Yadav

Dissertations, Theses, and Capstone Projects

In this thesis, I study four recent Hindi-language Indian films for what I see as their queering of the English language, and, in turn, putting the Indian entity at a distance from both language and sexual orientation. The nation-making project of the Hindu political right in India today seeks an identity in distance from the English language: closer to the age-old conception of India as Hindustan (place of the Hindus). In Part I, I explore how such a resistance to English allows for the “Indian” within male protagonists of Rajat Kapoor’s Ankhon Dekhi (2013) and Aanand L. Rai’s Raanjhanaa (2013) …

Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin

Dissertations, Theses, and Capstone Projects

This dissertation is an exploration of transdisciplinary creative practice as a means of institutional critique. The artists I have chosen as my primary focus—Robert Kocik, Eleni Stecopoulos, Zora Neale Hurston, Jimmie Durham, Leslie Scalapino and Lyn Hejinian—employ multiple mediums and fields of discourse to address the presumptions and exclusions that are structurally integral to the institutions that house them. They enact “architextural” interventions through their use of forms that move between the page and three dimensional space, incorporating architecture, sculpture, drawing, painting, film, performance, poetry and prose. My work aims at a renewed understanding of critique as such, and therefore—though …

Europ: Expanded Cinema, Projection And The Film Co-Op In Western Europe, 1966–1979, Drew E. Bucilla

Dissertations, Theses, and Capstone Projects

This dissertation reconstructs “Europ”—an informal network of artists interconnected through the film cooperative movement who propagated expanded cinema throughout Western Europe in a series of artist-organized screenings, festivals and exhibitions in the late 1960s and 1970s. While Europ was never actually realized as a project, I deploy the name as a retrospective device for bringing together experimental filmmakers from Austria, Germany and the U.K. Expanded cinema was an experimental art form that stretched the definition of film by incorporating diverse media, including multiple screens and projectors, live performance, and installation. It thus resisted the confines of traditional cinemas, as it …

The Free Arena Of Literature: Science Fiction Films’ Critiques Of Capitalism In The United States, John (Jack) Michael Bilello

History

Capitalism is an inherently flawed system. The ideologies of Karl Marx have remained relevant for their critiques of the system, yet socially, his ideas are not accepted in the capitalist United States. Capitalism, as the dominant economic system of western civilization, has become synonymous with patriotism in the U.S. This has proved incredibly harmful to criticisms of capitalism, as they are met with questions of allegiance and patriotism rather than a careful reconsideration of ideals. Through science fiction films, these ideas that are usually difficult to express become much more palatable to a capitalist society. But to fully appreciate the …

Signs Of Ghost Appearance In Short Stories In Bataviaasch Nieuwsblad (1936-1939): Semiotic Analisys, Rufaida Rufaida, Fajar Muhammad Nugraha

International Review of Humanities Studies

In 2018-2019 the production of the Indonesian ghost story is much in demand and favored, even in 2020 the ghost content on YouTube is still lively and salable in the Indonesian market. The existence of ghosts cannot be separated from the daily lives of Indonesians.The author is interested in exploring further how the signs of the emergence of a ghostly figure believed by the people in the colonial era. This study uses a descriptive qualitative method with an approach using the analysis of language semiotics from the perspective of Charles Sanders Peirce's semiotics theory. 5 ghost stories published by the …

Using Film As A Multimodal Text In The Language Classroom, Kate Marie Steckmest

MA TESOL Collection

Film is a powerful medium for language acquisition; Not only does viewing films allow learners to experience language used in various real-life contexts, but the medium of film itself is a form of communication. Through the active viewing of films, students can explore how people with diverse backgrounds, accents, and cultures communicate using multiple modes such as gestures, images, and sounds. When learners are familiar with the techniques used by filmmakers to convey meaning, they can use the medium of film themselves to tell their stories and share their perspectives through filmmaking projects. Such projects can be collaborative and engaging …

Our House, Alina Mogollon-Volk

Theses and Dissertations

Our House is a documentary short film about the role personal archives play in our lives and how they are used to remember lost loved ones. Kevin Volk lost his father, Ernest, when he was just three years old. For years, his questions about Ernest were greeted with platitudes such as, “He would give the shirt off his back,” but very little substance. The film explores how family artifacts have given a window into the man who died of a heart attack at 46 years old and how it helped his son deal with the grief. The things we collect …

Starless Nights, Deepak Rauniyar

Theses and Dissertations

A film about the filmmaking process and the life of a filmmaker. But it's also a story about immigration, home, and negotiation. We constantly negotiate in our lives to maintain our relationships, opportunities, and dreams.

Tale As Old As...Feminism? The (Re)Making Of Beauty And The Beast, Cara Doreen Hardman

Theses - ALL

In this thesis, I investigate Disney's positioning of the live-action Beauty and the Beast as feminist. Up to this point, Disney's animated Beauty and the Beast has both been hailed as presenting audiences with an empowered princess and criticized for the Beast's aggressive behavior and the positioning of Belle as a woman meant to propel the Beast's story forward. I provide an assessment of the gender politics depicted in Disney's live-action Beauty and the Beast, and I problematize the tendency to classify texts as either entirely feminist or utterly antifeminist. As a whole, this thesis provides an in-depth analysis of …

Continuous Extremes: Architecture Of Uncertainty In Poland, 1945—, Cayce Davis

Masters of Environmental Design Theses

In this thesis, architecture situates between extremes. The dichotomies of destruction and construction, mobility and fixity, performance and reality, inside and outside, and form and time frame architecture and the processes through which it is made. The context is Poland in the fallout of the year 1945, when Warsaw’s unique, nearly total destruction and the ascendance of a new communist regime raised the political stakes of architecture. The thesis focuses on a cast of characters in architecture and related artistic disciplines—individuals haunted by the traumas of their own pasts, negotiating a Polish state that created oppressive limitations through artistic mandates …