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Film and Media Studies Commons™

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2016

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Articles 421 - 428 of 428

Full-Text Articles in Film and Media Studies

Film Tourism And Expectation: Using The Hallyu Wave To Model How Governments And Media Exports Influence National Image, Aishat O. Bello Jan 2016

Film Tourism And Expectation: Using The Hallyu Wave To Model How Governments And Media Exports Influence National Image, Aishat O. Bello

UROP Posters

Film tourism encompasses the interest, investment and influence that exported media products can contribute to cultural globalization, and subsequent visitation of a nation. The Korean Wave or Hallyu wave has been studied and commended for its rapid spread and growing popularity within Asia and more recently, on a more global scale. By comparing and contrasting the methods used by the Korean government to enhance Hallyu, with several trade deals made by the US government to support Hollywood, we can see how the effects of film tourism were directed towards modifying perspectives on Korean culture. A few consequences of making trade …


Gender In The Slasher Film Genre, Brandon Bosch Jan 2016

Gender In The Slasher Film Genre, Brandon Bosch

Department of Sociology: Faculty Publications

It slices, it dices, it has entertained and scared audiences for decades—it’s the slasher film. Despite being dismissed by critics, the slasher film refuses to go away. Even if you don’t go to these movies, they are hard to escape, as every Halloween at least a few trick or treaters will dress up as a character from these movies. Given the longevity and popularity of this genre, I want to spend today talking about how these films often represent gender.

Scholars have also studied slasher films, and have provided a more formal definition than the one that I just provided. …


How 9/11 Changed The Movies: The Tony Scott Barometer, E. Deidre Pribram Ph.D. Jan 2016

How 9/11 Changed The Movies: The Tony Scott Barometer, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

In an essay written some years ago on the 1945 film, Mildred Pierce, Linda Williams raises the intriguing question, why does the narrative frequently allude to but refrains from ever specifically mentioning World War II (22)? Williams’ assessment is that certain films are capable of addressing the most significant political events of the era in ways they could not have had they chosen to use direct depictions (24). Released in October 1945, following the end of U.S. involvement in the war, Mildred Pierce coincided with a period of demobilization and the economic and social reintegration of the returning American, largely …


Unreliable Narrators, Rebekah Manikowski Jan 2016

Unreliable Narrators, Rebekah Manikowski

Scripps Senior Theses

Unreliable Narrators is a record of the process to create a mixed media installation about how and why we tell stories, and how we as an audience discern the truth of those stories. The installation tells three different perspectives of the same story. Part documentary and part detective search, this project has viewers following the subject as she pieces together her story and ultimately has them deciding for themselves what to believe.


"Pa'l Norte," "Sueño Americano" E "Ice El Hielo": Un Análisis Del Video Musical En El Desmontaje De La Retórica Anti-Inmigrante En Los Estados Unidos, Aida M. Villarreal-Licona Jan 2016

"Pa'l Norte," "Sueño Americano" E "Ice El Hielo": Un Análisis Del Video Musical En El Desmontaje De La Retórica Anti-Inmigrante En Los Estados Unidos, Aida M. Villarreal-Licona

Scripps Senior Theses

This thesis is an analytical case study of three music videos, "Pa'l Norte" by Calle 13, "Sueño Americano" by Los Rakas, and "Ice El Hielo" by La Santa Cecilia. It explores the visual and lyric narratives of these works and their role in critiquing anti-immigration rhetoric towards Latino immigrants in the United States in a post-9/11 context. Through critical analysis, this thesis argues that their work is vital in dismantling the dehumanizing and criminalizing language prevalent in legal and popular discourse, as well as challenging the manifestations of everyday "illegality."


On The Factory’S Ruins: The Death Of A Nation And The Birth Of A Museum, Anthony Haughey Jan 2016

On The Factory’S Ruins: The Death Of A Nation And The Birth Of A Museum, Anthony Haughey

Conference Papers

Stuart Hall describes ‘living archives’ as a field of […] rupture, significant breaks, transformations, new and unpredicted departures’. For an artist, the interpretation of archival and historical materials is not solely an academic exercise; it can also be viewed as a societal intervention, where historical narratives are ruptured and re-contextualised, generating an emerging critical and contested site of reinterpretation. In this article I discuss my work as an artist and researcher with particular emphasis on cultural memory, archival formations and the production of contemporary artworks, including my recent video installation, UNresolved which reflects on the twentieth anniversary of genocide in …


Frankenfolk: Distinctiveness And Attractiveness Of Voice And Motion, Jan Ondřej, Cathy Ennis, Niamh Merriman, Carol O'Sullivan Jan 2016

Frankenfolk: Distinctiveness And Attractiveness Of Voice And Motion, Jan Ondřej, Cathy Ennis, Niamh Merriman, Carol O'Sullivan

Articles

It is common practice in movies and games to use different actors for the voice and body/face motion of a virtual character. What effect does the combination of these different modalities have on the perception of the viewer? In this article, we conduct a series of experiments to evaluate the distinctiveness and attractiveness of human motions (face and body) and voices. We also create combination characters called FrankenFolks, where we mix and match the voice, body motion, face motion, and avatar of different actors and ask which modality is most dominant when determining distinctiveness and attractiveness or whether the effects …


The Documentary Mind: In The Subject Of A Practitioner’S Perspective On Changes In Documentary Concept And Production, Harold Robert (Bob) Hardie Jan 2016

The Documentary Mind: In The Subject Of A Practitioner’S Perspective On Changes In Documentary Concept And Production, Harold Robert (Bob) Hardie

Theses: Doctorates and Masters

This autoethnographic study examines the influences of recent digital technology upon the practice and philosophy of documentary filmmaking. To assess the impact of new digital methodology on the film production process, The Musicians, a wholly-digital, 55-minute documentary film, was produced as an example. This music-based subject was chosen to specifically demonstrate the potential advantages of lightweight digital equipment and its extended recording capacity in orchestral documentation. The capability of non-linear digital editing to process large amounts of imagery, together with its ability to manage multiple image and audio streams concurrently, was also examined. This exegesis also reviews the impact of …