Film and Media Studies Commons^™

A Prison For Others—A Burden To One's Self, Anne Collins Smith, Owen M. Smith

Faculty Publications

Women have come a long way since the mid-1960's, both in the real world and in the world of philosophy. Given the advances in society and the developments within feminism that took place between that decade and the first decade of the 21st century, we might reasonably expect the new Prisonerseries to present a more contemporary perspective on women than the original. Such is most emphatically not the case. If we compare the original Village to the new one, it looks as if those pennyfarthing wheels are spinning backwards instead of forwards.

Reporting The Irish Famine In America: Images Of "Suffering Ireland" In The American Press, 1845-1848, James M. Farrell

Communication

This chapter is a study of American newspaper reporting on the Great Irish Famine. The study examines six master narratives that constrained the image of Ireland and the Irish people presented to American readers. Those narrative constraints predisposed Americans to respond with hostility when Irish Famine refugees began to arrive in the United States.

Film Review: The Rabbi's Daughter And The Midwife, David B. Levy

Touro University Libraries Publications and Research

The author presents a review of the film The Rabbi's Daughter and the Midwife.

Intertextos Y Guiños Del Cine Negro De Hitchcock En Queda La Noche De Soledad Puértolas, Paloma Pérez Valdés

Books/Book Chapters

Intertextos y guiños del cine negro de Hitchcock en Queda la noche

En mi comunicación se analiza la incorporación de elementos de dos clásicos del cine negro, Vértigo y Extraños en un tren, de Alfred Hitchcock, en la novela contemporánea Queda la noche, de Soledad Puértolas. Mediante una serie de guiños al lector, la autora pone a su alcance un código reconocible que le permite ascender al plano de la creación del texto. Consigue de este modo, por un lado, la ruptura con la diferencia jerárquica entre lector y escritor, y por otro, la destrucción de la frontera …

Edwin Rousby: Un Misterio Desvelado, Luis Guadaño

World Languages and Cultures Faculty Publications

En este trabajo se aclaran las dudas e incógnitas que hasta ahora han existido sobre la vida y actividad professional de Edwin Rousby (1856-1927) quien llevó a cabo, adelantándose a los hermanos Lumière, las primeras exhibiciones cinematográficas como negocio en España y Portugal.

[This article sheds new light on the unknown professional and personal life of Edwin Rousby (1856-1927), the first to carry out public film exhibitions in Spain and Portugal ahead of the Lumière Brothers.]

Carlos Saura Y La Relativización De La Historia Y La Memoria Antes De La Transición, Luis Guadaño

World Languages and Cultures Faculty Publications

(First paragraph) La idea principal del presente trabajo es la de intentar darle una nueva perspectiva a tres películas de Saura- El jardín de las delicias (1970), La prima Angélica (1973) y Cría cuervos (1975)- que las pondría en relación con el espíritu de la transición y no solamente con la oposición política al regimen de Franco. La crítica ha analizado estas películas principalmente desde una perspectiva que hace referencia al context histórico-político específico de su aparición dentro de la dictadura de Franco. Así, por ejemplo, se han interpretado como los últimos coletazos críticos al Régimen poco antes de su …

Big Questions Travels The World For Answers To Human Need

DePaul Magazine

"Big Questions" is a 13-episode series of stories from around the world that highlights impoverished and stressed communities and those who have come to their aid. The series if based on the question, "What can on person do to change the world?" It was produced cooperatively by four colleges at DePaul--Business, Communication, Liberal Arts and Social Sciences, and Computing and Digital Media, by faculty and students and aired on local PBS stations.

Rod Library Mini Comic-Con, Flier, 2014, University Of Northern Iowa

RodCon Documents

Saturday, March 29, 2014 - 12:00pm to 4:00pm

Flier used in promotion of the event.

Unveiling The Monster: Memory And Film In Post-Dictatorial Spain, Juan Pablo Pacheco Bejarano

Self-Designed Majors Honors Papers

In 2007, the Spanish congress approved the Law of Historical Memory, recognizing a collective desire to exorcize the ghosts and monsters from its abject and repressed traumatic past. Spanish contemporary identities are still heavily impacted by the traumatic Civil War (1939) and the nearly forty-year long dictatorship (1939-1975) that marked most of its twentieth century’s history. This research focuses on a close reading of three films located within the aesthetic tradition of the Grotesque and the Gothic, and situated within the aftermath of the Civil War: El Espíritu de la Colmena (The Spirit of the Beehive) (1973) by Victor Erice, …

Children In The Films Of Alfred Hitchcock, Debbie Olson, Jason Mcentee

English Faculty Books

Jason McEntee is a contributing author, "'The Future’s Not Ours to See’: How Children and Young Adults Reflect the Anxiety of Lost Innocence in Alfred Hitchcock’s American Movies.”, pp.31-46.

Children and youth perform both innocence and knowingness within Hitchcock's complex cinematic texts. Though the child often plays a small part, their significance - symbolically, theoretically, and philosophically - offers a unique opportunity to illuminate and interrogate the child presence within the cinematic complexity of Hitchcock's films.

"You'll Have To Take It: Urban Vigilantism And American Film, 1967-1985", Joseph E. Roskos

Masters Theses

My thesis shows how vigilantism as expressed through the politics of race interacted from the late 1960s until the mid-1980s, serving to support a culture of backlash that drew from the public’s mistrust of government institutions and authorities, and its reactions to crime, class conflict, and racial tensions. Vigilante films served as the battleground where class conflicts were played out; violent backlash was realized; historical wars were refought; cultures and principles clashed; and people cleansed their communities of crime and illegal drug-use. The culture of backlash as portrayed in vigilante films as well as historical events showed how their relationship …

Effingham Performance Center: Art At The Crossroads, Keith Sutterfield

Undergraduate Honors Theses

No abstract provided.

The Hopeless Dream Of Being: An Exploration Of The Female Gaze In Bergman’S Persona, Benton Meadows

The Corinthian

In its extensive play with character and form, Bergman’s Persona becomes as difficult to analyze as an actual patient. Susan Sontag talks about how the viewer can only move toward but never achieve certainty about the action. Simply, it is about two women whose conflicting desires lead them to spend a cathartic summer at a seaside cottage. Critic John Simon describes the movie as a meditation on the numbers 1 and 2: it is about one splitting in two and two becoming one. The film is constantly attempting to balance, or at least justify, the existence of the disparities and …

‘The Future’S Not Ours To See’: How Children And Young Adults Reflect The Anxiety Of Lost Innocence In Alfred Hitchcock’S American Movies., Jason Mcentee

English Faculty Publications

Introduction:

In The Man Who Knew Too Much (1956), the Ambassador, while plotting to kill the Prime Minister, orders the kidnapped American child Hank McKenna killed, telling his would-be gunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s kidnapping.
The movie unfolds as a cat-and-mouse game in which the McKennas desperately try to locate and save their kidnapped son, …

The Pit Bull's Discourse: An Examination Of Discursive Construction, Karen Jennings

Bridges: A Journal of Student Research

Since the early 1980s, news reporters have used the pit bull as a scapegoat to get media attention by plastering the frightening image of a snarling, bloody dog across all news outlets. Over the years, the pit bull's image has suffered major blows to its already battered reputation with every new "dog attack" news story published. Each reporter's word choice, in both past and present news stories, has an effect on the reader's perception of the topic. By analyzing several unrelated stories about pit bulls, both good and bad, I reveal how word choice alone shapes a reader's perception while …

From Dracula To Twilight: The Threat Of The Romantic Vampire, Alexis Cantanzarite

Journal of Dracula Studies

No abstract provided.

Dracula's Truth Claim And Its Consequences, Hans De Roos

Journal of Dracula Studies

No abstract provided.

Beauties And Beasts Of Carmilla, Strange Case Of Dr. Jekyll And Mr. Hyde, And Dracula, Shirley Ibach

Journal of Dracula Studies

No abstract provided.

"The Blood In The Life!": Victorian Manifestations Of Porphyric Anxiety And Blooklust In Bram Stoker's Dracula, Ashley Szanter

Journal of Dracula Studies

No abstract provided.

Precursors And Processes For The Growth Of Metallic First Row Transition Metal Films By Atomic Layer Deposition, Lakmal Charidu Kalutarage

Wayne State University Dissertations

As a result of the continuous miniaturization of microelectronics devices, atomic layer deposition (ALD) has gained much attention in the recent years. ALD allows the deposition of ultra-thin conformal films with accurate thickness control due to the self-limiting growth mechanism. The microelectronics industry requires the growth of metallic first row transition metal films by ALD. Due to the positive electrochemical potentials, the ALD growth of noble metal thin films has been well developed in the past. By contrast, the ALD growth of first row transition metal films remains poorly documented. The reasons for this scarcity include the lack of suitable …

Economies Of Desire: Reimagining Noir In Nicholas Ray's They Live By Night, Ria Banerjee

Publications and Research

This essay argues that Nicholas Ray reimagines the conventions of the film noir genre in his movie, They Live By Night. This book chapter is part of a study of director Nicholas Ray's oeuvre, Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema, eds. Steve Rybin and Will Scheibel. New York: SUNY Press, 2014

Feminine Purity And Masculine Revenge-Seeking In Taken (2008), Casey R. Kelly

Scholarship and Professional Work - Communication

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women's “purity” against the purportedly violent and sexual impulses of third world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system …

Autotraduction, Traduction Interculturelle Et Intersémiotique Dans La Quarta Via De Kaha Mohamed Aden, Simone Brioni

Department of English Faculty Publications

No abstract provided.

The Casting Director At Work: A Contemporary Recasting Of Hitchcock Classics, Jamie Rose Hernandez

Whittier Scholars Program

This project focuses on the role of the casting director and what their experience in the workforce entails.

Review Of Walachai, Dir. Rejane Zilles, Traci Roberts-Camps

College of the Pacific Faculty Articles

No abstract provided.

“All Data Is Credit Data,” Or, On Close Reading As A Reciprocal Process In Digital Knowledge Environments, John Hunter

Faculty Journal Articles

The new knowledge environments of the digital age are often described as places where we are all closely read, with our buying habits, location, and identities available to advertisers, online merchants, the government, and others through our use of the Internet. This is represented as a loss of privacy in which these entities learn about our activities and desires, using means that were unavailable in the pre-digital era. This article argues that the reciprocal nature of digital networks means 1) that the privacy issues that we face online are not radically different from those of the pre-Internet era, and 2) …

The Ohio Renaissance Festival: A Look Inside, Skye Mccullough

Honors Projects

Every year during the months of August-October, the Ohio Renaissance Festival takes place in Haverysburg Ohio. Here, happy fair goers eat, drink, and maker merry in some of the most unique and truly entertaining ways. My project is a short documentary about the Ohio Renaissance Festival and the people who are involved in putting it on year after year. This documentary consists of five interviews with individuals involved in the festival both on the administrative lever and the performance. We get to explore the festival through their eyes and learn what makes this fair a worthwhile experience for one and …

American Indians In Feature Films: Beyond The Big Screen, Daisy V. Domínguez

Publications and Research

This article examines whether library collections represent the breadth of portrayals of American Indians in feature film and provides collection development resources for developing and strengthening feature film collections by and about American Indians.

The Catholic Schoolgirl & The Wet Nurse: On The Ecology Of Oppression, Trauma And Crisis, Jade E. Davis

Publications and Research

This paper explores the idea of facing oppression by exploring how two photographs, one of a Catholic schoolgirl and one of a wet nurse, were received as they made their way through social media. In addition, the paper looks at a blog post that was made about photographs from a similar time period as the photos. By exploring how the photos were received through Fanon, visual studies, and psychoanalytic theory, the paper proposes a new way to view these photographs outside of the narratives of Oppression and Trauma. Instead, by understanding the re-inscription of the dominant narratives as an ongoing …

Making E.T. Perfectly Queer: The Alien Other And The Science Fiction Of Sexual Difference, Brooke M. Beloso

Scholarship and Professional Work - LAS

In the wake of E.T.'s 1982 debut, film critics Marina Heung and Vivian Sobchack established that the enduring appeal of E.T. inheres in the dissolution of the nuclear heterosexual family over the latter half of the twentieth century and the film's “fairy tale” stand-in for the “mythology of family relations” that Dana Cloud terms “conservative familialism.” As Carl Plantinga puts it, E.T. offers a “virtual solution … to [a] traumatic problem.” Despite this, however, E.T. remains for many an inconsolable tragedy. Approaching E.T. from the perspective of the queer child who grows “more sideways than …