Film and Media Studies Commons^™

Tapestry Of Space: Domestic Architecture And Underground Communities In Margaret Morton’S Photography Of A Forgotten New York, Irina Nersessova

disClosure: A Journal of Social Theory

This article addresses the impact urban space has on individuals through the use of Situationist International theory and psychogeography. Representations of homelessness in New York in Margaret Morton's photography are used to demonstrate the interconnectedness among space, people, and social issues. Social issues manifest themselves in urban decay, and the inhabitants react to this phenomenon emotionally and artistically. Some inhabitants demonstrate their relationship with space by responding with material production of housing and art, which they accomplish by building without exploiting the environment the way the manufacturing of commodities often does.

Walt Disney And The Propaganda Complex: Government Funded Animation And Hollywood Complicity During Wwii, Amanda Cunningham

Graduate Research Symposium (2010 - 2017)

Walt Disney’s work as an animator during World War II had a measurable impact on culture and in the development of government produced messages. It is important to examine this understudied area of Disney’s life and his studio’s efforts to produce wartime training and propaganda films during WWII. Government agencies, including the U.S. Treasury, contracted Disney to produce 32 animated shorts between 1941 and 1945 (Gabler, 2007).

Employing a semiotic approach of cinema, this study focuses on the cartoons The New Spirit (1942), Der Fuehrer’s Face (1943) and Education for Death: The Making of the Nazi (1943). While American wartime …

Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino

Graduate Research Symposium (2010 - 2017)

This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …

Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis’S Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova

Graduate Research Symposium (2010 - 2017)

This study examines the birth and evolution of the social documentary genre in visual media. It suggests that a mixture of ideology, technology, and social awareness are necessary for a successful social reform. It finds that despite the limitations of technology during the nineteenth century, social documentaries were produced long before they were part of the genres of photography and film. By focusing on the work of Danish photographer Jacob Riis and tracing the emergence of film, this study demonstrates a connection between documentary film and Riis’s social documentary photography and public slide exhibitions. The study concludes that in order …

The Notebook: An Accidental Alzheimer's Awareness Campaign, Danielle Waldron

Annual Undergraduate Conference on Health and Society

My paper examines and critiques the portrayal of Alzheimer¹s disease in the popular film, The Notebook. Based off of a Nicholas Sparks novel, The Notebook uses Alzheimer¹s disease as a vehicle to relay a love story, but in doing so, presents a distorted picture of Alzheimer¹s disease to its audience. My paper compares the responsibilities of family caregivers of Alzheimer¹s patients in today¹s world with the unrealistic family caregiver, Noah, depicted on screen. My paper also explores and exposes inconsistencies between the attractive nursing home experience presented on screen and the less than ideal treatment patients experience in long term …

Two Options For Aosdána: Be Reformed Or Be Replaced, Ian Kilroy

Articles

Why Irish artists' organisation Aosdána needs to be reformed or to be replaced. An Op-Ed (opinion piece) in the Irish Times by Ian Kilroy of the School of Media at Technological University Dublin, also former Arts Editor of the Irish Examiner.

Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin

Librarian Research

Workshop presented at the West Virginia Library Conference in Flatwoods, WV on April 2, 2014. The workshop focused on the history of photography with an emphasis on identifying different types of photographic processes and images. The second half of the workshop provided the participants with knowledge about the environmental and chemical challenges to preserving photographic images and possible solutions to solving problems in their institution's collections.

Assuming Identities: Gender, Sexuality, And Performativity In The Silence Of The Lambs, Lynne Stahl

Faculty & Staff Scholarship

In the introduction to Epistemology of the Closet, Eve Kosofsky Sedgwick discusses the instability of the ignorance/knowledge binary, which generally equates the latter with power and the former with impotence. She argues that ignorance (or the appearance thereof) can be a tool of power as well, citing as an example the 1986 ruling by the United States Justice Department that employers “may freely fire persons with AIDS” provided that those employers “can claim to be ignorant of the medical fact, quoted in the ruling, that there is no known health danger in the workplace from the disease” (5). That this …

The Lifestyle Of The "Urban Tribe", Nichelle D. Mcnabb, Rachel Friedman

Communications Faculty Scholarship

It was once the norm for people to get married in their early twenties,

perhaps right after college or maybe during college. Once married, there was

the need to start a family as soon as possible. However, nowadays, people

appear to be substituting (at least for this period of time after college) the

traditional family structure with a new one – the “urban tribe.” This paper

takes a critical approach to examining portrayals of rituals in “urban tribes”

in two television shows – Will & Grace and Friends in which we argue that

the progressive elements of these shows counter …

The Providence College Student Film Festival 2014 Entry Form, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

The Providence College Student Film Festival 2014 entry form

Providence College Department Of Theatre, Dance & Film Main Stage Performance Schedule Spring 2014, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Main Stage Performance Schedule

Spring 2014

[Sabbatical Report], Joon Sung

Sabbatical Reports

The primary purpose of this sabbatical project was to film. edit and produce short video pieces based on the footage collected in Tokyo, Japan.

The Evolution Of The Villain In American Cinema, Kelsey Mcclure

Honors Projects in English and Cultural Studies

The villain character has evolved greatly throughout American cinema. Post World War II, the evolution is most striking by comparing films from the 1950s, 1970s, and 2000s. With a selection of four movies from each respective decade, the villains will be contrasted to identify any similarities and differences across decades to determine if the political environment has an impact on the way in which the villain character is portrayed.

Objective:

The purpose of this project was for me to determine if villains were constructed based on views of the American people at the times in which the films were created. …

College Students' Lingering Negative Emotional Reponses To Movies Viewed During College, Brianna M. Kuck

Selected Honors Theses

Although much research has been conducted on children’s negative emotional responses to movies, and even negative emotional responses to the media in general, limited research has been conducted on college students’ lingering negative emotional responses to movies they have viewed during their college years. Through a qualitative analysis using a focus group at a Florida Christian college, this thesis will examine what kinds of disturbing movie content and elements cause these lingering negative emotional responses in college students. The lingering negative emotional responses these students have will also be discussed in detail, as well as what triggers the reemergence of …

The Effect Of Color On Emotions In Animated Films, Andrew Kennedy

Open Access Theses

Lighting color in animated films is usually chosen very carefully in order to portray a specific mood or emotion. Artists follow conventional techniques with color choices with the intention to create a greater emotional response in the viewer. This study examined the relationship between color variations in videos and emotional arousal as indicated by physiological response. Subjects wore a galvanic skin response (GSR) sensor and watched two different videos: one portraying love and one portraying sadness. The videos were watched multiple times, each with variations in the lighting color. No significant effects on emotion for either hue or saturation were …

Senescence: An Aging Based Character Simulation Framework, Suren Deepak Rajasekaran

Open Access Theses

The 'Senescence' framework is a character simulation plug-in for Maya that can be used for rigging and skinning muscle deformer based humanoid characters with support for aging. The framework was developed using Python, Maya Embedded Language and PyQt. The main targeted users for this framework are the Character Technical Directors, Technical Artists, Riggers and Animators from the production pipeline of Visual Effects Studios. The characters that were simulated using 'Senescence' were studied using a survey to understand how well the intended age was perceived by the audience. The results of the survey could not reject one of our null hypotheses …

Images For A Nation: The Role Of Conservation Photography In American Environmentalism, Nathaniel W. Yale

Pomona Senior Theses

Photographs have long been integral in revealing American values, ideals, and identity. Accordingly, a study of environmental, or "conservation," imagery offers insight into America’s relationship with the natural world. In an examination of key figures and their conservation photography work, this thesis explores how the national conservation dialogue has been shaped by powerful images that, in some cases, even led to crucial acts of federal conservation. The first section highlights four photographers and their context and influence in this dialogue: W.H. Jackson’s photographs from Hayden’s 1871 survey of Yellowstone, Carleton Watkins’ work at Yosemite and Mariposa Grove in the 1860s, …

Pathos, Spring 2014, Portland State University. Student Publications Board

Pathos

Editor: Ryan de Laureal

Volume 8 No.3

Transitional Violence In King Of New York, Soren G. Palmer

Journal of Religion & Film

Abel Ferrara’s violent and controversial film, King Of New York, follows the escalating violence and resulting trail of corpses between mobster Frank White (a psychotic sort of Robin Hood) and a group of detectives attempting to arrest him. The goal of this paper is to utilize Elizabeth Swanson Goldberg’s grammar of transition as a structural device to identify negative connections that highlight and foreshadow sources of violence in King of New York. However, simply noting the process of these transitions is insufficient to the paper’s broader purpose; if one is to investigate the causal elements of violence through …

The Virgin Mary On Screen: Mater Dei Or Just A Mother In Guido Chiesa’S Io Sono Con Te (I Am With You), Timothy J. Johnson, Barbara Ottaviani-Jones

Journal of Religion & Film

Guido Chiesa’s Io Sono con Te (I Am with You) offers a unique, albeit controversial take on Mary, the mother of Jesus. Filmed in Tunisia, and subject to criticism by Italian Catholic authorities and film critics alike, Io Sono con Te presents a rich anthropological-theological reflection on religion, culture, gender, and sacrifice. Not surprisingly, Chiesa draws on René Girard’s scapegoat theory throughout his film as he fashions Mary as the forceful protagonist in a familiar yet controversial story.

Preaching In The Darkness: The Night Of The Hunter’S Subversion Of Patriarchal Christianity And Classical Cinema, Carl Laamanen

Journal of Religion & Film

Upon its release in 1955, The Night of the Hunter did not find favor among audiences or critics, who failed to appreciate Charles Laughton’s vision for the Davis Grubb’s bestselling novel of the same title. While poor marketing certainly played into the film’s colossal collapse at the box office, I believe there is a deeper reason behind the rejection of the film in the 1950s—its portrayal of women and the female voice. In The Night of the Hunter, Miz Cooper (Lillian Gish) ultimately defeats Harry Powell (Robert Mitchum), the corrupt Preacher, through the use of her voice, and by …

The Holy Fool In Late Tarkovsky, Robert O. Efird

Journal of Religion & Film

This article analyzes the Russian cultural and religious phenomenon of holy foolishness (iurodstvo) in director Andrei Tarkovsky’s last two films, Nostalghia and Sacrifice. While traits of the holy fool appear in various characters throughout the director’s oeuvre, a marked change occurs in the films made outside the Soviet Union. Coincident with the films’ increasing disregard for spatiotemporal consistency and sharper eschatological focus, the character of the fool now appears to veer off into genuine insanity, albeit with a seemingly greater sensitivity to a visionary or virtual world of the spirit and explicit messianic task.

“Love, What Have You Done To Me?” Eros And Agape In Alfred Hitchcock's I Confess, Catherine M. O'Brien

Journal of Religion & Film

Despite its pre-Vatican II setting, Alfred Hitchcock’s I Confess (1953) has retained a notable relevance in the twenty-first century. Although the titular act of confession is unsurprisingly significant, the diegesis actually foregrounds Matrimony and Holy Orders – two sacraments that remain under the spotlight during a tumultuous era for the Catholic Church. Alongside the traditional Hitchcockian theme of “an innocent man wrongly accused,” the plot really hinges on love – a subject that is intelligible to people of all religions and none. While examining the mise-en-scène of the director’s most Catholic film, this article offers an exploration of I Confess …

Filming Reconciliation: Affect And Nostalgia In The Tree Of Life, M. Gail Hamner

Journal of Religion & Film

This paper uses the affect theory of Gilles Deleuze, Raymond Williams, and Lauren Berlant, and the phenomenology of Merleau-Ponty to examine how affect constellates to film Christian reconciliation in Terrence Malick’s 2011 release, The Tree of Life. As a working shorthand, we can understand affect as the fungible set of bodily processes that affirm, sear, or reshape a body’s and society’s relational structures. I contend that the film’s fluid montage—analyzed with Deleuzian film theory—generates a non-reactionary nostalgia that binds Christian theological hope to the persistent melancholy of loss through the blurring of perception, memory, dream, and fantasy. Such blurring …

Plato's Watermelon: Art And Illusion In The Brothers Bloom, David L. Smith

Journal of Religion & Film

Rian Johnson’s The Brothers Bloom is a sophisticated film about storytelling, pitting the idea that stories are an enhancement of life against the suspicion that stories are a deception. Set in a world of con artistry and illusion, it raises issues similar to those introduced in Plato’s allegory of the cave and in the critique of religion as illusion. Specifically, it follows one character’s desire for an “unwritten life”—a life free from artifice—through various logical and interpersonal challenges, and ends with a profound meditation on the coinherence of faith and skepticism.

Closing The Loop: "The Promise And Threat Of The Sacred" In Rian Johnson’S Looper, Brian W. Nail

Journal of Religion & Film

This article examines the ways in which Rian Johnson’s recent film Looper (2012) portrays the complex relationship between violence and the sacred in contemporary society through its exploration of the theme of retribution. Utilizing René Girard’s theory of sacrifice and Roberto Esposito’s explication of the immunitary logic of the sacred, this study argues that the film reveals the double nature of the sacred as a source of both life and death within society. Through an examination of crucial elements of Looper’s plot and setting, and in particular its enigmatic climax, I argue that as a religious film, Looper challenges its …

Uno Native Film Festival, Brady Desanti, Michele M. Desmarais, Beth R. Ritter

Journal of Religion & Film

This is the first year for the University of Nebraska at Omaha Native Film Festival. The Festival was presented Nov. 1-3, 2013, by the Native American Studies Program of the University of Nebraska at Omaha and Vision Maker Media. In addition to the movies reviewed below, the Festival included a program of children/family films, a program of short films, an acting workshop with Chaske Spencer (Lakota Sioux), and a workshop on how to use visual media in the classroom presented by Vision Maker Media. Vision Maker Media is a non-profit organization that shares Native stories with the world by advancing …

Scoring Transcendence: Contemporary Film Music As Religious Experience, Brandon A. Konecny

Journal of Religion & Film

An earlier version of this book review appeared in Film Interernational, Nov. 13, 2013 (http://filmint.nu/?p=10038). It appears here by permission.

On Ashkenazi’S Weimar Film And Modern Jewish Identity, Kerry Wallach

German Studies Faculty Publications

Every scholar of modern Jewish history is familiar with the poet Judah Leib Gordon’s 1862 exhortation to European Jewry: “Be a man in the street and a Jew at home” (as quoted in Ashkenazi, xv, 48). This motto takes on new relevance in the work of historian Ofer Ashkenazi, for whom public and private behaviors play out in the spatial terms of Weimar cinematic representation. Within the world of the street, Jews display only authentic bourgeois mannerisms and appearances; in private, the masquerade ceases to be necessary. According to Ashkenazi, we see this duality reflected in films made by Jewish …

Fallen Sports Heroes, Media, & Celebrity Culture, Lawrence A. Wenner

Faculty Pub Night

No abstract provided.