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2013

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Articles 391 - 403 of 403

Full-Text Articles in Film and Media Studies

Costruire La Razza Come Mostruosità, Simone Brioni Dr. Jan 2013

Costruire La Razza Come Mostruosità, Simone Brioni Dr.

Department of English Faculty Publications

No abstract provided.

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Brown V. Entertainment Merchants Association: "Modern Warfare" On First Amendment Protection Of Violent Video Games, Jessica Fisher Jan 2013

Brown V. Entertainment Merchants Association: "Modern Warfare" On First Amendment Protection Of Violent Video Games, Jessica Fisher

Journal of Business & Technology Law

No abstract provided.

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Metafilm In The Spanish Post-Civil War Period: Cinematic Self-Reflection In Berlanga’S Bienvenido, Mr. Marshall And Bardem’S Calle Mayor, Lucy F. Lee Jan 2013

Metafilm In The Spanish Post-Civil War Period: Cinematic Self-Reflection In Berlanga’S Bienvenido, Mr. Marshall And Bardem’S Calle Mayor, Lucy F. Lee

The Coastal Review

The focus on the self-referential as a means of destabilizing reality and calling attention to the artificial nature of life may be noted in a number of films of the Spanish post-Civil War period, among them José Antonio Berlanga’s Bienvenido, Mr. Marshall and Juan Antonio Bardem’s Calle Mayor. Through their use of metacinematic devices such as distancing techniques, parody, and the incorporation of performance and cinematic models, the constructed nature of provincial life and Spanish identity is exposed, ushering in a new era of Spanish cinema.

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The Personal, Political, And The Virtual? Redefining Female Success And Empowerment In A Post-Feminist Landscape, Linda Elizabeth Chardon Jan 2013

The Personal, Political, And The Virtual? Redefining Female Success And Empowerment In A Post-Feminist Landscape, Linda Elizabeth Chardon

Honors Theses and Capstones

No abstract provided.

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Collecting Stardust: Matter, Memory, And Trauma In Patricio Guzman's Nostalgia For The Light, Nora Szegvari Jan 2013

Collecting Stardust: Matter, Memory, And Trauma In Patricio Guzman's Nostalgia For The Light, Nora Szegvari

USF Tampa Graduate Theses and Dissertations

This work situates Patricio Guzmàn's Nostalgia for the Light in the broader field of essay documentary film and unveils it as a locus of discursive resistance and the generative crux of diverse conventionally isolated academic dialogues. In doing so, it addresses the challenging and controversial questions of historical meaning-making, remembrance and oblivion, melancholia and mourning. My thesis also endeavors to detect the dynamic and anxiety-inducing threshold between singularity and collectivity, and the human and the cosmic. I lay the historically unprecedented common ground for trauma theory and the essayistic comportment and argue that bearing the clash of time planes, paradoxicality, …

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The Terror Of Possibility: A Re-Evaluation And Reconception Of The Sublime Aesthetic, Kurt Fawver Jan 2013

The Terror Of Possibility: A Re-Evaluation And Reconception Of The Sublime Aesthetic, Kurt Fawver

USF Tampa Graduate Theses and Dissertations

While the sublime aesthetic has a long and complex critical history, it is nonetheless a schizophrenic concept. Indeed, in the over two thousand years since the sublime became a subject of learned inquiry, it has not been resolved into any one concrete idea, but has become, rather, an expansive tapestry of disparate if interconnected theoretical threads from which aestheticians may pick and choose to define what they mean by the term "sublime." Kant postulates one sort of sublime, Burke another, and Lyotard, Zizek, and the Romantics still others. In this way, the contemporary sublime aesthetic is, in essence, an ever-extending …

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The Transience Of The Interior Self: Exploring The Lost Real Within A Creative Visual Praxis, Jacqueline Monks Jan 2013

The Transience Of The Interior Self: Exploring The Lost Real Within A Creative Visual Praxis, Jacqueline Monks

Theses: Doctorates and Masters

This research investigates psychological ideas of the interior self as transient and its relationship to the Real within a creative practice that includes video, projection and animation. The significance of the research is in the critical development of my creative practice and its creative outcome as a means of visually manifesting ideas of the interior self as explored by the theorist Slavoj Zizek. Theoretically, the notion of the interior self is defined as a transient state of co-existing contradictions. Its definition is located in Zizek’s reading of Jacques Lacan’ s triad of orders that comprise the thinking self (Zizek, 2007a, …

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Dream On, Joe Wilkins Jan 2013

Dream On, Joe Wilkins

Faculty Publications

In this essay, Joe Wilkins describes what he believes are the essential elements of Western films.

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Refiguring Indexicality: Remediation, Film, & Memory In Contemporary Japanese Visual Media, Janine Marie Villot Jan 2013

Refiguring Indexicality: Remediation, Film, & Memory In Contemporary Japanese Visual Media, Janine Marie Villot

USF Tampa Graduate Theses and Dissertations

Through an analog between film and memory, I argue contemporary Japanese visual media constantly remediates this relationship in order to develop a more inclusive, plastic indexicality that allows media without direct material contiguity access to an indexicality not typically attributed to it. Amidst the early twenty-first century shift from old, mechanical media to new, electronic media, each Japanese text engages the West through intercultural discourses and intracultural responses, just as Japan has continually encountered the West since its forced opening by Commodore Perry in 1853. The plasticized indexicality figured by contemporary Japanese visual media implies the plastic nature of abstracted …

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The Sopranos Experience, Eli Benjamin Weidinger Jan 2013

The Sopranos Experience, Eli Benjamin Weidinger

USF Tampa Graduate Theses and Dissertations

My thesis explores what I call the "Sopranos Experience," which draws upon both the historical conventions of the gangster genre as well as the aesthetics and economics of pay-cable television to complicate The Sopranos' (HBO, 1999-2007) psychological relationship with the 21st-century, neoliberal American audience. The Sopranos Experience explicates how wavering identifications and dis-identifications that develop for the spectator through the series' form and content draw the responsibility of an audience away from moral ultimatums that attempt to finalize their experience with the genre, and towards a more personal ethical entanglement with the characters and their socioeconomic anxieties and desires. The …

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Spectatorial Shock And Carnal Consumption: (Re)Envisaging Historical Trauma In New French Extremity, Christopher Butler Jan 2013

Spectatorial Shock And Carnal Consumption: (Re)Envisaging Historical Trauma In New French Extremity, Christopher Butler

USF Tampa Graduate Theses and Dissertations

New French Extremity films are violent, transgressive, and break many social taboos in their narratives. However, this genre's directors are intelligent and construct these films with clues to France's past and how it still has implications in the present. This thesis was written to point out how New French Extremity films offer spectators the potential to reincorporate traumatic moments in French history by juxtaposing them against present day social, political, and economic ideologies. The purpose for this course of study was to investigate historical encounters that are present in New French Extremity filmmaking, something that has yet to be addressed …

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The Post- 9/11 Aesthetic: Repositioning The Zombie Film In The Horror Genre, Alan Edward Green, Jr. Jan 2013

The Post- 9/11 Aesthetic: Repositioning The Zombie Film In The Horror Genre, Alan Edward Green, Jr.

USF Tampa Graduate Theses and Dissertations

This dissertation explores a body of films produced after the events of 9/11, and while examining this specific point of departure, the author presents the argument on the vast cultural relevancy of the omnipresent zombie. These films are interrogative and complex, offering the viewing audience a rich tapestry of interwoven meanings. Furthermore, the author suggests that the zombie trope has, in fact, left the genre altogether, reinserted into a style of films he labels as "non-zombie appropriation." Chapter 1 introduces the zombie genre as both part of the larger horror genre aesthetic and as its' own legitimate subgenre. The zombie …

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Pathos, Winter 2013, Portland State University. Student Publications Board Jan 2013

Pathos, Winter 2013, Portland State University. Student Publications Board

Pathos

Editor: Deena Anreise

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