Film and Media Studies Commons^™

The Counterfeit Child, Steven Bruhm

Data and Test Instruments

No abstract provided.

Dracula's Colonized Tongue Speaks Through Fanged Teeth, Creighton Nicholas Brown

Journal of Dracula Studies

No abstract provided.

A Very Victorian Feast: Food And The Importance Of Consumption In Modern Adaptations Of Dracula, S. Brooke Cameron, Suyin Olguin

Journal of Dracula Studies

No abstract provided.

Triangulated Desire In Meyer's Twilight: A Queer Dynamic, Jami Mcfarland

Journal of Dracula Studies

No abstract provided.

Introduction: Cuts To Dissolves – Defining And Situating Ecocinema Studies, Salma Monani, Stephen Rust

Environmental Studies Faculty Publications

This is the abstract for the entire book:

Ecocinema Theory and Practice is the first collection of its kind—an anthology that offers a comprehensive introduction to the rapidly growing field of eco-film criticism, a branch of critical scholarship that investigates cinema’s intersections with environmental understandings. It references seminal readings through cutting edge research and is designed as an introduction to the field as well as a sourcebook. It defines ecocinema studies, sketches its development over the past twenty years, provides theoretical frameworks for moving forward, and presents eloquent examples of the practice of eco-film criticism through essays written by the …

Environmental Film Festivals: Beginning Explorations At The Intersections Of Film Festival Studies And Ecocritical Studies, Salma Monani

Environmental Studies Faculty Publications

Drawing from the burgeoning field of film festival studies and its engagement with public sphere theory, I examine environmental film festivals to suggest that their festival terrain is bounded by three end-member festival types, that of the official public sphere, the alternative public sphere, and the corporate or trade-show sphere. Few environmental festivals fall neatly into a single end-member category. Analyzing how they construct their identities suggests the complex ways in which these festivals work to negotiate their presence in a heterogeneous environmental and media landscape and makes room for continued attention to these unique sites of ecocinema engagement.

Montage And Memory: Articulations Of Literary Modernism In Alain Resnais’ Early Films, Ria Banerjee

Publications and Research

The fascination that literary modernism has with thingness, that essential static being of inanimate objects, has been the subject of much critical attention. This paper seeks to add to that body of criticism by looking at Alain Resnais’ films, specifically referring to Night and Fog, Hiroshima Mon Amour and Muriel as examples of cinematic modernism which further complicate modernism’s obsessive re-configuration of the status of things in relation to the human lives that exist among them. By the turn of the twentieth century, a concern with the limits of human perception of the world was at the fore. Buffeted …

Independent Animation: Exploring The Fine Line Between Inspiration And Imitation, Rebekah Rifareal

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

I came into VCU hoping to eventually go into independent animation. The UROP opportunity popped up and it sounded great and I thought, “Hey, this is something that I’ve been wanting to do.” I read the book The Evolution of Calpurnia Tate (which is a children’s book that I’m basing my animation off of) as I was coming into school freshman year and I thought it would be great to do a project on it. So, I wrote up a proposal and people liked it!

Microfilm Fragmentation, Dylan Halpern

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

Fragmentations that manifest during the translation from analog media to digital are often inexplicable and distinctly intriguing. In this study, I delved into the expansive collection of microfilm in the VCU library in an attempt to discover the fractures and errors of the material and aesthetically catalog them. Using a (now arcane) microfilm reader, I documented errors on the films themselves (likely present since the film’s creation and/or as a result of decay), technological flickers resulting from an imperfect scanning technology, and artificially introduced human errors that resulted from improper machine use for effect. The original content of the microfiche …

A Documentary Narrative: The African-American Male, Rebekah Rifareal

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

I went to New York with a couple of friends of mine. We’re all artists. It was a trip through the Kinetic Imaging department. We’re in New York and we’re these black males – we felt free to do anything we wanted. We recorded ourselves spitting poetry or dancing. The idea kind of came to me: You know, I want to do a film that has that freedom, that has that feeling of not caring about a specific plot line, but that shows the aspects of who we are out there in public performance. So when I came back to …

The Female Body As Spectacle: Ángel De Fuego And La Mujer Del Pueblo: Otilia Rauda By Dana Rotberg, Traci Roberts-Camps

College of the Pacific Faculty Articles

No abstract provided.

What Is This Music? Auteur Music In The Films Of Wes Anderson, Lara Rose Hrycaj

Wayne State University Dissertations

The purpose of this dissertation is to analyze the different types of music featured in the films of contemporary American film director Wes Anderson utilizing Claudia Gorbman's concepts of auteur music and auteur melomane. This analysis establishes the music in Anderson's films as auteur music and Anderson himself as an auteur melomane - a director with a passion for music. To establish Anderson as a melomane, it is important to look not only at the different types of music found in his films but also the different ways that the music is used within the films and his collaboration with …

Globalizing The Care Chain: Representations Of Latinas In Maid In America, Irune Del Rio Gabiola

Scholarship and Professional Work - LAS

The article examines the portrayal of Latina women as housemaids in the U.S. as depicted in the documentary film "Maid in America" directed by Anayansi Prado. It discusses the social injustice and sacrifices undergone by the Latinas in order to survive in the host country. It also analyzes the image of the Latina as an ideal mother of both her native and host country.

Love In The Time Of Capitalism: A Marxist Feminist Reading Of Modern Times, Brooke M. Beloso

Scholarship and Professional Work - LAS

Dr. Brooke Beloso's contribution to Marxism and the Movies: Critical Essays on Class Struggle in the Cinema, Ed. Kevin K. Durand and Mary K. Leigh, McFarland Publishers.

Cinematic Jewish Women In Rural Argentina And The Representation Of Argentinidad, Mirna Vohnsen

Articles

From the outset, Argentine cinema has played a significant role in the question of argentinidad. The historical account of how Jewish immigrants from Eastern Europe settled in the Argentine interior and became Argentines rooted in the land has not escaped Argentine film. Although period films portray Jewish female characters as nation builders alongside their male counterparts, the study of Jewish women in Argentine cinema has received little scholarly attention. In an attempt to remedy that, this article shows that the examination of the Jewish female onscreen can shed light on the controversial question of argentinidad. It examines the representation of …

Unhinged: Kairos And The Invention Of The Untimely, Robert Leston

Publications and Research

Traditionally, kairos has been seen as a “timely” concept, and so invention is said to emerge from the timeliness of a cultural and historical situation. But what if invention was thought of as the potential to shift historical courses through the injection of something new or alien into a situation? This essay argues that kairos has not been able to free itself from its historical constraints because it has been bound to a human sense of temporality. By evolving along patterns different from print, the apparatus of the cinema developed in a way where it was not bound to illustrating …

Seeing The Unseen: Underrepresented Groups In Prime-Time Television, Cherese E. Colston

Senior Honors Theses and Projects

Television is considered America's No. 1 pastime, occupying an average of four hours and 39 minutes of a person's time every day (Stelter, 2008). A majority of viewers are tuned in during prime time to live vicariously through their favorite fictional characters who reflect friends, family or even themselves. However, is prime-time television really representing everyone? The purpose of this study is to discover whether a media format as influential as TV reflects the people of the United States. This will be accomplished through coding the prime-time programing on major broadcast networks ABC, NBC, CBS, Fox and the CW.

The Feminist Hollywood, Stephanie Fasi, Guillaume Beaudoin, Shane Dicristina

Women’s Studies, Feminist Zine Archive

Writings and art examining feature films thought to represent feminist values, the evolution of female Disney characters, and female musicians who challenge the patriarchal music industry.

What You Need To Know About Sex, Lauren Gardner, Paula Pearl, Jessie Roth, Cristina Smith

Women’s Studies, Feminist Zine Archive

Writings and artwork examining messages about sex and contraception in the media, intimate partner violence, sexuality and gender in popular music, and sexuality.

Theodore Is Dying: From Development Through Distribution, Ryan Pomeranz

Electronic Theses and Dissertations

Theodore Is Dying is a feature length film written and directed by Ryan Ceri Pomeranz. It was undertaken as a partial fulfillment of the requirements to receive a Master of Fine Arts in Film and Digital Media from the Department of Film in the College of Arts and Humanities at the University of Central Florida. The film aims to explore both the immediate and the long-term effects of choices made by four people at specific moments of demarcation in their lives. Structurally, the film is presented in an episodic and non- linear style that attempts to examine each protagonist’s own …

The Decorruption: The Making Of A Political Satire, Maria Garcia

Electronic Theses and Dissertations

The Decorruption is a feature-length fiction film directed by María García, made as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film is a political satire, which tells the story of a country plagued by corruption, where a rebellious government employee discovers that death is the only solution to the problem, so she sets out on a killing spree against the corrupt. The film was produced on a microbudget (under $50,000) level, following the program’s guidelines. It was shot in Ecuador with non-professional actors and a …

Pembroke Circle: A Portrayal Of Social Themes Using Micro-Budget Cinema, Max Rousseau

Electronic Theses and Dissertations

Pembroke Circle is a feature-length, micro-budget, digital motion picture, written, produced and directed by Max Rousseau as a part of the University of Central Florida’s Masters in Fine Arts program in Digital Entrepreneurial Cinema. The filmmaker engaged some very difficult material in the micro-budget paradigm and grew personally and professionally in the process. This thesis documents the writing process, pre-production, fund-raising, production and post-production; all leading to the completion of a festival-ready feature film. It is the hope that this thesis will create an understanding of what it takes to make a micro-budget film and offer some help to future …

Placing My Bets On Youtube Futures (For New Media Writing And Publishing), Alexandra Juhasz

Publications and Research

The work of media scholar, artist, and activist Alexandra Juhasz directly addresses many of the concerns that Lovink and Rossiter raise in the previous two chapters. In this chapter, Juhasz repurposes blog posts about her undergraduate media studies course and “video-book” Learning from YouTube to consider the future of new media scholarship: how academics might write and publish about and in new media. By moving her writing from screen to page, the chapter itself enacts the concerns of circulation, vernacular, standards, and publication at the heart of new media studies projects and the work of writing about them. Juhasz demonstrates …

Youtube Stylo: Writing And Teaching With Digital Video, Alexandra Juhasz

Publications and Research

The impact of YouTube on media production and distribution has been breakneck, immense, and seemingly irreversible. In this chapter I argue that media production professors need to embrace, and not to avoid YouTube, as if it was what the French calla stylo: a pen. To do so, we need to better understand YouTube and YouTube videos. I impart here some of the lessons I have learned from teaching an experimental course. Learning from YouTube, in which all the course work has been about, but also on, the site. These lessons illustrate the genres, contents, and styles of …

Post-9/11 Sf Films: Terrorism, Warfare, And Dystopia, Jacob Herrmann

Electronic Theses and Dissertations

The 9/11 event has had a profound impact on all forms of contemporary narratives. After 9/11, the Bush Administration waged The War on Terror as a way to bring about the imperialist pride that the United States once maintained before Vietnam and to restore what Tom Englehardt refers to as “victory culture.” The United States government and its military have utilized the media to construct a national purpose since 9/11: a purpose largely understood as a mission to combat and eradicate terrorism as well as to police third world nations. This thesis examines post-9/11 SF films, such as The Dark …

Global Freud (Fall 2013), Robert D. Tobin

Syllabi

In 1909, Sigmund Freud and psychoanalysis went global. At the behest of Clark's president G. Stanley Hall, Freud traveled with Carl Jung and Sandor Ferenczi from Vienna, capital of the Austro-Hungarian Empire, to speak at Clark University. Clark is the only university in the Americas at which Freud ever lectured and the only university in the world to have given Freud an honorary degree. Freud's visit to Clark took place at the cusp of his career -- ten years before his visit he was known only to a small group in Vienna while ten years after his visit he was …

Zombies And The Post-Colonial Italian Unconscious, Simone Brioni

Department of English Faculty Publications

This article analyses the relationship between the horror genre and colonialism by focusing on Lucio Fulci’s Zombi 2 (1979) and discusses how and to what extent the colonial overtones of this film provide a fictional representation of the Italian collective unconscious fear of African immigration, which resurrected the memory of forgotten colonial crimes in Africa. Drawing on postcolonial theory and psychoanalysis, this article also underlines how xenophobe political propaganda has employed horror imagery – and especially that provided by zombie movies – in order to discriminate against immigrants.

Migrant Stories And Italian Colonialism: A Report On Two Documentaries, Simone Brioni Dr.

Department of English Faculty Publications

No abstract provided.

Notes On The Politics Of The Auteur: Stanley Kubrick, Wes Anderson, And The Spectator, Michael Perreault

Honors Theses

What is an author, and what does it matter? Questions about authority in the cinema have been the subject of debate since the late 1940s, when Alexandre Astruc posited the notion of the camera-stylo in France. A slightly reductive understanding of the term “auteur”—a term that Cahiers du Cinéma would later adopt—states that, with the shadow of the World War II era of censorship still looming in the 1950s, the many individual voices of the cinema needed to be both heard and promoted. Namely, the director should be regarded as (and should consider his or her primary objective to …

A Soldier's Home, Andrew O. Mclaughlin

Masters Theses

No abstract provided.