Film and Media Studies Commons^™

Documentary Production & Documentary Problems, Shara K. Lange

ETSU Faculty Works

Excerpt: Making documentary films forces students to engage in the complexities of the genre.

Apaches And Comanches On Screen, Kenneth Estes Hall

ETSU Faculty Works

Excerpt: A generally accurate appraisal of Western films might claim that Indians as hostiles are grouped into one undifferentiated mass. Popular hostile groups include the Sioux (without much differentiation between tribes or bands, the Apaches, and the Comanches).

Una Entrevista Con Mar González, Mayo, 2012, Patricia Hart

School of Languages and Cultures Working Papers

En 2012 en Madrid, Mar González habló de sus comienzos en el mundo del sonido cinematográfico, como meritoria con Antonio Bloch, su labor en la publicidad, y del equilibrio entre familia y trabajo que ha establecido con su marido, Aitor Berengeur, conocido especialista en el sonido cinematográfico. Comenta la profesionalidad con el sonido de algunos actores consagrados como Charo López y Pepe Sancho, y de sus experiencias en el rodaje de Carne trémula, con Pedro Almodóvar.

English Translation:

In 2012, Mar González spoke about her beginnings in the world of film sound as an intern with Antonio Bloch, about …

Motion(Less) Pictures: The Cinema Of Stasis, Justin Remeselnik

Wayne State University Dissertations

Since cinema's inception, there has been much disagreement among film theorists about the role of movement in cinema's ontology. For example, while Rudolf Arnheim has argued that motion is a sine qua non of cinema, Roland Barthes has insisted that motion is not as central to cinema's ontology as duration, an experiential "unfolding." In this dissertation, I argue--following Barthes--that movement is merely a contingent, not a necessary, condition of cinema. I further suggest that the very enterprise of prescribing necessary conditions of cinema is myopic, reductive, and reactionary.

In supporting these claims, I interrogate the cinema of stasis, a modality …

Corporeal Modification In The Hollywood Musical: New Paradigms For Genre Analysis, Christopher Timothy Gullen

Wayne State University Dissertations

This project explores the trend of bodily and identity modification in the contemporary Hollywood musical and calls for a re-reading of the genre away from the standard classification, that of one strictly imbued with wistful nostalgia and heteronormativity. This work argues that several films have abrogated these traditional ideals to create a carnivalesque representation of the societal norms through a genre, and a production code that sought to preserve them. Using the work of Russian semiotician Mikhail Bakhtin, this project reveals that these films feature dark and satirical para-realities of murder, debauchery and cannibalism that act as a catharsis to …

The Russian Cinematic Culture, Oksana Bulgakova

Russian Culture

The cinema has always been subject to keen scrutiny by Russia's rulers. As early as the beginning of this century Russia's last czar, Nikolai Romanov, attempted to nationalize this new and, in his view, threatening medium: "I have always insisted that these cinema-booths are dangerous institutions. Any number of bandits could commit God knows what crimes there, yet they say the people go in droves to watch all kinds of rubbish; I don't know what to do about these places." The plan for a government monopoly over cinema, which would ensure control of production and consumption and thereby protect the …

The Prettiest President I Ever Saw: Cold War Film Portrayals Of Women Political And Military Leaders, Michael Flannery Hatchett

Communication & Leadership Dissertations and Theses

This thesis offers generic criticism of the portrayal of women political and military leaders in Cold War films. The study uses textual analysis of several films to judge certain factors, including ethical, philosophical, and aesthetic concerns. The films examined in this thesis are: Project Moonbase, The Manchurian Candidate, Kisses for My President, and By Dawn’s Early Light. This thesis traces the evolution of attitudes about women leaders, identifies qualities that are shown to be important to leaders during the Cold War, and examines the ways in which these leaders manage to defy stereotypes in each of their films. It also …

Extending The Local : Documentary Film Festivals In East Asia As Sites Of Connection And Communication, Tit Leung Cheung

Lingnan Theses

East Asian cinema is receiving increasing global attention. This attention is not focused merely on the fiction and feature films produced in the region, but also on the documentaries produced there; films such as Petition (2009) by Chinese director Zhao Liang which premiered at Cannes Film Festival in 2009. This attention to East Asian documentary can be traced to the documentary film festivals organised in the region, particularly those that devote their programming to independent documentary productions from the region. These festivals open a window that enables such works to be exhibited for the rest of the world.

But these …

That's A Wrap! The Organizational Culture And Characteristics Of Successful Film Crews, Lisa C. Cook

Electronic Theses and Dissertations

This study seeks to determine through survey research what characteristics film production crews possess that makes them so successful as an organization. The factors of age, gender, years of professional experience and education level were tested for their significance on how the respondents view their culture. Hofstede's six dimensions of organizational culture survey questions were rewritten to be applicable to the freelance film crew sample. The presentation of findings focuses on the resultant organizational profile of a film production crew, the workplace values of this group and the influence that the education level of the participants had on responses. The …

When The Alligator Called To Elijah: A Handcrafted Exploration Of The Digital Moving Image, Katherine Shults

Electronic Theses and Dissertations

When the Alligator Called to Elijah is a feature-length video conceptualized and constructed by Kate Shults in partial fulfillment of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The video is the result of an evolving exploration of the aesthetic capabilities of the digital image using Flip Video cameras, found footage and Final Cut Pro. Though originating as an experiment, When the Alligator Called to Elijah became a creation of motion collage with very specific production parameters. This thesis is a record of this video’s progression, from development to …

Border Bandits: Hollywood On The Southern Frontier (Book Review), Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Fojas begins the preface to her book with a reference to May 1, 2006, a date on which American workers recognized International Labor Day by boycotting their jobs and marching to reject a law that repressed undocumented workers at the same time that it proposed the construction of a wall along the whole 700-mile Mexican border. The author claims that this protest marked "a new era in the predicament of workers at the bottom of the labor market" (vii). For Fojas, this moment marks a new visibility for Latinos and immigrant communities.

It is against this historical and political horizon …

A Search For Home: Navigating Change In Battlestar Galactica, Kimberly S. Yost

Antioch University Dissertations & Theses

This dissertation explores the various ways in which the multiple leaders portrayed in the science fiction television series Battlestar Galactica (2003-2009) navigate extreme conditions of continual change. In addition, the dissertation contains a discussion of the larger narrative themes of love, forgiveness, redemption, and embracing the Other as principles effective leaders must cultivate. Through an interpretation of this specific popular media text, a deeper emotional sensitivity to and understanding of leadership, positive and negative, during extreme crises is gained. Furthermore, the series serves as a vehicle through which viewers can reflect on and engage in their own self-awareness about issues …

American Myth-Busting, Joe Wilkins

Faculty Publications

In this essay, Joe Wilkins discusses the new breed of western films.

Order And Disorder: Rational Acumen And Emotional Incompetence In The Television Detective Story, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

‘Order and Disorder’ examines the relationship between emotional disorders and the exquisite rationality of contemporary televisions detectives as portrayed in such series as Monk (USA), House (Fox), and Cracker (ITV). Television heroes who combine both emotionality and rationality would seem a more integrated form of human characterization. However, the permitted configuration of emotion and reason is highly constrained. Theirs is an ongoing struggle between thinking and feeling, in which rationality is their gift and emotionality, depicted as illness, is the constant curse that both threatens and enables their gift. These characters’ conflicts become a barometer for contemporary attitudes about emotional …

Murrow And Friendly’S Small World: Television Conversation At The Crossroads, Kathleen Collins

Publications and Research

Small World

(1958–60), an Edward R. Murrow and Fred W. Friendly television production, brought together political and entertainment figures from around the world, boasting technological innovation and a high level of public affairs discourse. The author discusses critical reception, producers’ ideals, cultural and historical context, and relation-ships to evolving notions of public service broadcasting.

Portraying Migrants’ Experiences In Irish Documentary Film, Agnes Kakasi

Conference Papers

Portraying Migrants’ Experiences in Irish Documentary Film

In this presentation I critically analyse the types of narratives and formal characteristics, as well as the variety of social issues that filmmakers in the Republic of Ireland have engaged in, in creating stories about transnational migration and the immigrant subject in recent Irish documentary film. As a result of the Celtic Tiger economy from the mid-90s until 2008, Ireland has experienced a major transformation in its ethnoscape (Appadurai, 1996) by becoming a ‘country of immigrants’, with an estimated 12% of the population born outside the country. Through the analysis of such documentary …

Monstrous Dialogues: The Host And South Korean Inverted Exile, James Lloyd Turner

USF Tampa Graduate Theses and Dissertations

Bong Joon-ho‟s monster movie blockbuster, The Host (Gweomul, 2006), is the most commercially successful film in South Korean cinema history. The film‟s popularity and significance derive from its unearthing of the ambivalence concerning South Korea‟s rapid transformation from a rural dictatorship to an urban democracy with one of the strongest economies on the planet. This ambivalence is buried beneath a veneer of "progress" blanketing contemporary South Korea and constitutes a condition I call inverted exile. The Host explicitly engages life in inverted exile through my notion of aesthetic dialogue. Aesthetic dialogue, takes influence from the work of Mikhail Bakhtin and …

Are We Cool Yet?: A Longitudinal Content Analysis Of Nerd And Geek Representations In Popular Television, Christopher Louis Cardiel

Dissertations and Theses

This study explores the representation of nerds and geeks in popular broadcast television programs over the course of the past twenty years. A content analysis of the five most popular scripted broadcast television programs for each year was conducted in order to assess the frequency of nerd characters, as well as the social competence, physical attractiveness, and demographic information of each such character. In addition, a supplemental survey design study was employed in order to collect public opinion data regarding perceptions of nerds in general and on television. The results of these studies indicated that while the per-year frequency of …

Can You Believe She Did That?!:Breaking The Codes Of "Good" Mothering In 1970s Horror Films, Jessica Michelle Collard

USF Tampa Graduate Theses and Dissertations

The threats found in horror films change with time, each decade consisting of threats that were most frightening for the time period. Horror film scholars, such as Andrew Tudor, determined that in 1970s horror films the threat has migrated from external forces into the home and the family. Invading aliens and monsters were thrown replaced by psychosis and evil children. This notion of making the familiar unfamiliar and threatening is paralleled in concerns addressed during the second-wave of feminism; women were making the normative and familiar idea of mother unfamiliar as they migrated from the private and into the public …

Pathos, Winter 2012, Portland State University. Student Publications Board

Pathos

Editor: Joel Eisenhower

Issue 17