Film and Media Studies Commons^™

The Role Of Egyptian Film In Stereotyping Single Women, Heba Metwally Ibrahim Metwally

Archived Theses and Dissertations

Due to the increasing rates of single or still-unmarried women, also known as spinsters or Awanes, shaping the perceptions of these women is a problem facing Egyptian society. In this paper, the researcher assesses the effects of the media's depiction of these women, specifically focusing on the movie industry. By conducting a content analysis of Egyptian movies, as well as an examination of the notion of spinsters in language, history and culture, this study demonstrates the impact of movies in constructing a negative image and shaping the perception of unmarried women within Egyptian society. Through in-depth interviews, field observation in …

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.

Front Matter And Table Of Contents (V.69)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

9x9 Plans Fifth Film Festival, Jessica Block

News and Events (Discontinued Series)

No abstract provided.

9x9’S New Film Double Blind To Premiere At Hansen, Sehaj Sethi

News and Events (Discontinued Series)

No abstract provided.

Ua12/2/1 College Heights Herald, Vol. 83, No. 17, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

“Happy Dancing Natives” Minority Film, Han Nationalism, And Collective Memory, Benjamin D. Shaffer

Independent Study Project (ISP) Collection

Cinematic representations of China’s ethnic minorities have been prominent in Chinese visual culture and collective memory since the 1950s. After the founding of the People’s Republic of China, the Chinese Communist Party led campaigns to classify China’s diverse range of ethnic groups. These social experiments inspired a number of documentary and narrative films about the ostensibly “exotic” and “colorful” non-Han peoples of China. The audience for these depictions of minorities in visual culture varied considerably. Some early documentaries fueled the rise of Han nationalism and political agendas within the Communist Party. Several narrative films had large audiences in mainstream Chinese …

Commentpress: New (Social) Structures For New (Networked) Texts, Kathleen Fitzpatrick

Pomona Faculty Publications and Research

On July 25, 2007, the Institute for the Future of the Book released version 1.0 of CommentPress, a theme for WordPress that facilitates the web publication of lengthy documents in a fashion that is both internally and externally networked, and that allows for reader commenting and discussion at a level of granularity ranging from the document as a whole to the individual paragraph. The goal of CommentPress, as the project's "about" page presents, stems from the desire
to see whether a popular net-native publishing form, the blog, which, most would agree, is very good at covering the present moment in …

The Migration Of Forms: Bullet Time As Microgenre, Bob Rehak

Film & Media Studies Faculty Works

Rehak considers the ways in which the film "The Matrix" "branded" bullet time both as technical process and stylistic convention, and discusses bullet time's ancestry in image experimentation of the 1980s and 1990s. In his analysis, Rehak uses the conceptual framework of the microgenre to explore the cultural lifespan of bullet time, treating it less as a singular special effect than a package of photographic and digital techniques whose fortunes were shaped by a complex interplay of technology, narrative and style. Rehak's goal is to shed light not just on bullet time, but on the changing behavior of visual texts …

Pathos, Fall 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 4

Arlecchino's Journey: Crossing Boundaries Through La Commedia Dell'arte, Janine Michelle Sobeck

Theses and Dissertations

La commedia dell'arte is a recognized, vibrant theatrical form that emerged in Italy during the Renaissance. However, while great attention has been given to the particulars of the genre (performance techniques, important troupes, leading players), there lacks a study behind the reasoning for its vast international popularity. In this thesis, I explore why this particular genre was able to cross cultural and linguistic boundaries, finding a dedicated and enthusiastic following in most European countries for over 200 years. After analyzing commedia dell'arte's original development in the Italian peninsula, examining the predominating Carnival ideology and the ability of the troupes to …

Cinema, Race, And Justice: A Qualitative Analysis Of Selected Themes., Katherine Clay Thompson

Electronic Theses and Dissertations

The purpose of this study was to examine 7 different crime and justice films and provide a content analysis incorporating restorative justice and peacemaking perspectives. The 7 films examined in this study included 12 Angry Men, A Family Thing, American History X, American Me, Crash, Shawshank Redemption, and Traffic. The researcher examined the films and used content analysis to examine the behaviors and actions of the characters. The films were examined using 5 different analytical themes: "embracing change", "second chances", "hope", "connectedness", and "becoming more human". The current study found the 7 films …

Domain Specific Identity Commitment And Alcohol Use And Problems, Alison Glanville

All-Inclusive List of Electronic Theses and Dissertations

Identity formation is an important developmental task of the college years. Previous research has demonstrated that identity commitment, as defined by James Marcia, is related to decreased substance use and problems. That is, individuals who are identity achieved or foreclosed use substances less frequently and experience fewer substance-related problems than do individuals who are classified in the statuses of identity diffused or moratorium. However, Marcia discussed identity as developing in two domains, the occupational and the ideological (religious beliefs and political ideology). To date, no studies have examined in which domain commitment is associated with a decrease in substance use …

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

The Media Production Experience: A Phenomenological Study Of Student Media Production In A Secondary Education Environment, Brian N. Saxton

Theses and Dissertations

Many media education researchers have pointed out the benefits of incorporating a production element into a media literacy program. In fact, the simple use of the word “literacy" alludes to both critical analysis of (“reading") media and creative expression through (“writing") media. However, many of those same researchers have found that there are serious difficulties with student media production from a practical standpoint. The lack of equipment, the lack of class time, poor educator training, and the possibility that students may produce school-inappropriate or offensive texts create doubts about whether or not the effort is worth the reward. This qualitative, …

Filming Eugenics: Teaching The History Of Eugenics Through Film, Melissa Ooten, Sarah Trembanis

Women, Gender and Sexuality Studies Faculty Publications

In teaching eugenics to undergraduate students and general public audiences, film should be considered as a provocative and fruitful medium that can generate important discussions about the intersections among eugenics, gender, class, race, and sexuality. This paper considers the use of two films, A Bill of Divorcement and The Lynchburg Story, as pedagogical tools for the history of eugenics. The authors provide background information on the films and suggestions for using the films to foster an active engagement with the historical eugenics movement.

Reel Paradise And Sisters In Law, Jennifer Malkowski

Film & Media Studies: Faculty Publications

Steve James's Reel Paradise and Kim Longinotto and Florence Ayisi's Sisters in Lawexemplify divergent paths in the field of ethnographic documentary since 1922's formative Nanook of the North. The observational style of Sisters in Law bests the self-indulgence of Reel Paradise, though both films present ethical challenges.

Japanese Video Art, Micol Hebron

Art Faculty Articles and Research

A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.

Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill

Conference Papers

In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent …

"Everybody Else Ain't Your Father": Reproducing Masculinity In Cinematic Sports, 1975-2000, Marc A. Ouellette

English Faculty Publications

This essay stems from two cultural strands, which intersect in one cultural form, the sports film. The first of these is the figure of the "star," as opposed to hero, who is interested only in self promotion. The second strand, masculine nurturing, provides a direct counterpoint to the first. Sociologist Robert Connell explains that "In historically recent times, sport has come to be the leading definer of masculinity in mass culture" (54). In North America, sport plays an important and increasing role in our culture. Each of the four major sports leagues added teams in the last decade of the …

"Whether Beast Or Human": The Cultural Legacies Of Dread, Locks, And Dystopia., Kevin Frank

Publications and Research

Analyzing the ongoing problem of Caribbean racial exploitation, particularly fear signified through one of the most potent Caribbean symbols, dreadlocks, Kevin Frank offers a paradigm shift in arguing that Medusa's alterity is altered by Rastafarians' snake-like hair, but the transformative power of Rasta dreadlocks is contested through certain cinematic depictions of dread.

Selected Bibliography Of Work On Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek, Asma Sayed, Domenic A. Beneventi

CLCWeb Library

No abstract provided.

Egyptian Wives' Portrayal In Egyptian Cinema: A Content Analysis On 35 Egyptian Films Produced Prior To And Post 1952, Sahar Aly Sedky

Archived Theses and Dissertations

No abstract provided.

New York Placenames In Film Titles, Jay H. Bernstein

Publications and Research

From 1914 to 2006, 396 feature films with titles containing New York place names were released. This pattern emerged during the silent era, peaked from the late 1920s to the early 1940s, and then dropped off steadily before rebounding in the 1970s. This article discusses the cinematic representation of cities and urban life in the movies and the special place of New York as an “imagined city” and a cultural icon. New York’s associations in the popular imagination help explain the frequent occurrence of themes of negativity, violence, nightlife, and grandiosity (royalty or divinity) in these titles. The use of …

Words For Pictures, Jayne Dyer

Artists-in-Residence Programme : Exhibition Catalogues

WORDSFORPICTURES intersects with the Lingnan Library site and collection.

The exhibition represents a culmination of a series of discrete interventions that occurred over the residency. The installation operates as a linguistic production offering oblique narratives to explore the notion of the Library as a storehouse of accumulated facts, hypotheses, conjectures and fictions.

"文字圖像" 這項裝置藝術, 結合了嶺南圖書館的埸地和藏書。展覽是藝術家在她駐校期間, 在圖書館內所作的一連串抽象的藝術介入的高潮。這項裝置啟動了語言學上非直截了當的敍述, 來探討圖書館作為存放一個事實, 理論, 推理和小說的寶庫的意圖。

Lasser Voir: Experimental Film Revealing The Dichotomy Of The Mind, Valerie Kitchin

Senior Honors Projects

Lasser voir is a French term meaning to show; to allow to be seen. The film is meant to interpret the internal genesis from dual perspectives. Absolute Good and absolute Evil coexist fighting each other eternally. The challenge is to create a vision of the form of good and the form of evil, thus showing the interior and exterior struggle between the two. Good and Evil appear as the same individual: each opposing one another in ethereal battle through the channel of artistic interpretation. The concept originates from the writhing movement within the mind. It cannot live without Good, but …

Motherhood And The Political Project Of Queer Indian Cinema, Bryce J. Renninger

Renée Crown University Honors Thesis Projects - All

Motherhood & the Political Project of Queer Indian Cinema is a thesis that works to understand the variety of ways the films of queer Indian cinema use the figure of the mother. The Indian mother has a long history at the fore of the Indian imagination. Popular narratives and public culture within India have a history of focusing on the mother as a key site of Indian tradition. Narratives and cultures of all religious traditions in India have consistently focused on the mother as a central character and agent of change. Queer Indian cinema, of the diaspora and made from …

Leaving Neverland, Jonathan Krieger

Renée Crown University Honors Thesis Projects - All

Leaving Neverland is an adaptation of Peter Pan meant to take the classic story in an entirely new direction. The story is set in modern day and takes place ten years after the end of the original Peter Pan. Wendy is twenty years old and, when she returns to Neverland, Peter falls in love with her. He gives up his immortality for a chance at a love.

The story deals with the ensuing relational change between Peter and Wendy, between Peter and the Lost Boys, between Peter and Hook, and even between Peter and the Neverland universe.

As Peter grows …

Inspired Women: Changing The Face Of The Film Industry, Allison Mcmanus

Renée Crown University Honors Thesis Projects - All

The Honors Capstone project I created explores the inequalities women face in a predominantly male film industry. The focus was on how gender identity permeated their own artwork, their inspiration and drive, and the need for female voices to be heard.

The documentary was filmed in New York City, Los Angeles, and Syracuse. It was shot on Mini-DV and edited using Final Cut Pro. The film includes both interviews with female film professionals and students juxtaposed with my own life experiences.

The project was a journey of discovery, understanding, and inspiration. The film chiefly illustrates how collaboration, respect and assistance …

Wherefore Art Thou, Romeo?: A Study Of Three Late Twentieth-Century Film Adaptations And Appropriations Of Romeo And Juliet, Geoffrey Way

All Theses

This thesis is an audience-centric study of the socio-political aspects of three late twentieth-century film versions of William Shakespeare's Romeo and Juliet: Baz Luhrmann's William Shakespeare's Romeo + Juliet (1996), Lloyd Kaufman's Tromeo and Juliet (1996), and Andrzej Bartkowiak's Romeo Must Die (2000). It explores how each film utilizes popular culture and late twentieth-century American society in tandem with themes and concepts from Shakespeare's play. It then analyzes the different techniques each director used to create a sense of recognition for the audience through the use of these various elements. It looks at how Luhrmann's film worked to bring Shakespeare's …