Film and Media Studies Commons^™

Is Slumdog Millionaire A Retelling Of The Ramayana? (Hindi), William L. Blizek, Michele M. Desmarais

Journal of Religion & Film

This is a Hindi translation of the article that appears in English in this same issue.

Is a banner with a picture of Rama and Sita on it and the word, “Ramayana,” the only link between the film Slumdog Millionaire and the great Hindu epic? In this paper we explore elements in the film that correspond to elements in the Ramayana. There is no one-to-one correlation, and some relationships between the two are, in fact, mirror images. However, there are enough correlations and influences to suggest that the film might be considered a retelling of the Ramayana. We also acknowledge …

First Reformed, William L. Blizek

Journal of Religion & Film

This is a film review of First Reformed (2018), directed by Paul Schrader.

The Qur'anic Epic In Iranian Cinema (Farsi), Nacim Pak-Shiraz

Journal of Religion & Film

The representation of religious figures in Islam has become particularly controversial in recent years. The creation of religious films has, therefore, turned into a highly sensitive undertaking. Iranian cinema is one of the very few in the Muslim world to have employed this new medium in imagining and narrating stories of revered religious figures. In this article I examine the complex socio-political context of Iran to study the relatively late emergence of the epic genre in Iranian cinema. I then study the recent creation and development of ‘Qur’anic Films’ within Iranian cinema with specific reference to Kingdom of Solomon (Mulk-i …

Star Wars: The Last Jedi, Gregory Chad Wilkes

Journal of Religion & Film

This is a film review of Star Wars: The Last Jedi (2017) directed by Rian Johnson.

Novitiate, Joshua Canzona

Journal of Religion & Film

This is a film review of Novitiate (2017) directed by Maggie Betts.

Thelma, Kevin V. Dodd

Journal of Religion & Film

This is a film review of Thelma (2017) directed by Joachim Trier.

Dialectics Of Tradition And Memory In Black Panther, Sailaja Krishnamurti

Journal of Religion & Film

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.

“Hi Auntie”: A Paradox Of Hip Hop Socio-Political Resistance In Killmonger, Daniel White Hodge

Journal of Religion & Film

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.

The Semi-Anti-Apocalypse Of Black Panther, Ken Derry

Journal of Religion & Film

This is one of a series of films reviews of Black Panther (2018), directed by Ryan Coogler.

Black Panther As Spirit Trip, Laurel Zwissler

Journal of Religion & Film

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler. This review analyzes engagement with the movie as a religious experience and considers some political implications of both its storyline and reception. In particular, the piece focuses on constructions of race, especially in relationship to Africa and African Americans, as well as practical tensions around commodifying dissent.

Racism And Capitalism In Black Panther, Kyle Derkson

Journal of Religion & Film

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.

The Ancestral Lands Of Black Panther And Killmonger Unburied, A. David Lewis

Journal of Religion & Film

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.

Ancestors Change Constantly: Subversive Religious Colonial Deconstruction In The Religion Of Black Panther, Jon Ivan Gill

Journal of Religion & Film

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.

Editorial In(Ter)Ventions: Comparing The Editorial Processes Of The Hebrew Bible And The Star Wars Saga, Timo Tekoniemi

Journal of Religion & Film

Canonicity and authority of one textual form over another, textual plurality, and scribal freedom in the early transmission of the Hebrew Bible have in the recent decades become prominent topics in the methodological discussions of biblical scholars. Since the discovery of the Dead Sea Scrolls, it has become clear that, when attempting to discern the oldest text of the Hebrew Bible, we are in need of new and better models of textual transmission that take into account all extant textual evidence. Working solely on the basis of the so-called Masoretic Text is no more methodologically tenable, especially when it comes …

Classroom Cannibal: A Guide On How To Teach Ojibwe Spirituality Using The Windigo And Film, Brady Desanti

Journal of Religion & Film

This paper is intended as a pedagogical guide on how to teach elements of Ojibwe religious and philosophical beliefs using the windigo and its depictions in the films Wendigo and Ravenous. The windigo complex is exceedingly complex and remains an enduring component to the cultures of Ojibwe and several other Algonquian-speaking communities in the United States and Canada. While the windigo enjoys exposure in a variety of popular entertainment sources, film remains one of the most useful methods to incorporate in the classroom to help students comprehend how an anthropophagus “monster” directly relates to Ojibwe ideas of personal balance, …

The Problem With David: Masculinity And Morality In Biblical Cinema, Kevin M. Mcgeough

Journal of Religion & Film

The King David of the Bible, and especially as portrayed in the books of Samuel, is one of the most complex characters in ancient literature. We are told his story from his youth as a shepherd until his death as king of Israel. He kills a mighty warrior with a slingshot, goes to war with his king and later his son, and has an affair that threatens to throw his kingdom into disarray. The stories surrounding David seem perfect for cinematic adaptation yet what makes this character so compelling has been problematic for filmmakers. Here, three types of Biblical filmmaking …

Beast, Rubina Ramji

Journal of Religion & Film

This is a film review of Beast (2018), directed by Michael Pearce.

Women Are Speaking Up At Sundance, Rubina Ramji

Journal of Religion & Film

Women speak up at Sundance 2018.

Lazercism, Rubina Ramji

Journal of Religion & Film

This is a film review of LaZercism (2018), dir. Shaka King.

Slamdance Film Festival 2018, William L. Blizek

Journal of Religion & Film

Introduction to the Slamdance Film Festival 2018.

Sundance Film Festival 2018, John C. Lyden

Journal of Religion & Film

Introduction to the Sundance Film Festival 2018.

Quiet Heroes, William L. Blizek

Journal of Religion & Film

This is a film review of Quiet Heroes (2018), directed by Jenny Mackenzie, Jared Ruga, and Amanda Stoddard.

Puzzle, John C. Lyden

Journal of Religion & Film

This is a film review of Puzzle (2018), directed by Marc Turtletaub.

Sunnyside, William L. Blizek

Journal of Religion & Film

This is a film review of Sunnyside (2018), directed by Frederik Carbon.

I Am Not A Witch, William L. Blizek

Journal of Religion & Film

This is a film review of I am not a Witch (2017), directed by Rungano Nyoni.

King In The Wilderness, John C. Lyden

Journal of Religion & Film

This is a film review of King in the Wilderness (2018), directed by Peter W. Kunhardt.

Come Sunday, John C. Lyden

Journal of Religion & Film

This is a film review of Come Sunday (2018) directed by Joshua Marston.

The Miseducation Of Cameron Post, John C. Lyden

Journal of Religion & Film

This is a film review of The Miseducation of Cameron Post (2018), directed by Desiree Akhavan.

Monsters And Men, William L. Blizek

Journal of Religion & Film

This is a film review of Monsters and Men (2018), directed by Reinaldo Marcus Green.

The Troubled Troubadour, William L. Blizek

Journal of Religion & Film

This is a film review of The Troubled Troubadour (2018), directed by Forest Ian Etsler and Sébastien Simon.