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Full-Text Articles in Film and Media Studies

Sundance 2022 Introduction, John C. Lyden Apr 2022

Sundance 2022 Introduction, John C. Lyden

Journal of Religion & Film

This is the Introduction to our coverage of the 2022 Sundance Film Festival.


Leonor Will Never Die, John C. Lyden Apr 2022

Leonor Will Never Die, John C. Lyden

Journal of Religion & Film

This is a film review of Leonor Will Never Die (2021), directed by Martika Ramirez Escobar.


Nothing Compares, John C. Lyden Apr 2022

Nothing Compares, John C. Lyden

Journal of Religion & Film

This is a film review of Nothing Compares (2022), directed by Kathryn Ferguson.


Jihad Rehab, John C. Lyden Apr 2022

Jihad Rehab, John C. Lyden

Journal of Religion & Film

This is a film review of Jihad Rehab (2021), directed by Meg Smaker.


Brian And Charles, John C. Lyden Apr 2022

Brian And Charles, John C. Lyden

Journal of Religion & Film

This is a film review of Brian and Charles (2021), directed by Jim Archer.


Dual, John C. Lyden Apr 2022

Dual, John C. Lyden

Journal of Religion & Film

This is a film review of Dual (2021), directed by Riley Stearns.


Alice, Sheila J. Nayar Apr 2022

Alice, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Alice (2022), directed by Krystin Ver Linden.


Long Line Of Ladies, William L. Blizek Apr 2022

Long Line Of Ladies, William L. Blizek

Journal of Religion & Film

This is a film review of Long Line of Ladies (2022), directed by Rayka Zehtabchi and Shaandiin Tome.


Introduction To Slamdance 2022, William L. Blizek Apr 2022

Introduction To Slamdance 2022, William L. Blizek

Journal of Religion & Film

This is the Introduction to the Slamdance Film Festival 2022.


Tantura, Sheila J. Nayar Apr 2022

Tantura, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Tantura (2022), directed by Alon Schwarz.


What They've Been Taught, William L. Blizek Apr 2022

What They've Been Taught, William L. Blizek

Journal of Religion & Film

This is a film review of What They've Been Taught (2022), directed by Brit Hensel.


The Cow Who Sang A Song Into The Future, John C. Lyden Apr 2022

The Cow Who Sang A Song Into The Future, John C. Lyden

Journal of Religion & Film

This is a film review of The Cow Who Sang a Song into the Future (2022), directed by Francesca Alegría.


Walls Cannot Keep Us From Flying, William L. Blizek Apr 2022

Walls Cannot Keep Us From Flying, William L. Blizek

Journal of Religion & Film

This is a film review of Walls Cannot Keep Us from Flying (2022), directed by Jonathan Haff Mehring.


Descendant, Sheila J. Nayar Feb 2022

Descendant, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Descendant (2022), directed by Margaret Brown.


Blindspotting And Covid: The Gentrification Of Racism, Ashley Starr-Morris Oct 2021

Blindspotting And Covid: The Gentrification Of Racism, Ashley Starr-Morris

Journal of Religion & Film

The novel Coronavirus is not only exposing old patterns of racism and systemic inequalities, but deepening them as well. The notion of blindspotting, as described in the film by the same name, is used to understand how the COVID-19 pandemic impacts the “spiritual emergency” or crisis of racism in America. "Blindspotting" is an image or situation that can be interpreted in two ways but is understood by some in only one way, thereby producing a blind spot. In 2020 and 2021, we see segments of American society, from politics to white Christian nationalism, upholding a sacred canopy of exceptionalism by …


The King With The Vīṇā Flag – Perspectives Of Rāvaṇa In Film, Achintya Prahlad Oct 2021

The King With The Vīṇā Flag – Perspectives Of Rāvaṇa In Film, Achintya Prahlad

Journal of Religion & Film

Rāvaṇa, the ten-headed Rākṣasa (‘demon’) king of the epic the Rāmāyaṇa, is the most fascinating of all the antagonists in films based on Hindu mythology, so powerful that even the Sun cannot rise without his orders, and celebrated as an unparalleled musician-scholar and great devotee of the god Śiva. His passion for the vīṇā, a string instrument with divine associations, is so great that this instrument adorns his royal flag as its emblem. His consciousness of his supreme powers and great knowledge soon gives way to ahaṅkāra (hubris) and lust, which leads to his eventual downfall and death at the …


Magic, Monsters, And Make-Believe Heroes: How Myth And Religion Shape Fantasy Culture, Saira Chhibber Oct 2021

Magic, Monsters, And Make-Believe Heroes: How Myth And Religion Shape Fantasy Culture, Saira Chhibber

Journal of Religion & Film

This is a book review of Douglas Cowan, Magic, Monsters, and Make-Believe Heroes: How Myth and Religion Shape Fantasy Culture (Berkeley, CA: University of California Press, 2019).


Arab Americans In Film: From Hollywood And Egyptian Stereotypes To Self-Representation, Danielle Haque Oct 2021

Arab Americans In Film: From Hollywood And Egyptian Stereotypes To Self-Representation, Danielle Haque

Journal of Religion & Film

This is a book review of Waleed Mahdi, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press, 2020).


Three Minutes: A Lengthening, Sherry Coman Oct 2021

Three Minutes: A Lengthening, Sherry Coman

Journal of Religion & Film

This is a film review of Three Minutes: A Lengthening (2021), directed by Bianca Stigter.


The Mad Women’S Ball, Kyle Derkson Oct 2021

The Mad Women’S Ball, Kyle Derkson

Journal of Religion & Film

This is a film review of The Mad Women’s Ball (2021), directed by Mélanie Laurent.


Medieval Saints And Modern Screens: Divine Visions As Cinematic Experience, Stephen Okey Oct 2021

Medieval Saints And Modern Screens: Divine Visions As Cinematic Experience, Stephen Okey

Journal of Religion & Film

This is a book review of Alicia Spencer-Hall, Medieval Saints and Modern Screens: Divine Visions as Cinematic Experience (Amsterdam University Press, 2018).


Maria Chapdelaine, Sherry Coman Oct 2021

Maria Chapdelaine, Sherry Coman

Journal of Religion & Film

This is a film review of Maria Chapdelaine (2021), directed by Sébastien Pilote.


Sensuous Cinema: The Body In Contemporary Maghrebi Film, Shreya Parikh Oct 2021

Sensuous Cinema: The Body In Contemporary Maghrebi Film, Shreya Parikh

Journal of Religion & Film

This is a book review of Kaya Davies Hayon, Sensuous Cinema: The Body in Contemporary Maghrebi Film (New York: Bloomsbury Academic, 2018).


Where Is Anne Frank, Ken Derry Oct 2021

Where Is Anne Frank, Ken Derry

Journal of Religion & Film

This is a film review of Where Is Anne Frank (2021) directed by Ari Folman.


Revolution In Paradise: Veiled Representations Of Jewish Characters In The Cinema Of Occupied France, Thierry J. Alcoloumbre Oct 2021

Revolution In Paradise: Veiled Representations Of Jewish Characters In The Cinema Of Occupied France, Thierry J. Alcoloumbre

Journal of Religion & Film

This is a book review of Yehuda Moraly, Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France (Brighton: Sussex Academic Press, 2019).


Nobody Has To Know, Sherry Coman Oct 2021

Nobody Has To Know, Sherry Coman

Journal of Religion & Film

This is a film review of Nobody Has to Know (2021), directed by Bouli Lanners.


Frederick Wiseman's Essene (1972): The Duality Of Mary And Martha, Nilita Vachani Oct 2021

Frederick Wiseman's Essene (1972): The Duality Of Mary And Martha, Nilita Vachani

Journal of Religion & Film

America’s legendary documentary filmmaker Frederick Wiseman shot Essene 50 years ago at the height of the commune movement in the United States. Unlike his previous institutional films which showcase an insane asylum, a public high school, an inner city police force, a hospital, and a military training school, Essene's canvas is the far less turbulent terrain of a serene and austere Benedictine monastery devoted to the love and service of God and the divine spirit. This paper undertakes a close textual and hermeneutic analysis of Essene alongside an appraisal of Wiseman’s working methodology, his cinematic portrayals of character and dramaturgy, …


Temporary Marriage In Iran: Gender And Body Politics In Modern Iranian Film And Literature, Alicia Izharuddin Mar 2021

Temporary Marriage In Iran: Gender And Body Politics In Modern Iranian Film And Literature, Alicia Izharuddin

Journal of Religion & Film

This is a book review of Claudia Yaghoobi, Temporary Marriage in Iran: Gender and Body Politics in Modern Iranian Film and Literature (Cambridge: Cambridge University Press, 2020).


Stanley Kubrick, Jewish Filmmaker: A Review Essay, Michael Gibson Mar 2021

Stanley Kubrick, Jewish Filmmaker: A Review Essay, Michael Gibson

Journal of Religion & Film

This is a review of two books: Nathan Abrams, Stanley Kubrick: New York Jewish Intellectual (New Brunswick, NJ: Rutgers University Press, 2018), and David Mikics, Stanley Kubrick: American Filmmaker (New Haven: Yale University Press, 2020).


Silver Screen, Hasidic Jews: The Story Of An Image, Eric Michael Mazur Mar 2021

Silver Screen, Hasidic Jews: The Story Of An Image, Eric Michael Mazur

Journal of Religion & Film

This is a book review of Shaina Hammerman, Silver Screen, Hasidic Jews: The Story of An Image (Indiana University Press, 2018).