Film and Media Studies Commons^™

Session 5 | Oral Storytelling Props And Costume, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 6 | Motion Capture For The Storytelling Performance, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 7 | Audience Role And Interaction, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 8 | Non-Verbal Storytelling: Facial Expressions, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 9 | Digital Immersion & Presence In Oral Storytelling: Being There, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

From The Body To The Screen | Wintersession 2024 Syllabus, Azadeh Ahmadi, Movement Lab

2023-24 Azadeh Ahmadi

In this course, students make a brief cinematic piece inspired by movement exercises. Each session starts with a 45-minute movement exercise, guiding students to reflect on the nuances of emotions, memories, and ideas evoked during the activity. Taking notes at the exercise's conclusion, students transform these reflections into source material for their final projects. The course features technical demonstrations covering camera work, editing, and sound. The primary emphasis is on movement's pivotal role, serving as the anchor connecting these skills and molding creative concepts. The curriculum encompasses crucial elements, including: Visual composition, color, and camera movements, highlighting their significance in …

Video Through | Wintersession 2024 Syllabus, Maxime Cavajani, Movement Lab

Course Materials

This course is entitled video through because it aims to question how video allows us to think through time and through space simultaneously. In this course we will consider video as space, material, and matter. In an approach that prioritizes experimentation in space, we will work in a non-linear fashion: fabricating video in space and fabricating space with video _ a constant back and forth. From those experiments we will learn how to use the properties of video editing, video-making, shooting, projecting/screening as interconnected tools that deny a singular trajectory of making.

The classroom will become a site. We are …

“Little Old Wales”: Expressions Of Nationalism, Language And Pride In Welsh Football, Abigail Mathieson

Masters Theses

Welsh football, through its use of material culture, language, and acknowledgements of history, has become a major force in representing Welsh national identities locally and globally. This thesis expands on Benedict Anderson’s idea of the “imagined community” through contemporary research from academic sources and from voices throughout the Welsh footballing community. It highlights the significance of the sport in national identity, especially within smaller nations such as Wales with histories of post-colonialism. Along with this, football shows the role cultural nationalism plays in the nation of Wales and in its independence movements.

Sculpture Research, Maxime Cavajani, Movement Lab

Personal Work

Winter 2023 Sculpture Research

Movement Lab Fellows Lunchtime Presentations: Maxime Cavajani Slides, Maxime Cavajani, Movement Lab

Personal Work

November 14th 2023, Movement Lab Presentation Slides

Movement Lab Fellows Lunchtime Presentations: Maxime Cavajani Poster, Maxime Cavajani, Movement Lab

Personal Work

No abstract provided.

Drawing Research, Maxime Cavajani, Movement Lab

Personal Work

Fall, 2023 Drawing Research

In A Condition Of No Light, Alana Perino

Masters Theses

In a Condition of No Light is an autofictional investigation into lineages of familial domesticity. The performances therein circumnavigate one family in one domestic environment, yet are in dialogue with repertoires learned and rehearsed within legacies of myth, literature, theater, film, music, and image; as well as through the otherwise untraceability of embodied memory and inherited trauma. The methodologies used are primarily photographic but also encompass practices reaching towards sculpture, installation, and performance. The line of questioning reserved for this inquiry is how a home, its objects, and inhabitants generate, spacialize, and embody the conditions of wealth, whiteness, and gender. …

New Mapping, Dowon Yoo

Masters Theses

Tools determine the shape of most of the worlds that are manufactured or measured. Taking the Earth as an example, territory is shaped and transformed by the tools of the earth's plate movement, the sea, and humans. A map, a recognized territory, is represented through numerical instruments, mathematical formulas, and visual devices such as lenses.

The instrumental perspective is one of the powerful lenses that will work effectively into the past, present, and future. So I started to apply an instrumental perspective to digital space. Digital space which is Non-physical has become one of the most important worlds for contemporary …

Describe The City You Live In, Jingfei Hu

Masters Theses

I dive into the fields: frequency (sound), wavelengths (light), shapes (conversation): they build connections. What is action without reflection? Now I’m a city drifter. Through art making and dialogue I try to drop the anchor into the futuristic turbulent ocean (of society, speed, and the status quo ). Did I drop it? Not sure. I grew up in the most fast- paced city in China, Shenzhen. I feel pressured there. Do I feel that pressure here? of a precarious, unpredictable future? These questions push me out of the turbulent ocean to grab the present.

There are three stages of time: …

Movement, Mechanization, And Coexistence, Yukyung Chung

Masters Theses

A movement is a tool that expresses the subject I pursue, ‘mechanization of human beings’. There are many technologies that replace humans these days, such as artificial intelligence. This makes me skeptical and afraid of being replaced as an artist in the future. Paradoxically, people, including myself, are enthusiastic about it, indicating that we do embrace the mechanization process as a society.

I will reveal this phenomenon of coexistence by demonstrating the possibility that machines cannot replace us, through motion experiments where rules increase, first starting with the reliance on intuition. I will explore not only the things that machines …

Superbland, Dougal Henken

Masters Theses

"A thin wafer is placed in the mouth of a kneeling woman and becomes flesh. A man masturbates quietly in a darkened room to a 3D model of a popular film actress. A car drives through an abandoned town and decelerates as it approaches a sign reading “Slow Children Playing.” A man fastidiously mows an artificial lawn while watching the sun dip low over a vast desert horizon. Superbland opens up new paths in understanding graphic design within the realm of the hyperreal. It begins with a study of simulation in graphic design contexts, building upon established forms of meaning-making …

Coast To Coast, Zeyuan Ren

Masters Theses

This essay contains four bodies of work created during my graduate studies, all of which take place on either the West or East coasts, incorporating performance, photography, and video. In the first half of the paper, I examine how the theme of “displacement” is established in my initial works, and highlight the significance of the state of “being displaced” in my process of imaging and (re)understanding the ocean.

At the core of the thesis, I investigate the wave-piloting of Marshall Islanders and a particular cartographic model, the “stick chart,” which is a mnemonic device embedded with the voyager's somatic memories, …

Rooted In Topsoil, Jiaying Wang

Masters Theses

Disillusioned by my transnational identity, I have come to realize that my sense of belonging is no longer attached to any physical location, but instead to a state of mind, to an intimacy with the world. My notion of home is an obscure and unsettled—at times utopian—idea, which can be infinitely decoded, re-positioned and re-established psychologically. This thesis is an investigation of that liminal state, questioning the paradoxical place at the intersection of longing and belonging, interior and exterior, rootedness and uprootedness. Through a collection of short essays that accompany projects, I seek to unpack the precarious emotional complexities that …

Step 10, Jinhong Cai

Masters Theses

Step 10 is an experiment on provoking empathy through

abstracted elements within my studio practice. I am

proposing to craft an emotional piece without leaning

on my identity. This written thesis consists of two parts:

narrative prose and an explanation of my studio practice.

While the installation is entirely devoid of cultural or

personal references, this text-based thesis is full of them

because it is intended to inform whoever is interested in

learning more about the motive behind this creation.

The questions I bought into the thought and creation

process are: Can a piece of art still successfully bring

out …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Aids: Activism, Video, And The Media Lecture Series, John Cavallaro, Risd Archives

Health

Flyer outlining the programming for the AIDS: Activism, Video, and the Media Lecture Series.