Open Access. Powered by Scholars. Published by Universities.®

Film and Media Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

Articles 91 - 99 of 99

Full-Text Articles in Film and Media Studies

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri May 2012

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

LSU New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …


Lost In Space No Longer: The Visionary Union Of 'The Wire', Brett Dupré May 2012

Lost In Space No Longer: The Visionary Union Of 'The Wire', Brett Dupré

LSU New Orleans Theses and Dissertations

In its serial space, David Simon’s The Wire season two relates the seemingly “disconnected” union men, foreign sex worker women, and African-American drug traders and crosses constructed boundaries of race, gender, sexuality, and geography to evoke the possibility of a transnational working class. The Wire’s serialized narrative trespasses the limitations of money and numbers games and of individual characters to build, scene by scene, what Roderick Ferguson calls in Aberrations in Black: Toward a Queer of Color Critique “the location for new and emergent identifications and social relations” (108).


The Woodshed, Catherine R. Amond May 2012

The Woodshed, Catherine R. Amond

LSU New Orleans Theses and Dissertations

In this paper, I will share in detail the entire process of creating my thesis film, The Woodshed. I will cover each step from writing and pre-visualization to producing, directing, production design, cinematography, editing, and sound. I will mainly focus on the style of directing I employed and the key decisions I made as an editor to best tell my story. I will then evaluate my decisions to determine the success of the project.


Lost In The Fire, Nicholas Isom May 2012

Lost In The Fire, Nicholas Isom

LSU New Orleans Theses and Dissertations

In this paper, I will discuss the production of my thesis film, Lost In The Fire. The main subjects of this paper are Writing, Directing, Production Design, Cinematography, Editing, Sound, and Technology. I will also be talking about the ways the Graduate Film program at UNO prepared me to accomplish this project. In addition, I will share my process and reflect on the failures and successes of making this film.


Extra Meat, Ryan P. Harris Dec 2011

Extra Meat, Ryan P. Harris

LSU New Orleans Theses and Dissertations

In this paper, I will detail the process that went into the making of my thesis film, Extra Meat. The areas I will cover include: Writing, Directing, Production Design, Cinematography, Editing, Sound, as well as Technology. Special emphasis will be given to new casting and directing styles I have developed to encourage the strongest possible performances. I will then evaluate the success of the decisions I made.


Whistling Dixie, Zac Sutherland Dec 2011

Whistling Dixie, Zac Sutherland

LSU New Orleans Theses and Dissertations

In this paper I will analyze the film, Whistling Dixie, as it relates to filmmaking principles such as: development, pre-production, production, and post-production. After evaluating all these aspects of the film, I will then make conclusions based on goals I had and how successful or unsuccessful I was in reaching these goals. I will include notes from unbiased audience members in evaluating this film.


Fisher Of Men, Ashley N. Moore Dec 2011

Fisher Of Men, Ashley N. Moore

LSU New Orleans Theses and Dissertations

Fisher of Men tells the story of an ancient and secretive group of supernatural balance keepers. When God goes missing, it is up to them to locate him before the armies of Heaven and Hell lay siege to the earth, but they have their own problems. When knowledge of a secret weapon surfaces, they are tasked to find it and destroy it before it falls into the hands of either side. The secret weapon is Charitie Newman, a young woman from rural Indiana who moved to New Orleans with her sister. Charitie has special abilities that have no limits, and …


And Then Okay, Summer Dorr Dec 2011

And Then Okay, Summer Dorr

LSU New Orleans Theses and Dissertations

No abstract provided.


Out Of True, Andrew David Bryan Aug 2011

Out Of True, Andrew David Bryan

LSU New Orleans Theses and Dissertations

In this paper, I will detail the process that went into the making of my thesis film, Out of True. The areas I will cover include Writing, Directing, Production Design, Cinematography, Editing, Sound, as well as Technology and Workflow. Special emphasis will be given to Directing and the new directing style I experimented with in an effort to create not only believable but engaging performances. I will then assess the success of this experiment through the use of audience questionnaires.