Film and Media Studies Commons^™

The Mini Syllabus: Locating And Engaging With Black Women In Popular Culture, Katrina Marie Overby

Feminist Pedagogy

No abstract provided.

In The Summers, Christopher R. Deacy

Journal of Religion & Film

This is a film review of In the Summers (2023), directed by Alessandra Lacorazza.

That Girl Vs. New Girl: The Perils Of Choice Feminism, Katherine Noble

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

In recent years, Elizabeth Meriwether’s television show New Girl has begun to reach the status of a cult classic. The show’s sharp humor and quirky protagonist have captured the hearts and minds of many. But is this all for the good? New Girl features a controversial protagonist, Jessica Day, whose personality grates on some and resonates with others. Jessica represents stereotypically feminine interests and ideals yet takes on a leading role and independence not always afforded to female characters. This opens her, and the larger show, up to feminist readings and critiques. Surprisingly, little scholarly research has been conducted on …

The State Of Women In The Media: Representation, Coverage And Framing Of Women In East African Media, Aga Khan University, Graduate School Of Media And Communications

Graduate School of Media and Communications

This research examined the representation of women in East African news media organisations and the coverage and framing of women in top East African newspapers, TV and digital platforms. The study is premised on existent literature on the intricate interplay between media framing, coverage dynamics, and the representation of women in newsrooms’ workforce, given the consequential role all these play in shaping public perceptions of gender issues and shifting norms. Through a comprehensive methodology that incorporated content analysis, document analysis and interviews on the responsibilities and assigned roles of women in media organisations, the research presents findings from a content …

Dishes Of Yesteryear: Memories, Stories, And Representations Of The Past Within Food Media, Diana Willis Bottomley

Electronic Theses & Dissertations (2024 - present)

In 1963, Julia Child revolutionized cooking television. Child’s The French Chef, which ran for ten years on the Boston public television station, WGBH, changed how American’s viewed, produced, and consumed food. And in the sixty years since Child’s debut, food media has grown in scope and popularity, increasingly altering how we communicate identity in and through food and foodways. In this dissertation, I examine the relation between food, media, and memory, with particular attention to: how the past moderates the connection between food and identity; how food media produce a sense of place integral to identity; and how food …

Faux Feminism In A Capitalistic Fever Dream: A Review Of Greta Gerwig's Barbie (2023), Amy La Porte, Lena Cavusoglu

Markets, Globalization & Development Review

Somewhere between meaningful discourse about female agency and the commercial interests of a problematic doll franchise lies Mattel's box office hit film Barbie, directed by Greta Gerwig. In a script-flipping interpretation of the real-world patriarchy, it catapults itself into overdue discussions about gender norms, objectification, and the pursuit of Westernized beauty ideals. While it may have introduced liberationist theories to a new generation of women, ultimately it is a film bound by cognitive dissonance. This paper will delve into the profit-making protagonist at the center of its story and argue the film's underlying incompatibility with diversity, feminism, and social …

If Men Can Do It, Then So Can A Woman: Inspiring Determination Through Service-Learning And Silent Movies, Kayla Vasilko

Purdue Journal of Service-Learning and International Engagement

In the American silent movie era, women were not associated with the ability to perform stunt work, drive an automobile without a man present, or be much more than a supporting face in a film, despite the fact that there were more female film writers, directors and producers than male in that era, the importance of “automotive citizenship,” and the added difficulty of women’s stunt work (women performed high risk stunts like jumping from buildings, etc., but they had to do it in gowns, and bikinis); today, women and minorities are highly under-represented in boardrooms, director’s chairs, and a startling …

Sharp Stick Grasps At Autistic Women’S Liminal Vulnerability, Meaghan Krazinski

Ought: The Journal of Autistic Culture

This film analysis of Sharp Stick by Lena Dunham critically explores how the film uptakes representations of the ideas around the vulnerabilities of Autistic women in popular culture, and yet does not explicitly name them as such. This liminality is critical and plays into the intersectional analysis that the author engages around the way vulnerability and Autistic identity is interpreted and read. The author draws upon McDermott's (2022) "neurotypical gaze" in an analysis that shows how traditional tropes around Autistic women’s vulnerability are social constructions that are brought into relief by stereotypes around race, gender, and ability. The author uses …

Chuck Chuck Baby, Sherry Coman

Journal of Religion & Film

This is a film review of Chuck Chuck Baby (2023), directed by Janis Pugh.

Public Pedagogy, Autotheory, And Egyptian Female Podcasters, Yasmeen Ebada, Kim Fox

Faculty Journal Articles

This research examines six Egyptian female podcasters whose work sits at the theoretical intersection of public pedagogy and autotheory, loosely defined as a first-person narrative form of feminist expression used to challenge hegemonic discourses as a means of activism. The two theories supplement each other, especially since feminism aims to abolish sexism, and public pedagogy is a means to obtain that result. The researchers adopted American-Canadian cultural critic Henry Giroux’s (2004) theory of public pedagogy because it allows for critical dialogue to address discrimination and push for egalitarian transfiguration. Autotheory was chosen for its relation to the podcasters' life experiences …

From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr

Journal of Religion & Film

Sinan Çetin’s blockbuster Berlin in Berlin (1993) is a Turkish-German co-production. In contrast to certain representational tendencies with German orientalism or Turkish occidentalism, it deconstructs the intersectional structures of migration, religion, and gender. The portrayal of religion in films about Turkish-German labour migration is a kind of cultural narcissism often projected into national cinema by denigrating the faith of the other and glorifying one’s own religion. However, perspectives at such intersections are critical and require sensitivity in filmmaking, as films can create prejudice or help build peaceful relationships around these sensitive issues. The paper employs discourse analysis in linking Derrida’s …

Choric Sounds: The Intervention Of Women’S Soundscapes In The City And Cinema, Kelli Fuery

Film and Media Arts Faculty Articles and Research

"This paper proposes that sonic mapping of space, sensibility and power structures through cinematic representation of urban places has subsequently taken on imaginations that have become part of socio-cultural and socio-political experience. Sound and image have combined, establishing a spectoral environment that enables the viewer to engage both inner and outer worlds in embodied perception. Mary Beard notes, ‘when written evidence for Western culture starts, women’s voices are not being heard in the public sphere. … an integral part of growing up, as a man, is learning to take control of public utterance and to silence the female of the …

Military Women In World Cinema: A 20th Century History And Filmography, Introduction, Deborah A. Deacon, Stacy Fowler

Faculty Articles

From British soldier Flora Sandes to the fame World War II Night Witches of the Soviet Air Force, women across the globe stepped up to defend their countries during every major and minor conflict of the twentieth century, and filmmakers have long attempted to capture their stories.

This book analyzes real and fictional military women's portrayals in world cinema, including movies from Israel, the United Kingdom, Italy, China, France, the Soviet Union, and others. It includes theatrical releases, direct-to-video productions, and made-for-television films.

Chapters, organized by decade, address topics including the women's sexuality, maternal and marital status, leadership skills, actual …

Women's Interracial Friendships: Cultivating Coalitional Possibilities Across Difference Through Dialogue, Akie Fukushige Wenk

LSU Doctoral Dissertations

In my dissertation, I thread through the macro-structure as well as micro-operations of hegemonic ideologies, namely white-supremacist capitalist cis-hetero patriarchy (hooks, 1995, Valdes, 1996), that has historically plagued the United States, eventually gaining a global reach over time. I center interracial friendship between Black and White cis-women, where I locate coalitional possibilities that begin at the grassroots level. I situate this interracial relationship within the socio-ecological system where the personal meets the social (including racialized backgrounds). I use a series of analogies to equate these ideologies as toxins in the air, water, and soil. Soil is where we can work …

A "Misfit" Revision: Marilyn Monroe, Clark Gable And Transitional Stardom In Postwar Hollywood, Emily Carman

Film and Media Arts Faculty Articles and Research

Director John Huston’s The Misfits (1961) was one of the most volatile productions of his career, with its ensemble cast headlined by a trio of screen icons: Clark Gable, Marilyn Monroe, and Montgomery Clift. Drawing on new archival research, I argue that The Misfits illuminates the transition from old to New Hollywood in terms of its behind-the-scenes star negotiations of Gable and Monroe, who had varying levels of creative control to appear in the film. My analysis of their respective deals underscores how The Misfits anticipates the shift from the female driven star system of Classical Hollywood to the male …

“She Was No Taller Than Your Thumb. So She Was Called Thumbelina”: Gender, Disability, And Visual Forms In Hans Christian Andersen’S “Thumbelina” (1835), Hannah J. Helm

Journal of Gender, Ethnic, and Cross-Cultural Studies

This article explores representations of femininity and disability in Hans Christian Andersen’s fairy tale “Thumbelina” (1835) and select examples of his paper art. In this article, I argue that, on one level, the fairy tale and Andersen’s own paper cuttings uphold feminine and ableist norms. However, on another level, these literary and visual forms simultaneously work to destabilise social prejudices and challenge bodily normativity. I explore how characters and themes associated with the fairy tale and paper art can be (re)read in strength-based ways. In the story, Thumbelina experiences the world through her smallness, and key themes including accessibility, physical …

Austentatious Aspirations: How Janeite Women Writers Create And Expand Their Own Cultural Communities Through Recounting And Adapting Jane Austen's Original Works In Literature And Film, Kerri L. Bennett

Student Theses and Dissertations

In comparison to Jane Austen’s purportedly quiet, unassuming life, her six novels have had an ostentatious and extensive impact upon Anglophone literature, culture, and history, particularly through the innumerable adaptations that have been created, written, and produced by her most ardent admirers. As such, this research explores the ways that their various literary and filmic adaptations of Austen’s original narratives both create and expand their communities. Additionally, this project situates Janeite cultural production within the framework of Jacques Derrida’s theory of archival expansion, as well as the scholarship of Claudia Johnson, Abigail Derecho, and Sarah Glosson, among others. The texts …

Muscling Through: Athletic Women In Victorian Popular Representation, 1864–1915, Julia G. Fuller

Dissertations, Theses, and Capstone Projects

“Muscling Through” reconstructs an overlooked history of strong female bodies in the nineteenth century. It argues that popular representations of athletic women introduced a new category of identity that was distinct from women’s traditional relational and social roles. The project’s central figure is the hyper-able “Sportswoman,” who bridges the gap between two familiar versions of the Victorian woman’s body: the mid-century ideal of docile, domesticated femininity and the sturdy, capable women who enter universities, professions, and public spaces en masse just before the turn of the century. Representationally, the Sportswoman figures a range of attitudes, from anxious to aspirational, toward …

Haramed And Dangerous: A Thematic Examination Of Muslim Women’S Representation In We Are Lady Parts, Reham Bohamad

Dissertations

Since the early days of Western media, Muslim women have been portrayed in a negative way. From belly dancers to oil-rich horny sheikhs to voiceless passive wives of terrorists. This image has led the Western spectator to associate Islam and the Muslim women’s headscarf (Hijab) with backwardness, extremism, and oppression. In recent years, there has been a positive shift towards a more inclusive and authentic representation of Muslim women. This shift is the result of the post-network era which provides on-demand media outlets that challenge the dominant hegemonic production system and provide diverse and inclusive images that cater to niche …

Smokebox: Writing Into Embarrassment, Julia Storch

Theatre & Dance ETDs

Engaging with theoretical concepts and dramaturgical tools, this essay follows my journey through The Dramatic Writing MFA program at the University of New Mexico, focusing on the production of my thesis play, Smokebox. In Part I, I give the background and development of my journey as a playwright, exploring the obstacles I faced and overcame through my engagement with coursework and staged readings. I map out the development of Smokebox, from its humble beginnings as a class assignment, to its transformation through workshop, and finally its realization through an intense rehearsal and production process. In Part II, I …

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

The Gray Area: Sexuality And Gender In Wartime Reevaluated, Natalie Pendergraft

War, Diplomacy, and Society (MA) Theses

These three works, two academic papers and one screenplay, challenge traditional notions of gender and sexuality during wartime. Queer Vietnam service members did not all experience oppression, all the time, but rather carved out a space for themselves amongst their peers. Female nurses in the early cold war could keep their careers in the medical field due to its unique gendered history despite demobilization efforts across the country in different industries. Finally, through the medium of historical fiction, a Civil War soldier’s fears and desires are questioned as he experiences the phenomenon of the Angel’s Glow, a blue light that …

“Yellow Fever” + Pornhub Statistics: A Sociological Sickness, Patricia Plachno

Audre Lorde Prize

This essay was written to explore the complexities behind "Yellow Fever," or the fetishization of Asian women. In further understanding the origins of "Yellow Fever", shining a light on historical stereotypes and microaggressions assist in problematizing this phenomenon. Pornhub's yearly statistics provide a tangible outline of the sheer volume of participants in racial fetishization.

Natalia, Dereck Daschke

Journal of Religion & Film

This is a film review of Natalia (2023), directed by Elizabeth Mirzaei.

Utopian Promises, Dystopic Realities: Teaching Bell Hooks “No Love In The Wild”, Naimah H. Ford

Feminist Pedagogy

This original teaching activity discusses bell hooks’ film review of Beasts of The Southern Wild and explains how it can be used to encourage students to recognize how popular culture reproduces and reinforces disturbing paradigms. This original teaching activity, based on hooks’ review “No Love in The Wild,” encourages students to be informed while navigating visual images in popular culture. This activity also explains how hooks’ film review and the film can be used to empower students with strategies to analyze film and other visual images that are seemingly progressive but support the strictures and structures that reinforce patriarchy, racism, …

Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El presente artículo analiza una parte de la obra de ciencia ficción del salvadoreño Álvaro Menen Desleal. Para eso, se concentra en uno de los temas que, aunque no dominante, sí es abordado de forma crítica y sagaz por parte de ese autor: el exterminio de la humanidad a partir de una hecatombe nuclear. Así, se estudian dos cuentos publicados por Menen Desleal en 1969 y que forman parte de su premiado texto Una cuerda de nylon y oro y otros cuentos maravillosos. Los cuentos son el que le da nombre a esa antología de relatos y “Hacer el …

Under G-D, Dereck Daschke

Journal of Religion & Film

This is a film review of Under G-d (2022), directed by Paula Eiselt.

Ornamentalism: Costuming And The Portrayal Of The Chinese Woman In Film, 20th-21st Century, Andrea Yepez

Dissertations, Theses, and Capstone Projects

This thesis aims to analyze the concept of “Ornamentalism,” a term created by Anne Anlin Cheng. In Ornamentalism (2019), Cheng proposes the term—a combination of Orientalism and ornament—as a new way to study Asiatic femininity. Cheng applies the term to a case study of the career of Anna May Wong, the first Asian-American actress to feature in Hollywood films. Throughout her career, which began in the 1920s, Anna May Wong held the status of it-girl and muse to designers such as John Galliano. However, Wong was also subjected to playing stereotypical Asian roles in films and was consistently the victim …

Good Grief, John C. Lyden

Journal of Religion & Film

This is a film review of Good Grief (2023), directed by Rob Sharp.

Plan C, Dereck Daschke

Journal of Religion & Film

This is a film review of PLAN C (2023), directed by Tracy Droz Tragos.