Film and Media Studies Commons^™

Bibliography For Work In Travel Studies, Carlo Salzani, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Bibliography For The Study Of Cultural Discourse In Taiwan, Yu-Chun Chang, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Bibliography Of Work On Identity, Migration, And Displacement, Li-Wei Cheng, Steven Tötösy De Zepetnek, I-Chun Wang

CLCWeb Library

No abstract provided.

Leading Ladies?: Feminism And The Hollywood New Wave, Allison A. Smith

Pell Scholars and Senior Theses

In the late 1960s, a new film movement emerged in Hollywood cinema known as the Hollywood New Wave. The women’s movement began roughly the same time as the Hollywood New Wave, but feminism was rarely a topic discussed in Hollywood cinema. The Hollywood New Wave is often considered a “boy’s club,” in the sense that most of the filmmakers, actors and other crewmembers were male and writing stories about male experiences. Women did have a part in these films in a limited way, yet there are some examples of strong female characters in select films.

Ua68/6 Much Ado About ... Quite A Lot: An English Department Newsletter, Department Of English

English Department Publications

In the areas of research, scholarship, creativity, and teaching excellence, the English faculty has enjoyed a rich and varied year. The quality of the faculty’s work is evident in the public recognition and honors they have received. We are pleased to share some of our achievements

Review: Karen Ward Mahar (2008): Women Filmmakers In Early Hollywood, Sara Ross

Communication, Media & The Arts Faculty Publications

Book review

Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins University Press, 2008.

This book will be a useful reference for feminist and film historians looking to expand their understanding of how film and business history can help to explain the gendering of filmmaking.

Screening The Modern Girl: Intermediality In The Adaptation Of Flaming Youth, Sara Ross

Communication, Media & The Arts Faculty Publications

In November 1923, First National Pictures released a film adaptation of a scandalous bestselling novel, Flaming Youth, in which three upper-class sisters flout the conventions of proper courtship and girlish chastity held dear by the previous generation. The novel presents the sisters as examples of the revolution in sexual behavior of the modern girl happening in the United States and around the world. Record crowds flocked to the theater to see the wild partying, nudity, and sex of the book brought to life on screen.

Of course, texts such as these were under close scrutiny for the effect that …

The Warrior Women Of Transnational Cinema: Gender And Race In Hollywood And Hong Kong Action Movies, Lisa Funnell

Theses and Dissertations (Comprehensive)

In The Warrior Women of Transnational Cinema, I consider the significance of transnational Asian action women in the post-1997 Hong Kong cinema; more specifically, I explore how Pan-Asian (e.g. Michelle Yeoh, Pei Pei Cheng, Ziyi Zhang), Asian American (Lucy Liu, Maggie Q, Marsha Yuen), and Asian Canadian (e.g. Francoise Yip, Charlene Choi, Kristy Yang) warrior women function as a source of transnational female identity for local, Pan-Asian (i.e. East and Southeast Asian), and diasporic Asian audiences. I argue that the post-1997 Hong Kong cinema—and not Hollywood—has offered space for the development of Pan-Asian and Asian North American screen identities …

The Social Dimensions Of Fiction: On The Rhetoric And Function Of Prefacing Novels In The Nineteenth-Century Canadas, Steven Tötösy De Zepetnek

CLCWeb Library

Tötösy de Zepetnek, Steven. The Social Dimensions of Fiction: On the Rhetoric and Function of Prefacing Novels in the Nineteenth-Century Canadas. Wiesbaden: Westdeutscher (Friedr. Vieweg & Sohn), 1993. ISBN 3-528-07335-7 188 pages, bibliography, index. Data and analyses of nineteenth-century English- and French-Canadian prefaces to novels with theoretical and methodological frameworks for the study of rhetoric, the sociology of literature, audience research, and genre studies. Copyright of the book was released to Tötösy de Zepetnek by Westdeutscher Verlag in 2003.

Is Disney Surfing The Third Wave? A Study Of The Pervasiveness Of The Third Wave Of Feminism In Disney's Female Protagonists, Emily S. Ellington

Senior Honors Theses

It is important to understand factors that have influenced Generation Y’s view of womanhood. One way to do this is to analyze third wave feminist messages portrayed by Disney, the media powerhouse. In order to determine if Disney reflects feminist values, the third wave themes portrayed in The Little Mermaid (1989), Beauty and the Beast (1991), Pocahontas (1995), and Mulan (1999) are examined. It is concluded that Disney portrays the feminist values of independence and multiculturalism; however, the films are set within patriarchal societies and portray women to be domestic. Ultimately, Disney portrays four messages about womanhood: Women are equal …

Marketing Under Feminist Scrutiny, Andrew Harris

XULAneXUS

At first glance, an ad in a magazine may appear harmless when left critically unexamined, but when studied closely, patterns start to arise that express male dominance which habitually goes unnoticed because male dominance has long been taken for granted. Laura Mulvey writes on phallocentrism in her essay entitled “Visual Pleasure and Narrative Cinema” and explains how to recognize the distinction between men and women in popular media. The most dominant theme in her essay is that marketers depict female characters so they seem like man’s opposite, suggesting that women only exist when defined by their “castration” or penislessness. This …

Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers

UNLV Theses, Dissertations, Professional Papers, and Capstones

In 2005, the Home Box Office and British Broadcasting Corporation partnered to produce Rome , a television series that retells the Roman histories of Julius Caesar, Marc Antony and Augustus through the lives of two centurion soldiers, Titus Pullo and Lucious Vorenus. The show's producers endeavored to bring Roman streets to life and included more storylines of women, men and children of all classes. At first considered a more egalitarian approach to history, Rome 's women are said to "challenge expectations" (Vu, 2005) and "forge a new path" (Ragalie, 2007, p. 2). But does this new representation challenge the old …

Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty

Présence Francophone: Revue internationale de langue et de littérature

As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …

Bibliography Of Works By And About Imre Kertész, Nobel Laureate In Literature 2002, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

The Study Of Literature And Culture Online (Theory And Application), Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

History Of Ricl: Research Institute For Comparative Literature, University Of Alberta 1985-1999, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Cover To Cover: Contemporary Issues In Popular Women’S Magazines, Debbie Danowski

Communication, Media & The Arts Faculty Publications

Exposure to popular magazine covers is widespread among even those choosing not to read a particular magazine. With news racks in all grocery and convenience stores, the American public cannot escape at least a quick glance at the material presented on the cover. Because of this, it is vital that we analyze the messages being disseminated each month through these publications.

This study will attempt to analyze and categorize the messages sent out via the covers of the five most popular general interest women's magazines with the highest circulation during the year 2000: Family Circle, Good Housekeeping, Ladies' Home Journal, …

Selected Bibliography Of Work On Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek, Asma Sayed, Domenic A. Beneventi

CLCWeb Library

No abstract provided.

Egyptian Wives' Portrayal In Egyptian Cinema: A Content Analysis On 35 Egyptian Films Produced Prior To And Post 1952, Sahar Aly Sedky

Archived Theses and Dissertations

No abstract provided.

A Whole New World? The Evolution Of Disney Animated Heroines From Snow White To Mulan, Christine M. Yzaguirre

Seton Hall University Dissertations and Theses (ETDs)

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Dangerous Bodies: The Regulation And Contestation Of Women's Sexuality At The Movies In Virginia, Melissa Ooten

Women, Gender and Sexuality Studies Faculty Publications

In 1922, the General Assembly of Virginia created a motion-picture censorship board to regulate out of popular culture images its cultural arbiters ruled detrimental to state officials' attempts to modernize and "clean up" the image of Virginia. On-screen depictions of women's sexuality repeatedly fell prey to the board's "protectionist" ideology, by which censors argued that their work "protected" society's most vulnerable citizens. In reality, such an ideology served as an extension of state power to keep subjective, realistic portrayals of these already marginalized citizens out of popular culture in order to justify their continued status as "second-class" citizens within the …

The Americanization Of Tsuru Aoki: Orientalism, Melodrama, Star Image, And The New Woman, Sara Ross

Communication, Media & The Arts Faculty Publications

This article contextualizes issues of race and Orientalism in the career of Japanese actress Tsuru Aoki within changing representational strategies and ongoing cultural struggles over the public and domestic roles of women in the modern age. According to the author, Aoki's persona blurred the boundaries between Japanese and U.S. identities.

Images Of Women In Contemporary Egyptian Film: Elements Of The Body Sexuality And Consumerism, Nahla Zeitoun

Archived Theses and Dissertations

Among the various cinematic themes which have been studied over the past several years is that of the image of women. Women, taken as cinematic figures, evoke multiple images of a cultural and social discourse and draw attention to gender and family relations in a broader sense in a specific society. Moreover, Egyptian cinema has been a major point of reference for Egyptian culture in this country. It has shaped and expressed the changing of scenarios of modern Egypt to an extent that no preceding art form could ever achieve. It has influenced the way in which people perceive various …

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Pasado Soterrado Y Ánima Reprimida En La Muñeca Reina Y Chac Mool, Cesar Valverde

Scholarship

No abstract provided.

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

No Woman Is An Object: Realizing The Feminist Collaborative Video, Alexandra Juhasz

Publications and Research

Feminist video does collectivity exceedingly well. Certainly other politicized cultural movements and individuals work through this method, and, of course, feminists also produce work in collaboration in film and other media (as Julia Lesage testifies above). However, I assert that there is a profound natural mechanics to women's work in video that makes the medium's method, theory, and theme the interactive and politicized subjectification of the female sex. Film and patriarchy share the project of women's objectification-they make victims. Video and feminism see women as complex, worthy selves-they produce subjects. In feminist collaboration: video, the medium (inexpensive, debased, nonprofessional), the …

Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Spaces Of Motherhood, Deirdre Conlon, Marcus Carvalho

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In this paper our aim is to critically evaluate motherhood, as a social production that is deeply imbricated with the ideologies of patriarchy, technology and capitalism. We ground our analysis in Henri Lefebvre's (1994) theory on the social production of space and Barbara Katz-Rothman's (2000) examination of motherhood as it is constituted through ideology. Further, we draw on Smith's (1997) observation that it is possible to examine the production of space and materialization of capitalism at different scales; in this paper we focus specifically on the scale of the body and of the house in order to consider …

Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.