Film and Media Studies Commons^™

Womanism & Wellbeing: A Manuscript Dissertation Exploring The Effects Of Shame, Loss And Gender Issues, Christy Angelle-Vidrine Bauman

Education Dissertations

The purpose of this study is to contribute to the research on gender issues and psychological well-being across the adult lifespan utilizing qualitative research examining factors (e.g., societal influences, sexual objectification, shame, loss, meaning-making, and internal identity) in developing resilience and mitigating mental health issues. This paper discusses the importance of addressing well-being through expression of loss, meaning-making, and social impact. This manuscript style dissertation will review publications in such areas as sexuality, spirituality, grief, shame, intimacy, social, and interpersonal relationships. The exploration of biopsychosocial impacts as it relates to meaning-making, resilience, and communal involvement. The three publications will be …

Audio Quality As Content: Everyday Criticism Of The Lo-Fi Format, Elizabeth Newton

Dissertations, Theses, and Capstone Projects

This dissertation examines the matter of authenticity with respect to audio recordings. In the early 1990s, the term “lo-fi” (“low-fidelity”) emerged as a label used to categorize many different types of popular music, indicating widespread fascination with what I call audio quality, the perceived character of an audio recording. I define audio quality as the relationship between content and mediation, which varies greatly by circumstance. My archival research of zines, press releases, and correspondence examines this relationship in three case studies: Wu-Tang Clan, Bratmobile, and Elliott Smith. I posit the lo-fi format as a critical structure that emerged in …

“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations, Solange T. Castellar

Dissertations, Theses, and Capstone Projects

This thesis explores how audiences engage with U.S. Latinx media representations through the practice of critical media literacy. I interrogate how media consumers construct critical media literacy through interacting with U.S. Latinx figures on digital media platforms, particularly on the social-media app, Twitter, and the user-generated video content platform, YouTube. Throughout this thesis, I argue that users on these platforms who engage with U.S. Latinx pop culture figures, like Jennifer Lopez and Belcalis Almanzar (Cardi B), read, digest, and comprehend a variety of multimedia images, texts, or videos, and that this engagement becomes an accessible form of critical media literacy, …

Fuitina: Love, Sex, And Rape In Modern Italy, 1945–Present, Antonella Vitale

Dissertations, Theses, and Capstone Projects

The term fuitina in Sicilian dialect is a word used to describe a form of abduction, and is a variation of the more formal Italian term fuga, meaning a flight or escape. Fuitina, was essentially a sanctioned bride theft. Often, after the abduction of a woman, the abductor would seek a reparatory or rehabilitating marriage that would restore the woman’s “honor” and absolve the man of bride theft. Until 1981, the Italian legal system supported the practice of fuitina and rarely prosecuted men who kidnapped and raped women under the guise of this tradition. The practice of fuitina and …

Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart

Dissertations, Theses, and Capstone Projects

Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dissertation challenges the antisocial turn taken in queer theory, by means of a parallel study of the authors’ geographical and intellectual itineraries. While critics like Leo Bersani and Lee Edelman have suggested that the revolutionary potential in queer identity lies in its opposition to romanticized forms of community, I argue, along with José Esteban Muñoz, that their praising of singularity and negativity is similarly extreme. Alternatively, my study shows how the geographical displacements both experienced and imagined by my primary authors can illuminate the passage …

The Invisible Professional: Visual Culture Of Successful Black Women, Sophonie Gaspard

All HCAS Student Capstones, Theses, and Dissertations

Black women in the United States have been arguably the most underrepresented, stereotyped, and hypersexualized groups in society; their contributions in the workplace often reduced in significance. Similarly, the perceived values of the white majority have historically dictated the images of minorities in the media. In their research on visual culture, Keifer-Boyd, Amburgy & Knight (2007) suggest that those with social, political, and economic power define how groups without power are represented and stereotyped, illuminating the privileges of having visible positive portrayals. As contemporary American society shifts towards greater inclusion and participation from black women, the media is encouraged to …

Her Voice On Air: How Irish Radio Made Strides For Women's Rights, Emilie R. Hines

Pell Scholars and Senior Theses

Radio is the voice of the people; this is no less true in Ireland, a nation that prefers talk radio and phone-ins. These formats were popular from 1970-2000, formative years for the feminist movement. Scholarship suggests a correlation between radio and women’s issues in Ireland but does not answer what elements create this. Here, I analyze 10 archival radio clips from Ireland’s national public service broadcaster, RTÉ, looking at how women’s issues are framed. After analyzing these clips, I found that Irish identity embedded in the shows allows for the discussion of controversial ideas. Radio promotes an inclusive environment, by …

Female Leaders Navigate The Arts, Post 'Me Too', Peyton Kennedy

Senior Honors Projects, 2020-current

As the lights dim and the curtain rises on a theatrical production, there are roles to fill onstage and off. Perhaps the most important roles in modern theatre are those of leadership. Leaders in the arts have the power to influence company communication, shape the culture of the rehearsal room and navigate through a crisis. However, leadership and power can be manipulated, as the world witnessed through the ‘me too’ movement. As allegations rose against prominent leaders, the push for change strengthened. We are now three years past Hollywood’s ignition of the ‘me too’ movement, which prompts the question: have …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Alexis Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

This thesis works to understand the relationships witches and conjurors have with the film and television depictions of them. Employing the method of film critique, I argue that the witch stands as a cultural symbol in the US of women and femmes with power, and that their stories serve as lessons to these populations about what it means to be an acceptable woman or femme, while simultaneously creating and perpetuating stereotypes of magic practitioners. Then, using the combination of hashtag ethnography, in-person and video interviewing and internet surveys, I argue that #witchblr and #witchesofcolor, as well as the space of …

Medusa As Victim And Tool Of Male Aggression, William S. Duffy

Verbum Incarnatum: An Academic Journal of Social Justice

While Medusa, like many monsters from Greek Mythology, has multiple origin stories, the one arguably best known to modern audiences is the one related in Ovid’s Metamorphoses 4.5750-803, in which Medusa is raped by Neptune in Minerva’s temple and subsequently punished by the goddess by being turned into the monster we all know. This means that Medusa is, to use the modern parlance, a survivor. Furthermore, Medusa’s experience after her violation echoes common elements of the survivor’s experience even millennia later. This suggests that many of the institutional responses to sexual assault that bedevil survivors today existed in some form …

Free Battered Texas Women: Survivor-Advocates Organizing At The Crossroads Of Gendered Violence, Disability, And Incarceration, Cathy Marston Phd

Verbum Incarnatum: An Academic Journal of Social Justice

This article recaps my symposium presentation, where I argue that feminist organizing strategies are central to healing our society and creating restorative justice from my perspective as a survivor of occupational injury, battering, and criminalization for self-defense. This includes the creation of Free Battered Texas Women. We prefer to think of ourselves as survivor-advocates who use a variety of tactics to empower ourselves, incarcerated battered women, and citizens. These strategies include pedagogy; poetry and other written forms; art; and legislative advocacy. I blend this grassroots activism with feminist disability theory, radical feminist theory, feminist ethnography, and feminist criminology.

Abortion Helpline, This Is Lisa, William L. Blizek

Journal of Religion & Film

This is a film review of Abortion Helpline, This is Lisa (2019) directed by Barbara Attie, Janet Goldwater, and Mike Attie.

Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain

CLCWeb: Comparative Literature and Culture

Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …

Binaural: Trauma And Disability Representation In Cinema, Joshua Grossberg

Dissertations, Theses, and Capstone Projects

In the year 2019, the film business is undergoing profound change. Streaming services like Netflix and Amazon have become major distribution outlets, threatening the hegemony of traditional Hollywood studios and altering the kinds of movies that receive a theatrical release. Gone is the middle budget film, replaced by franchises like Marvel Cinematic Universe, The Fast and the Furious and Star Wars based on already popular intellectual property. But that's not all. In the wake of the fallout of the #OscarsSoWhite controversy and the #MeToo Movement, for the first time serious efforts are being made both outside and inside the industry …

Saudi Runaway, John C. Lyden

Journal of Religion & Film

This is a film review of Saudi Runaway (2020) directed by Susanne Regina Meures.

Yalda, A Night For Forgiveness, John C. Lyden

Journal of Religion & Film

This is a film review of Yalda, A Night for Forgiveness (2019) directed by Massoud Bakhshi.

"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins

Copley Library Undergraduate Research Awards

A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …

Review Of Early Women Filmmakers 1911–1940, Wheeler Winston Dixon

Department of English: Faculty Publications

After more than a half century of neglect, pioneering women filmmakers are finally getting some of the attention they deserve. Foremost among these women is the figure of Alice Guy Blaché—also known simply as Alice Guy, before she married Herbert Blaché in 1907—who was responsible for numerous “firsts” in cinema history: the first film with narrative La Fée aux Choux (The Cabbage Patch Fairy; 1896), as well as early experiments with color dye processes, synchronized sound recording, multi-reel films, and other cinematic advances. Gaumont put out a set of her French films for that company—she was the …

A Century In Uniform: Military Women In American Films, Introduction, Stacy Fowler, Deborah A. Deacon

Faculty Articles

From silents of the early American motion picture era through 21st century films, this book offers a decade-by-decade examination of portrayals of women in the military. The full range of genres is explored, along with films created by today's military women about their experiences.

Laws regarding women in the service are analyzed, along with discussion of the challenges they have faced in the push for full participation and of the changing societal attitudes through the years.

The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks

Capstone Showcase

The representation and proliferation of violence against women in media, when applying genre theory, reflects the social climate of rape culture and the social response to sexual violence. Looking at the Rape-Revenge genre through the scope of Feminist Theory, the only way to reintroduce female agency into a trauma led narrative is to reclaim the tropes used to perpetuation female exploitation and a popular culture ambivalent to male on female violence. Within this subversion and deconstruction, a genre benefiting from female trauma finally includes an honest artistic retelling of that female experience. With the intention of the creator in line …

Luce Irigaray, Radical Feminism, & The Me Too Movement, Allie Nye

Capstone Showcase

Luce Irigaray, a French feminist theorist, used her writing as a tool to further the postmodern feminist movement and her theory of sexual difference. Her work highlights the divergence from traditional, modernist thought and the dream of a well rounded western society that is grounded in the recognition of sexual difference. The #MeToo Movement, the defining feminist movement of present day, proves Irigaray’s point of a need for the recognition of sexual difference. The importance of women being able to speak their mind is one the foundations of Irigaray’s work and a pillar of the #MeToo Movement. Moving beyond the …

Hear Me Roar, Abigail R. Seethoff

Graduate Student Theses, Dissertations, & Professional Papers

Hear Me Roar, a compilation of personal essays interspersed with short forms, grapples with the nuances of compliance versus autonomy in the context of the male gaze, beauty standards, and pop culture. The collection also explores what it means to treasure something—another person, an object—and how to express and deepen that affection.

Barrier-Breaking Women In Indian Cinema, Paulina Sobczak

Communication Student Works

During the last 100 years, Indian Cinema has played a major role in the influence of certain attitudes toward women in Indian society. Early on, women were portrayed as evil temptresses, sex symbols, and/or damsels in distress. These roles went against equality and were far more challenging for the women in Indian films. In 1954, a group of about 13,000 women petitioned the prime minister that these character types were unacceptable. They believed these films were having a negative effect on society, especially for the generations to come. This short documentary showcases the journey of the women who began this …

Simultaneous Intersectionality In The Comics Of Catel And Sabrina Jones: Understanding Women’S Life Stories, Jeorg Ellen Hornsby

Theses and Dissertations--Gender and Women's Studies

The project examines how the theories of simultaneity and intersectionality are useful in analyzing the lived experiences of the authors and their subjects. Specifically, this dissertation analyzes how French comic artist Catel and American comics artist Sabrina Jones use the medium of comics to recount their autobiographical stories within and alongside their biographical stories of Benoîte Groult and Margaret Sanger, respectively.

(Re)Visions Of The Outre-Mer: Looking At The Male Gaze In Jacques Feyder’S Le Grand Jeu (1934), Barry Nevin

Articles

Cinéma colonial is regarded by certain scholars as a highly conventionalised and commercialised film practice that grants spectators a sense of control over the potentially threatening colonial Other, and Belgian director Jacques Feyder has been subject to particularly harsh criticism in this regard. This article argues that Feyder’s Le Grand Jeu (1934), which depicts a young legionnaire’s relationship with a cabaret singer who bears an uncanny resemblance to a previous lover who jilted him in Paris, challenges dominant tendencies in portrayals of gender and colonialism in French cinema of the 1930s. Drawing on the relationship between Laura Mulvey’s theorisation of …

Do It Yourself: Women And Lgbtq+ Musicians And Promoters In The Diy Midwest Music Scene, Morgan W. Matzen

Honors Thesis

In certain parts of the Midwest “DIY,” or the underground/alternative music scene, there is not enough representation of women, people of color and LGBTQ+ individuals in music, whether onstage as a band or musician, or in venue ownership and leadership. This study looks at where these diverse people are, and the setbacks they’ve faced along the way of becoming a musician, promoter or venue owner. Three emerging themes through this journalistic research include all-ages venues and music scenes as integral to getting people involved in music; a “DIY” attitude or ethos as a push for these musicians and promoters to …

Cheer Up Luv: An Examination Of The Activistic Efforts Of Eliza Hatch, Jasper (Kirsten) Boyd

Faculty Curated Undergraduate Works

This paper examines the efforts put forth by Eliza Hatch, who is an established photojournalist and activist, which pertain to women’s rights and sexual harassment all over the world. Hatch has a multitude of projects dealing with sexual harassment and the unequal treatment of women all across the globe. She is mainly based in London and New York, but has also completed projects in Sri Lanka. Through her activistic career, which began in 2017, she has garnered ample media attention and has raised awareness regarding the issues she tackles in her projects. Through her photo-sets, documentaries, and talks at universities, …

Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh

Journal of Religion & Film

This is a book review of Leslie Kealhofer-Kemp's Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool: Liverpool University Press, 2015).

Actaeon, Artichokes, And Audrey Ii: Fear And Food In Popular Narratives, Margaret E. Foster

Scholarly Undergraduate Research Journal at Clark (SURJ)

Food has a dual physical and sociocultural relationship to human life. This duality positions images of food as uniquely powerful when subverted in literary or aesthetic representations for the purpose of evoking what Joyce Carol Oates (1998) calls “aesthetic fear.” Drawing on symbolism primarily from Classical mythology, Western European fairy tales, American horror movies, and resistance poetry from the Spanish Civil War, this paper explores four symbolic subversions of the food chain (when hunters are hunted; bloodthirsty plants; cannibalism; and hunger). With particular attention to gender roles and natural life cycles, these narratives illuminate the ways in which food symbolism …