Film and Media Studies Commons^™

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

Needle And Thread, Caitlin Carvalho

Theses and Dissertations

Needle and Thread is an expanded cinema performance that involves the projection of 16mm film, archival footage, video, 35mm slide projection, soundscape and liquid light projection. It explores the fibers of connection, the thread that ties together my matriarchy, utilizing the language of cinema to piece together the memories.

Say Luv: Reimagining The Black Female Body, Jer'lisa Devezin

Art Theses and Dissertations

From hottentot venus to Cardi B, the influence of the white representation and the treatment of the black female body has shaped a culture of oppression amongst Black women, having surpassed the white community and trickled into the black community. In hip hop culture, reality television, and social media, black women are portrayed as angry and are stereotyped as ghetto and ignorant. On the music scene woman are always sexualized under the male gaze, however now that we are in the twerk era Cardi B is giving a new perspective to the representation of women in hip hop. By using …

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or lack …

The Farnsworth House & 'The Grand Budapest Hotel': Cinematic Spaces, Rylie Davis

Architecture Undergraduate Honors Theses

Mies van der Rohe designed the Farnsworth House as a personification of his architectural vision, an architectural language void of the mistakes of the past that could be taught universally. Mies’ illusory idea of free-flowing anti-space was ideologically unconnected to the cinematic arts, nevertheless the application of his design philosophy consequently resulted in spaces that were scenographic and cinematic. Just as a cinematographer establishes a relationship between the viewer and the scene, Mies van der Rohe used perspective to frame views transforming the Farnsworth House into an intermediary object establishing a relationship between nature and the viewer. The Farnsworth House …

Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart

Dissertations, Theses, and Capstone Projects

Between 1930 and 1955 São Paulo, Brazil experienced a period of accelerated growth as the population nearly quadrupled from 550,000 to two million. In response, the municipal government undertook an aggressive public works program and commercial building boomed. Photographic representations of the cityscape were essential in directing modern São Paulo’s physical evolution because they reflected both the real—a chaotically growing megacity—and the ideal—a literally new, modernized space. This dissertation centers on four case studies of artists practicing different photographic modalities in order to analyze the symbiotic relationship between São Paulo's urban development and its photographic representation.

Construction sites, scaffolding, and …

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

"Name Her Reiko!": The Ikemiya Diaspora, Morgan Ikemiya

Capstone Projects and Master's Theses

This creative-nonfiction project encapsulates a Japanese family diaspora to America beginning in the late 1880s. Through short stories, poems, and monologues, the author expresses familial struggles such as living in a foreign land and being Japanese in White America. The author reflects on her grandparents' time in the Japanese internment camps where they faced hardship and hegemonic oppression as well as her father's experience of growing up Japanese-American in Los Angeles. The stories weave together history, hardship, and race to create a unique diaspora story.

Duik Bassel In Usage In After Effects And An Animated Short Film, Kennedy L. Galpin

Undergraduate Honors Theses

This thesis was made with the goal of creating a 2D short film in the end, with mainly using a program that is not normally used for character animation: Adobe After Effects. With the usage of an originally French plugin called DuIK Bassel (v16.0.9), I was able to create a model in Adobe Photoshop and then put it into After Effects. When the files were imported, the plugin would then assist in the rigging process, wherein I would be able to create the character’s rig and make the 2D model within the program. This document discusses the entire creation of …

Advocating For The Use Of Poetry And Mixed Media Work In Analytic Processes, Jason D. Dehart

The Qualitative Report

As part of my analytical process of looking at data collected from a pilot study on the use of film in the classroom, I discovered that I had the space to engage in a creative analysis process. In this article, I propose that creative methods be employed when analyzing data. An arts-based approach to research (Barone & Eisner, 1997) led to two creative products for my research: Poetry, which has been used with research in the past (Cahnmann, 2003; McCullis, 2013) and mixed media. This article explores relevant literature about integrating poetry and other arts into analysis and serves to …

Seeing Like The Buddha: Enlightenment Through Film, Skyler Osburn

Journal of Religion & Film

This is a book review of Francisca Cho's Seeing Like the Buddha: Enlightenment through Film.

The Pedagogy Of Design And Technology At Xavier University Of Louisiana, New Orleans, Shayna Tova Blum

Faculty and Staff Publications

Abstract. Xavier University of Louisiana (XULA) is a Science, Technology, Engineering, and Mathematics (STEM) university located in New Orleans, Louisiana. As a Historically Black University (HBCU), the university serves a diverse community of students in which many are first-generation, college graduates. Students enrolled in Design courses at XULA are studying in Bachelor of Science and Bachelor of Art programs and majoring in subjects such as Computer Science, Physics, Mass Communication, Art, Business, and Science. The interdisciplinary student environment offers a unique opportunity for collaboration and peer learning, whereby students are able to share diverse perspectives on a topic by relating …

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.

Gender Identity And Facebook: Social Conservatism And Saving Face, Nastaran Khoshsabk, Jane Southcott

The Qualitative Report

People increasingly log on to Social Networking Websites to remain updated with the latest News and to share their thoughts and their significant life events. Their perception of their own and others’ identities influences their self-presentation on social media. There is a mental image of the audience on the mind of online users when they share content. The extent to which individuals reveal or conceal aspects of their identities within a socio-cultural context affects the presentation of their digital gender identity. We have explored Internet accessibility and use of social media relating to adult users for both Iranians living in …

Pathos, Spring 2019, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

Shifting Perspectives For Social Change: The Urban Art Of Jr, Jana E. Miller

Theses and Dissertations

French street artist JR (who prefers to keep his real name, birthdate, and other personal information private) raises awareness of world problems while crossing national borders, cultural boundaries, and language barriers. He promotes social change by altering the way people see each other through projects that connect, humanize, and enlighten with a combination of artistic storytelling and activism while taking advantage of technological advancement and globalization. JR gives hope that the world can change and that art can be the stimulus. He gives a voice to the marginalized, defends the oppressed, and continuously fights to unite the world’s population by …

[Cntrl] + [Alt] + [Esc] ? Virtual Platforms As Spaces Of Control And Contestation, Aras Ozgun

Markets, Globalization & Development Review

No abstract provided.

Recipe For Disaster, Zac Travis

MFA Thesis Exhibit Catalogs

Today’s rapid advances in algorithmic processes are creating and generating predictions through common applications, including speech recognition, natural language (text) generation, search engine prediction, social media personalization, and product recommendations. These algorithmic processes rapidly sort through streams of computational calculations and personal digital footprints to predict, make decisions, translate, and attempt to mimic human cognitive function as closely as possible. This is known as machine learning.

The project Recipe for Disaster was developed by exploring automation in technology, specifically through the use of machine learning and recurrent neural networks. These algorithmic models feed on large amounts of data as a …

在60、70年代之交香港文化雜誌的政治性視覺生產初覽, Kin Wah Lau

Lingnan Theses (MPhil & PhD)

香港社會在六、七十年代之交可算風起雲湧，先來六六、六七年兩場不同因由的騷動，接著又掀起了中文成為法定語文、保衛釣魚台等連串場的社會運動，及至反貪運動才稍告一段落。當時的文化雜誌不但投入關注，好些還會介入或參與運動。本研究選取了一九六六至七三年間，《大學生活》(1955-1971)、《盤古》(1967-78)，以及《七Ｏ年代》（1970-76, 78）幾本各具代表性的雜誌作考察，追踪當時文化界出版物上的政治性視覺生產。

所謂「政治性視覺生產」(political visual production)，意指視覺性元素與政治的連結發揮，將之應用在「文化雜誌」場域，主要指通過封面、插圖、排版等元素作視覺性的操作，介入社運或政治文化。文化雜誌作為印刷出版物，既是媒體，也是集合思想討論的平臺，當中接通的仝人網絡，更使其成為一個富政治性與視覺性交叉滲透誘因的文化實驗空間。

透過把雜誌中的政治性視覺生產置於社運的階段性發展來觀察，研究意圖呈示時代政治關鍵性的多重起承轉合如何與之扣連，同時微觀圖像生產遇上的美學政治。正視在香港這火紅的年代造就的政治性視覺生產，其實恰如同從去政治化的香港藝術史書寫中，試勾出被隱沒了的前衛藝術系譜，在探索其特質同時，更望能引動對於香港現當代藝術發展的認知作政治性的反思。

The Past Is Never Dead: Amorphous Time In Jean-Luc Godard's Notre Musique, Anthony E. Dominguez

Dissertations, Theses, and Capstone Projects

Jean-Luc Godard is undoubtedly one of the most central figures to cinema. A pioneer of the French New Wave, Godard’s style would go on to influence all realms of the artform. Despite continuing to make films beyond the French New Wave, however, Godard would eventually succumb to his own myth. Godard studies have largely remained focused on these early portions of his career that are so well remembered, ranging from 1960 to 1968. While in more recent times, Godard’s post-68 filmography has received more scholarly notice, there still exists a discrepancy of attention between Godard’s latest films and his earlier …

Jet Magazine: Celebrating Black Female Beauty, Jazmyn Shepherd

XULAneXUS

Once referred to as, “the Negro bible” by famed actor and comedian Redd Foxx^[1], Jet has continued to be a pioneer in representing Black Americans as beyond the stereotypes to which they are so often relegated. The magazine has not only provided accurate coverage throughout momentous Black historical movements such as the Civil Rights Movement in the 1950s, the Black is Beautiful movement of the late 1960s, and the Natural Hair Movement of the 2000s, but it has also catered to the daily interests of Black Americans, such as fashion and beauty, lifestyle advice, dating advice, politics, health …

Rodcon, Program, 2019, University Of Northern Iowa. Rod Library.

RodCon Documents

Inside This Program:

--Rodcon: Free and open to the public
--Welcome to Rodcon
--Locations
--Schedule
--What's That?
--Artist Alley
--Food
--Sponsors
--Autographs

Rodcon, Flier, 2019, University Of Northern Iowa. Rod Library.

RodCon Documents

Rodcon
Saturday April 13, 2019
10 a.m.-4 p.m.
Free and open to the public

Flier used in promotion of the event.

Comprehensiveness Of Product Placement Study In Hollywood And Bollywood Movies, Nikita A. Subba

Merge

This research study is a detailed content analysis focused on finding a relationship between product placements found in Hollywood and Bollywood movies that share similar plotlines with one another from the year 2006 to 2015. The researcher examined twenty movies, ten movies from each movie industry. It was found that both Hollywood and Bollywood movies use a lot of brand integration as well as long durations of brand exposure. However, the detailed log produced through the coding sheet indicated that between the years of 2006 to 2015, Bollywood used a slightly higher number and duration of product placement than the …

Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua

SANE journal: Sequential Art Narrative in Education

Teachers and students require a range of tools to engage with visual texts. Using The Great American Dust Bowlby Don Brown (2013) as an exemplar text, we outline four conceptions of visual literacy: rhetorical, instructional, industrial and visuo-spatial and discuss their use in our literacy education practice. In addition, we provide a brief model of a second text, The Arrival (Tan, 2013) and a list of suggested texts for students at different levels (elementary, middle, and high school). We argue that these tools have the potential to deepen conceptions of visual literacies and empower teachers and students to understand …

Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta

Scripps Senior Theses

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.

The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals …

(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner

Theses and Dissertations

(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.

Encuentro Con La Precariedad: La Reaparición Del Gitano En El Cine Documental Español De La Crisis De 2008, María Julia De León Hernández

Theses and Dissertations--Hispanic Studies

In 2008, Spain’s financial crisis had a great impact on the primary sector on which the nation’s ‘economic miracle’ was founded: housing.Land speculation, the increase in housing construction, and easy loans had become one of the hallmarks of twenty-first-century Spanish identity. The crisis del ladrillo (“brick crisis”) plunged the national economy into chaos and condemned many Spanish citizens to job insecurity, loss of earning power, threat of eviction, and put them at high risk of social marginalization. This dissertation studies the unusual proliferation of documentary films during the years surrounding this economic downturn about the ghettoization of the Spanish Gypsy …

Pathos, Winter 2019, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

Or a conjuncture of three moments in the dialectic of television as technical apparatus and cultural practice. In this course, we will read George Orwell’s 1984, view Michael Radford’s filmic adaptation of the novel, and consider a number of critical texts in order to think the psychological and social implications of television as an instrument of control, manipulation, and knowledge production. What, we ask, are the implications, in both 1984 and concrete experience, of light-speed communication capabilities for sense perception, consciousness, language, and awareness? In its dissemination of images and information, how does television impede and/or facilitate politics …