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Articles 1021 - 1050 of 1083

Full-Text Articles in Film and Media Studies

Virta-Flaneurazine-Sl, Clinical Study, Collaborative Project Feb 2009

Virta-Flaneurazine-Sl, Clinical Study, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succint description only of the current research project undertaken by the participants. It provides for the following information:

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci


Pathos, Winter 2009, Portland State University. Student Publications Board Jan 2009

Pathos, Winter 2009, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 8


Marketing Under Feminist Scrutiny, Andrew Harris Jan 2009

Marketing Under Feminist Scrutiny, Andrew Harris

XULAneXUS

At first glance, an ad in a magazine may appear harmless when left critically unexamined, but when studied closely, patterns start to arise that express male dominance which habitually goes unnoticed because male dominance has long been taken for granted. Laura Mulvey writes on phallocentrism in her essay entitled “Visual Pleasure and Narrative Cinema” and explains how to recognize the distinction between men and women in popular media. The most dominant theme in her essay is that marketers depict female characters so they seem like man’s opposite, suggesting that women only exist when defined by their “castration” or penislessness. This …


German Film And The Frankfurt School (Spring 2009), Robert D. Tobin Jan 2009

German Film And The Frankfurt School (Spring 2009), Robert D. Tobin

Syllabi

This course is an introduction to German cinema. We will study masterpieces of German film, important critical and theoretical discussions of them, and the contexts in which they were produced and received. As a critical lens, we will rely heavily on psychoanalytic and Frankfurt School criticism, focusing on writings by Walter Benjamin, Siegfried Kracauer and Theodor Adorno. By the end of the semester, students should know the history of German film, have a better understanding of German culture, and have developed a critical understanding that is useful for their appreciation of all cinematic form.

A photo of this Spring 2009 …


That Moment Now = 此時.那刻, Tin Yan, Celia Ko Jan 2009

That Moment Now = 此時.那刻, Tin Yan, Celia Ko

Artists-in-Residence Programme : Exhibition Catalogues

Art Exhibition by Celia Ko

In a new exhibition ‘Th at Moment Now’ on show at Lingnan University, Hong Kong artist Celia Ko presents three bodies of work that take as their subject the artist’s relationship to her maternal Chinese ancestry. In pursuing her subject Ko has created a trilogy of images through which the interior life of her family is approached from diff erent vantage points. Using large-scale images and hand made garments and jewellery Ko explores the pervasive power of familial myths and narratives.

The first part of the exhibition are large-scale portraits of her mother’s parents: grandfather …


Cinematherapy As A Clinical Intervention: Theoretical Rationale And Empirical Credibility, Michael Powell Dec 2008

Cinematherapy As A Clinical Intervention: Theoretical Rationale And Empirical Credibility, Michael Powell

Graduate Theses and Dissertations

Two problems must be addressed before cinematherapy can advance as a credible therapeutic intervention: (a) a solid theoretical rationale must exist supporting its use in mental health counseling, and (b) quantifiable data must exist promoting its treatment efficacy, and these data need to extend to various clinical populations representing a range of mental health conditions. This study intends to address both problems by critiquing the theoretical and experimental literature on cinematherapy and measuring the relative effectiveness of a structured, nondirective cinematherapy intervention at improving the hope and optimism of an adult diagnosed with Major Depression. One person (JV= 1) was …


Pathos, Fall 2008, Portland State University. Student Publications Board Oct 2008

Pathos, Fall 2008, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 7


Studio Practice Course, Visual Studies Programme, Department Of Philosophy, Lingnan University May 2008

Studio Practice Course, Visual Studies Programme, Department Of Philosophy, Lingnan University

Visual Studies Programme : Students’ Monographs

Wordings from Klaus

The word document (from Latin "docere", to teach) first describes something that holds clues or provides proof, usually as written evidence. Much of the document remained in the realm of words until the mid-19th century invention of photography. Daguerre's contemporaries' amazement over the fact that the camera would depict reality quasi automatically made photography and film the quintessential documentary media throughout the 20th and early 21 st century.

Learning to question this automatic trust the technological media have been invested with from early implementations to the time of digital manipulation was a trip the students of Lingnan …


Pathos, Spring 2008, Portland State University. Student Publications Board Apr 2008

Pathos, Spring 2008, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 6


Baroque Glances At Society: The Appropriation Of Decoupage, The Long Take And Depth Of Field Photography In The Early Films By J.A. Bardem., Jesús Urda Jan 2008

Baroque Glances At Society: The Appropriation Of Decoupage, The Long Take And Depth Of Field Photography In The Early Films By J.A. Bardem., Jesús Urda

Conference Papers

Bardem is often described as a Spanish Neorealist, as a director who followed closely the cinema of Italian directors like Fellini, Pietro Germi, Visconti and of course the early Antonioni. Except for Cómicos (1954), inspired by the reading of Joseph L. Mankievicz’s All About Eve (1950) all the films he made during the 1950s are inspired by an Italian source: Death of a Cyclist (1955) was inspired by Antonioni’s Cronnica di un Amore/Story of a Love Affair (1951); Calle Mayor (1956), shares similarities in plot and concept with Fellini’s I Vitelloni (1953); La Venganza (1957) with Pietro Germi’s Il Camino …


Pathos, Winter 2008, Portland State University. Student Publications Board Jan 2008

Pathos, Winter 2008, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 5


Floating World Projects : Two Views, Delicacies, Inside Out = 浮世, Klaus Peter Knoll, Cella Jan 2008

Floating World Projects : Two Views, Delicacies, Inside Out = 浮世, Klaus Peter Knoll, Cella

Artists-in-Residence Programme : Exhibition Catalogues

Floating World Projects photographs and exhibition were realized through the Visual Studies Artist-in-Residence Programm and the generous support of the Department of Philosophy.


Pathos, Fall 2007, Portland State University. Student Publications Board Oct 2007

Pathos, Fall 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 4


Japanese Video Art, Micol Hebron Jul 2007

Japanese Video Art, Micol Hebron

Art Faculty Articles and Research

A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.


"Whether Beast Or Human": The Cultural Legacies Of Dread, Locks, And Dystopia., Kevin Frank Jun 2007

"Whether Beast Or Human": The Cultural Legacies Of Dread, Locks, And Dystopia., Kevin Frank

Publications and Research

Analyzing the ongoing problem of Caribbean racial exploitation, particularly fear signified through one of the most potent Caribbean symbols, dreadlocks, Kevin Frank offers a paradigm shift in arguing that Medusa's alterity is altered by Rastafarians' snake-like hair, but the transformative power of Rasta dreadlocks is contested through certain cinematic depictions of dread.


Words For Pictures, Jayne Dyer May 2007

Words For Pictures, Jayne Dyer

Artists-in-Residence Programme : Exhibition Catalogues

WORDSFORPICTURES intersects with the Lingnan Library site and collection.

The exhibition represents a culmination of a series of discrete interventions that occurred over the residency. The installation operates as a linguistic production offering oblique narratives to explore the notion of the Library as a storehouse of accumulated facts, hypotheses, conjectures and fictions.

"文字圖像" 這項裝置藝術, 結合了嶺南圖書館的埸地和藏書。展覽是藝術家在她駐校期間, 在圖書館內所作的一連串抽象的藝術介入的高潮。這項裝置啟動了語言學上非直截了當的敍述, 來探討圖書館作為存放一個事實, 理論, 推理和小說的寶庫的意圖。


Female Agency And Oppression In Caribbean Bacchanalian Culture: Soca, Carnival, And Dancehall, Kevin Frank Apr 2007

Female Agency And Oppression In Caribbean Bacchanalian Culture: Soca, Carnival, And Dancehall, Kevin Frank

Publications and Research

In this essay Kevin Frank discerningly analyzes agency and gender in public sexual performances emanating out of what Paul Gilroy identifies as part of the compensatory politics of the subordinated within Black Atlantic culture, Jamaican dancehall (dancehall reggae/ dancehall queens).


Pathos, Spring 2007, Portland State University. Student Publications Board Apr 2007

Pathos, Spring 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 3


Movie Poster Advertisements: A Relevance Theory Persepctive, Steven Lawrie Forrett Jan 2007

Movie Poster Advertisements: A Relevance Theory Persepctive, Steven Lawrie Forrett

Theses Digitization Project

The purpose of this thesis is to examine ten movie posters while hypothesizing whether or not their tagline texts could interest a reader. A linguistic framework Relevance Theory, is used in the analysis of this project.


Pathos, Fall 2006, Portland State University. Student Publications Board Oct 2006

Pathos, Fall 2006, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 2


Information Professional Or Caretaker Of "Old Stuff", Daniel Davis May 2006

Information Professional Or Caretaker Of "Old Stuff", Daniel Davis

Library Faculty & Staff Publications

Do archivists emphasize their role as technicians with specialized skills and knowledge or do they emphasize their role as sort of "semi-pro" historians? This debate has been around since the 1930s and is not likely to be decided any time soon. My argument is that young archivists cannot afford to take an either/or approach and must incorporate elements of both paths or risk obsolescence and/or continued low salaries.


The Portrait Of Citizen Jean-Baptiste Belley, Ex-Representative Of The Colonies By Anne-Louis Girodet Trioson: Hybridity, History Painting, And The Grand Tour, Megan Marie Collins Mar 2006

The Portrait Of Citizen Jean-Baptiste Belley, Ex-Representative Of The Colonies By Anne-Louis Girodet Trioson: Hybridity, History Painting, And The Grand Tour, Megan Marie Collins

Theses and Dissertations

Anne-Louis Girodet Trioson's Portrait of C.[itizen] Jean-Baptiste Belley, ex-representative of the Colonies, is evidence of the changing ideological situation during the French Revolution. Girodet was one of the most learned and accomplished students of Jacques-Louis David who strove to surpass his teacher in two ways: 1) by painting David's Neoclassical style so well that his handling surpasses that of his master, and 2) by choosing subject matter never before explored by David. Girodet accomplishes both within this work. The Neoclassical handling of the image has been achieved with amazing clarity, and the central figure of an identified black man …


Through The Window: The Subject And The Voyeur's Gaze Within Cinema And Video, James A. Doohan Jan 2006

Through The Window: The Subject And The Voyeur's Gaze Within Cinema And Video, James A. Doohan

Theses : Honours

The underlying theme of this thesis is that cinema and related media create sites in which the viewer becomes a kind of voyeur, and in doing so normalises the voyeuristic gaze. Relationships between those who possess the gaze and those who become the object of that gaze are structured both ideologically and through the apparatus of the camera itself. These ideologies are arguably driven by a patriarchal paradigm, particularly within mainstream cinema where men appear to control the gaze and women are positioned as the object of that gaze. Even within cinema however that appears to be explicitly misogynistic like …


Inaugural Catalogue : Lam Tung-Pang's Work, Tung Pang Lam Jan 2006

Inaugural Catalogue : Lam Tung-Pang's Work, Tung Pang Lam

Artists-in-Residence Programme : Exhibition Catalogues

The First Artist-in-Residence 首位駐校藝術家


Hogarth To Monster Wheels : A Grotesque Connection, Christopher Ridley Jan 2006

Hogarth To Monster Wheels : A Grotesque Connection, Christopher Ridley

Theses : Honours

When an audience is exposed to deformed, altered and abnormal entities, their interpretation relies on some form of cultural awareness of both the expected and the altered shape to stimulate a reaction. I maintain that the stimulus for this reaction has its roots in a dark and terrifying primal force, the manifestation of which we regard as the grotesque. This thesis looks for a commonality in a satirical interpretation afforded to this grotesque force. By using the caricatures in William Hogarth's engravings and the altered cars in three contemporary films. I search for a correlation between the way Hogarth and …


Pathos, Winter 2006, Portland State University. Student Publications Board Jan 2006

Pathos, Winter 2006, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 1


Images Of Women In Contemporary Egyptian Film: Elements Of The Body Sexuality And Consumerism, Nahla Zeitoun Jun 2005

Images Of Women In Contemporary Egyptian Film: Elements Of The Body Sexuality And Consumerism, Nahla Zeitoun

Archived Theses and Dissertations

Among the various cinematic themes which have been studied over the past several years is that of the image of women. Women, taken as cinematic figures, evoke multiple images of a cultural and social discourse and draw attention to gender and family relations in a broader sense in a specific society. Moreover, Egyptian cinema has been a major point of reference for Egyptian culture in this country. It has shaped and expressed the changing of scenarios of modern Egypt to an extent that no preceding art form could ever achieve. It has influenced the way in which people perceive various …


Macromedia Director Audio Project Research - Written Report, Peter Dee Mar 2005

Macromedia Director Audio Project Research - Written Report, Peter Dee

Articles

A written report about the Director Audio Project: Underground Sound to include the four headings of control of audio, thematic coherence, management of assets and originality of approach / design rationale. The Underground Sound Director Audio Project is about contemporary black music in an urban setting. Images of old and young captured in the environment in which they live.


Plato. Spider-Man And The Meaning Of Life, Jeremy Barris Jan 2005

Plato. Spider-Man And The Meaning Of Life, Jeremy Barris

Humanities Faculty Research

Some versions of mysticism have taught that the ordinary world around us is sacred and wonderful, that the meaning of life is to be found not through some extraordinary knowledge or awareness, but in appreciating what already surrounds us. I believe that both Spider-Man comics and Plato’s dialogues offer exactly this deep vision, and that they introduce us to it in some remarkably similar ways. I cannot do any kind of justice here to the richness of either set of works, or to the variations of style and meaning within each of them. Instead I shall focus only on four …


Shifting Representations Of Aboriginality In Australian Cinema : Re-Presenting From An Anti-Colonial Perspective, Kylie Solonec Jan 2005

Shifting Representations Of Aboriginality In Australian Cinema : Re-Presenting From An Anti-Colonial Perspective, Kylie Solonec

Theses : Honours

Recently there has been a significant shift in the way that Aboriginal people are being represented in Australian cinema. Some would argue that the social and political movements that have occurred since the 1960s through until today have had a significant effect and in turn have produced a third wave of Australian cinema. Concurrently with this process, there have been a number of Indigenous politicians, academics and filmmakers who have actively been striving to gain better resources and opportunities for Indigenous filmmakers to be able to tell their stories. A combination of these two projects has seen a shift in …