Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- University of Rhode Island (44)
- City University of New York (CUNY) (38)
- University of Nebraska - Lincoln (35)
- Brigham Young University - Hawaii (32)
- Chapman University (19)
-
- College of the Holy Cross (17)
- Loyola Marymount University and Loyola Law School (16)
- SIT Graduate Institute/SIT Study Abroad (16)
- Wilfrid Laurier University (14)
- Old Dominion University (13)
- Technological University Dublin (12)
- University of Nevada, Las Vegas (12)
- Gettysburg College (10)
- Virginia Commonwealth University (10)
- Rhode Island School of Design (8)
- University of Nebraska at Omaha (8)
- Claremont Colleges (7)
- Eastern Kentucky University (7)
- SUNY College Cortland (7)
- California Polytechnic State University, San Luis Obispo (6)
- Nova Southeastern University (6)
- Arcadia University (5)
- Bowling Green State University (5)
- University of Kentucky (5)
- University of New Mexico (5)
- University of South Florida (5)
- Washington University in St. Louis (5)
- Western Kentucky University (5)
- California State University, San Bernardino (4)
- Edith Cowan University (4)
- Keyword
-
- Film (47)
- Gender (26)
- Feminism (21)
- Media (21)
- Representation (20)
-
- Colonialism (18)
- Globalization (17)
- Photography (15)
- Culture (13)
- Identity (13)
- Art (12)
- Women (11)
- Immigration (10)
- Race (10)
- Cultural identity (9)
- Documentary (9)
- History (9)
- Memory (9)
- Neoliberalism (9)
- Popular culture (9)
- Sexuality (9)
- Social change (9)
- Television (9)
- Diversity (8)
- Fiji (8)
- Social Change (8)
- Cinema (7)
- Crime (7)
- Ethnicity (7)
- India (7)
- Publication Year
- Publication
-
- Markets, Globalization & Development Review (40)
- Pacific Studies (32)
- Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy (24)
- Dissertations, Theses, and Capstone Projects (20)
- Monsoon: South Asian Studies Association Journal (16)
-
- Independent Study Project (ISP) Collection (15)
- Journal of Global Catholicism (13)
- Theses and Dissertations (9)
- Master's Theses (8)
- Journal of Religion & Film (7)
- Masters Theses (7)
- Online Theses and Dissertations (7)
- Student Scholar Symposium Abstracts and Posters (7)
- Center for LGBTQ Studies (CLAGS) (6)
- Conference Papers (6)
- Reconstruction: Studies in Contemporary Culture (6)
- The Goose (6)
- Department of Sociology: Faculty Publications (5)
- Graduate Research Symposium (2010 - 2017) (5)
- Publications and Research (5)
- Graduate School of Art Theses (4)
- LSU New Orleans Theses and Dissertations (4)
- Présence Francophone: Revue internationale de langue et de littérature (4)
- Scripps Senior Theses (4)
- Student Publications (4)
- The Qualitative Report (4)
- Theses and Dissertations (Comprehensive) (4)
- UNLV Theses, Dissertations, Professional Papers, and Capstones (4)
- Women’s Studies, Feminist Zine Archive (4)
- CLCWeb: Comparative Literature and Culture (3)
- Publication Type
Articles 481 - 510 of 525
Full-Text Articles in Film and Media Studies
Racial Discourse In Planet Of The Apes, Mandy Sheidah Allen
Racial Discourse In Planet Of The Apes, Mandy Sheidah Allen
Sociology & Criminal Justice Theses & Dissertations
The purpose of the study is to explore the racial discourse in the six Planet of the Apes films. The films range from 1968 to 2001 and portray the radical advances and the slow progression of race relations during this time frame. The racial discourse will be examined using themes of race and devolution, looking at the race class hierarchies of the ape society (a subversive metaphor for human society) and race as it is associated with power and political movements. The earlier films will be contrasted with Burton's 2001 version to explore how the concept race has shifted its …
Of Technology And Apocalypse, Or Whose Independence Day?, Christopher Keep
Of Technology And Apocalypse, Or Whose Independence Day?, Christopher Keep
Reconstruction: Studies in Contemporary Culture
[First paragraph]
The scene is now familiar. The cities of the world are in ruins. The Empire State Building obliterated. The White House reduced to rubble. The remnants of humankind gather in the desert, scrounging together what remains of their air defence systems for one last effort to repulse the alien invaders. Haggard but determined, the last American President prepares to lead his motley crew of resistance fighters into the fray. He takes the hand mic, tests it once or twice, and his voice crackles over the speakers. In less than one hour, he announces, aircraft from here will join …
Media, Message And Meaning: The "Queer As...What?" Symposium, Andrew Ingall
Media, Message And Meaning: The "Queer As...What?" Symposium, Andrew Ingall
Center for LGBTQ Studies (CLAGS)
On October 11, scholars, journalists, media watch activists, and community intellectuals examined depictions and productions of LCTBQ people in television, the World Wide Web, and print journalism at a CLAGS symposium with the wily title, "Queer as . . . What?"
Spaces Of Motherhood, Deirdre Conlon, Marcus Carvalho
Spaces Of Motherhood, Deirdre Conlon, Marcus Carvalho
Reconstruction: Studies in Contemporary Culture
[First paragraph]
In this paper our aim is to critically evaluate motherhood, as a social production that is deeply imbricated with the ideologies of patriarchy, technology and capitalism. We ground our analysis in Henri Lefebvre's (1994) theory on the social production of space and Barbara Katz-Rothman's (2000) examination of motherhood as it is constituted through ideology. Further, we draw on Smith's (1997) observation that it is possible to examine the production of space and materialization of capitalism at different scales; in this paper we focus specifically on the scale of the body and of the house in order to consider …
Violence In American Cinema, Ryan Lewis
Violence In American Cinema, Ryan Lewis
Whittier Scholars Program
The table of contents includes The Production Code, Violence, A Clockwork Orange, Reservoir Dogs, Natural Born Killers, and Fight Club. The project begins with an overview of the history of the production code and how violence was originally prohibited in movies. The author discusses various movies that include violence and the different techniques they used. A VHS tape is included as well.
Fresa Y Chocolate: The Rhetoric Of Cuban Reconcilliation, Enrico Mario Santí
Fresa Y Chocolate: The Rhetoric Of Cuban Reconcilliation, Enrico Mario Santí
Institute for Cuban & Cuban-American Studies Occasional Papers
No abstract provided.
Woman As Contender For The United States Presidency: A Look At The Movie, "The Contender", Ibpp Editor
Woman As Contender For The United States Presidency: A Look At The Movie, "The Contender", Ibpp Editor
International Bulletin of Political Psychology
This article explores whether the movie, "The Contender," supports the viability of a woman for the presidency of the United States.
The Gendered World Of Disney: A Content Analysis Of Gender Themes In Full-Length Animated Disney Feature Films, Beth A. Wiersma
The Gendered World Of Disney: A Content Analysis Of Gender Themes In Full-Length Animated Disney Feature Films, Beth A. Wiersma
Electronic Theses and Dissertations
Research has focused on the gender messages portrayed in television programs, cartoons, advertisements, literature, picture books, and fairy tales. One venue that has not received as much attention in the research is the Disney 1 full-length animated feature films. This is a qualitative study of the gender themes and portrayal of gender roles in full-length animated feature films by The Walt Disney Company. The findings in this research indicate there has been little change in the stereotyped portrayals of Disney characters from the release of the first full-length animated feature film Snow White and the Seven Dwarfs in 1937 to …
Ua12/2/1 Shout The Century Out, Wku Student Affairs
Ua12/2/1 Shout The Century Out, Wku Student Affairs
WKU Administration Documents
Special homecoming edition of the College Heights Herald:
- Brewer, Jerry. Coming Home to the Hill – Homecoming
- Hall, Rex. Otis Day Helping Hill Shout Out the Century – Big Red’s Roar
- Adams, Robert. Coming Home Like Christmas
- Brown, Abbey. Lowell Harrison A Living History of Western
- Warren, Brandy. Gordon Ford’s Legacy is Donation
- Homecoming 1999
- Gaines, Jim. Buildings Change, But College Friendships Stay the Same
- Logsdon, Jeremy. Alumnus Spends Life Fighting AIDS – Gene Shearer
- A Message from the President – Henry Cherry, Class of 1931 (WKU)
- Grubb, Christy. Jann Aaron Pioneered for Women in the Medical Field
- Eslingers, Justin. …
Suzanne Falgout And James West Turner's Review Of Lieweila: A Micronesian Story, Suzanne Falgout, James West Turner
Suzanne Falgout And James West Turner's Review Of Lieweila: A Micronesian Story, Suzanne Falgout, James West Turner
Pacific Studies
No abstract provided.
Marta Rohatynskyj's Review Of Advertising Missionaries And Pacific Passages, Marta Rohatynskyj
Marta Rohatynskyj's Review Of Advertising Missionaries And Pacific Passages, Marta Rohatynskyj
Pacific Studies
No abstract provided.
Contributors: Vol 22 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 22 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 22 (1999): Pacific Studies Full Issue 2
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 22, No 2 Edition of the Pacific Studies Journal
Vol. 22 No. 2 (1999): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 22 No. 2 (1999): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Review Of Breaching The Margins: Three Stories Of Aids And Sexuality In The Asian And Island Pacific (Films: Not A Simple Story/Out In Silence; China Dolls; And The Loser), Douglass P. Drozdow
Review Of Breaching The Margins: Three Stories Of Aids And Sexuality In The Asian And Island Pacific (Films: Not A Simple Story/Out In Silence; China Dolls; And The Loser), Douglass P. Drozdow
Pacific Studies
No abstract provided.
Geoffrey M. White's Review Of Storytellers Of The Pacific, Geoffrey M. White
Geoffrey M. White's Review Of Storytellers Of The Pacific, Geoffrey M. White
Pacific Studies
No abstract provided.
Vol. 21 No. 4 (1998): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 21 No. 4 (1998): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 21, No 4 Edition of the Pacific Studies Journal
Jason Carter And Laura Zimmer-Tamakoshi's Review Of Charlie Nairn's A Death To Pay For: Individual Voices, Jason Carter, Laura Zimmer-Tamakoshi
Jason Carter And Laura Zimmer-Tamakoshi's Review Of Charlie Nairn's A Death To Pay For: Individual Voices, Jason Carter, Laura Zimmer-Tamakoshi
Pacific Studies
No abstract provided.
Contributors: Vol 21 No. 4, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 21 No. 4, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 21 (1998): Pacific Studies Full Issue 4
Marcelous Akapito And Joakim Peter's Review Of Vicente M. Diaz's Sacred Vessels: Navigating Tradition And Identity In Micronesia, Marcelous Akapito, Joakim Peter
Marcelous Akapito And Joakim Peter's Review Of Vicente M. Diaz's Sacred Vessels: Navigating Tradition And Identity In Micronesia, Marcelous Akapito, Joakim Peter
Pacific Studies
No abstract provided.
David H. Lewis's Review Of Eric Metzgar's Spirits Of The Voyage, David H. Lewis
David H. Lewis's Review Of Eric Metzgar's Spirits Of The Voyage, David H. Lewis
Pacific Studies
No abstract provided.
Vol. 20 No. 4 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 20 No. 4 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 20 No. 4, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 20 No. 4, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 20 (1997): Pacific Studies Full Issue 4
Introduction: Imaging, Representation, And Photography Of The Pacific Islands, Max Quanchi
Introduction: Imaging, Representation, And Photography Of The Pacific Islands, Max Quanchi
Pacific Studies
No abstract provided.
Vol. 20 No. 4 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 20 No. 4 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
White Shadows In The Darkness: Representations Of Polynesian Women In Early Cinema, Margaret Jolly
White Shadows In The Darkness: Representations Of Polynesian Women In Early Cinema, Margaret Jolly
Pacific Studies
This article considers representations of Polynesian women in two early Hollywood films: Moana (1926) and Tabu (1931). It ponders the tensions not just between the cinematic visions of Robert Flaherty and F. W. Murnau, but between ethnographic recuperations and romantic celebrations of Polynesian women, in the light of de Lauretis’s contentions (in Technologies of Gender, 1987) that gendered identities are neither fixed nor immutable, but shifting and fluid effects.
Not So Nice Colored Girls: A View Of Tracey Moffatt’S Nice Coloured Girls, Caroline Vercoe
Not So Nice Colored Girls: A View Of Tracey Moffatt’S Nice Coloured Girls, Caroline Vercoe
Pacific Studies
Nice Coloured Girls is Tracey Moffatt’s first film. Produced in 1987, this seventeen-minute film describes a tradition that has been passed down from her grandmother’s and great-grandmother’s generation—that of “picking up Captain.” Moffatt explains “since colonisation ‘picking up Captain’ has been a way for Aboriginal women to survive off white men.” Rather than creating new and empowered Aboriginal heroines for the 1990s, Moffatt chooses to site her characters within a colonial continuum. Her tradition begins with postcolonial contact and it is clearly formed by cross-cultural experiences. This essay focuses on the narrative structure of Nice Coloured Girls and discusses the …
Dan Jorgensen's Review Of John Davis's Mountains Of Gold: The People Of Porgera, Dan Jorgensen
Dan Jorgensen's Review Of John Davis's Mountains Of Gold: The People Of Porgera, Dan Jorgensen
Pacific Studies
No abstract provided.
Vol. 20 No. 2 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 20 No. 2 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …