Film and Media Studies Commons^™

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the …

Place Reimagined, Michelle Unger

Independent Study Project (ISP) Collection

This book shows the creative process and final product of my Independent Study Project, conducted in Prague as part of a semester study abroad program. The project started with interviewing four Czech graphic designers who described places in Prague that are especially meaningful to them. After collecting and transcribing their stories related to their places of inspiration, I visited the locations myself and photographed the locations with sensitivity to the details the artists had emphasized as unique to their experience of the place. While at each site, I also photographed elements of the locations that I personally found interesting and …

Course Syllabus (Sp15) Coli 214 Literature & Society: "Societies Of Discipline And Control", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course description:

Optics is central to the arts of producing human subjects and governing our spatiotemporal deployment of vital forces. Yet, in the transition of societies from industrial to post-industrial modes of production, there seems to have occurred a parallel shift in governmental focus from merely producing and disciplining subjects at the material level to controlling them at the ideological. In this discussion-driven course, we will turn to works of theory and fiction in order to examine the basic tenets of discipline and control and consider the extent to which these social practices diverge and converge in our present era.

Iran: Beyond The Headlines, Musselman Library

Other Exhibits & Events

Poster with Spring 2015 events for Iran: Beyond the Headlines series.

Iran: Beyond the Headlines is a learning series that includes book discussions, film screenings, and lecture designed to help us move past today's headlines and explore the history, art, culture, and everyday life of Iranians. Series events are scheduled for September 2014 - April 2015. All events are free and open to the public.

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …

Review Of Riding The Wind With Liezi By Ronnie Littlejohn And Jeffrey Dippmann, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.

Media Narratives And Drug Prohibition: A Content Analysis Of Themes And Strategies Promoted In Network News Coverage, 2000-2013, Maria M. Orsini

Theses, Dissertations and Capstones

Illicit drugs and drug users have been criminalized and stigmatized in social life and in mass media for more than a century in the United States. Researchers have reasoned that media accounts have contributed to the social construction of drug use as deviant behavior. Depictions of drugs and drug users which utilize alarmist rhetoric have been prevalent in media discourse and have targeted allegedly disreputable populations. The ideology which underpins drug prohibition, punitive public attitudes, and media sensationalism has contributed to the tendency of American society to disallow alternative approaches. This study examines the contribution of televised news broadcasts in …

The Leisured Testes: White Ball-Breaking As Surplus Masculinity In Jackass, Christina M. Tourino

English Faculty Publications

In Jackass: Number Two (2006), Bam Margera allows Ryan Dunn to brand his posterior with a hot iron depicting male genitalia. Bam cannot tolerate the pain enough to remain perfectly still, so the brand touches him several times, resulting in multiple images that seem blurry or in motion. Bam’s mother, who usually plays the role of game audience for his antics, balks when she learns that her son has been hurt as well as permanently marked. She asks Dunn why anyone would ever burn a friend. “Cause it was funny,” Dunn answers.[i]

Jackass mines the body in pain as …

Where We Have Been And Where We Can Go From Here: Looking To The Future In Research On Media, Race And Ethnicity, Riva Tukachinsky

Communication Faculty Articles and Research

This special issue illuminates the ways in which media portrayals and practices, together, create barriers to inclusion for diverse groups and normalize existing patterns of relegation on and off the screen. Media representations of race and ethnicity have critical consequences for intergroup relationships and for marginalized group members’ self-concept. A synthesis of the research included in this volume demonstrates the significance of these questions across media outlets, their relevancy despite the rise of new technologies, and their application to social contexts outside the U.S.. Finally, this concluding article suggests directions for future research and offers implications for policies that can …

Documenting Portrayals Of Race/Ethnicity On Primetime Television Over A 20-Year Span And Their Association With National-Level Racial/Ethnic Attitudes, Riva Tukachinsky, Dana Mastro, Moran Yarchi

Communication Faculty Articles and Research

The current study content analyzes the 345 most viewed U.S. television shows within 12 separate television seasons spanning the years 1987 to 2009. Using multilevel modeling, the results from this comprehensive content analysis then are used to predict national-level racial/ethnic perceptions (between the years 1988 and 2008) with data from the American National Election Studies (ANES). Content analysis results reveal severe underrepresentation of Latinos, AsianAmericans, and NativeAmericans, and a tendency to depict ethnic minorities stereotypically (e.g., overrepresentation of hyper-sexualized Latino characters). Multilevel-modeling analysis indicates that both the quantity and quality of ethnic media representations contributes to Whites’ racial attitudes.

The Power Of Creativity: How Web-Based Parody Encourages Chinese Civil Participation, Amber Boczar

International ResearchScape Journal

This article investigates that relationship between e’gao (parody using web-based media) and Chinese civil participation. E’gao (恶搞 EUH-gow) uses videos, images, and text based campaigns that use humor to remove fear of political commentary and action. By detailing the development of China’s internet use, and the creation of the e’gao movement, I argue that e’gao removes the fear of participating in campaigns and movements, which criticize government policy and actions on both local and state levels, by using humor and anonymity of large online numbers. E’gao can provide a way for the common citizens to mold policy, and hold authority …

Creating Knowledge, Volume 8, 2015

Creating Knowledge

Dear reader,

I am delighted to introduce this eighth volume of Creating Knowledge: The LAS Journal of Undergraduate Scholarship. This volume features 19 essays and 14 art works, representing advanced coursework produced in twenty different departments and programs during the 2014-2015 academic year. Several of the essays have been honored with department awards and several draw on research supported by undergraduate research grants. Many were originally written in senior capstone seminars, research-intensive seminars, and independent studies, and many were presented in some form at one of the numerous conferences and showcases sponsored by departments and programs throughout the year. All …

“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films, Avina Ross

Graduate Research Posters

This qualitative study uses juxtapositional, intersectional and critical discourse analyses as one composite framework to assess Black female victimness and matriarchy in three Tyler Perry films. Findings exposed a transitional archetype model consisting of 5 domains (Victim, Bitterfruit, Matriarch, Forgiver and Princess) whereby victimized characters are portrayed using racist and sexist stereotypes. Additionally, rich juxtapositions in the films with regard to Black female victimness and matriarchy were also revealed. These juxtapositions play out in the transitional archetype model and reiterate a harmful racist gendered stereotype: strong, Black women (matriarchs) are not and cannot, by way of their strength, aggressiveness and …

Visualising Migrant Voices: Co-Creative Documentary And The Politics Of Listening, Darcy Alexandra

Doctoral

This ethnography of media production explores the challenges of literally and figuratively visualising voice. The labour of a shared production and the distribution of the audio-visual documentary essays unfolded within a field of diverse, and at times, conflicting interests. For this reason, judicious attention to what I name ‘encounters’ of ‘political listening’ (Bickford 1996; Dreher 2009) provides one framework for theorising the challenges of researching with marginalised subjects and stories, and the contradictions of developing shared practices within proprietary contexts. These encounters reveal moments of listening and being heard, struggles over ‘veracity’ and ‘evidence,’ and the power relations inherent in …

Much Of Society's Unrest Caused By Barrage Of Negative Stereotypes In Films, Anthony Major

UCF Forum

Everybody has a perception about what the image of art should say – or not say – but few have an informed opinion. The power of the communicative arts transcends the mere power to inform. That power is used in film, television, newspapers, radio, art, magazines, music, theatre and the new social media network as a means of influencing and shaping attitudes by providing images and opinions.

“He Venido A Servir A Mi Gente” El Liceo Guacolda Y La Educación Intercultural En Chile / "I Have Come To Serve My People " The Liceo Guacolda And Intercultural Education In Chile, Jake Highleyman

Independent Study Project (ISP) Collection

The concept of intercultural education is present in many countries worldwide: it’s the idea of learning through the lenses of more than one culture, not just the Western or dominant one. In Chile, intercultural education is most commonly associated with the mapuche, the largest indigenous group in Chile. Since 1993, Chile has had a federal Bilingual Intercultural Education program (EIB). However, almost all of the implementation is left up to individual schools. The schools that do apply the program at a high school level only do so in an elective-based manner. That is, only students who elect to take a …

Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis's Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the birth and evolution of the social documentary genre in visual media. It proposes that a mixture of ideology, technology, and social awareness are necessary for a successful social reform. Its review and study of related primary and secondary sources determines that despite the limitations of technology during the nineteenth century, social documentaries were produced long before they were part of the genres of photography and film. By focusing on the work of Danish photographer Jacob Riis and tracing the emergence of the film medium through time, this thesis demonstrates a strong connection between documentary film and …

It's Not Unusual: Glee And The Mainstream Acceptance Of Spontaneous Public Performance, Elizabeth M. Downey

UL Publications

When Glee debuted in 2009, the genre of the television musical series had a shaky history. Traditional episodic programs had previously aired musical episodes but these were seen as rare absurdities; the genre was an oddity to exploit on occasion, not something that could sustain an entire series (a belief proven when previous attempts had failed). The flash mob culture that emerged in the mid-2000s alongside the groundswell of social media changed this environment. The absurdity of people “bursting into song” in a public place was no longer a completely unrealistic scenario, and this reopened the door for the musical …

Iran: Beyond The Headlines, Musselman Library

Other Exhibits & Events

Poster with Fall 2014 events for Iran: Beyond the Headlines series.

Iran: Beyond the Headlines is a learning series that includes book discussions, film screenings, and lecture designed to help us move past today's headlines and explore the history, art, culture, and everyday life of Iranians. Series events are scheduled for September 2014 - April 2015. All events are free and open to the public.

Utopias Misplaced: The Cost Of Outsourcing Dystopian Poetics To North Korea, Seo-Young J. Chu

Publications and Research

This is a slightly revised version of the text of a talk that I (Seo-Young Chu) gave as part of the Fall 2014 Franke Lectures in the Humanities at Yale University. I'm sharing the text here to make the lecture more accessible. Topics include: North Korea/the DPRK, the "uncanny body politic," the uncanny valley, "dystopian poetics," what it means to outsource dystopian poetics, the intersection of aesthetics and politics. Authors/artists mentioned include: Thomas Hobbes, Mary Shelley, David Mitchell, Marjane Satrapi, Song Byeok, Sun Mu, Masahiro Mori, Andy Warhol. The talk also discusses the James Bond film Die Another Day.

The Bad Boy: A Cultural Phenomenon, Writing Collective Ffc 100.12

e-Research: A Journal of Undergraduate Work

The bad boy is a cultural phenomenon that exists as an archetype in all sorts of artistic mediums, though most prevalently in literature and film, and even in the real world. The bad boy is defined through his actions and his philosophy of resistance - of challenging the world (ours or his own) on the normalcy of its convictions. This article explores the ways in which the bad boy manifests and the vast categories he may occupy - from hero to criminal, introvert to public performer, or sexual deviant to authoritarian dictator. The bad boy is many things: a liberator, …

The Paradox Of Commercial Photography: Power And Sexuality In Models, Christina Bell

e-Research: A Journal of Undergraduate Work

Commercial photography has a tendency to force upon us a standard template of what the ideal person is or looks like. Unfortunately, the artificial standard is horribly unachievable and detrimental to physical and mental health, which produces sentiments of insufficiency and abjection with the self, especially among young impressionable girls. In a sick - and very modern - twist of evolutionary progress we find ourselves idealizing the depictions of models appearing to be on the verge of starvation. This article examines the power and sexuality in models produced through commercial photography and its effects on society at-large.

An Examination Of University Speech Codes’ Constitutionality And Their Impact On High-Level Discourse, Benjamin Welch

College of Journalism and Mass Communications: Theses

The First Amendment – which guarantees the right to freedom of religion, of the press, to assemble, and petition to the government for redress of grievances – is under attack at institutions of higher learning in the United States of America. Beginning in the late 1980s, universities have crafted “speech codes” or “codes of conduct” that prohibit on campus certain forms of expression that would otherwise be constitutionally guaranteed. Examples of such polices could include prohibiting “telling a joke that conveys sexism,” or “content that may negatively affect an individual’s self-esteem.” Despite the alarming number of institutions that employ such …

Silver Hair On The Silver Screen: Adaptations Of Jane Austen's Older Women, Hilary Richards

All Theses

Three adaptations of Jane Austen novels were produced between 1995 and 1999. These late 90s films represented a set of romantic comedies created in the style of heritage cinema. In adapting Sense and Sensibility, Emma, and Mansfield Park, filmmakers reshaped the older women supporting characters in order to better fit the generic conventions of romantic comedies. Romantic comedies of the 1990s relied on a narrow view of the marriage plot whereby the focus in wholly on the courtship process of a predominately affluent, white, heterosexual couple. By excising the roles of the older women, Mrs. Jennings, Miss Bates, and Mrs. …

打造香港道德 = The (Re)Making Of The Hong Kong Ethic, Ching Yau

《新自由主義下的新道德》研討會 NEO-MORALISM UNDER NEOLIBERALISM INTERNATIONAL CONFERENCE

過去關於港人價值觀的論述一般認為華人難民社群有「功利家庭主義」的非政治化取向 (Lau)、殖民政治強化「固有的保守和怯懦心理」(曾31)、「港人(主要是年青一代)普遍都表現了十分內向與退卻心理…… 極端的物慾主義、享樂主義或消極意念」(曾35)。雖然貧富懸殊嚴重，但直至本世紀初以前，「多數居民都相信有能力肯苦幹就有機會出頭」；「法律觀念深入民心」，所以「個人和家庭利益放在集體利益的前面」(李41) ；八十年代後是「利益團體政治」及伴隨而來的「公民權利」及「社區意識」興起，「歸屬感政治」轉變至「權益政治」(黃偉邦 184) ° 戰後出身的一代因為並未經歷中國內戰所以較為「理想主義」(張炳良58) ，大多「出身低下家庭」，「故對社會公義問題特別敏感」(張炳良59)，普遍認同「民主自由、公義平等」原則；不是「福利派」，「要求其本階級利益獲得一定的注重」(張炳良61)，「重視自我奮鬥，強調獨立」(張炳良63) ，要求機會平等而不是均等主義 (Lau and Khan 66; 呂1998b : 203) °「競爭性資本主義」環境提供的「雙軌發展」社會流動機能鼓勵沒受過專上教育的透過「搏殺」來晉升中產階級 (呂1998b : 98) ° 即使看到資本主義「有不平等」，但仍然接受「競爭性的制度」; 九七後的焦慮是害怕失去「一個個人自由得到尊重、個人高度的自由活動空間和依法行事的制度」，導致「自身利益受損」，「毋須因政治理由而委屈、妥協」，面對「強權的、家長式的環境」(呂 1998b : 203-206)。

以上大概描述了上世紀八十年代及以後的港人主流價值觀，經常被統稱為「獅子山下精神」的。過去學者一般傾向把香港本土意識的崛起，「獅子山下精神」(《獅子山下 》為1974-1994年間，香港電台製作的一套電視劇) 的形塑 追塑至七十年代 。六十年代末至七十年代是香港經濟結構急劇轉型期 (如1969-1972年間就有三家證券交易所成立：1969年遠東交易所、1971年金銀證券交易所及1972年九龍證卷交易所)，而五十至六十年代中則通常被指為南來人口無法或企圖適應香港、心懷祖國的過渡期。本文借爬梳五十年代的流行電 影文化來闡述當時社會-我認為同樣是「紮根」香港，以香港作為想像共同體 - 深入民心的價值觀跟「獅子山下精神」的不盡相同甚至矛盾，從而企圖重新想像香港文化中的一些被歷史斷裂化了、地下化了的聲音，如何被有系統地排除在「香港本土」的界定以外。 我追溯這過程作為在香港被「競爭性資本主義」全盤洗禮之前，經歷了的一項去（舊）道德，同時也是去政治化工程。而把「香港本土意識」定性於在七十年代才出現這種說法，是把香港人對殖民資本主義的認同作為香港成為想像共同體的條件，這也是香港最新自由主義化的「本土性」。

Present discourse on Hongkongers' value systems considers this community of Chinese refugees as having an apolitical "utilitarian familism" (Lau); that colonial politics reinforced “an existing psychology of conservatism and timidity” (Tsang 31); that "Hongkongers (mainly its younger generations) express generally a very inward-looking and regressive mentality… an extreme materialism, hedonism and negativity.” (Tsang, 35) Despite a severe gap between the rich and poor, until …

Deconstructing The Digital Divide: Critical Media Literacy Implementation In The Classroom, Evelyn C. Obamos

Creative Activity and Research Day - CARD

In this presentation I explore the complexity of the digital divide and propose to use the framework of critical praxis put forth by Paolo Freire in the Pedagogy of the Oppressed (1970). Using Freire we are able to build on existing research on the digital divide, contextualize the multi-dimensional issue of the divide, and respond to the social, cultural, and political issues within and beyond the classroom environment.

Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino

Graduate Research Symposium (2010 - 2017)

This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …

Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis’S Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova

Graduate Research Symposium (2010 - 2017)

This study examines the birth and evolution of the social documentary genre in visual media. It suggests that a mixture of ideology, technology, and social awareness are necessary for a successful social reform. It finds that despite the limitations of technology during the nineteenth century, social documentaries were produced long before they were part of the genres of photography and film. By focusing on the work of Danish photographer Jacob Riis and tracing the emergence of film, this study demonstrates a connection between documentary film and Riis’s social documentary photography and public slide exhibitions. The study concludes that in order …

The Notebook: An Accidental Alzheimer's Awareness Campaign, Danielle Waldron

Annual Undergraduate Conference on Health and Society

My paper examines and critiques the portrayal of Alzheimer¹s disease in the popular film, The Notebook. Based off of a Nicholas Sparks novel, The Notebook uses Alzheimer¹s disease as a vehicle to relay a love story, but in doing so, presents a distorted picture of Alzheimer¹s disease to its audience. My paper compares the responsibilities of family caregivers of Alzheimer¹s patients in today¹s world with the unrealistic family caregiver, Noah, depicted on screen. My paper also explores and exposes inconsistencies between the attractive nursing home experience presented on screen and the less than ideal treatment patients experience in long term …

Rave Culture- A Tale Of Two Scenes, Christopher Mohr

Faculty Curated Undergraduate Works

This article compares two iterations of rave culture through the perspective on scenes as outlined by Geoff Stahl in his essay "'It's Like Canada Reduced': Setting the Scene in Montreal." By applying both communication and sociopolitical theory to the comparison of the original rave scene to that of today's, a vivid understanding of how scenes and subcultures construct themselves- both within and around the cultural environments from which they are born- will become apparent.