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Articles 2161 - 2190 of 2398

Full-Text Articles in Film and Media Studies

Davenport, Cyn (Fa 381), Manuscripts & Folklife Archives Apr 2009

Davenport, Cyn (Fa 381), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 381. Paper: "'Seinfeld': Modern Channels for Folklore" written by Cyn Davenport for a Western Kentucky University folk studies class.


Harbolt, Tami (Fa 394), Manuscripts & Folklife Archives Apr 2009

Harbolt, Tami (Fa 394), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 394. Paper: "'I'm Not a Real Doctor, But I Play One on T.V...'": The Use of Folklore in Representations of Occupational Stereotypes in Television Advertising" written by Tami Harbolt for a Western Kentucky University folk studies class.


We Are Who We Are: How Filmmaker And Unh Student Anna Bruning Captured The “Will To Be” Basque, Matthew Kingston, Travis Taylor Apr 2009

We Are Who We Are: How Filmmaker And Unh Student Anna Bruning Captured The “Will To Be” Basque, Matthew Kingston, Travis Taylor

Inquiry Journal 2009

No abstract provided.


The Spectacle Of Suffering: Trauma And Narration, Collaborative Project Mar 2009

The Spectacle Of Suffering: Trauma And Narration, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succinct description only of the current research project undertaken by the participants. It provides for the following information

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci


Film Finance: Teaching/Research, Collaborative Project Mar 2009

Film Finance: Teaching/Research, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succinct description only of the current research project undertaken by the participants. It provides for the following information

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci


Public Mood Ring, Collaborative Project Feb 2009

Public Mood Ring, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succint description only of the current research project undertaken by the participants. It provides for the following information.M

Participants

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci


Peach, Jewell (Fa 355), Manuscripts & Folklife Archives Feb 2009

Peach, Jewell (Fa 355), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 355. Paper: "Folklore in Film" written by Jewell Peach for a Western Kentucky University folk studies class.


Troubled Waters: Mid-Twentieth Century American Society On "Trial" In The Films Of John Waters, Taunya Lovell Banks Jan 2009

Troubled Waters: Mid-Twentieth Century American Society On "Trial" In The Films Of John Waters, Taunya Lovell Banks

Faculty Scholarship

In this Article Professor Banks argues that what makes many of filmmaker John Waters early films so subversive is his use of the “white-trash” body—people marginalized by and excluded from conventional white America—as countercultural heroes. He uses the white trash body as a surrogate for talk about race and sexuality in the early 1960s. I argue that in many ways Waters’ critiques of mid-twentieth century American society reflect the societal changes that occurred in the last forty years of that century. These societal changes resulted from the civil rights, gay pride, student, anti-war and women’s movements, all of which used …


From Demigods To Slayers: Contemporary Mythology And Gender Economies In Buffy The Vampire Slayer, Adam Kem Yerima Jan 2009

From Demigods To Slayers: Contemporary Mythology And Gender Economies In Buffy The Vampire Slayer, Adam Kem Yerima

Theses Digitization Project

In the critically acclaimed television series Buffy the Vampire Slayer, writer-director Joss Whedon revises the trope of monster slaying into a contemporary feminist Slayer mythology. This thesis explores how Buffy's Slayer mythology revises gender conventions performed by Greek Demigods myths, specifically Apollodorus' rendition of the myths in the Library of Greek Mythology.


Marketing Under Feminist Scrutiny, Andrew Harris Jan 2009

Marketing Under Feminist Scrutiny, Andrew Harris

XULAneXUS

At first glance, an ad in a magazine may appear harmless when left critically unexamined, but when studied closely, patterns start to arise that express male dominance which habitually goes unnoticed because male dominance has long been taken for granted. Laura Mulvey writes on phallocentrism in her essay entitled “Visual Pleasure and Narrative Cinema” and explains how to recognize the distinction between men and women in popular media. The most dominant theme in her essay is that marketers depict female characters so they seem like man’s opposite, suggesting that women only exist when defined by their “castration” or penislessness. This …


Global Freud (Fall 2009), Robert D. Tobin Jan 2009

Global Freud (Fall 2009), Robert D. Tobin

Syllabi

This course provides an introduction to Freud’s thinking, especially on literary and cultural topics. Reading his writing in conjunction with literary texts from a variety of cultural backgrounds, we will focus on the ways in which authors, artists, musicians and film makers from around the world have used Freud’s insights and try to determine in what ways his thoughts translate globally.


The Orphan As Mirror: Postmodern Alienation And Societal Crisis In Japanese Film, Leann Wolley Jan 2009

The Orphan As Mirror: Postmodern Alienation And Societal Crisis In Japanese Film, Leann Wolley

Global Tides

This paper discusses the cultural significance of orphans in the post-modern media, using as a case study two Japanese films: Grave of the Fireflies and Nobody Knows. Through comparing the films and examining their approach to the orphan storytelling this paper attempts to gain insight into post-modern Japanese attitudes about social issues. By analyzing the appeal of the films to Japanese and international audiences, it also attempts to explain their popularity by drawing parallels between the main characters of each motion picture and the average postmodern citizen.


From Dreams To Nightmares : Cross-Generational Romance In Mainstream American Cinema, Sol Stern Jan 2009

From Dreams To Nightmares : Cross-Generational Romance In Mainstream American Cinema, Sol Stern

Theses : Honours

This thesis is concerned with the changes in cinematic depictions of romantic relationships in which there is enough age disparity that the couple could be mistaken for parent and child. These cross-generational affairs have significance within the ideology of the family unit, the heterosexual couple and the classic Hollywood ideal of romantic love. The way that these relationships have been portrayed on screen has changed drastically in mainstream American cinema from the 1950s to the 2000s, and these shifts reflect changing values and attitudes in society since all films exhibit certain ideologies. Through sampling several relevant films made between 1953 …


Health Communication Theories: Implications For Hiv Reporting In Asia And The Pacific, Trevor Cullen Jan 2009

Health Communication Theories: Implications For Hiv Reporting In Asia And The Pacific, Trevor Cullen

Research outputs pre 2011

This paper focuses on the expanding HIV (Human Immunodeficiency Virus) epidemic in parts of Asia and the Pacific region and recommends the adoption of insights from particular health communication theories. The author argues that these paradigms can assist in broadening the current scope and content of HIV reporting. One theory in particular - Social Change Communication (SCC) - challenges the media to extend the framing of HIV from primarily a health story to one that is linked to more macro socio-economic, cultural and political factors. Asian and Pacific countries that have an emerging or expanding HIV epidemic need to realise …


Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers Jan 2009

Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers

UNLV Theses, Dissertations, Professional Papers, and Capstones

In 2005, the Home Box Office and British Broadcasting Corporation partnered to produce Rome , a television series that retells the Roman histories of Julius Caesar, Marc Antony and Augustus through the lives of two centurion soldiers, Titus Pullo and Lucious Vorenus. The show's producers endeavored to bring Roman streets to life and included more storylines of women, men and children of all classes. At first considered a more egalitarian approach to history, Rome 's women are said to "challenge expectations" (Vu, 2005) and "forge a new path" (Ragalie, 2007, p. 2). But does this new representation challenge the old …


Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy Dec 2008

Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy

Présence Francophone: Revue internationale de langue et de littérature

During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …


Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang Dec 2008

Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang

Présence Francophone: Revue internationale de langue et de littérature

Critical evaluations of African cinema have tended in the past to confi ne the analysis of this corpus to its content. In books and articles published earlier, the colonial and postcolonial history of the continent abound, social dramas are explained at length, thefts at all levels, cultural mystifi cation, corruption as well as violence are amply described. The insights of such an approach notwithstanding, the aesthetic sources of African cinema are not limited to the rural and the traditional. Through a comparison of Vittorio De Sica Bicycle Thief and Sembène’s Borom Sarret, this paper argues that african cinema inserted itself …


Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty Dec 2008

Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty

Présence Francophone: Revue internationale de langue et de littérature

As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …


L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case Dec 2008

L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case

Présence Francophone: Revue internationale de langue et de littérature

The ethics and aesthetics of the films and novels of Sembène reflect the axiological principles of his work. Sembène’s impact can be felt throughout as his practice in both cinema and literature helped redefi ne the features of the African novel and film. For him, writing was fed by the experiences, however painful, of workers of diverse origins attempting to survive their difficult conditions. His novels reveal the agony of this world but also various opportunities for self realization among his characters. Such practice, born out of the sweat, resistance and determination of men and women eking out their living, …


De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap Dec 2008

De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …


Cinematherapy As A Clinical Intervention: Theoretical Rationale And Empirical Credibility, Michael Powell Dec 2008

Cinematherapy As A Clinical Intervention: Theoretical Rationale And Empirical Credibility, Michael Powell

Graduate Theses and Dissertations

Two problems must be addressed before cinematherapy can advance as a credible therapeutic intervention: (a) a solid theoretical rationale must exist supporting its use in mental health counseling, and (b) quantifiable data must exist promoting its treatment efficacy, and these data need to extend to various clinical populations representing a range of mental health conditions. This study intends to address both problems by critiquing the theoretical and experimental literature on cinematherapy and measuring the relative effectiveness of a structured, nondirective cinematherapy intervention at improving the hope and optimism of an adult diagnosed with Major Depression. One person (JV= 1) was …


Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill Oct 2008

Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill

Conference Papers

Ireland’s experience of the transition from public service broadcasting to public service media has gathered pace within the last year with new legislative arrangements for media regulation, the awarding of digital terrestrial television licences and renewed attempts to introduce digital radio broadcasting on the DAB platform. The national public broadcaster, RTE, has played a central role in these developments as it attempts to manage a range of technology platforms and to provide media services for an increasingly diverse and complex market. This paper addresses the case of digital radio in Ireland and the prospects for a successful launch of DAB …


British Film Noir Guide, Priscilla Finley Sep 2008

British Film Noir Guide, Priscilla Finley

Library Faculty Research

Independent scholar Keaney follows up his Film Noir Guide: 745 Films of the Classic Era, 1940-1959 (CH, Sep'03, 41-0022) with this filmography of 369 British productions that embrace the visual style and dark thematic elements that define film noir as a genre.


“I Hope You Never See Another Day Like This”: Pedagogy & Allegory In “Post 9/11” Video Games, Marc A. Ouellette Sep 2008

“I Hope You Never See Another Day Like This”: Pedagogy & Allegory In “Post 9/11” Video Games, Marc A. Ouellette

English Faculty Publications

Although critics and scholars have considered the extent to which the terror attacks of 11 Sept. 2001 influenced subsequent media productions, video games comprise a largely unexamined form. This oversight also applies to related forms of media production and among those who study video games is in part attributable to the ongoing debate regarding the relationship(s) between narrative and play. Even so, as early as 1997, JC Herz was investigating the role of video games in the military-entertainment complex. That said, the focus of this paper will not be the obvious games which draw settings and plots directly from the …


If You Don't Like It, You Must Not Get It: Exploring The Limits Of Polysemy In Family Guy's Satire, Christopher A. Medjesky Aug 2008

If You Don't Like It, You Must Not Get It: Exploring The Limits Of Polysemy In Family Guy's Satire, Christopher A. Medjesky

All-Inclusive List of Electronic Theses and Dissertations

Out of context, many of the unenlightened comments that come from characters on shows like The Simpsons, Family Guy or South Park seem offensive and prejudiced. However, many assume the audience rejects the more problematic elements of these characters' actions because the audience interprets the texts satirically. Little research has been conducted, however, to determine if these shows position readers to negotiate a progressive meaning from the story. I worry that those who passively view the texts may produce meanings that reinforce stereotypes and prejudices. Furthermore, proponents of media literacy have advocated the use of satirical texts without the benefit …


Durham, Tracy L. (Fa 281), Manuscripts & Folklife Archives Jun 2008

Durham, Tracy L. (Fa 281), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 281. Paper: "[Ads in 'Cosmo' Magazines]" written by Tracy L. Durham for a Western Kentucky University folk studies class.


Fritz, Craig (Fa 287), Manuscripts & Folklife Archives Jun 2008

Fritz, Craig (Fa 287), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 287. Paper: "Proverbial Statements in Mountain Bike Magazines" written by Craig Fritz for a Western Kentucky University folk studies class.


Regional Integration, Capital Investment And The Cultural Content Of Egyptian Tv: The Case Of Mbc And Otv, Sahra Gemeinder Jun 2008

Regional Integration, Capital Investment And The Cultural Content Of Egyptian Tv: The Case Of Mbc And Otv, Sahra Gemeinder

Archived Theses and Dissertations

No abstract provided.


Dab Eureka-147: The European Vision For Digital Radio, Brian O'Neill May 2008

Dab Eureka-147: The European Vision For Digital Radio, Brian O'Neill

Conference Papers

The digitalisation of radio broadcasting has a long history and as a project has been under active consideration for at least 25 years. A number of different technical approaches to digital radio exist, the longest established of which is the so-called Eureka-147 or DAB (Digital Audio Broadcasting) system. This paper explores the ‘technological imaginary’ of DAB and its distinctly ‘European’ vision for new media and the future of broadcasting. It examines its origins in European R&D policy of the 1980s, and its affinity with European broadcasting practice, particularly within a public service tradition. Ironically, it was DAB’s failure to capitalise …


Schroeder, Rachel L. (Fa 257), Manuscripts & Folklife Archives May 2008

Schroeder, Rachel L. (Fa 257), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 257. Paper: "Ads, Ads, Ads: A Look at the Number Three in Magazine Advertisements" written by Rachel L. Schroeder for a Western Kentucky University folk studies class.