Film and Media Studies | Open Access Articles

Temporary Marriage In Iran: Gender And Body Politics In Modern Iranian Film And Literature, Alicia Izharuddin

Journal of Religion & Film

This is a book review of Claudia Yaghoobi, Temporary Marriage in Iran: Gender and Body Politics in Modern Iranian Film and Literature (Cambridge: Cambridge University Press, 2020).

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Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire

Journal of Religion & Film

Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle against patriarchal prejudice. …

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Catholics & Cultures As An Act Of Improvisation: A Response, Thomas M. Landy

Journal of Global Catholicism

This essay responds to seven articles published in the same issue of the Journal of Global Catholicism on the use of Catholics & Cultures, a multimedia website, as a pedagogical resource for college classrooms. The site is deliberately presented in a fashion that undermines notions of center and periphery and presents Catholicism from a lay, lived-religion perspective as the multicultural faith that it is, minimizing reference to religious typologies. Particular attention is given to how to navigate tensions around theorizing, categorizing and sorting information for cross-cultural comparison. Given scholars’ current state of knowledge, writing about and teaching about global Catholicism …

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Focus On The Busy Intersections Of Culture And Cultural Change, Laura Elder

Journal of Global Catholicism

The dynamics of religious resurgence reveal the important ways that religious ritual and performance are meaning making spaces which are not self-contained or cut off from the rest of culture, but rather are a key locus of cultural change. A renewed emphasis on the busy intersections of meaning making – as rituals are connected, disconnected, and reconnected to other domains of social life – would improve the utility of the Catholics & Cultures website for understanding global cultural change. And a renewed emphasis on cultural change would also provide a better means for exploring reflexively by seeking to understand both …

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Selections From Divinatio Diver, Sculptural Antipathia In Atonement Transcendo, And Mechanika Momento: Creatio Forecaster, Antonie Frankie Aquino

Far West Popular Culture Association Annual Conference

It is fated inspiration which penetrates the heart, satisfies the collective soul, and offers its spirit to the vastness of ceremonial vision. Vision becomes sound and sound forms a poetic voice displaced— this displacement radiates a mythologized poetic voice serving as a lyrical object, theogonic lyre, and the genealogical muse. Selected poems from Divinatio Diver, Sculptural Antipathia: In Atonement Transcendo and Mechanika Momento: Creatio Forerunner, the collected poems orchestrate a tryptic voice that dismantles the outward magnitude of the self by subverting the antithetical self through spiritual and organic sensualness.This mythopoeic tripartism simultaneously interconnects with religion, theology, and metaphysics which …

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The Rhetoric Of Spirituality, Gender, And The Environment In The Wicker Man (1973) And Midsommar (2019), Emma Frances Bloomfield

Far West Popular Culture Association Annual Conference

The Wicker Man (1973) and Midsommar (2019) are horror films that address dominant ideologies including the patriarchy, anthropocentrism, and Christianity. Both films have a nature-connected cult that sacrifices for the community and performs rituals informed by pagan eco-spirituality. I perform an ecofeminist rhetorical criticism to analyze how, despite these shared themes, spiritual, gender, and environmental messages differ between the two films. In The Wicker Man, the audience is invited to sympathize with Neil’s character, his Christianity, and his individualistic masculinity as he is sacrificed in the cult’s harvest ritual. Alternatively, the main character in Midsommar, Dani, gets revenge …

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Challenging Faith And Gaining Power: Women In Film Who Reject And Subvert Religion, Annika Murrah

Religion and Film

This paper examines the ways that women seize power through rejection and subversion of religion by relating women in film to the real world. Rejection of faith is exemplified by characters in the films The Little Hours (2017) and The Miseducation of Cameron Post (2018). Subversion of faith is understood through the films Whale Rider (2003), Jennifer’s Body (2009), and Transparent (2014). Narrative analysis of these films is contrasted with studies of orthodox religion as examined by Dr. Brenda E. Brasher and Dr. Mary Gerhart. The importance and effect of women’s newly-gained power is applied to social change as recorded …

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Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb

Articles

This chapter presents the use of Lost & Found – a purpose-built tabletop to mobile game series – to teach medieval religious legal systems. The series aims to broaden the discourse around religious legal systems and to counter popular depiction of these systems which often promote prejudice and misnomers. A central element is the importance of contextualizing religion in period and locale. The Lost & Found series uses period accurate depictions of material culture to set the stage for play around relevant topics – specifically how the law promoted collaboration and sustainable governance practices in Fustat (Old Cairo) in twelfth-century …

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Efter Jobbet: En Inledande Diskussion Om Studiet Av Fritid, Leif Stenberg, Anders Ackfeldt

Faculty & Staff Publications

No abstract provided.

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The Virtues Of Being Human: Faith, Hope, And Love In James Gray's The Immigrant (2013), The Lost City Of Z (2016), And Ad Astra (2019), John Adair

Journal of Religion & Film

James Gray’s three most recent features reflect on the Christian virtues of faith, hope, and love, revealed and developed through encounters with others. The Immigrant (2013) reveals the way faith informs familial commitments, social bonds, and a life-giving response to suffering and injustice. The Lost City of Z (2016) portrays a dreamer, a man whose hopeful vision of another world animates every aspect of his being. And Gray’s most recent feature, Ad Astra (2019) traces a man’s turn toward relationship as he discovers what it means to love. In each case, as Gray’s characters display these virtues, the characters transcend …

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Heroes, Villains And The Muslim Exception: Muslim And Arab Men In Australian Crime Drama, Sana Patel

Journal of Religion & Film

This is a book review of Mehal Krayem, Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama.

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Theology And The Films Of Terrence Malick, Joel Mayward

Journal of Religion & Film

This is a book review of Christopher B. Barnett and Clark J. Elliston, eds., Theology and the Films of Terrence Malick.

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Queer Muslim Diasporas In Contemporary Literature And Film, Hina Muneeruddin

Journal of Religion & Film

This is a book review of Alberto Fernández Carbajal's Queer Muslim Diasporas in Contemporary Literature and Film.

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Gender And Patriarchy In The Films Of Muslim Nations: A Filmographic Study Of 21st Century Features From Eight Countries, Candace Mixon

Journal of Religion & Film

This is a book review of Patricia R. Owen, Gender and Patriarchy in the Films of Muslim Nations: A Filmographic Study of 21st Century Features from Eight Countries.

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Consuming Bollywood, Anjali Gera Roy

Journal of Religion & Film

Hindi popular cinema, marked with sartorial, visual and material excess, has paradoxically portrayed acquisition of wealth or unregulated consumption as inimical to the Chaturvarga philosophy, or the idea that an individual should seek four goods – Artha (wealth), Kama (pleasure), Dharma (duty) and Moksha (renunciation) - in moderation in order to lead a balanced life. While its visual imagery is largely oriented towards Artha or pleasure, Dharma, in its meaning as duty, has been the prime motivation of Hindi or Bombay cinema’s characters and structures the cinematic conflict and action. However, Hindi cinema appears to have undergone a phase-shift in …

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The Monstrous Other And The Biblical Narrative Of Ruth, Jonathan Lyonhart, Jennifer Matheny

Journal of Religion & Film

Guillermo Del Toro’s The Shape of Water (2017) restages the biblical narrative of Ruth in Cold War America, crystallizing the parallel through setting numerous scenes at a local cinema that is playing The Story of Ruth (1960). The book of Ruth tells the tale of how a non-Israelite outsider could be welcomed into the kingdom of God and ultimately into the lineage of Christ. Likewise, del Toro populates his tale with multiple outsiders—multiple ‘Ruths’—including a mute woman, an African American cleaner, a Russian Communist, and an elderly homosexual male. However, these are merely reflections of the ultimate outsider, Del Toro’s …

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Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The “Limits Of Fabricated Realism”, Elizabeth Toohey

Journal of Religion & Film

My paper juxtaposes Laurent Cantet’s films The Class (2008) and The Workshop (2017) to explore how they are infused with concerns about radical Islam and the place of Muslim immigrants in the West. Both films center on "angry young men" facing class-based marginalization, who are prone to anti-social behavior. In The Workshop, however, a great effort is made to reveal the intellectual potential and moral complexity of the young white French-born Antoine, whose alienation is defined by his attraction to the xenophobic and Islamophobic rhetoric of the Far Right, whereas viewers of The Class are kept at arm’s length …

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Corruption As Shared Culpability: Religion, Family, And Society In Andrey Zvyagintsev's Leviathan (2014), Maria Hristova

Journal of Religion & Film

This article engages in close analysis of how Andrey Zvyagintsev depicts corruption and its various manifestations: moral, familial, societal, and institutional, in Leviathan (Leviafan, 2014). While other post-Soviet films address the problem of prevalent corruption in Russia, Zvyagintsev’s work is the first to provoke strong public reactions, not only from government and Russian Orthodox Church officials, but also from Orthodox and political activist groups. The film demonstrates that the instances of legal and moral failings in one aspect of existence are a sign of a much deeper and wider-ranging problem that affects all other spheres of human experience. …

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Minecrafting Bar Mitzvah: Two Rabbis Negotiating And Cultivating Learner-Driven Inclusion Through New Media., Owen Gottlieb

Articles

In 2013, a boy with special needs used the video game Minecraft to deliver the sermon at his bar mitzvah at a Reform synagogue, an apparently unique ritual phenomenon to this day. Using a narrative inquiry approach, this article examines two rabbis’ negotiations with new media, leading up to, during, and upon reflection after the event. The article explores acceptance, innovation, and validation of new media in religious practice, drawing on Campbell’s (2010) framework for negotiation of new media in religious communities. Clergy biography, philosophy, and institutional context all impact the negotiations with new media. By providing context of a …

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Binding With Ancient Logics: The In/Per/Sub-Version Of Faërian Drama In The Cabin In The Woods, Janet Brennan Croft

Journal of Tolkien Research

Faërian Drama is a term developed by J.R.R. Tolkien in his essay “On Fairy-stories,” which he describes as plays which the elves present to men, with a “realism and immediacy beyond the compass of any human mechanism,” where the viewer feels he is “bodily inside its Secondary World” but instead is “in a dream that some other mind is weaving” (63-64). Smith of Wootton Major is a prime example from his own writing; other examples of the genre include Dickens’s A Christmas Carol and the movie Groundhog Day. When we read or view a work containing an example of …

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Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez

American Studies ETDs

New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …

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Creatively Exploring Self: Applying Organic Inquiry, A Transpersonal And Intuitive Methodology, Larisa J. Bardsley Phd

The Qualitative Report

This article explores the merit of using Organic Inquiry, a qualitative research approach that is most effectively applied to areas of psychological and spiritual growth. Organic Inquiry is a research approach where the psyche of the researcher becomes the instrument of the research, working in partnership with the experiences of participants and guided by liminal and spiritual influences. Organic Inquiry is presented as a unique methodology that can incorporate other non-traditional research methods, including intuitive, autoethnographic and creative techniques. The validity and application of Organic Inquiry, as well as its strengths and limitations are discussed in the light of the …

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Managing The Wear Of Heavy Construction Equipment Steel Track Undercarriage By Soil Sand Content, Frederick Ashburn Rich

All-Inclusive List of Electronic Theses and Dissertations

Heavy construction equipment owners and managers have few predictive tools that can estimate wear rate of undercarriage track propulsion systems working in various soil types and changing operational conditions. Managing the timely maintenance of these track systems is critical for they represent over half of the non-fuel operating cost of the equipment fleet. Understanding the major influencing factors that impact undercarriage system wear rate can help determine the most economical time to stop a machine for track maintenance thus positively impacting the equipment’s return on investment (ROI). This research analyzed the population of track type dozers in the eastern half …

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Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

This thesis works to understand the relationships witches and conjurors have with the film and television depictions of them. Employing the method of film critique, I argue that the witch stands as a cultural symbol in the US of women and femmes with power, and that their stories serve as lessons to these populations about what it means to be an acceptable woman or femme, while simultaneously creating and perpetuating stereotypes of magic practitioners. Then, using the combination of hashtag ethnography, in-person and video interviewing and internet surveys, I argue that #witchblr and #witchesofcolor, as well as the space of …

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Subversive Christian Allegory In In The Heat Of The Night (1967), Geert Heetebrij

University Faculty Publications and Creative Works

No abstract provided.

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Censorship And Banned Books From A Christian Perspective, Sarah D. Jenkins

Selected Honors Theses

Removing material due to controversial content has been a common practice for much of recorded history. This action is often done in concern for the psychological and emotional well-being of viewers, especially if these viewers include children. However, this does not necessarily mean this practice is always warranted. Many researchers have studied this topic as well as its effects, expanses, and connections to religion. Research shows that exposure to certain material can potentially cause changed behavior in individuals who do not possess the maturity needed to process them effectively. Individuals who are more mature or emotionally stable show no lasting …

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Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.

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Hail, Caesar! A Jesus Film In Search Of A Christ Figure, Jon Coutts

Journal of Religion & Film

For over a century the moving picture has been a medium ripe for propagation or exploration of the story of Christ. Since the first wave hit screens in the late 1890s and early 1900s, the list of so-called “Jesus films” has come to number in the dozens. Given that Joel and Ethan Coen’s 2016 Hail, Caesar! sets itself up as a reprisal of such films, the question is how to interpret it. To explore this, interpretation of the film is framed by consideration of the Coen brothers' attention to religious themes, is set against the backdrop of the second wave …

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The Moving Image And The Time Of Prophecy: Trauma And Precognition In L. Von Trier’S Melancholia (2011) And D. Villeneuve’S Arrival (2016), Luca Zanchi

Journal of Religion & Film

Both the deferred recurrence of post-traumatic symptoms and the foresight granted by prophetic vision bring about a disruption of temporality and generate a chronological discontinuity which is often formally rendered as narrative discontinuity. This similarity produces an interpretive ambiguity that is central to the films, Melancholia (2011) by Von Trier and Arrival (2016) by Denis Villeneuve. Both movies begin by hinting at the post-traumatic origin of visions and then gradually shift towards a prophetic explanation. In addressing these two case studies, this article approaches prophecy and its temporality from a narratological perspective, integrating the critical parameters of trauma-theory with the …

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The Gaze And A Sufi Ethics Of Vision In Majidi’S The Willow Tree: Form, Meaning, And The Real, Cyrus A. Zargar

Journal of Religion & Film

In his 2005 film The Willow Tree (Bīd-i Majnūn), Majid Majidi offers a complex moral commentary on the faculty of sight. To do so, the filmmaker draws from Sufi theories of gazing, in which desire must be for ultimate meaning (maʿnā), as conveyed through the vehicle of perceivable form (ṣūra), a distinction with both metaphysical and ethical implications. Majidi presents sight, when devoid of contemplation, as a sort of voyeurism, especially in contrast to the privacy and immediacy of speech and especially within the context of the modern city. Moreover, his use of a …

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Full-Text Articles in Film and Media Studies

Temporary Marriage In Iran: Gender And Body Politics In Modern Iranian Film And Literature, Alicia Izharuddin

Journal of Religion & Film

Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire

Journal of Religion & Film

Catholics & Cultures As An Act Of Improvisation: A Response, Thomas M. Landy

Journal of Global Catholicism

Focus On The Busy Intersections Of Culture And Cultural Change, Laura Elder

Journal of Global Catholicism

Selections From Divinatio Diver, Sculptural Antipathia In Atonement Transcendo, And Mechanika Momento: Creatio Forecaster, Antonie Frankie Aquino

Far West Popular Culture Association Annual Conference

The Rhetoric Of Spirituality, Gender, And The Environment In The Wicker Man (1973) And Midsommar (2019), Emma Frances Bloomfield

Far West Popular Culture Association Annual Conference

Challenging Faith And Gaining Power: Women In Film Who Reject And Subvert Religion, Annika Murrah

Religion and Film

Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb

Articles

Efter Jobbet: En Inledande Diskussion Om Studiet Av Fritid, Leif Stenberg, Anders Ackfeldt

Faculty & Staff Publications

The Virtues Of Being Human: Faith, Hope, And Love In James Gray's The Immigrant (2013), The Lost City Of Z (2016), And Ad Astra (2019), John Adair

Journal of Religion & Film

Heroes, Villains And The Muslim Exception: Muslim And Arab Men In Australian Crime Drama, Sana Patel

Journal of Religion & Film

Theology And The Films Of Terrence Malick, Joel Mayward

Journal of Religion & Film

Queer Muslim Diasporas In Contemporary Literature And Film, Hina Muneeruddin

Journal of Religion & Film

Gender And Patriarchy In The Films Of Muslim Nations: A Filmographic Study Of 21st Century Features From Eight Countries, Candace Mixon

Journal of Religion & Film

Consuming Bollywood, Anjali Gera Roy

Journal of Religion & Film

The Monstrous Other And The Biblical Narrative Of Ruth, Jonathan Lyonhart, Jennifer Matheny

Journal of Religion & Film

Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The “Limits Of Fabricated Realism”, Elizabeth Toohey

Journal of Religion & Film

Corruption As Shared Culpability: Religion, Family, And Society In Andrey Zvyagintsev's Leviathan (2014), Maria Hristova

Journal of Religion & Film

Minecrafting Bar Mitzvah: Two Rabbis Negotiating And Cultivating Learner-Driven Inclusion Through New Media., Owen Gottlieb

Articles

Binding With Ancient Logics: The In/Per/Sub-Version Of Faërian Drama In The Cabin In The Woods, Janet Brennan Croft

Journal of Tolkien Research

Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez

American Studies ETDs

Creatively Exploring Self: Applying Organic Inquiry, A Transpersonal And Intuitive Methodology, Larisa J. Bardsley Phd

The Qualitative Report

Managing The Wear Of Heavy Construction Equipment Steel Track Undercarriage By Soil Sand Content, Frederick Ashburn Rich

All-Inclusive List of Electronic Theses and Dissertations

Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

Subversive Christian Allegory In In The Heat Of The Night (1967), Geert Heetebrij

University Faculty Publications and Creative Works

Censorship And Banned Books From A Christian Perspective, Sarah D. Jenkins

Selected Honors Theses

Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

Hail, Caesar! A Jesus Film In Search Of A Christ Figure, Jon Coutts

Journal of Religion & Film

The Moving Image And The Time Of Prophecy: Trauma And Precognition In L. Von Trier’S Melancholia (2011) And D. Villeneuve’S Arrival (2016), Luca Zanchi

Journal of Religion & Film

The Gaze And A Sufi Ethics Of Vision In Majidi’S The Willow Tree: Form, Meaning, And The Real, Cyrus A. Zargar

Journal of Religion & Film