Film and Media Studies Commons^™

Complete Issue 1, Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Complete Issue 1, Volume 10

Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia

Languages and Cultures Publications

The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

De La Gravure Scientifique À La Gravure Artistique : Le Burin De Pierre Lyonet Et De Cécile Reims, Hélène Laulan, Caroline Anthérieu-Yagbasan

The Goose

Comment l’image peut-elle nous faire habiter le monde ? Pour répondre à cette problématique, nous cherchons ici à interroger la tension peut-être trop tranchée entre images scientifiques et images artistiques, pour construire un questionnement ontologique sur l’image. Cette réflexion s’appuiera sur la pratique de deux graveurs, l'un dit « scientifique », et l'autre « artiste ».

The Monstrous Other And The Biblical Narrative Of Ruth, Jonathan Lyonhart, Jennifer Matheny

Journal of Religion & Film

Guillermo Del Toro’s The Shape of Water (2017) restages the biblical narrative of Ruth in Cold War America, crystallizing the parallel through setting numerous scenes at a local cinema that is playing The Story of Ruth (1960). The book of Ruth tells the tale of how a non-Israelite outsider could be welcomed into the kingdom of God and ultimately into the lineage of Christ. Likewise, del Toro populates his tale with multiple outsiders—multiple ‘Ruths’—including a mute woman, an African American cleaner, a Russian Communist, and an elderly homosexual male. However, these are merely reflections of the ultimate outsider, Del Toro’s …

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …

Drawn To Peace: Comics As Multimodal Narratives In Peace And Conflict Education, Laurence Stacey

Doctor of International Conflict Management Dissertations

Comics, a type of multimodal narrative, have historically been used as platforms for political discourse. Through a combination of visual, verbal, and spatial devices, comics often explore issues of peace, conflict, and justice “from below,” in ways that reveal the complexities of narrative and identity. In doing so, they have the potential to interrogate grand narratives that often go undisrupted. Humanities scholars have long recognized the value of literary and visual arts in preparing students to engage the salient themes of peace education. However, the medium of comics remains undertheorized in that field, despite the increasing popularity of comics as …

Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado

Electronic Literature Organization Conference 2020

Since the first decades of the twentieth century, Peruvian poetic tradition has been characterized by experimental uses of language. Among these possibilities, some records tensioned this medium from the link with the plastic arts, as in the case of the poetry of José María Eguren, while others opted for the playing with the spatiality and visuality of the blank sheet, such as in the case of the work of Carlos Oquendo de Amat. However, it is not until the appearance of the poetry of César Vallejo, specifically with a poems like Trilce in 1922, that these breakages force us to …

Empty Time As Traumatic Duration: Towards A Cinematic Aevum, Kelli Fuery

Film and Media Arts Faculty Articles and Research

Frank Kermode uses the term aevum to question the links between origin, order, and time, associating experience with spatial form. Without end or beginning, aevum identifies an intersubjective order of time where we participate in the “relation between the fictions by which we order our world and the increasing complexity of what we take to be the ‘real’ history of that world”; being “in-between” time is a primary quality of the aevum. Regarding cinema, aevum identifies this third duration as emotional experience, occuring as traumatic time. It facilitates thinking beyond lived temporal experience of everyday life to a philosophy …

Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart

Dissertations, Theses, and Capstone Projects

Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dissertation challenges the antisocial turn taken in queer theory, by means of a parallel study of the authors’ geographical and intellectual itineraries. While critics like Leo Bersani and Lee Edelman have suggested that the revolutionary potential in queer identity lies in its opposition to romanticized forms of community, I argue, along with José Esteban Muñoz, that their praising of singularity and negativity is similarly extreme. Alternatively, my study shows how the geographical displacements both experienced and imagined by my primary authors can illuminate the passage …

Death Positivity: A New Genre Of Death And The Genre Function Of Memento Mori, Melony Elsie Del Real

Electronic Theses, Projects, and Dissertations

This article explores Caitlin Doughty’s “death positivity” as an evolved form of the medieval memento mori, and how this medieval genre serves as a genre function for current day thanatophobic audiences. This is specifically done by analyzing Doughty’s book titled Smoke Gets in Your Eyes, as well as some of her other death positivity mediums. By modeling her rhetoric of death positivity after memento mori, Doughty can effectively deliver her anti-death fearing message to the very audiences that fear death.

Furthermore, analyzing Doughty’s rhetoric as operating within the genre function, a concept put forth by Anis Bawarshi, …

The Transformation Of R.A. Kosasih's Mahabharata Wayang Comics Design: Comparison Of The 1955 Version With The 1975 Version, Iwan Gunawan

International Review of Humanities Studies

Mahabharata was an epic Hindu story that has been adapted to comics for so many times, by many comic artists. R.A. Kosasih, was one that was known for his mastery in creatingWayang Comics, and Mahabharata was his best creation. He created two versions of Mahabharata comics. The first was in 1955, published by Melodi and the second in 1975, by Maranatha. The storylines were basically the same, but there were differences not only in formats or spelling system, but in the visual narratives. The pictures in Maranatha version were designed in a more up dated style in comics. In the …

Curating Digital Pedagogy In The Humanities, Katherine Harris, Matthew Gold, Rebecca Frost Davis

Faculty Research, Scholarly, and Creative Activity

This is the published introduction to the born-digital, open-access, peer-reviewed *Digital Pedagogy in the Humanities*. More a rationale and scholarly study of both Digital Pedagogy and DPiH in general, this introduces articulates the uses, theory, rationale about digital pedagogy as it has been shaped in U.S. institutions since the explosion of Digital Humanities in 2009. As a separate field now, Digital Pedagogy is built on the generosity of its practitioners, but saving the *stuff* of teaching and pedagogy is difficult. The introduction historicizes this now-published project, its open peer review process, and its development in the early years (starting in …

A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong

CLCWeb: Comparative Literature and Culture

Seung-hoon Jeong discusses in his paper global action thrillers about the war on terror. He highlights the biopolitical abjection of counterterrorist agents from their state agencies. This abjection ends up either self-reaffirming in the manner of a sovereign agent (the Bond series) or terrorizing their sovereign system (the Bourne series), while both are trapped in the vicious cycle of terror and counterterror. More notable is the “mind-game” sci-fi genre. Source Code, among others, stages a loop of a traumatic counterterrorist mission with retroactive causality, a closed circuit of neoliberal productivity and pathological abjection in a video-game narrative. The time-travel …

The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski

CLCWeb: Comparative Literature and Culture

The article offers a Valentinian interpretation of the Hollywood film The Others (2001). A particular attention is paid to the ways in which cinematic motifs and narrative elements of the film draw on myths, ideas and symbolic imagery present in Valentinian works, especially in the Gospel of Truth (NHC I, 3) and the Gospel of Philip (NHC II, 3). In the course of the heuristic analysis, the paper argues that although the film employs Valentinian ideas, it depicts different understanding of the world. This issue is addressed in the last part of the article by situating the film within broader …

Nine Days, John C. Lyden

Journal of Religion & Film

This is a film review of Nine Days (2020) directed by Edson Oda.

2020 Icrcc Proceedings Table Of Contents, Conference Organizers

International Crisis and Risk Communication Conference

These proceedings are a representative sample of the presentations given by professional practitioners and academic scholars at the 2020 International Crisis and Risk Communication Conference (ICRCC) held March 9-11, 2020. The ICRCC is an annual event that takes place the second week in March in beautiful sunny Orlando, Florida. The conference hosts are faculty and staff from the Nicholson School of Communication and Media. The goal of the ICRCC is to bring together prominent professional practitioners and academic scholars that work directly with crisis and risk communication on a daily basis. We define crisis and risk broadly to include, for …

Something To Do With A Girl Named Marla: Eros And Gender In David Fincher’S Fight Club, Vernon W. Cisney

Interdisciplinary Studies Faculty Publications

David Fincher’s 1999 film, Fight Club, has been characterized in many ways: as a romantic comedy, an exploration of white, middle-class male angst, an existentialist search for meaning amidst the moral ruins of late capitalism, an anarchist manifesto, and so on. But common to nearly every reading of the film, critical and laudatory alike, is the assumption that Fight Club is indisputably a celebration of misogynistic, masculinist virility and violence. On its face, this assumption appears so overwhelmingly obvious as to render superfluous any argumentation in support thereof, and absurd any opposing argumentation. Consider the ubiquitous homoerotic adulation of the …

Saints, Mediation, And Miracle-Talk: The Señor De Los Milagros In Lima, Peru, Kristin Norget, Margarita Zires Roldán

Journal of Global Catholicism

No abstract provided.

Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget

Journal of Global Catholicism

No abstract provided.

Overview & Acknowledgements, Mathew Schmalz

Journal of Global Catholicism

No abstract provided.

Enduring The Long Take: Tsai Ming-Liang’S Stray Dogs And The Dialectical Image, Louis Lo

CLCWeb: Comparative Literature and Culture

This essay attempts to show that Tsai’s Stray Dogs (2013) offers a social critique of Taipei as a neoliberal, global, consumer city, and by so doing establishes a cinema of contemplation through such cinematic devices as the sustained long-take and slow, virtually still cinematic images. By developing Walter Benjamin’s formulation of the dialectical image, this essay explores the extent to which Tsai’s cinematic aesthetics reveals an aspect of the city which cannot be shown otherwise. It argues that his slow cinema creates a potentially revolutionary awakening in an audience accustomed to an immersive mode of cinematic experience which turns the …

Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards

Artl@s Bulletin

In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the Kiarostamian strategy of infidelity as reality …

Identity And Memory, Ryley Hinton

Philosophy Summer Fellows

For my Summer Fellows project, I researched personal identity in a philosophical way. The goal was to disambiguate the concept of self-identity, understand what the main notions of identity are, and look at how they apply in different circumstances. My philosophical approach is to treat films as philosophical thought experiments, imaginative situations that reveal the meaning and limits of concepts. Films are great for exploring the topic of identity because they present characters struggling with their self-identity as situations change around them. A major focus of my research is the role of memory in the formation of one’s identity and …

Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu

Publications and Research

If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.

Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson

Senior Theses

The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

Concrete Poetry, Sara Ghazi Asadollahi

Graduate School of Art Theses

This text addresses my work as an artist and defines it in the context of the following subjects: The concept of ruins, which highlights the relationship between architecture and landscape; the formal and metaphorical dialectic between absence and presence in abandoned places; and the idea of dystopia, which emerges from that in-between space where the real dissolves into the imaginary. At the same time, my work is inspired by the visual culture of cinema and literature, principally within the science-fiction genre, and draws upon my observation of abandoned buildings in Tehran, my native city. These urban ruins are products of …

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or lack …

Review Of Environmental Humanities And Theologies: Ecoculture, Literature And The Bible, By Rod Giblett, Sam Mickey

Landscapes: the Journal of the International Centre for Landscape and Language

This is a review of Rod Giblett's Environmental Humanities and Theologies: Ecoculture, Literature and the Bible, published by Routledge in 2018. The review notes Giblett's contributions to the field in tracing wetlands iconography through theological and literary discourses in landmark works in the Anglo-American tradition, Judeo-Christian doctrine, and Australian Aboriginal myth.