Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Purdue University (522)
- City University of New York (CUNY) (154)
- Indiana State University (105)
- Claremont Colleges (71)
- Chapman University (58)
-
- University of Nebraska at Omaha (37)
- California Polytechnic State University, San Luis Obispo (36)
- Western Kentucky University (32)
- Virginia Commonwealth University (29)
- Rochester Institute of Technology (25)
- Syracuse University (25)
- Bowling Green State University (24)
- SAE Institute Australasia (22)
- Wilfrid Laurier University (22)
- East Tennessee State University (21)
- Arcadia University (18)
- LSU New Orleans (17)
- The University of Akron (16)
- University of Central Florida (16)
- University of Dayton (16)
- University of Nebraska - Lincoln (16)
- Portland State University (15)
- University of Louisville (15)
- University of Rhode Island (14)
- Clemson University (13)
- James Madison University (13)
- Liberty University (13)
- Technological University Dublin (13)
- University of Arkansas, Fayetteville (13)
- University of Northern Iowa (13)
- Keyword
-
- Film (148)
- Comparative literature (124)
- comparative literature (121)
- Cultural studies (64)
- cultural studies (59)
-
- Comparative cultural studies (57)
- comparative cultural studies (55)
- Media (53)
- Literary theory (40)
- Television (39)
- literary theory (39)
- Feminism (37)
- Gender (35)
- Documentary (32)
- Cinema (31)
- Culture and history (31)
- culture and history (31)
- Comparative popular culture (30)
- comparative popular culture (30)
- Culture (29)
- Gender studies (28)
- Intercultural studies (28)
- intercultural studies (28)
- Art (27)
- Media studies (27)
- Comparative humanities (25)
- Film and other media of cultural expression (25)
- Identity (25)
- Music (25)
- Video games (25)
- Publication Year
- Publication
-
- CLCWeb: Comparative Literature and Culture (520)
- All-Inclusive List of Electronic Theses and Dissertations (105)
- Theses and Dissertations (78)
- Dissertations, Theses, and Capstone Projects (55)
- Scripps Senior Theses (38)
-
- Electronic Theses and Dissertations (37)
- Journal of Religion & Film (34)
- CMC Senior Theses (27)
- Folklife Archives Finding Aids (25)
- Publications and Research (23)
- Honors Projects (18)
- LSU New Orleans Theses and Dissertations (17)
- Masters Theses (17)
- Student Scholar Symposium Abstracts and Posters (17)
- Undergraduate Honors Theses (17)
- Season 3: Standards of Behavior (14)
- Communication Studies (13)
- Open Educational Resources (13)
- Renée Crown University Honors Thesis Projects - All (13)
- Articles (12)
- Capstones (12)
- Journal of Creative Writing Studies (12)
- All Theses (11)
- Honors College Theses (11)
- Capstone Showcase (10)
- Honors Theses (10)
- Honors Thesis (10)
- Staff Scholarship - Australia & Dubai (10)
- Dissertations (9)
- Electronic Theses, Projects, and Dissertations (9)
- Publication Type
- File Type
Articles 1381 - 1410 of 2000
Full-Text Articles in Film and Media Studies
Sticking To The Script: Sexual Scripts In The Slasher Sub-Genre, Jennifer L. Clay
Sticking To The Script: Sexual Scripts In The Slasher Sub-Genre, Jennifer L. Clay
Theses and Dissertations--Communication
The “slasher” sub-genre has been immensely popular, even spawning television shows that invoke the familiar slasher conventions. This sub-genre has simultaneously become vilified by media researchers over the years. The slasher has received particular criticism for allegedly reinforcing regressive attitudes regarding female sexuality. This study applies sexual script theory to better understand the messages about sex found throughout the sub-genre. This study utilizes content analysis to study the more recent iterations of the slasher sub-genre including the re-make, the modern slasher film and the slasher television show. This analysis uncovered that the slasher sub-genre has evolved over time. While slasher …
Course Syllabus (W16 Online) Coli 331: "Pulp Fiction And Quentin Tarantino", Christopher Southward
Course Syllabus (W16 Online) Coli 331: "Pulp Fiction And Quentin Tarantino", Christopher Southward
Comparative Literature Faculty and Student Scholarship
Course Objectives and Expected Learning Outcomes:
Rejecting the standpoint of the passively entertained consumer, our shared objectives in this course will be (1) to bring our selected cinematic and written texts into interaction in such ways as to produce high-quality scholarly writing. It is hoped that, by the end of the semester, each student’s active engagement with our course material should have enabled him/her, (2) to deepen and broaden his/her knowledge base concerning the social problematics we will have treated in such ways as to inform and encourage constructive social action.
We will view Quentin Tarantino's Pulp Fiction, Reservoir …
Off The Road: Imperialism And Exploration In The American Road Movie, Andy Wright
Off The Road: Imperialism And Exploration In The American Road Movie, Andy Wright
Pitzer Senior Theses
This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through. To accomplish this, my essay analyzes a classic road movie, Easy Rider, a more contemporary parody, Harold and Kumar Escape from Guantanamo Bay, and the futuristic film, The Martian. All of these films treat everything that which is not the metropolitan traveller in a distinctly oppressive sense, and each time a new generation of filmmakers makes a road movie, it becomes …
Strong, Independent, And In Love: Fighting Female Fantasies In Popular Culture, Allison P. Palumbo
Strong, Independent, And In Love: Fighting Female Fantasies In Popular Culture, Allison P. Palumbo
Theses and Dissertations--English
During the late 1970s and 1980s, feminist critics like Janice Radway began to reconsider so-called women’s genres, like romance novels and soap operas and melodramas, in order to address the forms of subversion and expressions of agency they provided female audiences. However, in spite of greater willingness to consider the progressive potential in romance narratives, there has been little such consideration given to stories of romance for the fighting female character—defined as a protagonist who uses violence, via her body or weapons, to save herself and others. The fighting female has received a good deal of attention from critics like …
The Value Of Attending University: An Analysis On The Novels Of Evelyn Waugh And Their Adaptations, Evan J. Molineux
The Value Of Attending University: An Analysis On The Novels Of Evelyn Waugh And Their Adaptations, Evan J. Molineux
CMC Senior Theses
An analysis on Evelyn Waugh's novels: Brideshead Revisited, Decline and Fall, and Vile Bodies as well as their film and television adaptations. The paper relates all of these works to Waugh's idea that the true value and reason why students should attend university is not because their degree will earn them a massive salary, but because it allows for another four years of sequestered development away from adult society. Waugh stated that the true value of his time as an undergraduate at Oxford was because it provided him with the opportunity to drink, throw parties, discover art, etc...which therefore …
Beefing Up The Beefcake: Male Objectification, Boy Bands, And The Socialized Female Gaze, Dorie Bailey
Beefing Up The Beefcake: Male Objectification, Boy Bands, And The Socialized Female Gaze, Dorie Bailey
Scripps Senior Theses
In the traditionally patriarchal Hollywood industry, the heterosexual man’s “male gaze,” as coined by feminist film theorist Laura Mulvey, is the dominant viewing model for cinematic audiences, leaving little room for a negotiated reading of how visual images are created, presented, and internalized by male and female audiences alike. However, as Hollywood’s shifting feminist landscape becomes increasingly prevalent in the mainstream media, content incorporating the oppositional “female gaze” have become the new norm in both the film and television mediums. Through an extended analysis of the gaze as socialized through gendered learning in children, the “safe space” afforded through the …
Judgment And Choice: Moral Judgment, Enjoyment And Meaningfulness In Interactive And Non-Interactive Narratives, Daniel M. Shafer, Sophie Janicke, Jonmichael Seibert
Judgment And Choice: Moral Judgment, Enjoyment And Meaningfulness In Interactive And Non-Interactive Narratives, Daniel M. Shafer, Sophie Janicke, Jonmichael Seibert
Communication Faculty Articles and Research
This study extends Affective Disposition Theory (ADT) and the Integrated Theory of Enjoyment (ITE) to interactive television/film narratives. In the study, 168 participants were randomly assigned to experience one of two originally-produced films; one with interactive components, the other without. Participants in the interactive condition made choices for the protagonist throughout the films. Path analysis was used to examine hypotheses based on the ITE (using the recent perspective of enjoyment and meaningfulness as outcomes). Results indicate that the principles of ADT and ITE can be applied to interactive narrative forms. Suggestions for future research are offered.
Dark Humor And Suicide: Exploring Viewer Suicidality In "The Long Way", Sarah M. Rosen
Dark Humor And Suicide: Exploring Viewer Suicidality In "The Long Way", Sarah M. Rosen
Scripps Senior Theses
Death, dying, and the actual loss of life are some of the broadest sweeping concepts that typically evoke a wide array of emotions from sadness and anger to fear and despondence. It is unlikely that the first words associated with death are comedy, humor, or laughter. However, that is precisely what creators and comedians of dark, death, and gallows humor seek to achieve. For my senior capstone project, I have created a short fictional narrative film encompassing the traits of a dark comedy. However, noticing that few dark comedies delve into topics surrounding suicide, I wondered if it was possible …
Grizcode: A Web Series About The University Of Montana From The Student Perspective, Darien W. Gostas
Grizcode: A Web Series About The University Of Montana From The Student Perspective, Darien W. Gostas
Undergraduate Theses, Professional Papers, and Capstone Artifacts
The point of this paper is to explore the development, purpose, and challenges of making the web series, GrizCode. It is not as scientific, as it is a narrative of what came to be. The goal of GrizCode was to paint a picture of what student life is like at the University of Montana, giving tips and life advice while celebrating and parodying what it means to be a “Griz.” It consisted of floating head type interviews of students over a green screen background of animations, with fun upbeat music that would keep the audience engaged and promote a joyful …
Magic At The Crossroads: The Rise Of The Video Essay, Morganne Tinsley August
Magic At The Crossroads: The Rise Of The Video Essay, Morganne Tinsley August
Theses and Dissertations
This thesis examines the birth, rise in popularity, and evolution of the video essay, a subgenre of the essay found recently in online literary journals. Chapter one provides a brief history of the alphabetic essay as it expands to include photo essays, audio essays, and essay-films. The second chapter outlines the history of the online literary journal and John Bresland’s role in the introduction of the video essay as it appears in online journals. Chapter three contains an examination of the way image, text, and sound function in video essays and the tools and strategies essayists are using to create …
No More Mind Games: Content Analysis Of In-Game Commentary Of The National Football League’S Concussion Problem, Jeffrey Parker
No More Mind Games: Content Analysis Of In-Game Commentary Of The National Football League’S Concussion Problem, Jeffrey Parker
Theses and Dissertations (Comprehensive)
American (gridiron) football played at the professional level in the National Football League (NFL) is an inherently physical spectator sport, in which players frequently engage in significant contact to the head and upper body. Until recently, the long-term health consequences associated with on the field head trauma were not fully disclosed to players or the public, potentially misrepresenting the dangers involved in gameplay. Crucial to the dissemination of this information to the public are in-game televised commentators of NFL games, regarded as the primary conduits for mediating in-game narratives to the viewing audience. Using a social constructionist theoretical lens, this …
The Somewhere We Wish Were Nowhere: Dystopian Realities And (Un)Democratic Imaginaries, Benjamin B. Taylor
The Somewhere We Wish Were Nowhere: Dystopian Realities And (Un)Democratic Imaginaries, Benjamin B. Taylor
Senior Independent Study Theses
How do political practices influence mass culture? Conversely, how does mass culture influence political practice? This project addresses these questions by turning to the concepts of utopia and dystopia. Imagined utopic and dystopic visions express both the hopes and anxieties of the societies producing them. Dystopias also highlight the mechanisms of power that function within particular social orders. Through readings of Lois Lowry’s The Giver and Phillip K. Dick’s Do Androids Dream of Electric Sheep?, I demonstrate how utopia and dystopia function and how we can respond to dystopic realities by theorizing solutions that are more conducive to the …
The Implementation And Emulation Of Cult Movie Marketing, Rebekah W. Mckendry
The Implementation And Emulation Of Cult Movie Marketing, Rebekah W. Mckendry
Theses and Dissertations
Cult media is often an area of media studies that is difficult to define. Cult media branches through numerous time periods, genres, and fandom patterns. Cult trends are also constantly evolving over time, changing from word-of-mouth and point-of-sale advertising to social networks and Internet culture. But have the rudimentary basics of how media cults develop and spread their message changed along with the progressing marketing presentation? This dissertation explores the definition of media cults, their history, and marketing styles over time, ultimately exploring the tools utilized to market cult media and examine how these tools are now synthetically applied to …
Film Tourism And Expectation: Using The Hallyu Wave To Model How Governments And Media Exports Influence National Image, Aishat O. Bello
Film Tourism And Expectation: Using The Hallyu Wave To Model How Governments And Media Exports Influence National Image, Aishat O. Bello
UROP Posters
Film tourism encompasses the interest, investment and influence that exported media products can contribute to cultural globalization, and subsequent visitation of a nation. The Korean Wave or Hallyu wave has been studied and commended for its rapid spread and growing popularity within Asia and more recently, on a more global scale. By comparing and contrasting the methods used by the Korean government to enhance Hallyu, with several trade deals made by the US government to support Hollywood, we can see how the effects of film tourism were directed towards modifying perspectives on Korean culture. A few consequences of making trade …
Gender In The Slasher Film Genre, Brandon Bosch
Gender In The Slasher Film Genre, Brandon Bosch
Department of Sociology: Faculty Publications
It slices, it dices, it has entertained and scared audiences for decades—it’s the slasher film. Despite being dismissed by critics, the slasher film refuses to go away. Even if you don’t go to these movies, they are hard to escape, as every Halloween at least a few trick or treaters will dress up as a character from these movies. Given the longevity and popularity of this genre, I want to spend today talking about how these films often represent gender.
Scholars have also studied slasher films, and have provided a more formal definition than the one that I just provided. …
Unreliable Narrators, Rebekah Manikowski
Unreliable Narrators, Rebekah Manikowski
Scripps Senior Theses
Unreliable Narrators is a record of the process to create a mixed media installation about how and why we tell stories, and how we as an audience discern the truth of those stories. The installation tells three different perspectives of the same story. Part documentary and part detective search, this project has viewers following the subject as she pieces together her story and ultimately has them deciding for themselves what to believe.
400 Meters, Luke Tress
400 Meters, Luke Tress
Capstones
A short documentary on the closest Israeli village to the Gaza border, one year after the 2014 war.
Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su
Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su
CLCWeb: Comparative Literature and Culture
In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …
Luo’S Ethical Experience Of Growth In Mo Yan's Pow!, Zhenzhao Nie
Luo’S Ethical Experience Of Growth In Mo Yan's Pow!, Zhenzhao Nie
CLCWeb: Comparative Literature and Culture
In his article "Luo's Ethical Experience of Growth in Mo Yan's Pow!" Zhenzhao Nie examines the protagonist's experience of self-discovery in the process of natural to ethical choice. Nie's analysis of the novel rests on the theoretical framework "ethical literary criticism" he developed. In the novel Luo's life is narrated in retrospect when he is attempting to become the disciple of a monk and al-though Luo does not find what he is searching for in religion, he arrives at a new stage in his life which is based on ethical principles. The young Luo is unable to make …
Ethical Discourse And Narrative Strategies In Yan's老师,好美 (To My Teacher, With Love), Zhuo Wang
Ethical Discourse And Narrative Strategies In Yan's老师,好美 (To My Teacher, With Love), Zhuo Wang
CLCWeb: Comparative Literature and Culture
In her article "Ethical Discourse and Narrative Strategies in Yan's老师,好美 (To My Teacher, with Love)" Zhuo Wang discusses the way in which narrative converges with ethics at the site of a radical "ethical environment" in Geling Yan's novel. Wang focuses on how the novel's first-person confessional narration, third-person reflective narration, and online narration dialogue with and interrogate one another working together to bring forth Yan's reconsideration of the ethical dimensions of her text. Wang argues that the novel's personal and social ethics are embodied multiple narrative voices which altogether reflect on the close relationship between novels and ethical discourse …
Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang
Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang
Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang
CLCWeb: Comparative Literature and Culture
In his article "Ethical Dilemma and Ethical Epiphany in McEwan's The Children Act" Biwu Shang attempts to explore the ethical nature of the child's welfare in Ian McEwan's novel. Shang examines the various legal cases processed by the British High Court judge Fiona Maye and the blood transfusion case of Adam Henry in particular. Shang argues that Maye adopts ethical criteria throughout the cases she deals with. More significantly, Adam's blood transfusion case and his consequential death lead Maye to her ethical epiphany related to the child's welfare: life is the fundamental welfare of the child and to protect …
Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo
Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo
CLCWeb: Comparative Literature and Culture
In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …
Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning
Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning
CLCWeb: Comparative Literature and Culture
In her article "Narrative Ethics and Alterity in Adichie's Novel Americanah" Nora Berning analyses Chimamanda Ngozi Adichie's novel through the lens of a narrative ethics of alterity. Focusing on the notion of alterity, Berning argues that a specific turn-of-the-century ethics emerges in contemporary fictions of migration in general and in intercultural novels in particular. An ethical genre in its own right, such twenty-first century fictions as Americanah generate a particular kind of ethical knowledge that revolves around questions of identity and alterity and around individual and collective perceptions of self and other. By addressing the interplay of "the ethics …
Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He
Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He
CLCWeb: Comparative Literature and Culture
In his article "Ethics of Counter-Narrative in DeLillo's Falling Man" Qingji He analyzes Don DeLillo's counter-narrative in his post-9/11 novel Falling Man. The objective is to show how ethical dimensions function fundamentally in formulating an appropriate counter-narrative and why DeLillo's counter-narrative echoes views expressed in his "In the Ruins of the Future." He argues that DeLillo's counter-narrative entails the necessity of ethical consciousness and responsibility. It is Giorgio Morandi's still life paintings instead of media representation that become pivotal in Lianne's transformative and redemptive process after the terrorist attack. Similarly, David Janiak's performance art and Richard Drew's picture …
Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim
Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim
CLCWeb: Comparative Literature and Culture
In their article "Ethics of Father and Son in Ri's 流域へ (Watershed Above) and Kaneshiro's GO" Inseop Shin and Jooyoung Kim discuss the ethics of father and son as they appear in the two novels by Kaisei Ri and Kazuki Kaneshiro. In both narratives the protagonists suffer from ethical conflicts with their fathers during their struggle to find their identities. The father is port-rayed as a figure who determines the ethical choices the protagonists face when they pursue their own lives. Shin and Kim argue that Korean Japanese fiction is a narrative that folds these choices back on oneself. …
The Reanimation Of The Zombie Genre, William Engel
The Reanimation Of The Zombie Genre, William Engel
Capstones
The following piece is an examination of the evolution of the zombie in popular media. It begins with a brief recap of the zombie’s history, beginning with its roots in 19th century Haitian folklore, followed by its usage in the format of film. The most notable and enduring entries in the zombie film genre served as scathing critiques of contemporary human issues, encapsulating all of the fears and insecurities of its audience. In recent years, however, due to the way the international film market has changed, the zombie film has lost its emotional power and edge. Contemporary zombie filmmakers are …
The Relationship Between Elevation, Connectedness, And Compassionate Love In Meaningful Films, Sophie Janicke, Mary Beth Oliver
The Relationship Between Elevation, Connectedness, And Compassionate Love In Meaningful Films, Sophie Janicke, Mary Beth Oliver
Communication Faculty Articles and Research
Expanding on the research of meaningful entertainment media and its effects, this study investigated the relationship between experiences related to elevation responses to film. Whereas research thus far has focused primarily on portrayals of altruism to elicit elevation, the results of this study show that portrayals of connectedness, love, and kindness in meaningful films are also able to elicit feelings of elevation. Moreover, elevation mediated the relationship between meaningful films and feelings of connectedness towards the transcendent, close others and toward one’s family; compassionate love towards close others; and compassionate motivation to love and be good to humanity. The study …
Honors College Recruitment Video, Michael Pirt
Honors College Recruitment Video, Michael Pirt
Honors Projects
My Honors project was delivered through the medium of video as I attempted to find out what the Honors College means to its members in hopes of using their answers to inspire incoming students to join the Honors College.
The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy, Travis Wheeler
The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy, Travis Wheeler
Cinesthesia
Much of film theory holds that film is primarily an act of communication, whose message the audience understands. While this allows us great insights into the ideological and subconscious functions of a great many films, it falls short of this success with more enigmatic films. In instances such as these, where films are not easily understood, a different paradigm is necessary. Using philosophical texts as comparative tools in film analysis provides the answer to this "blindspot" in film criticism.